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♪ >hey!

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Hey! ♪ I got this feeling

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inside my bones it
goes electric, wavey ♪

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♪ when I turn it
on all through my city

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all through my home we're flying up

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no ceiling when we're in our zone ♪

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♪ I got that sunshine in my pocket

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got that good soul in my feet ♪

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♪ I feel that hot blood in my body

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when it drops, oh I can't take my

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eyes up off it moving so phenomenally

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the room on lock ♪
♪ the way we rock it

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so don't stop and under the lights

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when everything goes nowhere to hide

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when I'm getting you
close when we move

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well, you already know so just imagine

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just imagine, just imagine nothing
I can see but you ♪

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♪ when you dance dance, dance, girl

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feeling good good creeping up on you ♪

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So just dance, dance, dance come on

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all those things I shouldn't do ♪

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♪ but you dance dance dance

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and ain't nobody leaving soon ♪

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♪ so keep dancing I
can't stop the feeling

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so just dance dance dance ♪

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♪ I can't stop the feeling

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so just dance dance dance ♪

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♪ come on oh it's something magical

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it's in the air it's in my blood ♪

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♪ it's rushing on when I get that ♪

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♪ I might lose control
I fly so high no ceiling ♪

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♪ when I'm in my
zone because I got that

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sunshine in my pocket
got that good soul

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in my feet I feel that hot blood

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in my body when it drops oh

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I can't take my eyes up off it ♪

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♪ moving so
phenomenally the room on lock

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the way we rock it so don't stop ♪

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♪ and under the
lights when everything goes

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nowhere to hide when
I'm getting you close ♪

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♪ when we move well you already know

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so just imagine ♪ from
the bottom to the top, let

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me hear you Hollywood!

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♪ I can't stop the I
can't stop the feeling

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nothing I can see but
you when you dance

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dance dance girl feeling good good

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creeping up on you so just dance

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dance dance come on ♪

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♪ all those things I shouldn't do

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but you dance dance dance ♪

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♪ and ain't nobody leaving soon

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so keep dancing I can't stop

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the feeling got this feeling

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in my body I can't stop

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the feeling got this feeling

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in my body I can't stop the feeling ♪

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♪ wanna see you move your body
I can't stop the feeling ♪

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♪ got this feeling in my body ♪

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♪ I can't stop the feeling ♪

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Break it down. Hollywood,
you look so lovely

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tonight, but do you
feel lovely tonight?

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♪ When I wake up in the morning ♪

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♪ when the sunlight hurts my eyeye

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s and something that I wanted

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love breaks heavy on my mind ♪

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♪ but then I look at you
and the world's all right with

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me just one look at you ♪

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♪ and I know it's gonna
be it's gonna be ♪

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♪ a lovely day lovely day ♪

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♪ lovely day lovely day ♪

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♪ lovely day lovely day ♪

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♪ lovely day lovely day ♪

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♪ lovely day lovely day ♪

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♪ lovely day ♪ ♪ got this feeling

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in my body got this feeling

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in my body come on

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wanna see you move your body ♪

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♪ got this feeling in my body

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come on ♪

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>Thank you! Live from
the doldolby theatre

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at Hollywood and
highland, it's the oscars.

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Ladies and gentlemen,
please welcome your host --

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Jimmy kimmel. ♪

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>Oh, good, I got a
sitting ovation, awesome.

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Oh -- well, I've ruined
the oscars already.

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I don't know who to
say. Welcome, everybody.

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Justin Timberlake! Justin
he was terrific.

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I want to say, on your behalf,
I really hope the other guys from

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nsync were watching that performance,
because if they

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were, I think there's a reall good
chance they're going to let

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you back in the mind. Thank
you very much, Justin.

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Thank you. Hi, everybody.

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Welcome. And most importantly,

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congratulations. Congratulations,
everyone, who

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is nominated tonight. Thank
you for letting me be

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apart of this. I'm excited.

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I've never been to the oscars before.

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This is my first time here
and the way you people go through

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hosts is probably my last
time here, so -- I'm going to enjoy

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this while I'm here. This
broadcast is being watched

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live by millions of
Americans and around the world in more

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than 225 countries that now hate us.

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And I think that is an amazing thing.

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As you know, I don't have
to tell anybody, the country is

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divided right now. I've
been getting a lot of

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advice, people telling me,
you need to say something to unite

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us, and -- let's just get something
straight off the top.

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I'm not -- I can't do that. That's
not -- there's only one

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Braveheart in this room,
and he's not going to unite us,

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either, okay? Mel, you look great.

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I think the scientology is working.

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I really do. I'm not
the man to unite this

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country, but it can be
done. You know, if every person

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watching this show -- I
don't want to get too serious.

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There are millions of people watching
right now and if every

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one of you took a minute
to reach out to one person you

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disagree with, someone you like
and have a positive, considerate

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conversation, not as liberals
or conservatives, but as Americans,

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if we would all do that, we would
make America great again.

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We really could. It starts with us.

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And tonight, in spirit of
healing and bringing people

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together, I would like to
bury the hatchet with someone I've

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had issues with. I would.

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Matt Damon. Now, Matt
I've known Matt for

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a long time now. I've
known Matt so long, when I

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first met Matt, I
was the fat one, okay?

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It's true. And we've had problems.

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He's a selfish person. Those
of you who have worked

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with him know this. But
Matt did something very

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unselfish and I want
to commend him for it.

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For real. Matt, as you probably know,

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could have starred in "Manchester
by the sea."

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It's nominated for six
oscars, including lead actor, and he

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could have taken that lead
actor part for himself.

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But he didn't. He
gave that role to Casey

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affleck, his childhood friend.
He handed an Oscar caliber role

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over to his friend and made a Chinese
pony tail movie instead.

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And -- and that movie went on to

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lose $80 million. Smooth
move, dumb ass.

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See? It's so easy to reach out and

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heal. Maybe this is not a popular

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thing to say, but I want to
say thank you to president trump.

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Remember last year when it
seemed like the oscars were

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racist? That's gone.

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Thanks to him. What --
it has been an amazing

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year for movies. Black
people saved NASA and

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white people saved jazz. That's
what you call progress.

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A little movie musical named
"la la land" ties the all-time Oscar

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record, it was directed by damida

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Damien chazelle, 14
nominations, which is -- 14 nominations, one

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for every year Damien has been alive.

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Tonight is very important for Damien.

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If he wins he'll be able to
go to any college he wants, so --

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we wish you the best. The
movie business is changing.

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First time ever Amazon is
represented at the academy

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awards. Amazon is the first streaming

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service nominated for best picture.

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Jeff bezos is the founder
and ceo, and I want to say

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congratulations to Jeff. And
I want you to know, Jeff, if

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you win tonight, you can
expect your Oscar to arrive in two to

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five business days, possibly
stolen by a grub hub delivery

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man. Amazon produced "Manchester by

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the sea." That was a
fun movie, wasn't it?

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You know, if you search
for "Manchester by the sea" on

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Amazon, it says customers who
bought this item also purchased

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Zoloft. I don't know what's going on,

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but there are a lot of
sad movies this year.

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The only happy ends of all
the nominees was in the one in the

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middle of "moonlight." You
didn't watch it, did you?

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Oh, we love it so much. The
incredible Denzel Washington

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is nominated for
"fences." A movie he also directed.

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I don't know, you probably
heard the story, but of how it came

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together, apparently
Denzel always wanted to work with

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Denzel and just so happened
that their schedules worked out and

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the rest is Oscar
history. Congratulations to you, my

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friend. We have friends and colleagues

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visiting from all
around the world tonight.

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The great actress from
France, Isabelle huppert is with us.

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Isabelle, as you know, is nominated
for her performance in

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the movie "Elle." I would
like to say, we didn't

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see the movie, but I'm glad
homeland security let you in

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tonight. We are very welcoming to

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outsiders here in Hollywood. We
don't discriminate on people

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based on what countries
they come from.

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We discriminate them based
on their age and weight.

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Andrew garfield lost 40 pounds
where is Andrew?

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You can barely even
see him, he got so thin.

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He got lost 40 pounds for
his role in the movie "silence."

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It was an astonish iing feat. Viggo
mortensen is nominated for

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best actor for his
performance in the movie "captain

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fantastic." Too
often, the academy only

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recognizes movies that people have
seen, and I just think it's

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wonderful. We are
here tonight to honor

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great actors but we're also
here to honor the actors who seem

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great but actually really aren't.

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And of all the great actors
here in Hollywood, one in familiar

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has stood the test of time
for her many uninspiring and

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overrated performances.

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See? That's what he means.

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May I say, from her mediocre early
work in "the deer hunter"

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and out of Africa to her underwhelming
performance in

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"Sophie's choice," Meryl
Streep has phoned it in for more than

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50 films over the course
of her lackluster career.

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This is Meryl's 20th Oscar nomination.

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Even more, made even more amazing,
considering the fact

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that she wasn't even
in a movie this year.

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We just wrote her
name down out of habit.

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Meryl, stand up, if you
would. Everybody, please join me in

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giving her a totally
undeserved round of applause, will you?

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The highly overrated
Meryl Streep, everyone.

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We're going to have fun
tonight. I hope we're going to have fun

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tonight. Nice dress, by the way.

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00:13:42,840 --> 00:13:46,120
Is that an ivanka? This is exciting.

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I think it's important that we
all -- I know we've all seen it

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all, but it's important that we
take a second to appreciate what

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is happening here.
We're at the oscars.

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The academy awards. You're nominated.

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You got to come. Your
families are nominated.

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00:14:00,190 --> 00:14:01,800
Your friends. Some of
you will get to come up

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00:14:01,850 --> 00:14:04,840
here on this stage tonight and
give a speech that the president

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00:14:04,890 --> 00:14:09,450
of the United States will
tweet about in all caps during his

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00:14:09,500 --> 00:14:12,250
5:00 A.M. bowel movement tomorrow.

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And I think that's pretty
darn excellent, if you ask me, so,

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let's get going. It's
time for our first category

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of the night. Supporting actors.

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It's what most actors
parents are still doing, supporting

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00:14:24,380 --> 00:14:26,960
actors. Five men are
nominated tonight,

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but only one will have the opportunity
to be included in a

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spectacular clip montage like this.

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>When I first emerged from
my mother's womb, I was already

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00:14:41,030 --> 00:14:42,680
rehearsing my academy
thank you speech.

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>Thank God I get tose this. >It's
handwritten, it's short.

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00:14:46,700 --> 00:14:49,350
>Ladies and gentlemen -- >what
a night, what a moment,

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what everything. >I'm very happy.

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00:14:50,800 --> 00:14:53,890
>Don't let anybody tell you
this isn't a terrific thrill.

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00:14:53,940 --> 00:14:56,130
>I have dreamed of a
moment like this my whole life.

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00:14:56,180 --> 00:14:58,390
>To all you members of the academy --

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>thank you so much for
this incredible honor.

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>All you other four
guys -- this is ours.

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>You've all made it
possible. >And the Oscar goes to --

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00:15:11,490 --> 00:15:14,810
>Christopher walken. >To
my fellow nominees.

242
00:15:14,860 --> 00:15:18,010
>So proud to share this most
joyful, wonderful experience.

243
00:15:18,060 --> 00:15:20,980
>This is pretty
amazing. >I've always just adored

244
00:15:21,030 --> 00:15:22,850
stories. >And I'm grateful every day.

245
00:15:22,900 --> 00:15:26,220
>For the opportunity to
work. >In the entertainment

246
00:15:26,270 --> 00:15:28,190
industry. >So happy
to be here tonight.

247
00:15:28,240 --> 00:15:31,660
>But most of all -- and
this is from the heart --

248
00:15:31,710 --> 00:15:36,730
>there's no way I can
ever thank you enough.

249
00:15:36,780 --> 00:15:38,870
>Announcer: Ladies and gentlemen,
please welcome last

250
00:15:38,920 --> 00:15:42,310
year's winner for best
actress in a supporting role,

251
00:15:42,360 --> 00:15:47,590
Alicia vikander.

252
00:15:52,930 --> 00:15:58,090
>This year's nominees for
best supporting actor are

253
00:15:58,140 --> 00:16:04,860
distinguished as a group by
the broad and diverse range of the

254
00:16:04,910 --> 00:16:06,900
characters they played, each
of them as memorable as any of the

255
00:16:06,950 --> 00:16:12,950
classic performances we just saw.

256
00:16:14,520 --> 00:16:17,910
I am thrilled to tell you their names.

257
00:16:17,960 --> 00:16:19,040
Here are the nominees for
performance by aactor in a

258
00:16:19,090 --> 00:16:21,410
supporting role. Mahershala Ali.

259
00:16:21,460 --> 00:16:27,460
"Moonlight." >I hate her.

260
00:16:31,540 --> 00:16:37,090
>Hmm. Yeah, I belt you do.

261
00:16:37,140 --> 00:16:43,140
I hated my mom, too.

262
00:16:51,560 --> 00:16:56,410
>Jeff bridges. "Hell or high water."

263
00:16:56,460 --> 00:17:01,280
>Help me understand
why four people died?

264
00:17:01,330 --> 00:17:03,550
Steal money that you don't
spend, that you don't need.

265
00:17:03,600 --> 00:17:05,590
>You got a family? >Y
partner had a family, big

266
00:17:05,640 --> 00:17:12,090
one. They don't got no pump Jacks in

267
00:17:12,140 --> 00:17:14,830
their front yard. >I
didn't tell your friend.

268
00:17:14,880 --> 00:17:21,640
>Yes, you did, by setting
this thing in motion.

269
00:17:21,690 --> 00:17:24,010
>Lucas hedges. "Manchester
by the sea."

270
00:17:24,060 --> 00:17:26,480
>You actually have
sex with these girls?

271
00:17:26,530 --> 00:17:28,610
>We don't just play computer games.

272
00:17:28,660 --> 00:17:33,220
>With both of them? >Well,
with Sandy's mom here,

273
00:17:33,270 --> 00:17:36,820
it's sort of strictly
just, like, basement business.

274
00:17:36,870 --> 00:17:42,870
>What does that mean? >Means
I'm working on it.

275
00:17:46,110 --> 00:17:49,300
>Dev patel. "Lion."

276
00:17:49,350 --> 00:17:53,940
>Do you have any idea
what it's like knowing my real

277
00:17:53,990 --> 00:17:57,070
brother and mother spent
every day of their lives looking for

278
00:17:57,120 --> 00:17:59,810
me? Huh?

279
00:17:59,860 --> 00:18:04,480
How every day my real
brother screams my name?

280
00:18:04,530 --> 00:18:07,220
Can you imagine the pain they
must be in not knowing where I

281
00:18:07,270 --> 00:18:09,850
am, huh? 25 years.

282
00:18:09,900 --> 00:18:15,900
25.

283
00:18:18,080 --> 00:18:21,160
>Michael Shannon. "Nocturnal animals."

284
00:18:21,210 --> 00:18:26,300
>Just showed up at my camp.
I'm going to let that little

285
00:18:26,350 --> 00:18:29,670
idiot get nice and liquored
up, then I'm going to grab his ass

286
00:18:29,720 --> 00:18:32,340
and take him to my camp, and
I want you to come with me.

287
00:18:32,390 --> 00:18:35,110
We're going to keep him for
a little while, get a little

288
00:18:35,160 --> 00:18:41,280
rough, make him suffer. And
then we'll see what he does.

289
00:18:41,330 --> 00:18:47,330
Would you like that?

290
00:18:52,680 --> 00:18:58,680
>And the Oscar goes to -- mahershala
Ali, "moonlight."

291
00:19:03,560 --> 00:19:09,310
>Announcer: This is the
first Oscar and nomination for

292
00:19:09,360 --> 00:19:15,360
mahershala Ali.

293
00:19:36,490 --> 00:19:41,280
>My grandma would
want me to button up.

294
00:19:41,330 --> 00:19:47,330
Wow. I want to thank my teachers, my

295
00:19:48,400 --> 00:19:52,790
professors, my -- so many wonderful
teachers and one thing

296
00:19:52,840 --> 00:19:58,840
that they consistently told
me, Ron van Lou, Ken Washington,

297
00:20:00,650 --> 00:20:05,300
said it wasn't about
you. It's not about you.

298
00:20:05,350 --> 00:20:07,870
It's about these
characters. You are a servant.

299
00:20:07,920 --> 00:20:11,610
You're in service to these stories
and these characters and

300
00:20:11,660 --> 00:20:14,640
I'm so blessed to have
had an opportunity.

301
00:20:14,690 --> 00:20:20,750
It was about Juan, it was about Paula.

302
00:20:20,800 --> 00:20:24,350
Cast and crew, such a
wonderful experience.

303
00:20:24,400 --> 00:20:30,400
Thank you Barry Jenkins,
thank you Adele romanski, who

304
00:20:39,080 --> 00:20:42,340
Barry to cast me. No,
but -- it's just such a

305
00:20:42,390 --> 00:20:45,810
wonderful experience and I have
so many people to thank who have

306
00:20:45,860 --> 00:20:50,050
gotten me here, my manager,
who have been with for ten years.

307
00:20:50,100 --> 00:20:52,920
Just thank you so much, and
the rest of the cast who did

308
00:20:52,970 --> 00:20:55,750
wonderful work, any one of
them could be up here right now

309
00:20:55,800 --> 00:20:57,920
holding this trophy. Such
a gift, getting to work

310
00:20:57,970 --> 00:21:01,190
with you and be inspired by
you and the performances that you

311
00:21:01,240 --> 00:21:04,330
all offered up. So,
thank you, the academy,

312
00:21:04,380 --> 00:21:08,660
really appreciate this, and lastly,
I just want to thank my

313
00:21:08,710 --> 00:21:15,070
wife, who is in her third trimester
during award season.

314
00:21:15,120 --> 00:21:21,120
We just had our daughter three
days ago, so -- I just -- I just

315
00:21:22,800 --> 00:21:25,010
want to thank her for being
such a soldier through this process

316
00:21:25,060 --> 00:21:29,690
and help and really carrying
me through it all, so, thank you,

317
00:21:29,740 --> 00:21:36,430
really appreciate
it. Peace and blessings.

318
00:21:36,480 --> 00:21:41,330
>Announcer: Coming up, Kate
McKinnon, Jason Bateman and

319
00:21:41,380 --> 00:21:43,570
Dwayne Johnson. Then
later, a performance by

320
00:21:43,620 --> 00:21:46,220
lin-Manuel Miranda.

321
00:21:48,520 --> 00:21:53,380
>Announcer: The oscars on
abc, brought to you by --

322
00:21:53,430 --> 00:21:54,430
Samsung.

323
00:22:03,930 --> 00:22:06,620
♪ >hi, everybody.

324
00:22:06,670 --> 00:22:11,890
Welcome back. Wasn't that nice to see

325
00:22:11,940 --> 00:22:15,290
mahershala accepting an Oscar for
a big movie that came out of

326
00:22:15,340 --> 00:22:16,830
nowhere? Congratulations.

327
00:22:16,880 --> 00:22:21,260
I mean, not for the
people who lost, but.

328
00:22:21,310 --> 00:22:25,000
When your name is
mahershala, what do you name the kid?

329
00:22:25,050 --> 00:22:30,470
You can't go with Amy. Real simple?

330
00:22:30,520 --> 00:22:32,380
Mark? Oh, mari.

331
00:22:32,430 --> 00:22:36,780
Jeff bridges is here. Did
you bring your vappen?

332
00:22:36,830 --> 00:22:37,710
All right. All right.

333
00:22:37,760 --> 00:22:40,320
All right. Hey, we have many wonderful

334
00:22:40,370 --> 00:22:42,950
stars and moments to share tonight
and we will, but before

335
00:22:43,000 --> 00:22:49,890
we go any further, if
there's anyone here from CNN or "the

336
00:22:49,940 --> 00:22:53,460
L.A." or "the New York
times," if you work for anything with

337
00:22:53,510 --> 00:22:58,440
the word times in it, I would
like you to leave the building

338
00:22:58,490 --> 00:23:00,000
right now, okay? We have
no tolerance for fake

339
00:23:00,050 --> 00:23:02,410
news. Fake tans we love, but fake

340
00:23:02,460 --> 00:23:04,240
news? This is the fun part of the

341
00:23:04,290 --> 00:23:07,510
show. This is the part of the show

342
00:23:07,560 --> 00:23:09,980
when ifeveryone still has
hope, before people start losing and

343
00:23:10,030 --> 00:23:14,620
you realize you taped your
dress to your boobs for nothing.

344
00:23:14,670 --> 00:23:17,050
Our next presenters
are very funny people.

345
00:23:17,100 --> 00:23:20,790
She spent most of last year dressed
up like Hillary Clinton,

346
00:23:20,840 --> 00:23:25,830
and weirdly, so did he. Here
to hand out the award for

347
00:23:25,880 --> 00:23:31,880
costume, makeup and
hairstyling, Kate McKinnon and Jason Bateman.

348
00:23:43,200 --> 00:23:44,750
>Wow. It's the oscars.

349
00:23:44,800 --> 00:23:49,020
>It's the oscars. >It is the oscars.

350
00:23:49,070 --> 00:23:50,420
How you doing? Nervous?

351
00:23:50,470 --> 00:23:53,560
>Little bit nervous. Yeah.

352
00:23:53,610 --> 00:23:55,390
A lot of people. Doing
a double segment, too.

353
00:23:55,440 --> 00:23:58,400
We're going to be up here a
bit. And we're doing makeup and we're

354
00:23:58,450 --> 00:24:00,260
dos costumes. I'm a little tight.

355
00:24:00,310 --> 00:24:01,400
>Yeah. Don't worry.

356
00:24:01,450 --> 00:24:04,370
I got you. I'm going to set you up.

357
00:24:04,420 --> 00:24:06,640
You're going to spike
it. >You promise?

358
00:24:06,690 --> 00:24:08,340
>I got it. >Please do.

359
00:24:08,390 --> 00:24:11,540
>Makeup is the art
of ending an argument.

360
00:24:11,590 --> 00:24:13,540
>Uh-oh. When you are about to get a

361
00:24:13,590 --> 00:24:14,310
divorce -- >Kate.

362
00:24:14,360 --> 00:24:16,250
>And then you don't. >That's t it.

363
00:24:16,300 --> 00:24:21,620
>That is the power of
makeup. >That's not it.

364
00:24:21,670 --> 00:24:26,920
>I got this. Here are
this year's nominees

365
00:24:26,970 --> 00:24:32,060
for achievement in
makeup and hairstyling.

366
00:24:32,110 --> 00:24:38,110
"A man called ove." Eva
Von bahr and love Larson.

367
00:24:39,920 --> 00:24:45,920
"Star trek beyond." Joel
harlow and Richard Alonzo.

368
00:24:48,030 --> 00:24:53,680
"Suicide squad." Alessandro
bertolazzi,

369
00:24:53,730 --> 00:24:59,920
giorgio gregorini
and Christopher Nelson.

370
00:24:59,970 --> 00:25:05,970
>And the Oscar goes to
for "suicide squad."

371
00:25:10,280 --> 00:25:16,280
Alessandro bertolazzi, giorgio

372
00:25:19,230 --> 00:25:23,880
gregorini and Christopher Nelson.

373
00:25:23,930 --> 00:25:26,180
>Announcer: This is
the first Oscar for

374
00:25:26,230 --> 00:25:27,880
Alessandro
bertolazzi, giorgio gregorini and

375
00:25:27,930 --> 00:25:33,930
Christopher Nelson.

376
00:25:39,150 --> 00:25:41,260
>You want to talk? >Yes.

377
00:25:41,310 --> 00:25:42,770
Thank you so -- yeah, I want to talk.

378
00:25:42,820 --> 00:25:45,700
I waited for 50 years to
talk. Probably a little bit more.

379
00:25:45,750 --> 00:25:49,040
So, by the way, thank you
academy for making this all

380
00:25:49,090 --> 00:25:50,340
possible. Acade

381
00:25:50,390 --> 00:25:52,340
academy's support is not
just oscars, it's everything.

382
00:25:52,390 --> 00:25:55,910
Support the movie,
support beautiful people.

383
00:25:55,960 --> 00:26:01,420
Thank you very much to my
lovely wife, supported me for all my

384
00:26:01,470 --> 00:26:03,190
life. And my son.

385
00:26:03,240 --> 00:26:05,160
What can I say? Thank you very much.

386
00:26:05,210 --> 00:26:08,660
It's not the -- the last thing,
this is for -- I'm an immigrant,

387
00:26:08,710 --> 00:26:10,730
I come from Italy. I
work around the world.

388
00:26:10,780 --> 00:26:12,160
And this is for all the immigrants.

389
00:26:12,210 --> 00:26:15,500
For the immigrants. Please.

390
00:26:15,550 --> 00:26:21,170
>Thank you, everybody. Thank
you, David, Greg, k and b,

391
00:26:21,220 --> 00:26:24,240
everybody, please. Thank you so much.

392
00:26:24,290 --> 00:26:29,780
>Thank you so much to all of
you, I'm so happy for this one

393
00:26:29,830 --> 00:26:33,320
and I want to dedicate this
to my wife, she passed away, she

394
00:26:33,370 --> 00:26:39,860
cannot be with me now, but
thank you so much to everybody.

395
00:26:39,910 --> 00:26:43,280
Thank you.

396
00:26:46,410 --> 00:26:47,460
>Okay. Yeah.

397
00:26:47,510 --> 00:26:50,430
I -- I see what went wrong
the last time and I'm not going to

398
00:26:50,480 --> 00:26:51,640
let you down. >Please don't.

399
00:26:51,690 --> 00:26:56,640
>Okay. >Costumes are the cost of

400
00:26:56,690 --> 00:26:58,810
humes. >That's not it.

401
00:26:58,860 --> 00:27:03,880
>Take it. >These are the nominees for

402
00:27:03,930 --> 00:27:07,380
achievement in costume
design. "Allied."

403
00:27:07,430 --> 00:27:12,860
Costume design by joanna johnston.

404
00:27:12,910 --> 00:27:15,030
"Fantastic beasts and
where to find them."

405
00:27:15,080 --> 00:27:21,080
Costume design by Colleen atwood.

406
00:27:22,280 --> 00:27:23,170
"Florence foster
Jenkins." Costume design by

407
00:27:23,220 --> 00:27:29,220
consolata boyle. "Jackie."

408
00:27:31,220 --> 00:27:37,350
Costume design by Madeline fontaine.

409
00:27:37,400 --> 00:27:43,400
"La la land." Costume
design by Mary zophres.

410
00:27:47,270 --> 00:27:53,660
Okay. The Oscar goes to -- Colleen

411
00:27:53,710 --> 00:27:59,340
atwood, "fantastic beasts
and where to find them."

412
00:27:59,390 --> 00:28:02,770
>Announcer: This is the
fourth Oscar and 12th nomination for

413
00:28:02,820 --> 00:28:06,610
Colleen atwood, who
previously took home oscars in this

414
00:28:06,660 --> 00:28:11,950
category for "Chicago,"
"memoirs of a geisha" and "Alice in

415
00:28:12,000 --> 00:28:18,000
wonderland."

416
00:28:33,620 --> 00:28:38,840
>Thank you. Truly floored.

417
00:28:38,890 --> 00:28:41,750
Sting told me I was going to
win tonight, I didn't believe him at

418
00:28:41,800 --> 00:28:44,350
all. I was like, what?

419
00:28:44,400 --> 00:28:46,250
Obviously, I didn't prepare anything.

420
00:28:46,300 --> 00:28:51,860
Thank you to Warner brothers
for their tremendous, really

421
00:28:51,910 --> 00:28:55,890
supportive team, my amazing director.

422
00:28:55,940 --> 00:28:59,730
Lovely David yates. Just
a special treat to work

423
00:28:59,780 --> 00:29:02,370
with him. And my
amazing team and the rest

424
00:29:02,420 --> 00:29:04,830
of the people who
I've forgotten tonight.

425
00:29:04,880 --> 00:29:07,570
Thank you all very much, my
kids who are here with me.

426
00:29:07,620 --> 00:29:13,620
Thanks so much. >Announcer:
Coming up, the

427
00:29:17,030 --> 00:29:22,520
stars of "hidden figures," "moana's"
Dwayne Johnson and the

428
00:29:22,570 --> 00:29:23,290
award for best supporting actress.

429
00:29:23,340 --> 00:29:27,860
We're coming to you live from
the dolby theatre in Hollywood.

430
00:29:27,910 --> 00:29:31,860
The oscars on abc,
brought to you by --

431
00:29:31,910 --> 00:29:35,180
Cadillac.

432
00:29:46,660 --> 00:29:51,180
>Welcome back. I want
to take a moment tonight

433
00:29:51,230 --> 00:29:53,750
to honor some of the real
heroes who are here tonight.

434
00:29:53,800 --> 00:29:56,690
The super heroes. There
are so many of them in our

435
00:29:56,740 --> 00:29:58,690
audience. And it has
been an amazing year

436
00:29:58,740 --> 00:30:03,560
for comic book movies. "Doctor
strange" was dominated

437
00:30:03,610 --> 00:30:06,300
for outstanding visual
effects and named secretary of housing

438
00:30:06,350 --> 00:30:13,070
and urban development. One
of this year's nominees for

439
00:30:13,120 --> 00:30:16,240
best picture is "hidden figures."

440
00:30:16,290 --> 00:30:18,740
This is a movie about real heroes.

441
00:30:18,790 --> 00:30:23,920
It is an inspiring and illuminating
true story that

442
00:30:23,970 --> 00:30:27,450
taught us not only about gender
and racial discrimination in the

443
00:30:27,500 --> 00:30:30,620
early '60s, but also about
the amazing things women can

444
00:30:30,670 --> 00:30:32,890
accomplish when they have to pee.

445
00:30:32,940 --> 00:30:38,130
And here to present the
Oscar for best documentary feature,

446
00:30:38,180 --> 00:30:44,180
please welcome algebra's
angels, janelle monae, tarajip. Henson

447
00:30:51,460 --> 00:30:57,460
and Octavia Spencer.

448
00:30:59,730 --> 00:31:04,260
>Movies about the lives of
men and women in the history books

449
00:31:04,310 --> 00:31:08,130
have long been a
staple of storytellers.

450
00:31:08,180 --> 00:31:09,530
Sometimes the names and deeds
of the heroes in those films are

451
00:31:09,580 --> 00:31:15,200
known to all. >And
then there are those

452
00:31:15,250 --> 00:31:18,770
films that shine the spotlight
on those whose names were known

453
00:31:18,820 --> 00:31:22,470
to only a very few, but
whose stories deserve to be told.

454
00:31:22,520 --> 00:31:25,980
>We were honored to be in an inspiring
film about three such

455
00:31:26,030 --> 00:31:30,750
women. Dorothy Vaughan, Mary Jackson

456
00:31:30,800 --> 00:31:36,800
and Katherine Johnson,
whose brilliance made our -- yes.

457
00:31:38,170 --> 00:31:42,590
Whose brilliance made our nation's
achievements in space

458
00:31:42,640 --> 00:31:46,230
possible. And now,
please welcome a true

459
00:31:46,280 --> 00:31:52,280
NASA and American
hero, Katherine Johnson.

460
00:32:44,640 --> 00:32:49,260
>Thank you. Thanks very much.

461
00:32:49,310 --> 00:32:53,400
>While "hidden figures" featured
actors portraying

462
00:32:53,450 --> 00:32:56,200
Katherine, Mary and Dorothy
>documentary filmmakers use a

463
00:32:56,250 --> 00:33:00,710
camera to show real people
sharing their real stories.

464
00:33:00,760 --> 00:33:02,870
In doing so, they illuminate
the human condition in a way that is

465
00:33:02,920 --> 00:33:06,810
brilliantly insightful,
often astonishing, but above all,

466
00:33:06,860 --> 00:33:10,450
truthful. >Here are the nominees for

467
00:33:10,500 --> 00:33:17,220
best documentary
feature. "Fire at sea."

468
00:33:17,270 --> 00:33:23,500
Gianfranco rosi and donatella palermo.

469
00:33:23,550 --> 00:33:29,550
"I am not your negro." Raoul
peck, Rémi grellety and

470
00:33:31,460 --> 00:33:35,110
hébert peck. >I'm
terrified of the moral

471
00:33:35,160 --> 00:33:38,510
apathy, the death of the heart
that's happening in my country.

472
00:33:38,560 --> 00:33:41,610
>"Life, animated." Roger
Ross Williams and

473
00:33:41,660 --> 00:33:45,520
Julie Goldman. >I see
a proud autistic man,

474
00:33:45,570 --> 00:33:52,490
ready to meet a future that
is bright and full of wonder.

475
00:33:52,540 --> 00:33:54,360
"O.J.: Made in
America." Ezra edelman and

476
00:33:54,410 --> 00:33:55,230
Caroline waterlow. >911 emergency.

477
00:33:55,280 --> 00:33:57,000
>Can you get someone over here now?

478
00:33:57,050 --> 00:34:01,830
>Okay, what does he look
like? >He's o.J. Simpson.

479
00:34:01,880 --> 00:34:03,970
>"13th." Ava duvernay,
Spencer averick,

480
00:34:04,020 --> 00:34:09,470
and Howard barish. >Relies
historically on the

481
00:34:09,520 --> 00:34:15,520
inheritances of slavery.
>And the Oscar goes to --

482
00:34:19,670 --> 00:34:25,670
>"o.J.: Made in
America." Ezra edelman and Caroline

483
00:34:26,740 --> 00:34:30,360
waterlow. >Announcer:
This is the first

484
00:34:30,410 --> 00:34:36,410
Oscar nomination for Ezra edelman
and Caroline waterlow.

485
00:35:01,080 --> 00:35:05,830
>30, huh? Okay.

486
00:35:05,880 --> 00:35:08,700
First of all, this is incredible,
I -- I want to thank

487
00:35:08,750 --> 00:35:14,370
Caroline for going on
this journey with me.

488
00:35:14,420 --> 00:35:17,280
I -- yes, give it up. I
want to thank the academy for

489
00:35:17,330 --> 00:35:20,110
acknowledging this untraditional film.

490
00:35:20,160 --> 00:35:23,620
I want to thank ESPN for allowing
us the canvas and the

491
00:35:23,670 --> 00:35:26,320
time to tell this story. This
is the only way it could be

492
00:35:26,370 --> 00:35:28,190
told. But I want to acknowledge that I

493
00:35:28,240 --> 00:35:32,320
wouldn't be standing here tonight
if not for two people

494
00:35:32,370 --> 00:35:34,690
who aren't here with us.
Ron Goldman, Nicole brown.

495
00:35:34,740 --> 00:35:38,300
This is for them and their families.

496
00:35:38,350 --> 00:35:44,350
It is also for others, the
victims of police violence,

497
00:35:45,520 --> 00:35:50,280
police brutality, racially motivated
violence and criminal

498
00:35:50,330 --> 00:35:52,640
injustice. This is
their story, as well as

499
00:35:52,690 --> 00:35:56,610
Ron and Nicole's. I am
honored to accept this

500
00:35:56,660 --> 00:36:02,660
award on all of their
behalfs. Thank you.

501
00:36:12,650 --> 00:36:16,630
>Oh, now I'm not supposed
to make an o.J. Joke?

502
00:36:16,680 --> 00:36:18,640
Oh, stop it. I didn't
know we'd be doing this

503
00:36:18,690 --> 00:36:23,380
in 2017, either, but we are.
That's the simple fact of the

504
00:36:23,430 --> 00:36:27,880
matter. O.J., you
get an extra slice of

505
00:36:27,930 --> 00:36:28,910
billi bologna on your sandwich

506
00:36:28,960 --> 00:36:34,220
tonight. Almost midway through the

507
00:36:34,270 --> 00:36:37,990
broadcast, the crowd turned on kimmel.

508
00:36:38,040 --> 00:36:42,770
With an absolutely
tasteless joke about our beloved o.J.

509
00:36:42,820 --> 00:36:45,540
All right. Our next
presenter is a former

510
00:36:45,590 --> 00:36:48,710
wrestler who is now the
highest paid actor in the world, which

511
00:36:48,760 --> 00:36:51,480
really kind of puts this
whole thing in perspective, doesn't

512
00:36:51,530 --> 00:36:53,350
it? He is the man with the golden

513
00:36:53,400 --> 00:36:58,050
guns, please welcome the
artist formerly known as the rock,

514
00:36:58,100 --> 00:37:04,100
Dwayne Johnson.

515
00:37:07,870 --> 00:37:13,460
>I've been told that in these
very politically charged times,

516
00:37:13,510 --> 00:37:19,000
there's literally only one
thing that can bring the entire planet

517
00:37:19,050 --> 00:37:21,470
together. Dwayne
Johnson singing his song

518
00:37:21,520 --> 00:37:26,300
from the Oscar-nominated "moana,"
live in front of a

519
00:37:26,350 --> 00:37:32,340
billion people. So when
the oscars called, I

520
00:37:32,390 --> 00:37:38,320
picked up the phone and
said, ♪ what can I say

521
00:37:38,370 --> 00:37:44,370
except you're welcome ♪ the
producers took a moment and

522
00:37:46,270 --> 00:37:50,360
said, "nah, we're
good." Don't want me to sing.

523
00:37:50,410 --> 00:37:52,860
Great. So, luckily for you, and the

524
00:37:52,910 --> 00:37:57,270
world, here to perform one of our
other iconic songs, "how far

525
00:37:57,320 --> 00:38:02,910
I'll go," from our movie "moana,"
is the very talented

526
00:38:02,960 --> 00:38:06,510
actress who plays moana, 16-year-old
auli'i cravalho,

527
00:38:06,560 --> 00:38:07,680
with an original prologue performed
by one of the creative

528
00:38:07,730 --> 00:38:14,320
forces behind the film's music
and lyrics, my twin, lin-Manuel

529
00:38:14,370 --> 00:38:19,570
Miranda.

530
00:38:20,710 --> 00:38:23,360
♪ >before she sings her solo

531
00:38:23,410 --> 00:38:29,410
shall I set the scene? Picture
a young warrior not even

532
00:38:30,790 --> 00:38:32,570
is 17. She dreams of open seas.

533
00:38:32,620 --> 00:38:36,670
She's full of hope and sees a
future where she sets her sail

534
00:38:36,720 --> 00:38:38,410
and rope against the open breeze.

535
00:38:38,460 --> 00:38:42,950
She doesn't know that she's a
joyaging descendant, impatient.

536
00:38:43,000 --> 00:38:45,020
Independent heart of nature in
that pendant the ocean's at her

537
00:38:45,070 --> 00:38:46,780
feet she opens her eyes to
find her mind is on her island but

538
00:38:46,830 --> 00:38:52,830
her eyes on the horizon
line. ♪ I've been staring

539
00:38:55,240 --> 00:39:01,240
at the edge of the
water long as I can remember

540
00:39:02,450 --> 00:39:06,240
never really knowing why I wish

541
00:39:06,290 --> 00:39:08,470
I could be the perfect daughter ♪

542
00:39:08,520 --> 00:39:10,740
♪ but I come back to the water

543
00:39:10,790 --> 00:39:16,550
no matter how hard I try ♪

544
00:39:16,600 --> 00:39:18,750
♪ every turn I
take every trail I track

545
00:39:18,800 --> 00:39:21,250
every path I make every
road leads back ♪

546
00:39:21,300 --> 00:39:26,420
♪ to the place I
know where I cannot go

547
00:39:26,470 --> 00:39:27,460
where I long to be see the line

548
00:39:27,510 --> 00:39:30,760
where the sky meets the sea

549
00:39:30,810 --> 00:39:36,810
it calls me and no one knows

550
00:39:37,920 --> 00:39:38,540
how far it goes if the wind

551
00:39:38,590 --> 00:39:42,570
in my sail on the sea

552
00:39:42,620 --> 00:39:46,780
stays behind me one day I'll know

553
00:39:46,830 --> 00:39:50,380
♪ if I go there's just no telling

554
00:39:50,430 --> 00:39:53,990
how far I'll go I know

555
00:39:54,040 --> 00:39:56,490
everybody on this
island seems so happy

556
00:39:56,540 --> 00:40:02,430
on this island
everything is by design ♪

557
00:40:02,480 --> 00:40:06,500
♪ I know everybody on this island

558
00:40:06,550 --> 00:40:10,770
has a role on this island
so maybe I can

559
00:40:10,820 --> 00:40:16,320
roll with mine I can lead with pride

560
00:40:16,370 --> 00:40:17,840
I can make us strong I'll be satisfied

561
00:40:17,890 --> 00:40:20,450
if I play along but the voice inside

562
00:40:20,500 --> 00:40:26,260
sings a different song what
is wrong with me ♪

563
00:40:26,310 --> 00:40:28,800
♪ see the light as it shines

564
00:40:28,850 --> 00:40:32,420
on the sea it's blinding ♪

565
00:40:32,470 --> 00:40:37,660
♪ but no one knows how deep it goes

566
00:40:37,710 --> 00:40:38,830
and it seems like it's calling ♪

567
00:40:38,880 --> 00:40:43,330
♪ out to me so come find me

568
00:40:43,380 --> 00:40:49,110
and let me know what's
beyond that line ♪

569
00:40:49,160 --> 00:40:50,140
♪ will I cross that line see the line

570
00:40:50,190 --> 00:40:52,210
where the sky meets the sea ♪

571
00:40:52,260 --> 00:40:56,950
♪ it calls me ♪ ♪ and no one knows

572
00:40:57,000 --> 00:41:01,050
how far it goes if the wind

573
00:41:01,100 --> 00:41:05,690
in my sail on the sea

574
00:41:05,740 --> 00:41:09,390
stays behind me one day I'll know

575
00:41:09,440 --> 00:41:15,440
how far I'll go ♪

576
00:41:34,800 --> 00:41:37,960
>Announcer: Coming up, Chris
Evans, charlize theron,

577
00:41:38,010 --> 00:41:42,490
Vince Vaughn and a
performance by sting.

578
00:41:42,540 --> 00:41:45,960
Plus, we'll see who brings
home the award for best supporting

579
00:41:46,010 --> 00:41:48,930
actress. The oscars on abc,

580
00:41:48,980 --> 00:41:50,500
brought to you by -- Walmart.

581
00:41:50,550 --> 00:41:54,270
And now, enjoy the first of three
short films, based on the

582
00:41:54,320 --> 00:41:55,320
same Walmart receipt.

583
00:42:02,790 --> 00:42:07,780
♪ >hi, everyone.

584
00:42:07,830 --> 00:42:10,320
Welcome back. By the
way, I want to mention

585
00:42:10,370 --> 00:42:14,360
the young men and women you see
handing out trophies tonight are

586
00:42:14,410 --> 00:42:16,620
not models. They're
not Stallone girls.

587
00:42:16,670 --> 00:42:20,830
They're actually all winners
of the student academy awards.

588
00:42:20,880 --> 00:42:25,600
They're academy award
winners. This is their first time being

589
00:42:25,650 --> 00:42:28,600
apart of something like
this, and in keeping with the

590
00:42:28,650 --> 00:42:31,750
time-honored tradition for
entry level jobs here in Hollywood for

591
00:42:31,800 --> 00:42:35,240
their work tonight, we
will not be paying them.

592
00:42:35,290 --> 00:42:40,410
Now, it's time for something
that is very rare nowadays, a

593
00:42:40,460 --> 00:42:43,220
president who believes
in both arts and sciences.

594
00:42:43,270 --> 00:42:46,890
Ladies and gentlemen,
please welcome the President of the

595
00:42:46,940 --> 00:42:52,940
academy of those things,
Cheryl Boone Isaacs.

596
00:43:02,250 --> 00:43:05,510
>On behalf of the
academy, congratulations to all the

597
00:43:05,560 --> 00:43:11,910
nominees and Oscar winners. You
are part of a community that

598
00:43:11,960 --> 00:43:14,620
spans a century. Not just
a Hollywood community,

599
00:43:14,670 --> 00:43:21,360
or an American community,
but a global one, filled with

600
00:43:21,410 --> 00:43:24,260
storytellers, domestic
and international, one that is

601
00:43:24,310 --> 00:43:28,900
becoming more inclusive and diverse
with each passing day.

602
00:43:28,950 --> 00:43:32,330
I am proud to be part of the evolution
of this artform and to

603
00:43:32,380 --> 00:43:38,380
see all the new faces
among this year's nominees.

604
00:43:45,060 --> 00:43:50,290
Tonight is proof that
art has no borders.

605
00:43:50,340 --> 00:43:54,390
Art has no single language,
and art does not belong to a single

606
00:43:54,440 --> 00:43:58,190
faith. For the power of art is that it

607
00:43:58,240 --> 00:44:02,200
transcends all these things
and as a result, all creative

608
00:44:02,250 --> 00:44:08,070
artists around the world are connected
by an unbreakable bond

609
00:44:08,120 --> 00:44:14,120
that is powerful and
permanent. Each of you -- just as each of

610
00:44:15,960 --> 00:44:19,680
you being honored tonight is
linked together by a bond, the

611
00:44:19,730 --> 00:44:25,750
movies we love, the ones
that truly matter, regardless of

612
00:44:25,800 --> 00:44:32,060
country of origin, all speak
to the human condition and the

613
00:44:32,110 --> 00:44:37,540
values, sorrows, joys and
passions that we all share.

614
00:44:37,590 --> 00:44:42,240
That is the magic of the
movies and that is what we celebrate

615
00:44:42,290 --> 00:44:48,290
tonight.

616
00:44:53,630 --> 00:44:56,450
>Thank you, Cheryl. That
was poignant and moving.

617
00:44:56,500 --> 00:45:02,860
I got your message and I
want you to know that I, too, am

618
00:45:02,910 --> 00:45:06,760
pumped for "fast and
furious 8." Are you hungry?

619
00:45:06,810 --> 00:45:08,960
Is there anything anyone
needs? You know, this is a show about

620
00:45:09,010 --> 00:45:13,600
the movies and you really
can't have movies without candy, it's

621
00:45:13,650 --> 00:45:15,970
un-American, right? I
mean -- yeah, popcorn, too,

622
00:45:16,020 --> 00:45:19,410
but we don't have that. If
you close your eyes and wish

623
00:45:19,460 --> 00:45:23,550
very hard, go ahead, close
your eyes and wish, it's Hollywood.

624
00:45:23,600 --> 00:45:28,720
Little bags of red vines and
junior mints will appear from

625
00:45:28,770 --> 00:45:34,770
the sky, raining down
on you. For your delight.

626
00:45:36,670 --> 00:45:42,670
Don't hurt each
other. Dig in and enjoy.

627
00:45:45,880 --> 00:45:51,040
Time to find out how well
those spanx really work.

628
00:45:51,090 --> 00:45:54,610
Next year, we should give
out the awards this way.

629
00:45:54,660 --> 00:45:57,650
All right. Now, here
to present the academy

630
00:45:57,700 --> 00:46:01,820
awards for sound editing and
mixing, put your sticky hands

631
00:46:01,870 --> 00:46:07,870
together for Sofia
boutella and Chris Evans.

632
00:46:22,250 --> 00:46:24,570
>Sofia and I are here to present
the academy awards for

633
00:46:24,620 --> 00:46:26,040
the fine arts of sound
editing and sound mixing.

634
00:46:26,090 --> 00:46:32,250
>Though you may not always notice
their work, masters of

635
00:46:32,300 --> 00:46:38,150
both crafts can startle,
excite, and move audiences that is a way

636
00:46:38,200 --> 00:46:42,260
that is both enormously
powerful and subtle.

637
00:46:42,310 --> 00:46:46,230
>Here are the nominees for achievement
in sound editing.

638
00:46:46,280 --> 00:46:50,200
"Arrival" sylvain bellemare

639
00:46:50,250 --> 00:46:54,240
"deepwater horizon" wylie stateman and

640
00:46:54,290 --> 00:46:59,310
née tondelli "hacksaw Ridge"

641
00:46:59,360 --> 00:47:04,380
Robert MacKenzie and
Andy Wright "la la land"

642
00:47:04,430 --> 00:47:08,550
ai-ling Lee and Mildred iatrou Morgan

643
00:47:08,600 --> 00:47:14,600
"Sully" Alan Robert
Murray and bub asman

644
00:47:18,280 --> 00:47:24,280
>and the Oscar goes to -- "arrival."

645
00:47:30,250 --> 00:47:32,210
Sylvain bellemare. >Announcer:
This is the first

646
00:47:32,260 --> 00:47:38,260
Oscar and nomination
for sylvain bellemare.

647
00:47:59,150 --> 00:48:03,540
>So, they say, take a deep
breath, so -- 33 seconds, 32

648
00:48:03,590 --> 00:48:07,210
seconds. So -- this
award, by far, is a

649
00:48:07,260 --> 00:48:10,340
collective award. Made
by people from many

650
00:48:10,390 --> 00:48:17,150
countries around the world,
lead by the quebec team.

651
00:48:17,200 --> 00:48:23,190
And I want to say thanks to
all the cast and the crew from

652
00:48:23,240 --> 00:48:26,290
"arrival." Amy Adams,
you are a wonderful

653
00:48:26,340 --> 00:48:31,130
person and a profound
actress. Thanks a lot.

654
00:48:31,180 --> 00:48:34,770
I love you so much, you bring love
to us, all we need is love.

655
00:48:34,820 --> 00:48:40,820
Good night.

656
00:48:49,170 --> 00:48:52,790
>And now, let's take a
look and a listen to this year's

657
00:48:52,840 --> 00:48:57,590
nominees for achievement
in sound mixing.

658
00:48:57,640 --> 00:49:03,160
>Okay, slow down. >"Arrival."

659
00:49:03,210 --> 00:49:06,230
Bernard gariépy strobl
and Claude la haye

660
00:49:06,280 --> 00:49:08,740
"hacksaw Ridge" Kevin
O'Connell, Andy Wright,

661
00:49:08,790 --> 00:49:14,790
Robert MacKenzie and
Peter grace "la la land"

662
00:49:17,830 --> 00:49:23,830
Andy Nelson, ai-ling
Lee and Steve a. Morrow

663
00:49:25,640 --> 00:49:26,520
"rogue one: A star wars
story" David Parker,

664
00:49:26,570 --> 00:49:33,390
Christopher scarabosio
and Stuart Wilson

665
00:49:33,440 --> 00:49:38,170
"13 hours: The secret
soldiers of benghazi"

666
00:49:38,220 --> 00:49:44,220
Gary summers, Jeffrey
j. Haboush and Mac Ruth.

667
00:49:46,260 --> 00:49:52,250
>And the Oscar goes
to -- "hacksaw Ridge."

668
00:49:52,300 --> 00:49:56,150
Kevin o'nnell, Andy
Wright, Robert MacKenzie and Peter

669
00:49:56,200 --> 00:49:58,150
grace. >Announcer: This is the first

670
00:49:58,200 --> 00:50:01,720
Oscar and nomination for Peter grace.

671
00:50:01,770 --> 00:50:05,490
The first win and 21st nomination
for Kevin 0 connell.

672
00:50:05,540 --> 00:50:09,200
This is the second Oscar nomination
and first win for

673
00:50:09,250 --> 00:50:15,250
Robert MacKenzie and Andy Wright.

674
00:50:27,200 --> 00:50:30,050
>Oh, my gosh. Guys thank you so much.

675
00:50:30,100 --> 00:50:32,950
I can't even tell you
what this means to me.

676
00:50:33,000 --> 00:50:36,520
It means so much to me. My
boys, Cooper and Casey are up

677
00:50:36,570 --> 00:50:39,060
in the audience tonight, my
wife Heather is over there.

678
00:50:39,110 --> 00:50:42,200
This means so much to
me, I can't even tell you.

679
00:50:42,250 --> 00:50:44,800
Mel Gibson, thank you so
much for taking us on this journey

680
00:50:44,850 --> 00:50:46,870
with you. Bill, thank
you for making this

681
00:50:46,920 --> 00:50:49,440
possible. Rob, Andy
and Peter, you guys

682
00:50:49,490 --> 00:50:51,270
are amazing. Thank you so much.

683
00:50:51,320 --> 00:50:53,980
I would like to thank Tom McCarthy
and Dan sharp and all

684
00:50:54,030 --> 00:50:59,880
the fine folks at Sony
pictures in culver city.

685
00:50:59,930 --> 00:51:05,350
And a special thank you
tonight to my mother, skippy O'Connell,

686
00:51:05,400 --> 00:51:09,560
who, 39 years ago, got me a
job in sound and when I asked her,

687
00:51:09,610 --> 00:51:13,430
mom, how can I thank you, she looked
at me and said, you know,

688
00:51:13,480 --> 00:51:17,200
I'll tell you how you can
thank me, you can work hard, really

689
00:51:17,250 --> 00:51:21,270
hard, and some day, win
yourself on Oscar, get on the stage and

690
00:51:21,320 --> 00:51:27,320
thank me in front of the whole world.

691
00:51:29,160 --> 00:51:29,980
Mom. I know you're looking down on me

692
00:51:30,030 --> 00:51:33,150
tonight. So, thank you.

693
00:51:33,200 --> 00:51:39,200
Thank you all so much. I
really appreciate this.

694
00:51:47,610 --> 00:51:50,160
>Announcer: Coming up
next, the academy award for best

695
00:51:50,210 --> 00:51:53,100
supporting actress. Plus,
Hailee steinfeld,

696
00:51:53,150 --> 00:51:55,470
Dakota Johnson and felicity Jones.

697
00:51:55,520 --> 00:51:59,640
Then, later, sting takes the stage
for a special performance.

698
00:51:59,690 --> 00:52:03,210
See an exclusive look at
him backstage right now on the

699
00:52:03,260 --> 00:52:09,260
academy's Instagram account.
The oscars on abc, brought to

700
00:52:10,870 --> 00:52:14,120
you by -- verizon.

701
00:52:14,170 --> 00:52:16,610
Not just unlimited. Verizon unlimited.

702
00:52:28,500 --> 00:52:31,760
>How's it going? Are
you guys enjoying your

703
00:52:31,810 --> 00:52:36,830
junior mints? By the
way, for an extra $2, you

704
00:52:36,880 --> 00:52:41,500
can add avocado to any of
the candies we dropped tonight.

705
00:52:41,550 --> 00:52:45,140
Our next presenter is one of
the stars of "hacksaw Ridge" which

706
00:52:45,190 --> 00:52:48,470
is nominated for best
picture. It is the story of a

707
00:52:48,520 --> 00:52:51,440
conscientious objector that decides
to work with Mel Gibson

708
00:52:51,490 --> 00:52:56,680
anyway. He is so money, and after all

709
00:52:56,730 --> 00:52:59,420
these years, he still doesn't

710
00:52:59,470 --> 00:53:05,110
know it. Please welcome Vince Vaughn.

711
00:53:07,480 --> 00:53:13,160
>I wish someone would have warned
me that a young unshaven

712
00:53:13,210 --> 00:53:16,670
was hosting tonight.

713
00:53:16,720 --> 00:53:18,400
He's slender and sounds tremendous.

714
00:53:18,450 --> 00:53:21,340
James kimmel, wonderful. Yes.

715
00:53:21,390 --> 00:53:25,410
This past November, the
academy held its eighth annual

716
00:53:25,460 --> 00:53:28,080
governors awards where four honorary
oscars were presented.

717
00:53:28,130 --> 00:53:30,380
This special event honors
select members of our community for

718
00:53:30,430 --> 00:53:32,280
lifetime achievement and exceptional
contributions to

719
00:53:32,330 --> 00:53:36,620
movies. This year, the awards were

720
00:53:36,670 --> 00:53:38,890
presented to some true
legends of our industry --

721
00:53:38,940 --> 00:53:43,760
film editor Anne v.
Coates, casting director

722
00:53:43,810 --> 00:53:45,800
Lynn stalmaster,
documentarian Frederick wiseman and the

723
00:53:45,850 --> 00:53:51,850
amazing Jackie chan. When
I say amaziamazing, I don't

724
00:53:55,720 --> 00:53:59,410
mean as an entertaining.
Jackie does all of his own

725
00:53:59,460 --> 00:54:03,710
stunts, but Jackie will
now be doing all of his own

726
00:54:03,760 --> 00:54:04,780
distributi distribution.

727
00:54:04,830 --> 00:54:07,150
It's come to my attention that
he's acquired all eight hours of

728
00:54:07,200 --> 00:54:10,490
the footage from the governors
awards and he will be releasing

729
00:54:10,540 --> 00:54:14,030
it in both Hong Kong
and China day and date.

730
00:54:14,080 --> 00:54:18,800
It will be entitled Jackie
goes to the governors ball and wins.

731
00:54:18,850 --> 00:54:21,130
Starring Jackie chan
and three other people.

732
00:54:21,180 --> 00:54:25,800
Let's take a moment to look at
that night's celebration and all

733
00:54:25,850 --> 00:54:29,810
four exceptional honoree
ze. >Casting is one of the most

734
00:54:29,860 --> 00:54:33,880
important elements in making a
great movie, and Lynn stalmaster

735
00:54:33,930 --> 00:54:39,930
is the master caster, man.
>Never in my wildest dreams

736
00:54:41,270 --> 00:54:44,120
could I imagine that I
would be standing here.

737
00:54:44,170 --> 00:54:50,170
>Anne v. Coates is a
trail blazer for all of us.

738
00:54:51,210 --> 00:54:55,470
>Incredible honor for me to
give this to Anne coates, the

739
00:54:55,520 --> 00:54:57,500
greatest of the great film editors.

740
00:54:57,550 --> 00:54:59,300
>I feel so lucky doing the job I love.

741
00:54:59,350 --> 00:55:03,240
>When I look at the work
of Frederick wiseman, I am

742
00:55:03,290 --> 00:55:06,280
immediately struck by the
power of his documentaries.

743
00:55:06,330 --> 00:55:08,850
>I usually know nothing
about the subject before I start.

744
00:55:08,900 --> 00:55:11,450
And I know there are those
that feel I know nothing about it

745
00:55:11,500 --> 00:55:15,790
when it's finished. >As
movie goers around the

746
00:55:15,840 --> 00:55:18,690
world know, Jackie chan has always
been full of surprises.

747
00:55:18,740 --> 00:55:23,160
>It is especially
gratifying to be able to acknowledge

748
00:55:23,210 --> 00:55:25,560
Jackie's enormous creativity.
>Ladies and gentlemen, give it

749
00:55:25,610 --> 00:55:31,610
up for Jackie chan. >I
broke so many bones.

750
00:55:33,850 --> 00:55:40,510
Finally, this is mine. >Announcer:
Frederick wiseman

751
00:55:40,560 --> 00:55:46,450
could not be here tonight, but
please join us in saluting Anne

752
00:55:46,500 --> 00:55:52,500
v. Coates, Lynn
stalmaster and Jackie chan.

753
00:56:11,760 --> 00:56:14,310
>This is one of the
happiest moments of my life.

754
00:56:14,360 --> 00:56:18,150
And I want to thank each one
of you who had a part in selecting

755
00:56:18,200 --> 00:56:24,460
me. >Ever since I was a little

756
00:56:24,510 --> 00:56:25,620
kid, I wanted this. >Has
anybody ever fainted

757
00:56:25,670 --> 00:56:29,460
here? >Oh, wow.

758
00:56:29,510 --> 00:56:33,130
>Thank you to the academy
for this incredible recognition.

759
00:56:33,180 --> 00:56:36,130
>I can't tell you how encouraging
a thing like this

760
00:56:36,180 --> 00:56:37,770
is. >My hormones are just too way

761
00:56:37,820 --> 00:56:40,070
out of control to
be dealing with this.

762
00:56:40,120 --> 00:56:43,910
>I'm so amazed. >And
the Oscar goes to --

763
00:56:43,960 --> 00:56:45,680
>Rachel Weisz. >Patty Duke.

764
00:56:45,730 --> 00:56:47,980
>Maggie Smith. >Shelley winters.

765
00:56:48,030 --> 00:56:50,750
>So many, many people responsible
for my being here

766
00:56:50,800 --> 00:56:53,520
tonight. >I'm so privileged to be in

767
00:56:53,570 --> 00:56:55,290
the company of these gifted women.

768
00:56:55,340 --> 00:56:57,790
>We've had a lot of
ups and downs together.

769
00:56:57,840 --> 00:57:01,090
>I feel real lucky to have
Dustin Hoffman as my leading

770
00:57:01,140 --> 00:57:03,730
lady. >I leave you with this.

771
00:57:03,780 --> 00:57:04,560
>This is such a surprise and honor.

772
00:57:04,610 --> 00:57:05,860
>The proudest moment of my career.

773
00:57:05,910 --> 00:57:08,400
>Thank you, academy, for putting
me with the hottest guy

774
00:57:08,450 --> 00:57:13,770
in the room. >I'm very moved by it.

775
00:57:13,820 --> 00:57:16,510
>Announcer: And now, here
is last year's winner for best

776
00:57:16,560 --> 00:57:22,560
actor in a supporting
role, mark rylance.

777
00:57:30,400 --> 00:57:34,160
>It would be curious if
this category was for best

778
00:57:34,210 --> 00:57:38,460
performance by an actress
in an opposing role.

779
00:57:38,510 --> 00:57:43,700
And yet, the brilliant work
of these five superb actresses

780
00:57:43,750 --> 00:57:48,010
reminded me that with a child
or an adult, sometimes the most

781
00:57:48,060 --> 00:57:52,210
supportive thing is to
oppose. 0 positions great in films and

782
00:57:52,260 --> 00:57:55,110
stories, it's wonderful
in sports, who wants a weak

783
00:57:55,160 --> 00:57:58,450
opponent in a sports match?
It's really good in society.

784
00:57:58,500 --> 00:58:03,320
The thing these films made me remember
and think about was the

785
00:58:03,370 --> 00:58:05,820
difficulty, something that
women seem to be better at than men,

786
00:58:05,870 --> 00:58:11,870
of opposing without hatred.

787
00:58:14,920 --> 00:58:18,000
So, here are the nominees for
performance by an actress in a

788
00:58:18,050 --> 00:58:24,050
supporting role. Viola Davis

789
00:58:25,830 --> 00:58:31,120
"fences" >walk through the house, he

790
00:58:31,170 --> 00:58:37,170
was just so big. He filled it up.

791
00:58:40,570 --> 00:58:44,260
That was my first mistake. Not
to make him leave some room

792
00:58:44,310 --> 00:58:50,310
for me. But I wanted a house I could

793
00:58:54,120 --> 00:58:55,120
sing in.

794
00:58:58,060 --> 00:59:00,610
>Naomie Harris "moonlight"

795
00:59:00,660 --> 00:59:05,720
>I need some money. >For what?

796
00:59:05,770 --> 00:59:09,790
>That's my business. Don't
you ask me no -- like

797
00:59:09,840 --> 00:59:11,590
that. >I don't have no money.

798
00:59:11,640 --> 00:59:15,460
>Don't lie to me, boy. I'm your momma.

799
00:59:15,510 --> 00:59:19,500
That over there ain't no
I'm your blood, remember?

800
00:59:19,550 --> 00:59:25,770
I ain't feeling good. I need
something to help me out.

801
00:59:25,820 --> 00:59:31,820
Come on, baby. Come on, baby.

802
00:59:33,060 --> 00:59:35,550
>Nicole Kidman "lion"

803
00:59:35,600 --> 00:59:39,420
>I could have had kids. >What?

804
00:59:39,470 --> 00:59:45,860
>We chose not to have
kids. We wanted the two of you.

805
00:59:45,910 --> 00:59:51,000
That's what we wanted. We
wanted the two of you in our

806
00:59:51,050 --> 00:59:57,050
lives, that's what we chose.

807
01:00:01,020 --> 01:00:01,740
>Octavia Spencer "hidden figures"

808
01:00:01,790 --> 01:00:03,540
>I haven't been late
one day in ten years.

809
01:00:03,590 --> 01:00:06,110
Haven't been out
sick. Haven't complained.

810
01:00:06,160 --> 01:00:08,080
My work's on time. It's done right.

811
01:00:08,130 --> 01:00:10,550
It's done well. >It's
not fair, that's a fact.

812
01:00:10,600 --> 01:00:14,420
>What's not fair is having the
responsibility of the supervisor

813
01:00:14,470 --> 01:00:18,320
but not the title of the
pay. Watching you two move on.

814
01:00:18,370 --> 01:00:22,230
Don't get me wrong. Any
upward movement is movement

815
01:00:22,280 --> 01:00:28,280
for us all. Just
isn't movement for me.

816
01:00:29,820 --> 01:00:34,440
>Michelle Williams "Manchester
by the sea"

817
01:00:34,490 --> 01:00:40,490
>my heart was broken. Because
it's always going to be

818
01:00:42,700 --> 01:00:48,520
broken. But I know
yours is broken, too.

819
01:00:48,570 --> 01:00:54,760
That I don't have to carry. I
said things that I should -- I

820
01:00:54,810 --> 01:00:56,390
should burn in hell
for what I said to you.

821
01:00:56,440 --> 01:00:58,900
>No, no, Randy, no. >I'm just sorry.

822
01:00:58,950 --> 01:01:04,950
>I can't -- I can't. >I love you.

823
01:01:11,090 --> 01:01:17,090
>And the Oscar goes to -- viola Davis.

824
01:01:20,730 --> 01:01:23,690
>Announcer: This is the first
Oscar and third nomination for

825
01:01:23,740 --> 01:01:27,320
viola Davis. She was
previously nominated in

826
01:01:27,370 --> 01:01:29,760
this category for "doubt"
and for her leading role in "the

827
01:01:29,810 --> 01:01:35,810
help."

828
01:01:49,700 --> 01:01:55,090
>Thank you to the academy. You
know, there's one place that

829
01:01:55,140 --> 01:02:01,530
all the people with the
greatest potential are gathered.

830
01:02:01,580 --> 01:02:05,860
One place and that's the graveyard.

831
01:02:05,910 --> 01:02:11,910
People ask me all the time,
what kind of stories do you want to

832
01:02:13,820 --> 01:02:17,910
tell, viola? And I say,
exhume those bodies.

833
01:02:17,960 --> 01:02:23,450
Exhume those stories. The
stories of the people who

834
01:02:23,500 --> 01:02:28,090
dreamed big and never saw
those dreams to fruition.

835
01:02:28,140 --> 01:02:32,390
People who fell in love and lost.

836
01:02:32,440 --> 01:02:37,960
I became an artist and thank
God I did because we are the only

837
01:02:38,010 --> 01:02:44,010
profession that celebrates
what it means to live a life.

838
01:02:50,120 --> 01:02:56,080
So, here's to August Wilson,
who exhumed and exalted the ordinary

839
01:02:56,130 --> 01:03:02,130
people.

840
01:03:05,570 --> 01:03:11,500
And to bron pictures, Paramount,

841
01:03:11,550 --> 01:03:16,700
macro, Todd black, Molly Allen
for being the cheerleaders for a

842
01:03:16,750 --> 01:03:19,100
movie that is about people. And words.

843
01:03:19,150 --> 01:03:21,770
And life and forgiveness and grace.

844
01:03:21,820 --> 01:03:27,820
And to Michael t. Williamson,
Stephen mckin ley Henderson, fo

845
01:03:34,370 --> 01:03:38,720
being the most wonderful
artists I've ever worked with, and oh

846
01:03:38,770 --> 01:03:44,770
captain, my captain,
Denzel Washington.

847
01:03:50,650 --> 01:03:54,570
Thank you for putting two entities
in the driving seat.

848
01:03:54,620 --> 01:03:59,910
August and God. And
they served you well.

849
01:03:59,960 --> 01:04:05,960
And to Dan and may Ellis
Davis, who were and are the center of

850
01:04:06,970 --> 01:04:10,390
my universe, the people who
taught me good or bad how to

851
01:04:10,440 --> 01:04:16,440
fail, how to love, how
to hold, how to lose.

852
01:04:17,850 --> 01:04:23,300
My parents -- I'm so thankful
that God chose you to bring me

853
01:04:23,350 --> 01:04:29,350
into this world, to my
sisters, my sister Dolores, we were rich

854
01:04:31,160 --> 01:04:37,850
white women in the tea party game

855
01:04:37,900 --> 01:04:38,780
games. Thank you for the imagination

856
01:04:38,830 --> 01:04:45,390
and to my husband and my daughter.

857
01:04:45,440 --> 01:04:49,060
My heart, you and genesis. You
teach me every day how to

858
01:04:49,110 --> 01:04:53,860
live, how to love, I'm so
glad that you are the foundation of

859
01:04:53,910 --> 01:04:55,570
my life. Thank you to the academy.

860
01:04:55,620 --> 01:05:01,620
Thank you. >Announcer:
Coming up, sh cha

861
01:05:06,860 --> 01:05:11,680
leer theron, Hailee
steinfeld and a performance by sting.

862
01:05:11,730 --> 01:05:14,120
Then later, Scarlett
Johansson and Leonardo dicaprio.

863
01:05:14,170 --> 01:05:17,790
The oscars on abc,
brought to you by --

864
01:05:17,840 --> 01:05:18,590
ge. A company that wants to change

865
01:05:18,640 --> 01:05:24,030
the world should reflect the world.

866
01:05:24,080 --> 01:05:27,360
Samsung. And Walmart.

867
01:05:27,410 --> 01:05:29,830
And now, enjoy the second of three
short films, based on the

868
01:05:29,880 --> 01:05:30,880
same Walmart receipt.

869
01:05:34,950 --> 01:05:40,950
♪ >I don't know if anybody's

870
01:05:44,460 --> 01:05:45,980
going to be able to
give a speech after that.

871
01:05:46,030 --> 01:05:50,750
I mean, that was unbelievable.
That was -- people were crying.

872
01:05:50,800 --> 01:05:55,220
Viola Davis, she just got nominated
for an Emmy for that

873
01:05:55,270 --> 01:05:58,720
speech at the oscars. You
know, most every tourist who

874
01:05:58,770 --> 01:06:01,330
comes to Hollywood thinks
they're going to see famous

875
01:06:01,380 --> 01:06:04,430
people when they get here. They
go on these tours of the

876
01:06:04,480 --> 01:06:09,000
stars homes on the buses
and, you know, unless Gary busey

877
01:06:09,050 --> 01:06:11,500
wanders out on the lawn in
his underpants, they don't see

878
01:06:11,550 --> 01:06:13,340
anybody. But tonight,
they are going to

879
01:06:13,390 --> 01:06:18,480
see quite a few people. What
you're seeing here is a

880
01:06:18,530 --> 01:06:25,280
Hollywood starline tour bus. There
it is, down in Hollywood.

881
01:06:25,330 --> 01:06:29,620
People riding the bus think they're
going on a regular tour.

882
01:06:29,670 --> 01:06:33,390
We told them they were coming
into a special exhibit of Oscar

883
01:06:33,440 --> 01:06:35,160
gowns. They will see
dresses and gowns,

884
01:06:35,210 --> 01:06:38,560
but they will be on people. So
they don't know, but the

885
01:06:38,610 --> 01:06:41,630
moment they open the door, they're
going to be on live TV

886
01:06:41,680 --> 01:06:43,200
and we're going to surprise them.

887
01:06:43,250 --> 01:06:47,940
Okay? Need all of your help with this.

888
01:06:47,990 --> 01:06:54,780
Does anyone know
cpr? Denzel, you were on

889
01:06:54,830 --> 01:06:56,710
"St. elsewhere," we'll go to you.

890
01:06:56,760 --> 01:06:59,080
That will be fun. First,
our theme for the show

891
01:06:59,130 --> 01:07:02,050
this year is
inspiration. Yes, we have a theme.

892
01:07:02,100 --> 01:07:04,560
Every person in this room
has someone who inspired them.

893
01:07:04,610 --> 01:07:07,460
For me, it was David
letterman. If it wasn't for David

894
01:07:07,510 --> 01:07:11,200
letterman, I wouldn't be here tonight.

895
01:07:11,250 --> 01:07:15,870
Someone who inspired me. If
it wasn't for David letter

896
01:07:15,920 --> 01:07:17,230
letterman, I probably
would have finished college.

897
01:07:17,280 --> 01:07:20,300
So, tonight, some of our most
beloved actors will pay tribute

898
01:07:20,350 --> 01:07:23,170
to their most beloved actors
and we begin that spreading of love

899
01:07:23,220 --> 01:07:27,780
with a word from charlize theron.

900
01:07:27,830 --> 01:07:31,020
>Isdy covered this film in
Germany on my 17th birthday.

901
01:07:31,070 --> 01:07:35,350
I was celebrating alone,
eating German pickles, lying on my bed

902
01:07:35,400 --> 01:07:38,160
and just absolutely falling
in love with Shirley MacLaine.

903
01:07:38,210 --> 01:07:42,860
>Watch your step. Watch
your hands, Mr. kirkby.

904
01:07:42,910 --> 01:07:46,200
One of these days I'm going
to shut these doors on you and --

905
01:07:46,250 --> 01:07:49,770
>something about her in this film
just realliless nated with

906
01:07:49,820 --> 01:07:52,000
me. This vulnerability and strength

907
01:07:52,050 --> 01:07:56,270
that she had at the same
time. She embodied a girl that I

908
01:07:56,320 --> 01:07:58,080
really related to. >And
you sit there by yourself

909
01:07:58,130 --> 01:08:04,880
and you think it all
begins to look so ugly.

910
01:08:04,930 --> 01:08:08,420
>I see a woman who is obviously
going through this

911
01:08:08,470 --> 01:08:09,390
crisis. >Why do people have to love

912
01:08:09,440 --> 01:08:12,390
people anyway? >It's raw.

913
01:08:12,440 --> 01:08:14,890
And it's real and it's
funny and it's life.

914
01:08:14,940 --> 01:08:19,600
>Did you hear what I
said? I absolutely adore you.

915
01:08:19,650 --> 01:08:22,270
>Shut up and deal. >She
makes this black and

916
01:08:22,320 --> 01:08:28,640
white film feel like it's
color. >Announcer: Please welcome

917
01:08:28,690 --> 01:08:31,640
academy award-winning
actresses charlize theron and

918
01:08:31,690 --> 01:08:37,690
Shirley MacLaine.

919
01:08:59,220 --> 01:09:02,230
>Thank you. That's the
nicest reception I've

920
01:09:02,280 --> 01:09:07,210
had in 250,000 years. Thank you.

921
01:09:07,260 --> 01:09:12,050
>Well, you and everyone here, we
know that it's all meant from

922
01:09:12,100 --> 01:09:15,290
the heart. >I have
to tell you, it's so

923
01:09:15,340 --> 01:09:20,260
wonderful to look up to a
wonderful and talented and

924
01:09:20,310 --> 01:09:25,490
independent woman, who also has
wonderful taste in deciding what

925
01:09:25,540 --> 01:09:26,050
inspires her. >Yes.

926
01:09:26,100 --> 01:09:30,090
I know. You're welcome.

927
01:09:30,140 --> 01:09:35,860
>So, we're here to do
the best foreign film.

928
01:09:35,910 --> 01:09:40,340
This year, over 80 different
nations submitted films to be

929
01:09:40,390 --> 01:09:43,540
considered for the
Oscar in this category.

930
01:09:43,590 --> 01:09:47,810
>Here are the five that
rose to the top, the nominees for

931
01:09:47,860 --> 01:09:53,860
best foreign language film.
From Denmark, "land of mine"

932
01:09:57,570 --> 01:10:01,390
directed by Martin zandvliet from
Sweden, "a man called ove"

933
01:10:01,440 --> 01:10:07,440
directed by hannes holm

934
01:10:12,820 --> 01:10:13,870
from Australia, "tanna" directed
by Bentley Dean and

935
01:10:13,920 --> 01:10:14,770
Martin butle from
Germany, "Toni erdmann"

936
01:10:14,820 --> 01:10:21,640
directed by maren Ade from
Iran, "the salesman"

937
01:10:21,690 --> 01:10:27,690
directed by asghar
farhadi >and the Oscar goes to --

938
01:10:33,710 --> 01:10:39,710
"the salesman." Asghar farhadi.

939
01:10:45,560 --> 01:10:51,560
>Announcer: Anousha will be accepting
the award tonight for

940
01:10:56,940 --> 01:11:01,860
asghar farhadi. >I will
be reading a statement

941
01:11:01,910 --> 01:11:03,430
from Mr. farhadi. It's
a great honor to be

942
01:11:03,480 --> 01:11:06,400
receiving this valuable
award for the second time.

943
01:11:06,450 --> 01:11:09,530
I would like to thank the members
of the academy, my crew

944
01:11:09,580 --> 01:11:15,580
in Iran, my producer, Amazon
and my fl lellow nominees.

945
01:11:19,850 --> 01:11:21,210
I'm sorry I'm not with you tonight.

946
01:11:21,260 --> 01:11:25,550
My absence is out of respect
for the people of my countrynd

947
01:11:25,600 --> 01:11:30,520
those of other six nations
whom have been disrespected by the

948
01:11:30,570 --> 01:11:36,570
inhuman law that bans entry
of immigrants to the U.S.

949
01:11:39,250 --> 01:11:46,100
Dividing the world -- thank
you. Dividing the world into the us

950
01:11:46,150 --> 01:11:50,370
and our enemies
categories creates fear.

951
01:11:50,420 --> 01:11:54,080
A deceitful justification
for aggression and war.

952
01:11:54,130 --> 01:11:57,540
These wars prevent democracy
and human rights in countries which

953
01:11:57,590 --> 01:12:01,580
have themselves been
victims of aggression.

954
01:12:01,630 --> 01:12:05,450
Filmmakers can turn their cameras
to capture shared human

955
01:12:05,500 --> 01:12:11,050
qualities and break
stereotypes of various nationalities and

956
01:12:11,100 --> 01:12:12,990
religions. They create
empathy between us

957
01:12:13,040 --> 01:12:19,040
and others. An empathy
which we need today

958
01:12:20,110 --> 01:12:23,730
more than ever. Thank
you on behalf of Mr.

959
01:12:23,780 --> 01:12:29,240
Farhadi. Thank you.

960
01:12:29,290 --> 01:12:33,520
>Announcer: Please welcome an
academy award nominee tonight,

961
01:12:33,570 --> 01:12:39,570
Dev patel.

962
01:12:44,010 --> 01:12:47,200
>As filmmakers, we aspire
to tell stories that matter.

963
01:12:47,250 --> 01:12:50,400
Telling a story that matters
is what James foley did.

964
01:12:50,450 --> 01:12:51,840
It's what he lived for. While
working as a correspondent

965
01:12:51,890 --> 01:12:57,600
in the early days of the
Syrian civil war, he was captured and

966
01:12:57,650 --> 01:12:59,800
killed by isis. He lost
his life exposing the

967
01:12:59,850 --> 01:13:01,900
truth about the suffering
of the Syrian people.

968
01:13:01,950 --> 01:13:03,970
In a time when
journalists around the globe are under

969
01:13:04,020 --> 01:13:07,640
attack, Brian oakes'
documentary that tells Jim's story had a

970
01:13:07,690 --> 01:13:11,190
powerful emotional impact
on j. Ralph and sting.

971
01:13:11,240 --> 01:13:13,760
Together, they have created a song
for the film that speaks to

972
01:13:13,810 --> 01:13:17,260
all who feel the loss of a loved one.

973
01:13:17,310 --> 01:13:21,630
To perform "the empty chair," tonight's
third nominee for best

974
01:13:21,680 --> 01:13:25,050
original song, here is sting.

975
01:13:27,250 --> 01:13:33,250
♪ If I should close my
eyes that my soul can see

976
01:13:34,530 --> 01:13:38,150
and there's a place at the table ♪

977
01:13:38,200 --> 01:13:43,850
♪ that you saved for
me so many thousand miles

978
01:13:43,900 --> 01:13:49,900
over land and sea I hope to dare ♪

979
01:13:51,240 --> 01:13:57,240
♪ that you hear my
prayer and somehow I'll be there

980
01:13:59,250 --> 01:14:05,630
some days I'm
strong some days I'm weak

981
01:14:05,680 --> 01:14:09,570
and days I'm so broken
I can barely speak

982
01:14:09,620 --> 01:14:14,510
there's a place in my head
where my thoughts still roam

983
01:14:14,560 --> 01:14:19,180
where somehow I've come home

984
01:14:19,230 --> 01:14:25,920
and when the winter
comes and the trees lie bare

985
01:14:25,970 --> 01:14:31,190
and you just stare out the window

986
01:14:31,240 --> 01:14:37,240
in the darkness there well
I was always late for

987
01:14:38,950 --> 01:14:43,210
every meal you'll swear
but keep my place

988
01:14:43,260 --> 01:14:49,260
and the empty chair and
somehow I'll be there ♪

989
01:15:13,990 --> 01:15:19,990
>Announcer: The oscars on
abc, brought to you by Cadillac.

990
01:15:22,990 --> 01:15:28,990
♪ >hi.

991
01:15:33,360 --> 01:15:35,980
Hi, everybody. Welcome
back to the show.

992
01:15:36,030 --> 01:15:39,320
Everybody okay? All right.

993
01:15:39,370 --> 01:15:42,920
Let's check in with the,
our tour bus, which is up on the

994
01:15:42,970 --> 01:15:46,860
screen there. They are unloading.

995
01:15:46,910 --> 01:15:48,800
We hired that guy in the red hat.

996
01:15:48,850 --> 01:15:50,900
This is for real. We
spent many weeks and

997
01:15:50,950 --> 01:15:55,740
thousands of dollars trying to
figure out how to get this done.

998
01:15:55,790 --> 01:15:57,170
In a few minutes, those people
are going to walk through these

999
01:15:57,220 --> 01:16:02,080
doors right here. And if
everyone stays perfectly

1000
01:16:02,130 --> 01:16:07,250
still, maybe we can make them think
they're at the wax museum.

1001
01:16:07,300 --> 01:16:10,850
Okay, so, why they're coming
let's -- hold them there, we'll

1002
01:16:10,900 --> 01:16:15,660
bring out the next presenters.
Here to hand over the oscars for

1003
01:16:15,710 --> 01:16:21,710
animation, please welcome
halile steinfeld and gael Garcia

1004
01:16:22,910 --> 01:16:27,480
bernal.

1005
01:16:30,720 --> 01:16:33,970
>The longest film to win a foreign
language academy award

1006
01:16:34,020 --> 01:16:37,110
had a running time
of over seven hours.

1007
01:16:37,160 --> 01:16:40,210
>While the longest film to win
best picture had a running time

1008
01:16:40,260 --> 01:16:45,290
of almost four hours.
>Yet the films in this

1009
01:16:45,340 --> 01:16:47,250
category range between
6 and 35 minutes long.

1010
01:16:47,300 --> 01:16:53,030
Here are the nominees for
best animated short film.

1011
01:16:53,080 --> 01:16:55,060
"Blind vaysha." Theodore ushev.

1012
01:16:55,110 --> 01:16:57,200
"Borrowed time." Andrew coats and

1013
01:16:57,250 --> 01:17:02,400
Lou hamou-lhadj. "Pear
cider and cigarettes."

1014
01:17:02,450 --> 01:17:08,610
Robert valley and
Cara speller. "Pearl."

1015
01:17:08,660 --> 01:17:11,180
Patrick Osborne. "Piper."

1016
01:17:11,230 --> 01:17:17,790
Alan barillaro and Marc sondheimer.

1017
01:17:17,840 --> 01:17:23,840
>And the Oscar goes to --

1018
01:17:27,750 --> 01:17:33,370
"Piper." Alan barillaro and Marc

1019
01:17:33,420 --> 01:17:35,240
sondheimer. >Announcer:
This is the first

1020
01:17:35,290 --> 01:17:41,290
Oscar and nomination for Alan
barillaro and Marc sondheimer.

1021
01:17:49,330 --> 01:17:52,250
>Wow. Honestly, we're only here

1022
01:17:52,300 --> 01:17:57,390
because of the kind support
and mentorship of many.

1023
01:17:57,440 --> 01:18:04,230
I have to thank Lindsay
Collins, Jim Morris and Ed katmal, my

1024
01:18:04,280 --> 01:18:07,840
family, my parents, my wife, Nancy.

1025
01:18:07,890 --> 01:18:11,810
My three little pipers at
home who inspired this story.

1026
01:18:11,860 --> 01:18:15,480
Theo, Cora, marcelo. I love you.

1027
01:18:15,530 --> 01:18:17,980
And may you always have
the courage to face your fears.

1028
01:18:18,030 --> 01:18:21,980
>We share this award with everyone
who worked on "Piper."

1029
01:18:22,030 --> 01:18:24,150
Thank you so much. Especially
in light of the great

1030
01:18:24,200 --> 01:18:27,150
work of our fellow nominees,
we are so deeply honored to take

1031
01:18:27,200 --> 01:18:30,320
this award tonight,
accept this award tonight.

1032
01:18:30,370 --> 01:18:32,130
To my family and friends, I love you.

1033
01:18:32,180 --> 01:18:35,800
To all of you who enjoyed "Piper"
out there and wished us

1034
01:18:35,850 --> 01:18:41,850
well throughout, thank you so much.

1035
01:18:47,860 --> 01:18:51,750
>Their stories are as entertaining
and powerful as any

1036
01:18:51,800 --> 01:18:56,780
found in films that
feature flesh and blood actors.

1037
01:18:56,830 --> 01:18:58,550
>And their characters just
as funny, complex and inspiring.

1038
01:18:58,600 --> 01:19:04,190
>And flesh and blood
actors are migrant workers.

1039
01:19:04,240 --> 01:19:07,260
We travel all over the world,
we build families, we construct

1040
01:19:07,310 --> 01:19:09,500
stories, we build life
that cannot be divided.

1041
01:19:09,550 --> 01:19:13,800
As a Mexican, as a Latin-American,
as a migrant

1042
01:19:13,850 --> 01:19:18,810
worker, as a human being,
I'm against any form of wall that

1043
01:19:18,860 --> 01:19:24,860
wants to separate us.

1044
01:19:29,330 --> 01:19:35,820
Thank you. And these
are the nominees for

1045
01:19:35,870 --> 01:19:41,870
best animated feature
film. "Kubo and the two strings",

1046
01:19:44,280 --> 01:19:47,840
Travis knight and arianne sutner.

1047
01:19:47,890 --> 01:19:53,710
"Moana", John musker, Ron
clements and osnat shurer.

1048
01:19:53,760 --> 01:19:59,880
"My life as a zucchini", Claude
barras and Max karli.

1049
01:19:59,930 --> 01:20:02,480
"The red turtle", Michael
dudok de wit and

1050
01:20:02,530 --> 01:20:08,530
toshio suzuki.

1051
01:20:12,840 --> 01:20:17,330
"Zootopia", Byron Howard, rich
Moore, and Clark Spencer.

1052
01:20:17,380 --> 01:20:23,380
>And the Oscar goes to -- "zootopia."

1053
01:20:27,290 --> 01:20:29,740
Byron Howard, rich
Moore and Clark Spencer.

1054
01:20:29,790 --> 01:20:33,010
>Announcer: This is the
first Oscar for Byron Howard, rich

1055
01:20:33,060 --> 01:20:35,720
Moore and Clark Spencer. Byron
Howard was previously

1056
01:20:35,770 --> 01:20:38,690
nominated for the animated
feature film "bolt" and rich

1057
01:20:38,740 --> 01:20:44,560
Moore was previously
nominated for "wreck it Ralph."

1058
01:20:44,610 --> 01:20:45,860
>Wow. Thank you guys so much.

1059
01:20:45,910 --> 01:20:48,730
Thank you academy. This
is an incredible,

1060
01:20:48,780 --> 01:20:50,900
incredible honor. Five
years ago, almost six now,

1061
01:20:50,950 --> 01:20:54,440
oh, my God, we got this crazy idea
to talk about humanity with

1062
01:20:54,490 --> 01:20:58,340
talking animals in the hopes that
when the film came out, it

1063
01:20:58,390 --> 01:21:01,280
would make the world just
a slightly better place.

1064
01:21:01,330 --> 01:21:07,950
>And we are so grateful to the
audiences all over the world who

1065
01:21:08,000 --> 01:21:14,000
embraced this film with this
story of tolerance being more

1066
01:21:15,140 --> 01:21:21,140
powerful than fear of the
other. >We want to thank Bob Iger,

1067
01:21:26,180 --> 01:21:28,440
Andrew millstein for
creating an amazing studio.

1068
01:21:28,490 --> 01:21:34,840
And every artist, technician
at Disney that poured your heart

1069
01:21:34,890 --> 01:21:37,580
and soul into this
film. This belongs to you.

1070
01:21:37,630 --> 01:21:43,630
>And a quick thank you,
s Shepard, my husband.

1071
01:21:44,840 --> 01:21:50,390
>My kids. >Announcer: Ladies and

1072
01:21:50,440 --> 01:21:56,440
gentlemen, please welcome
Dakota Johnson and Jamie dornan.

1073
01:22:04,720 --> 01:22:09,340
>You look fwlamiliar. >I'm sure I do.

1074
01:22:09,390 --> 01:22:11,280
>Jamie and I are here to present
this year's Oscar for

1075
01:22:11,330 --> 01:22:13,850
production design. >Of
all the specialized arts

1076
01:22:13,900 --> 01:22:17,420
that go into great
filmmaking, designers are confronted with

1077
01:22:17,470 --> 01:22:20,090
the broadest range of possibility
as they imagine and

1078
01:22:20,140 --> 01:22:23,820
create whole new
worlds. >Our nominees this year

1079
01:22:23,870 --> 01:22:27,390
include period pieces
and pure flights of fancy.

1080
01:22:27,440 --> 01:22:28,600
>Here are the nominees
for achievement in production

1081
01:22:28,650 --> 01:22:33,300
design. "Arrival."

1082
01:22:33,350 --> 01:22:35,970
Production design by patrice
vermette and set

1083
01:22:36,020 --> 01:22:41,280
decoration by Paul hotte. "Fantastic
beasts and where to

1084
01:22:41,330 --> 01:22:44,310
find them." Production design by

1085
01:22:44,360 --> 01:22:48,180
Stuart Craig and set
decoration by Anna pinnock.

1086
01:22:48,230 --> 01:22:52,590
"Hail, Caesar!" Production design by

1087
01:22:52,640 --> 01:22:57,290
Jess gonchor and set
decoration by Nancy haigh.

1088
01:22:57,340 --> 01:22:59,990
"La la land." Production
design by David wasco

1089
01:23:00,040 --> 01:23:05,270
and set decoration
by Sandy Reynolds-wasco.

1090
01:23:05,320 --> 01:23:08,240
"Passengers." Production design by

1091
01:23:08,290 --> 01:23:14,290
guy hendrix dyas and set decoration
by gene serdena.

1092
01:23:17,330 --> 01:23:22,980
>And the Oscar goes
to -- "la la land."

1093
01:23:23,030 --> 01:23:25,890
David wasco and Sandy Reynolds-wasco.

1094
01:23:25,940 --> 01:23:28,920
>Announcer: This is the first
Oscar and nomination for David

1095
01:23:28,970 --> 01:23:34,970
wasco and Sandy Reynolds-wasco.

1096
01:24:06,810 --> 01:24:11,160
>Oh, boy. >You can do it.

1097
01:24:11,210 --> 01:24:17,040
>I share this completely
with Sandy, my wife, and set

1098
01:24:17,090 --> 01:24:19,240
decorator, whose constant support
and talent have elevated

1099
01:24:19,290 --> 01:24:25,280
my work over the years. And
added special brightness to

1100
01:24:25,330 --> 01:24:27,780
"la la land." And
Damien, we wouldn't be out

1101
01:24:27,830 --> 01:24:31,790
here without you. Thank you so much.

1102
01:24:31,840 --> 01:24:37,840
From our very first
meetings together with lina, when you

1103
01:24:40,240 --> 01:24:44,300
went through each page of the
script with us, right up to the

1104
01:24:44,350 --> 01:24:48,700
planning of the scenery for
the finale and epilogue, with

1105
01:24:48,750 --> 01:24:51,070
Justin's music and Mandy
Moore's choreography, you shared your

1106
01:24:51,120 --> 01:24:57,120
vision with such joy, energy
and precision that we couldn't help

1107
01:24:59,760 --> 01:25:04,720
but have captured it. Thank
you for your enthusiasm

1108
01:25:04,770 --> 01:25:10,770
you shared with us. Thank you.

1109
01:25:17,380 --> 01:25:18,800
>That was nice. What
is production design, by

1110
01:25:18,850 --> 01:25:23,040
the way? Okay, all
right, now we have the

1111
01:25:23,090 --> 01:25:26,310
tour bus riders outside the door.

1112
01:25:26,360 --> 01:25:29,880
I guess they can't hear us,
they think they're about to walk into

1113
01:25:29,930 --> 01:25:32,410
an exhibit, do we have
them on the screen?

1114
01:25:32,460 --> 01:25:35,220
Let's put them up on the
screen. Okay, there they are.

1115
01:25:35,270 --> 01:25:40,320
All right. Everyone be quiet.

1116
01:25:40,370 --> 01:25:42,260
Let's turn out the lights. Also.

1117
01:25:42,310 --> 01:25:47,160
So we can really surprise
them. On the count of three.

1118
01:25:47,210 --> 01:25:53,210
We'll turn the lights on and everybody
yell mahersala, okay?

1119
01:25:56,190 --> 01:25:56,970
Okay? All right.

1120
01:25:57,020 --> 01:26:03,020
Three, two, one -- mahershala!

1121
01:26:10,530 --> 01:26:12,750
Hold on a second. Hello there.

1122
01:26:12,800 --> 01:26:18,800
Hi. Welcome to the dolby theatre.

1123
01:26:21,340 --> 01:26:24,630
This is the home of
the academy awards.

1124
01:26:24,680 --> 01:26:29,270
Which are, in fact,
happening right now.

1125
01:26:29,320 --> 01:26:32,970
You are -- what -- I
see, Gary is your name?

1126
01:26:33,020 --> 01:26:36,280
>My name is Gary, I'm from Chicago.

1127
01:26:36,330 --> 01:26:37,610
You're from
Chicago. >Yes, sir, yes, sir.

1128
01:26:37,660 --> 01:26:39,550
>Yeah. You know we're on TV, so, you

1129
01:26:39,600 --> 01:26:41,820
don't need to do that.
>I know, but I want to.

1130
01:26:41,870 --> 01:26:44,520
I want to. >Let me give you a little

1131
01:26:44,570 --> 01:26:46,050
tour. This is Nicole Kidman.

1132
01:26:46,100 --> 01:26:48,260
>Hi, Nicole. >Fun fact.

1133
01:26:48,310 --> 01:26:53,890
She was discovered in redondo beach.

1134
01:26:53,940 --> 01:26:56,600
This is Ryan
gosling. He's very handsome.

1135
01:26:56,650 --> 01:27:02,200
Don't look into his
eyes. Oh, that's nice, Ryan.

1136
01:27:02,250 --> 01:27:07,310
Yes, yes, yes. We
have Emma stone and her

1137
01:27:07,360 --> 01:27:12,610
brother, Spencer. Emma
brought her brother.

1138
01:27:12,660 --> 01:27:17,980
I feel like you are ignoring
the white celebrities.

1139
01:27:18,030 --> 01:27:20,090
Gary, is this your wife over here?

1140
01:27:20,140 --> 01:27:21,820
What is your name? >Vicky.

1141
01:27:21,870 --> 01:27:24,830
>Hi, Vicky. Are you here with Gary?

1142
01:27:24,880 --> 01:27:27,390
>That's my fiance. >Oh, really?

1143
01:27:27,440 --> 01:27:29,660
When are you getting
married? >July 18th.

1144
01:27:29,710 --> 01:27:32,730
>Who is your favorite
actor? >That man right there.

1145
01:27:32,780 --> 01:27:35,270
>Denzel? >Denzel.

1146
01:27:35,320 --> 01:27:37,540
>Denzel. Would you be the best man at

1147
01:27:37,590 --> 01:27:43,010
their wedding? Come on.

1148
01:27:43,060 --> 01:27:46,850
Yeah, that's a good idea. >I
know pronounce you husband

1149
01:27:46,900 --> 01:27:51,590
and wife. Kiss the bride.

1150
01:27:51,640 --> 01:27:57,060
>He's Denzel, so it's
legal. There's Jennifer Aniston and

1151
01:27:57,110 --> 01:28:00,330
Justin Thoreau. Jen, do
you have a wedding gift

1152
01:28:00,380 --> 01:28:02,230
for them? Maybe you can give them

1153
01:28:02,280 --> 01:28:07,030
something from your purse. Justin,
you give them something,

1154
01:28:07,080 --> 01:28:09,400
too, will you? How about
the sunglasses, Jen?

1155
01:28:09,450 --> 01:28:11,140
You don't need those,
it's dark, all right.

1156
01:28:11,190 --> 01:28:14,940
There we go. Isn't that nice?

1157
01:28:14,990 --> 01:28:18,850
Isn't she the sweetest? There you go.

1158
01:28:18,900 --> 01:28:19,250
Okay. Great.

1159
01:28:19,300 --> 01:28:23,850
Well, let me -- there's Meryl Streep.

1160
01:28:23,900 --> 01:28:29,900
Overrated. Oh, you
may be -- Gary, you may

1161
01:28:31,210 --> 01:28:33,630
be surprised -- you may be
surprised to learn that this

1162
01:28:33,680 --> 01:28:39,330
bearded gentleman is not a say
gant, he is, in fact, an academy

1163
01:28:39,380 --> 01:28:43,700
award-nominated actor. His
name is Casey affleck.

1164
01:28:43,750 --> 01:28:48,880
Ignore the jerk behind him. >Okay.

1165
01:28:48,930 --> 01:28:51,880
Oh, so many stars here. Hey,
do you want to touch a real

1166
01:28:51,930 --> 01:28:53,350
life Oscar? >I do.

1167
01:28:53,400 --> 01:28:58,590
>Come over here. Mahershala,
can they touch the

1168
01:28:58,640 --> 01:28:59,720
Oscar? Everybody just go ahead and rub

1169
01:28:59,770 --> 01:29:05,030
the Oscar, give it a
little touch as you go through.

1170
01:29:05,080 --> 01:29:06,790
That's Jeff bridges. >Oh, hi!

1171
01:29:06,840 --> 01:29:10,460
>Isn't that nice? Hi, guys.

1172
01:29:10,510 --> 01:29:13,270
What is your favorite
Jeff bridges movie?

1173
01:29:13,320 --> 01:29:16,740
>I like all of them. I
can't think of one right now.

1174
01:29:16,790 --> 01:29:19,270
>I know, this is
surprising. Touch the Oscar.

1175
01:29:19,320 --> 01:29:22,440
Guillermo will take you
through, hi, guillermo.

1176
01:29:22,490 --> 01:29:26,050
Hi, go ahead right
through, touch the Oscar.

1177
01:29:26,100 --> 01:29:27,950
Don't worry. Yes,
it's new, it's fresh.

1178
01:29:28,000 --> 01:29:30,250
Hi there, hi,
everybody. Welcome, welcome.

1179
01:29:30,300 --> 01:29:33,020
What happened to the other
ones? Hey, we got a traffic jam back

1180
01:29:33,070 --> 01:29:37,260
there, come on! Next
stop is Jason batemman's

1181
01:29:37,310 --> 01:29:43,830
house, okay? Jason,
is the code still 1987?

1182
01:29:43,880 --> 01:29:45,870
Okay. That's the year "teen wolf 2"

1183
01:29:45,920 --> 01:29:47,870
came out, so, he's
very -- come on, guys.

1184
01:29:47,920 --> 01:29:50,270
All right, there we
go. Yes, just this way.

1185
01:29:50,320 --> 01:29:53,510
Jason won't be home for at
least 4 1/2 hours, so, go ahead into

1186
01:29:53,560 --> 01:29:55,240
his home and relax. Hi, how are you?

1187
01:29:55,290 --> 01:30:01,290
What is your name? >My name is youlry.

1188
01:30:05,340 --> 01:30:10,090
>Wow, that's some name.

1189
01:30:10,140 --> 01:30:11,260
What's your name? >My name is Patrick.

1190
01:30:11,310 --> 01:30:13,790
>That's some name. I hope
this is a good part of

1191
01:30:13,840 --> 01:30:15,760
your tour. It's your honeymoon?

1192
01:30:15,810 --> 01:30:17,830
>We just got married two weeks ago.

1193
01:30:17,880 --> 01:30:20,730
>I know some people that got
married by Denzel Washington.

1194
01:30:20,780 --> 01:30:23,570
>Oh, he wasn't available. >Yeah,
yeah, okay, well, maybe

1195
01:30:23,620 --> 01:30:25,840
one of the celebrities
on the end will marry you.

1196
01:30:25,890 --> 01:30:28,710
Thank you so much. Thank
you, yes, go ahead.

1197
01:30:28,760 --> 01:30:30,140
Hi, Evan, Shelly, how are you doing?

1198
01:30:30,190 --> 01:30:34,750
How are you, Pete?
Thank you very much.

1199
01:30:34,800 --> 01:30:40,320
All right, well, there you
go. So -- that concludes our tour.

1200
01:30:40,370 --> 01:30:42,690
We have to show a commercial
for shampoo or something now, but

1201
01:30:42,740 --> 01:30:46,830
when we come back, the most famous
car in movie history is

1202
01:30:46,880 --> 01:30:48,660
here. Do you know what it is?

1203
01:30:48,710 --> 01:30:53,530
I don't, but we'll find out together.

1204
01:30:53,580 --> 01:30:57,070
We'll be right back. >Announcer:
Then later, "la la

1205
01:30:57,120 --> 01:31:01,880
land's" Emma stone and
Ryan gosling, and John legend

1206
01:31:01,930 --> 01:31:05,410
performs. Plus, a very special oscars

1207
01:31:05,460 --> 01:31:09,920
edition of "mean tweets." The
oscars on abc, brought to

1208
01:31:09,970 --> 01:31:14,540
you by -- Samsung.

1209
01:32:36,420 --> 01:32:41,090
>Mrs. Robinson, you're
trying to seduce me.

1210
01:32:56,700 --> 01:33:02,700
>That's
Frankenstein. >Don't give it to me.

1211
01:33:22,860 --> 01:33:28,070
>Rose bud.

1212
01:33:52,390 --> 01:33:53,390
The

1213
01:34:10,940 --> 01:34:16,940
♪ >from "rogue one: A star wars

1214
01:34:20,420 --> 01:34:26,420
story", here are acad
mu award nominee felicity

1215
01:34:32,430 --> 01:34:33,500
Jones and riz Ahmed.

1216
01:34:37,200 --> 01:34:40,060
>Good evening, everyone. >This
following award has been

1217
01:34:40,110 --> 01:34:42,160
called so many different
things over the years.

1218
01:34:42,210 --> 01:34:48,210
Best engineering effect.
>Special photograph every

1219
01:34:52,420 --> 01:34:56,170
tick effect.

1220
01:34:56,220 --> 01:34:59,640
>However we choose to
describe it, this is the place where

1221
01:34:59,690 --> 01:35:01,040
cutting edge film making is happening.

1222
01:35:01,090 --> 01:35:07,090
Here are the nominees for achievement
in visual effects.

1223
01:35:09,470 --> 01:35:14,660
"Deepwater horizon." Craig
hammack, Jason snell,

1224
01:35:14,710 --> 01:35:15,720
Jason billington and Burt Dalton.

1225
01:35:15,770 --> 01:35:18,860
"Doctor strange." Stephane
ceretti, Richard bluff,

1226
01:35:18,910 --> 01:35:22,900
Vincent cirelli and paulorbould.

1227
01:35:22,950 --> 01:35:28,370
"The jungle book." Robert
legato, Adam valdez,

1228
01:35:28,420 --> 01:35:32,410
Andrew r. Jones and Dan
lemmon. "Kubo and the two strings."

1229
01:35:32,460 --> 01:35:38,460
Steve emerson, Oliver Jones,
Brian mclean and Brad schiff.

1230
01:35:40,730 --> 01:35:46,990
"Rogue one: A star wars
story." John knoll, mohen Leo,

1231
01:35:47,040 --> 01:35:53,040
hal hickel and Neil
corbould. >And the Oscar goes to --

1232
01:35:57,020 --> 01:36:01,740
"the jungle book." Robert
legato, Adam valdez,

1233
01:36:01,790 --> 01:36:07,440
Andrew r. Jones and Dan
lemmon. >Announcer: This is the first

1234
01:36:07,490 --> 01:36:10,880
Oscar win for three-time
nominee Dan lemmon.

1235
01:36:10,930 --> 01:36:15,880
First-time nominee Adam
valdez. The third win for four-time

1236
01:36:15,930 --> 01:36:19,390
nominee Robert legato,
and second win for three-time

1237
01:36:19,440 --> 01:36:25,440
nominee Andrew r. Jones. >Oh,

1238
01:36:28,410 --> 01:36:31,870
thank you. This never
gets old, by the way.

1239
01:36:31,920 --> 01:36:35,000
All great experiences start
at the very top and I have to say

1240
01:36:35,050 --> 01:36:39,980
that's Alan horn, who
gave a fantastic job to our

1241
01:36:40,030 --> 01:36:42,210
collaborative
director. He was fantastic.

1242
01:36:42,260 --> 01:36:46,180
Unprecedented support from
all of the Disney brass, including

1243
01:36:46,230 --> 01:36:52,230
Sean Bailey, Dave tataro,
Sam dickerson, Pete Toby, and our

1244
01:36:53,910 --> 01:36:56,790
producer, brigham Taylor.
And these three gentlemen,

1245
01:36:56,840 --> 01:37:00,960
geniuses behind me, who
commandeered 1,000 superb

1246
01:37:01,010 --> 01:37:03,830
artists and contributed so greatly
and made so many winning

1247
01:37:03,880 --> 01:37:07,370
decisions that, you know,
quite frankly, actually got tired of

1248
01:37:07,420 --> 01:37:08,770
winning. Like that's a thing.

1249
01:37:08,820 --> 01:37:14,410
So, I think I'm up, I'm
done. Thank you to the artists.

1250
01:37:14,460 --> 01:37:15,280
The next round of applause is for you.

1251
01:37:15,330 --> 01:37:21,330
You deserve it as much as
we do. Thank you so much.

1252
01:37:36,350 --> 01:37:39,270
>When I think back at my childhood,
this is the movie

1253
01:37:39,320 --> 01:37:42,340
that I was watching the
most. >You telling me you built a

1254
01:37:42,390 --> 01:37:48,390
time machine out of a
delorean? >I thought Marty mcfully was

1255
01:37:53,070 --> 01:37:55,520
cool. It inspired a generation of

1256
01:37:55,570 --> 01:37:57,220
children to try to hold
onto the back of cars.

1257
01:37:57,270 --> 01:37:59,020
What if you went to high
school with your parents?

1258
01:37:59,070 --> 01:38:04,990
>What? >You're George mcfly.

1259
01:38:05,040 --> 01:38:07,430
>Michael j. Fox is
acting shocked the entire movie.

1260
01:38:07,480 --> 01:38:12,870
And he's outrageously
funny. He was just really cool.

1261
01:38:12,920 --> 01:38:15,600
They really, like, capture
future clothing pretty well.

1262
01:38:15,650 --> 01:38:19,270
Because if you saw, like,
tilda swinton wearing that exact

1263
01:38:19,320 --> 01:38:22,240
outfit, you would not
think it was weird.

1264
01:38:22,290 --> 01:38:28,980
To me, this is the baseline
of, like, kind of classic cinema.

1265
01:38:29,030 --> 01:38:34,960
It's back to t"back to the
futu" >announcer: Ladies and

1266
01:38:35,010 --> 01:38:41,010
gentlemen, here are Seth
rogen and Michael j. Fox.

1267
01:39:06,210 --> 01:39:09,420
>I'm going to pretend half that
applause is for me, even

1268
01:39:09,470 --> 01:39:12,690
though I know, deep down, it is not.

1269
01:39:12,740 --> 01:39:14,730
>All right, some of it was for you.

1270
01:39:14,780 --> 01:39:17,770
>You like 30% of it was for me?

1271
01:39:17,820 --> 01:39:21,070
>Some of it. >Great.

1272
01:39:21,120 --> 01:39:26,010
Either way, I'm at the oscars
with Michael j. Fox, a delorean

1273
01:39:26,060 --> 01:39:31,280
while wearing future shoes.
All I have to do is sing the

1274
01:39:31,330 --> 01:39:36,250
schooler sisters song
from "Hamilton" and I will have

1275
01:39:36,300 --> 01:39:40,220
completed my entire bucket
list. ♪ look around ♪

1276
01:39:40,270 --> 01:39:44,430
♪ look around
at how lucky we are to be

1277
01:39:44,480 --> 01:39:50,480
alive right now angelica ♪

1278
01:39:51,550 --> 01:39:54,540
♪ eliza and Peggy ♪

1279
01:39:54,590 --> 01:39:56,270
♪ look around look around ♪

1280
01:39:56,320 --> 01:39:57,670
>Okay, okay, do the whole thing.

1281
01:39:57,720 --> 01:39:59,980
>Okay, fine. >I don't
want to be in the

1282
01:40:00,030 --> 01:40:01,180
room when it happens. >Okay.

1283
01:40:01,230 --> 01:40:03,580
>Let's keep going. We're
here to present the award

1284
01:40:03,630 --> 01:40:08,350
for achievement in film
editing. Since we're talking about

1285
01:40:08,400 --> 01:40:10,390
influences and influencers, I
do want to mention how much we all

1286
01:40:10,440 --> 01:40:14,260
owe to Ed doors. There
is not a nominee here

1287
01:40:14,310 --> 01:40:16,360
tonight that doesn't depend on
an editor to show off their best

1288
01:40:16,410 --> 01:40:20,760
work. >Here are the nominees for

1289
01:40:20,810 --> 01:40:24,130
achievement in film
editing. "Arrival."

1290
01:40:24,180 --> 01:40:30,440
Joe Walker. "Hacksaw Ridge."

1291
01:40:30,490 --> 01:40:36,490
John Gilbert.

1292
01:40:39,500 --> 01:40:45,500
"Hell or high water." Jake Roberts.

1293
01:40:47,310 --> 01:40:53,310
"La la land." Tom cross.

1294
01:40:55,110 --> 01:41:01,110
"Moonlight." Nat
Sanders and joi mcmillon.

1295
01:41:08,390 --> 01:41:14,520
>And the Oscar goes
to -- >"hacksaw Ridge."

1296
01:41:14,570 --> 01:41:20,570
John Gilbert. >Announcer:
This is the first

1297
01:41:22,170 --> 01:41:26,860
Oscar and second nomination
for John girl berlbert.

1298
01:41:26,910 --> 01:41:31,000
He received his first
nomination in this category for "the lord

1299
01:41:31,050 --> 01:41:37,050
of the rings: The
fellowship of the ring."

1300
01:41:41,330 --> 01:41:47,520
>Wow. Unbelievable.

1301
01:41:47,570 --> 01:41:52,490
I needed good material, and the
story of Desmond and his courage

1302
01:41:52,540 --> 01:41:55,420
and selflessness was
as good as you get.

1303
01:41:55,470 --> 01:41:57,430
So that was a great start for me.

1304
01:41:57,480 --> 01:42:03,200
I want to thank my team in Australia,
Callie Turner, I hope

1305
01:42:03,250 --> 01:42:07,940
you're watching. Bill
mccannic for supporting me

1306
01:42:07,990 --> 01:42:12,910
and introducing me to
Mel. Mel, I had a fabulous time

1307
01:42:12,960 --> 01:42:15,840
working on this film with you,
and you're a great director, and

1308
01:42:15,890 --> 01:42:20,280
I hope there's plenty
more where this came from.

1309
01:42:20,330 --> 01:42:25,620
My wife, Karen, over there, I couldn't
do this without you, my

1310
01:42:25,670 --> 01:42:28,860
love. Up there is my, Max and Lily,

1311
01:42:28,910 --> 01:42:31,290
where yare you? Yeah.

1312
01:42:31,340 --> 01:42:37,200
And Lucia and Emilia back in
new Zealand, I hope you're watching.

1313
01:42:37,250 --> 01:42:43,250
Thank you very much. I
approaeciate this so much.

1314
01:42:50,360 --> 01:42:53,680
>When he started pointing to
the sky, I thought his family

1315
01:42:53,730 --> 01:42:56,020
had passed away. I
just realized they have

1316
01:42:56,070 --> 01:43:00,560
terrible seats. Did
you see "hacksaw Ridge."

1317
01:43:00,610 --> 01:43:03,930
>Yes. >The editing is unbelievable.

1318
01:43:03,980 --> 01:43:09,770
This is sunny pawar,
he's in the movie "lion."

1319
01:43:09,820 --> 01:43:11,700
You did a great job in the movie.

1320
01:43:11,750 --> 01:43:13,240
>Thank you. >Was that fun for you?

1321
01:43:13,290 --> 01:43:15,240
>Yes. >Have you been eating any of

1322
01:43:15,290 --> 01:43:17,370
the candy that we
dropped down from the sky?

1323
01:43:17,420 --> 01:43:19,040
>Yes. >And?

1324
01:43:19,090 --> 01:43:23,180
Which one do you like better?
The red vines or the other one?

1325
01:43:23,230 --> 01:43:24,950
>Any one. >Any one.

1326
01:43:25,000 --> 01:43:27,550
Would you like some more? >Yes.

1327
01:43:27,600 --> 01:43:29,580
>Have you seen "the lion king?"

1328
01:43:29,630 --> 01:43:31,150
>Yes, I see it. >You did.

1329
01:43:31,200 --> 01:43:32,290
Did you like it? >Yes.

1330
01:43:32,340 --> 01:43:36,460
>Do you want to do the thing
where the lion king lifts the

1331
01:43:36,510 --> 01:43:38,030
kid up in the air? >Yes.

1332
01:43:38,080 --> 01:43:43,170
>I be the kid. You left
ift me up in the air.

1333
01:43:43,220 --> 01:43:44,800
>Yes. >All right, you hold that.

1334
01:43:44,850 --> 01:43:50,850
And maybe we can have the
music. Do you have "the lion king"

1335
01:43:52,420 --> 01:43:58,180
music? ♪

1336
01:43:58,230 --> 01:44:01,380
>Lemonheads and Mike
and ikes. >Thank you.

1337
01:44:01,430 --> 01:44:04,350
>Well done. I'm taking you hope.

1338
01:44:04,400 --> 01:44:09,220
We'll be back with the most anticipated
award of the night,

1339
01:44:09,270 --> 01:44:11,240
best live action short film.

1340
01:44:21,220 --> 01:44:25,070
>Announcer: The oscars on
abc, brought to you by Walmart.

1341
01:44:25,120 --> 01:44:26,310
And now, enjoy the third and
final short film, based on the

1342
01:44:26,360 --> 01:44:28,330
same Walmart receipt.

1343
01:44:31,750 --> 01:44:36,780
♪ >announcer: Ladies and

1344
01:44:36,830 --> 01:44:42,820
gentlemen, please
welcome academy award nominee

1345
01:44:42,870 --> 01:44:48,870
salma Hayek and David oyelowo.

1346
01:44:54,510 --> 01:44:58,300
>Good evening. David
and I are very pleased to

1347
01:44:58,350 --> 01:45:02,240
be presenting the oscars for
both documentary short subject

1348
01:45:02,290 --> 01:45:05,370
and live action short
film. >The nominees in these

1349
01:45:05,420 --> 01:45:09,580
categories have made
wonderful, unique movies under the add

1350
01:45:09,630 --> 01:45:12,280
constraint of a shorter running time.

1351
01:45:12,330 --> 01:45:15,780
We hope that many of you will
be curious enough to seek out these

1352
01:45:15,830 --> 01:45:19,990
big films in small packages.
>Our nominees for documentary

1353
01:45:20,040 --> 01:45:24,160
short subject all capture decisive
moments when lives are

1354
01:45:24,210 --> 01:45:29,130
changed. Those who
make these films are

1355
01:45:29,180 --> 01:45:32,970
heroic, and the stories
they tell are powerful.

1356
01:45:33,020 --> 01:45:38,240
>Here are the nominees for best
documentary short subject.

1357
01:45:38,290 --> 01:45:43,980
"Extremis." Dan krauss.

1358
01:45:44,030 --> 01:45:50,720
"4.1 miles." Daphne matziaraki.

1359
01:45:50,770 --> 01:45:54,220
"Joe's violin." Kahane cooperman and

1360
01:45:54,270 --> 01:45:59,530
raphaela neihausen. "Watani:
My homeland."

1361
01:45:59,580 --> 01:46:02,160
Marcel mettelsiefen and Stephen Ellis.

1362
01:46:02,210 --> 01:46:05,870
"The white helmets." Orlando
Von einsiedel and

1363
01:46:05,920 --> 01:46:11,920
joanna natasegara. >And
the Oscar goes to --

1364
01:46:17,690 --> 01:46:23,690
"the white
helmets." >Announcer: This is

1365
01:46:27,570 --> 01:46:33,570
Oscar and second nomination for
Orlando Von einsiedel and joanna

1366
01:46:42,290 --> 01:46:48,290
natasegara.

1367
01:46:55,730 --> 01:47:01,730
>Wow. Okay, well, thank you to the

1368
01:47:04,140 --> 01:47:08,260
academy for this huge honor. To
all of our teams, of course,

1369
01:47:08,310 --> 01:47:11,130
our work family for
supporting us, but most of all, thank you

1370
01:47:11,180 --> 01:47:16,840
to the white helmets. >Sadly,
the head of the white

1371
01:47:16,890 --> 01:47:20,240
helmets was not able
to join us tonight.

1372
01:47:20,290 --> 01:47:22,910
We have a very short statement
from him we'd like to share with

1373
01:47:22,960 --> 01:47:24,740
you. We're so grateful that this film

1374
01:47:24,790 --> 01:47:28,610
has highlighted our work to the world.

1375
01:47:28,660 --> 01:47:31,750
Our organization is to save one
life is to save all of humanity.

1376
01:47:31,800 --> 01:47:36,820
We have saved more than
82,000 civilian lives.

1377
01:47:36,870 --> 01:47:40,530
I invite anyone here to hears
me to work on the side of life, to

1378
01:47:40,580 --> 01:47:43,800
stop the bloodshed in
Syria. And around the world.

1379
01:47:43,850 --> 01:47:47,730
It's very easy for these guys
to feel forgotten, this war has

1380
01:47:47,780 --> 01:47:49,970
been going on for six years. If
everyone could just stand up

1381
01:47:50,020 --> 01:47:54,240
and remind them that we
all care, that this war ends as

1382
01:47:54,290 --> 01:48:00,290
quickly as possible.

1383
01:48:06,340 --> 01:48:12,340
Thank you.

1384
01:48:16,850 --> 01:48:22,240
>Although this year's nominees
for live action short film come

1385
01:48:22,290 --> 01:48:25,200
from five different
countries, they address universal and

1386
01:48:25,250 --> 01:48:29,980
highly recognizable
dilemmas. >These films are about deeply

1387
01:48:30,030 --> 01:48:36,030
relevant and contemporary
topics like assimilation and

1388
01:48:37,430 --> 01:48:41,250
dislocation, when to challenge
authority, and the difficulty of

1389
01:48:41,300 --> 01:48:45,930
making meaningful connections
in the modern world.

1390
01:48:45,980 --> 01:48:49,360
Let's take a look at the nominees
for best live action

1391
01:48:49,410 --> 01:48:54,230
short film. "Ennemis intérieurs."

1392
01:48:54,280 --> 01:48:58,270
Sélim azzazi. "La femme et le tgv."

1393
01:48:58,320 --> 01:49:02,240
Timo Von gunten and giacun caduff.

1394
01:49:02,290 --> 01:49:07,250
"Silent nights." Aske
bang and Kim magnusson.

1395
01:49:07,300 --> 01:49:13,300
"Sing." Kristof deák and Anna udvardy.

1396
01:49:14,300 --> 01:49:20,300
"Timecode." Juanjo giménez.

1397
01:49:25,380 --> 01:49:31,380
>And the Oscar goes to -- "sing."

1398
01:49:34,020 --> 01:49:38,080
>Announcer: This is the
first Oscar and nomination for

1399
01:49:38,130 --> 01:49:44,130
kristof deák and Anna udvardy.

1400
01:50:19,970 --> 01:50:25,530
>Oh. Thank you, thank you so much to

1401
01:50:25,580 --> 01:50:28,460
the academy for this incredible award.

1402
01:50:28,510 --> 01:50:34,100
I have to be quick, and
there are a lot of people to thank.

1403
01:50:34,150 --> 01:50:36,670
Firstly, my family and my
teachers who raised me and

1404
01:50:36,720 --> 01:50:40,370
taught me how to be a good person.

1405
01:50:40,420 --> 01:50:46,420
And my wife, as well, and
on behalf of Anna, as well, my

1406
01:50:47,930 --> 01:50:50,280
wonderful cast and crew. This
is dedicated to the only

1407
01:50:50,330 --> 01:50:53,950
people who can basically
make the world a better place for

1408
01:50:54,000 --> 01:51:00,790
us -- kids. So, let's
try and raise them in

1409
01:51:00,840 --> 01:51:06,270
a good way, try and raise
them in a way we can be proud of

1410
01:51:06,320 --> 01:51:12,320
them. Thank you.

1411
01:51:18,330 --> 01:51:21,610
>Oh, I'm sorry. I --
you know, we're more than

1412
01:51:21,660 --> 01:51:24,720
two hours into the show and Donald
trump hasn't tweeted at

1413
01:51:24,770 --> 01:51:30,220
us once. And I'm
starting to get worried

1414
01:51:30,270 --> 01:51:31,420
about him. Hold on a second.

1415
01:51:31,470 --> 01:51:34,260
Can you put my phone up on the screen?

1416
01:51:34,310 --> 01:51:40,310
Okay. Hold on.

1417
01:51:43,720 --> 01:51:49,720
We got -- hey -- did it work?

1418
01:51:55,160 --> 01:51:58,350
Hold on. I'm sorry.

1419
01:51:58,400 --> 01:52:01,620
I'm not that good with this stuff.

1420
01:52:01,670 --> 01:52:07,670
. is that okay to say?

1421
01:52:09,810 --> 01:52:11,660
Okay. Okay.

1422
01:52:11,710 --> 01:52:14,930
Good. All right.

1423
01:52:14,980 --> 01:52:17,570
We don't see what's up
there -- okay, all right.

1424
01:52:17,620 --> 01:52:20,640
We'll figure it out. It's
now it's time for the

1425
01:52:20,690 --> 01:52:22,810
nerds to shine. Here
with a look at this year's

1426
01:52:22,860 --> 01:52:26,550
winners for science and technology,
please welcome John

1427
01:52:26,600 --> 01:52:32,600
Cho and Leslie mann.

1428
01:52:38,940 --> 01:52:44,560
>On February 11th, we were honored
to host the academy's

1429
01:52:44,610 --> 01:52:48,330
sci-tech awards. >I'm
sure that a lot of you

1430
01:52:48,380 --> 01:52:51,940
are thinking, what are the sci-tech
awards, please explain

1431
01:52:51,990 --> 01:52:55,880
it to me in great detail
and take your time.

1432
01:52:55,930 --> 01:52:59,710
>Well, we're still not
exactly sure what they are, but from

1433
01:52:59,760 --> 01:53:05,150
what we understand, we gave
awards to film scientists and

1434
01:53:05,200 --> 01:53:11,200
film technologists. >They
are the geniuses that

1435
01:53:12,780 --> 01:53:15,930
invent the new technologies which
make your dreams come to

1436
01:53:15,980 --> 01:53:18,230
live. >For example, when you watch

1437
01:53:18,280 --> 01:53:22,170
"star trek," it looks
like they're in space, but in

1438
01:53:22,220 --> 01:53:25,840
actuality, they did not
shoot the movie in space.

1439
01:53:25,890 --> 01:53:29,640
That's film scientists at work. >Yeah.

1440
01:53:29,690 --> 01:53:33,580
>I was in "star trek." When
we made it, we were in a

1441
01:53:33,630 --> 01:53:36,580
studio, in front of a green wall,
but when I saw it, I was

1442
01:53:36,630 --> 01:53:40,850
like, wait a second,
did we go to space?

1443
01:53:40,900 --> 01:53:45,360
I had to remind myself
that we did not go to space.

1444
01:53:45,410 --> 01:53:48,330
That is the magic of film scientists.

1445
01:53:48,380 --> 01:53:54,400
>The sci-tech awards ceremony
is so special that none of you

1446
01:53:54,450 --> 01:53:58,770
were invited. Or wanted to go.

1447
01:53:58,820 --> 01:54:04,820
>In fact, for the privacy of
our film scientists, the press

1448
01:54:05,930 --> 01:54:07,010
were barred from this
event. After showing very little

1449
01:54:07,060 --> 01:54:10,980
interest. And also
being a little rude.

1450
01:54:11,030 --> 01:54:15,690
Here's some video of
our super secret night.

1451
01:54:15,740 --> 01:54:19,260
>Let's get started with
John and I explaining technical

1452
01:54:19,310 --> 01:54:21,790
information we don't
understand to you, the only people in the

1453
01:54:21,840 --> 01:54:26,270
world who don't need to
have it explained to them.

1454
01:54:26,320 --> 01:54:32,320
This year's 18 awards went to
>an animatronics horse puppet.

1455
01:54:37,030 --> 01:54:38,180
>A drawing program for
turning sketches into 3d animation.

1456
01:54:38,230 --> 01:54:39,040
>Two wireless microphone systems.

1457
01:54:39,090 --> 01:54:42,250
>And a computer control network
that combines real-world

1458
01:54:42,300 --> 01:54:43,450
and virtual motion on set. >Tonight
is about you and your

1459
01:54:43,500 --> 01:54:47,190
robots. There was rig-based solving,

1460
01:54:47,240 --> 01:54:49,790
which allows artists to transform
facial motion capture

1461
01:54:49,840 --> 01:54:54,230
into cg performances. >There
were also awards for

1462
01:54:54,280 --> 01:54:58,260
open shading language and three-ray
trace renderers that

1463
01:54:58,310 --> 01:54:59,670
bring visual effects to
life. >Lastly, the academy honored

1464
01:54:59,720 --> 01:55:03,940
five digital cameras that
were pioneers in ushering in the

1465
01:55:03,990 --> 01:55:07,570
digital age. I'd like
to thank the academy

1466
01:55:07,620 --> 01:55:13,620
for this award and
recognition. >Follow that, oscars.

1467
01:55:15,800 --> 01:55:20,550
>Announcer: Coming up -- Meryl
Streep, Ryan gosling,

1468
01:55:20,600 --> 01:55:25,060
Emma stone and a
performance by John legend.

1469
01:55:25,110 --> 01:55:29,030
Then, later, Sara
barrelless takes the stage.

1470
01:55:29,080 --> 01:55:32,700
For an exclusive look at Sara
earlier in the night, go to the

1471
01:55:32,750 --> 01:55:37,540
academy's Instagram account
now. The oscars on abc, brought to

1472
01:55:37,590 --> 01:55:38,950
you by AT&T.

1473
01:55:52,890 --> 01:55:54,640
♪ >the first time I saw

1474
01:55:54,690 --> 01:55:57,410
"bridges of Madison
county" it was 1995.

1475
01:55:57,460 --> 01:56:01,280
I was in Madrid. There
was this silence after the

1476
01:56:01,330 --> 01:56:04,520
movie finished and then the silence
broke loose with a lot

1477
01:56:04,570 --> 01:56:08,990
of tears including mine. It
was one of those experiences

1478
01:56:09,040 --> 01:56:12,100
where you see that there
is somebody doing something

1479
01:56:12,150 --> 01:56:13,560
extraordinary. >You
know, after you leave

1480
01:56:13,610 --> 01:56:16,600
here, I'm going to just be sitting
here for the rest of my

1481
01:56:16,650 --> 01:56:20,100
life and wonder what happened
to me, if anything happened at all.

1482
01:56:20,150 --> 01:56:23,470
>Meryl Streep is a goddess. I
think her work in this movie

1483
01:56:23,520 --> 01:56:25,340
is mesmerizing. >You --

1484
01:56:25,390 --> 01:56:29,980
>what's wrong? >To me,
the four miracles in

1485
01:56:30,030 --> 01:56:35,320
acting are the sense of truth,
the character, the relationship

1486
01:56:35,370 --> 01:56:37,520
with objects, how she owns that house.

1487
01:56:37,570 --> 01:56:41,490
And the body language. It's
a beautiful role that she

1488
01:56:41,540 --> 01:56:44,760
plays in a beautiful story
about passion against common sense.

1489
01:56:44,810 --> 01:56:49,630
>I can't make my entire life
disappear to start a new one.

1490
01:56:49,680 --> 01:56:53,070
>It's an emotional journey
that takes you to some place

1491
01:56:53,120 --> 01:56:58,810
else and that's what art should be.

1492
01:56:58,860 --> 01:57:03,910
>Announcer: And now, here
are academy award winners javier

1493
01:57:03,960 --> 01:57:09,960
bardem and Meryl Streep.

1494
01:57:21,080 --> 01:57:23,500
>Thank you, javier. >Thank you.

1495
01:57:23,550 --> 01:57:27,900
>I was feeling sort of unrecognized,
unrewarded, and

1496
01:57:27,950 --> 01:57:33,510
you redeemed the night for
me. Now I have to go lie down.

1497
01:57:33,560 --> 01:57:36,950
We make movies in the pursuit
of a deeper truth about life and

1498
01:57:37,000 --> 01:57:41,620
love. Truth is hard to reveal.

1499
01:57:41,670 --> 01:57:45,560
But when it happens, on that
big movie screen, audiences, no

1500
01:57:45,610 --> 01:57:48,860
matter where they are from,
feel their hearts soar with

1501
01:57:48,910 --> 01:57:51,630
excitement. >Cinematographers
reveal truth

1502
01:57:51,680 --> 01:57:54,860
by using the power of light. Whether
it's capturing the magic

1503
01:57:54,910 --> 01:58:00,740
hour of sunset or recreating
a world unknown, they bring to

1504
01:58:00,790 --> 01:58:02,310
life moving images that are
sometimes exciting, sometimes

1505
01:58:02,360 --> 01:58:03,870
heartbreaking, but always beautiful.

1506
01:58:03,920 --> 01:58:09,920
Here are the nominees
for here are the nominees for

1507
01:58:12,930 --> 01:58:18,050
achievement in
cinematography. "Arrival," Bradford young.

1508
01:58:18,100 --> 01:58:24,100
"La la land," Linus
sandgren. "Lion," greig Fraser.

1509
01:58:30,980 --> 01:58:36,980
"Moonlight," James
laxton. "Silence," rodrigo prieto.

1510
01:58:43,560 --> 01:58:49,560
>And the Oscar goes to --

1511
01:58:52,170 --> 01:58:57,230
Linus sandgren, "la la
land." >Announcer: This is the first

1512
01:58:57,280 --> 01:59:03,280
Oscar and nomination
for Linus sandgren.

1513
01:59:10,590 --> 01:59:14,180
>Wow. Wow.

1514
01:59:14,230 --> 01:59:16,380
Thank you so much to the academy.

1515
01:59:16,430 --> 01:59:21,520
This is such an amazing honor.
This film was made with so much

1516
01:59:21,570 --> 01:59:27,570
love and passion and
struggles and it was all thanks to you,

1517
01:59:29,540 --> 01:59:33,100
Damien. You're a poetic genius.

1518
01:59:33,150 --> 01:59:39,150
And I'm so happy I met you and I

1519
01:59:41,550 --> 01:59:44,610
really love you, man. Emma,
Ryan, I think you're

1520
01:59:44,660 --> 01:59:45,340
incredible. Thanks for all the

1521
01:59:45,390 --> 01:59:49,550
collaboration. Lionsgate,
producers and the

1522
01:59:49,600 --> 01:59:55,600
entire crew, I'm really
proud, especially of George, Tony,

1523
01:59:57,400 --> 02:00:01,290
Brad, bogdan, this camera
crew, light crew, rig crew that made

1524
02:00:01,340 --> 02:00:07,340
this work, so -- and
then, Cecilia, Betty and Lucy.

1525
02:00:11,120 --> 02:00:16,240
And to my mom, thank you. And
to my father, I know you're

1526
02:00:16,290 --> 02:00:22,290
watching over us. Thank you so much.

1527
02:00:28,940 --> 02:00:32,520
>And Linus, on behalf of all of
us, we want to say, we're so

1528
02:00:32,570 --> 02:00:36,960
sorry about what happened
in Sweden last week.

1529
02:00:37,010 --> 02:00:42,630
Hope your friends are okay. Tonight
is a celebration of the

1530
02:00:42,680 --> 02:00:45,500
movies and those who lift us
up, but we must also acknowledge

1531
02:00:45,550 --> 02:00:50,440
those who push us down. The
Internet trolls who use

1532
02:00:50,490 --> 02:00:52,010
their words to keep us
grounded day after day.

1533
02:00:52,060 --> 02:00:54,380
Night after night. Tonight,
we shine a spotlight on

1534
02:00:54,430 --> 02:01:00,100
them with a special
oscars edition of "mean tweets."

1535
02:01:03,840 --> 02:01:07,260
>I feel like if you went to lunch
with Natalie Portman, she

1536
02:01:07,310 --> 02:01:12,130
would only order a hot tea
with lemon and maybe some toast.

1537
02:01:12,180 --> 02:01:17,770
Definitely not an entree, though.

1538
02:01:17,820 --> 02:01:20,470
>You're wrong. >Oh,
look at me, I'm Ryan

1539
02:01:20,520 --> 02:01:22,870
gosli gosling, I have perfect bone

1540
02:01:22,920 --> 02:01:26,280
structure and kind eyes. Go
[ Bleep ] yourself, Ryan

1541
02:01:26,330 --> 02:01:29,410
gosling. >Samuel l.
Jackson has resting

1542
02:01:29,460 --> 02:01:31,210
fart face. Yes, I do.

1543
02:01:31,260 --> 02:01:37,460
>I'm going to white balance my
TV on Jessica chastain's chest.

1544
02:01:37,510 --> 02:01:40,630
I don't even know what that means.

1545
02:01:40,680 --> 02:01:45,530
Are we all just ignoring
the fact that Eddie redmayne and

1546
02:01:45,580 --> 02:01:48,600
felicity Jones have the same face?

1547
02:01:48,650 --> 02:01:52,000
>Dear Eddie redmayne, I
hate your stinking guts.

1548
02:01:52,050 --> 02:01:58,540
You make me vomit. >Tanner
raised his arms and my

1549
02:01:58,590 --> 02:02:02,580
dad looks at his armpit hair
and says, you look like you have

1550
02:02:02,630 --> 02:02:05,510
whoopi goldberg in
a head lock. Really?

1551
02:02:05,560 --> 02:02:09,520
That's it? Lin-Manuel
Miranda looks like

1552
02:02:09,570 --> 02:02:14,170
he's getting a 1996 nbc
sitcom with his hair cut.

1553
02:02:14,220 --> 02:02:18,460
>Casey affleck is the
real life version of Billy Bob

1554
02:02:18,510 --> 02:02:20,600
Thornton's character in "sling blade."

1555
02:02:20,650 --> 02:02:25,270
>Emma stone looks like a
crack whore in every role she plays.

1556
02:02:25,320 --> 02:02:29,040
Great. >Miles teller has the face of

1557
02:02:29,090 --> 02:02:32,840
a guy who would request
gangnam style at a wedding where he

1558
02:02:32,890 --> 02:02:36,980
doesn't know either
the bride or groom.

1559
02:02:37,030 --> 02:02:40,750
Fair enough. >Now's
probably a good time to

1560
02:02:40,800 --> 02:02:45,520
remind everyone about this
dog that looks like tilda swinton.

1561
02:02:45,570 --> 02:02:49,230
>I think Jeff bridges wears
pants a lot less than we all

1562
02:02:49,280 --> 02:02:55,000
think he does. Oh,
that's actually true.

1563
02:02:55,050 --> 02:03:00,440
>Robert de niro is too old to be
making gangster movies still.

1564
02:03:00,490 --> 02:03:03,040
Due needs to start playing grandfather
roles or something.

1565
02:03:03,090 --> 02:03:05,640
Yeah, I am playing grandfather roles.

1566
02:03:05,690 --> 02:03:08,940
And pretty soon I'll be
playing great-grandfather roles.

1567
02:03:08,990 --> 02:03:14,990
[ Bleep ] You. >Well done.

1568
02:03:18,140 --> 02:03:20,260
Who knew Robert de niro
had such a potty mouth.

1569
02:03:20,310 --> 02:03:23,530
That is shocking to me. Our
next presenters are stars of

1570
02:03:23,580 --> 02:03:27,930
the movie musical that is
loved and begrudged by almost every

1571
02:03:27,980 --> 02:03:33,440
person in this room. Each
of them is a triple threat,

1572
02:03:33,490 --> 02:03:36,970
which is why we made them go through
security three separate

1573
02:03:37,020 --> 02:03:39,810
times tonight. From
"la la land," please

1574
02:03:39,860 --> 02:03:45,760
welcome Ryan gosling and Emma stone.

1575
02:03:50,800 --> 02:03:54,960
>The final two nominated
songs are from "la la land," with

1576
02:03:55,010 --> 02:03:57,530
music and a new arrangement
by Justin hurwitz and lyrics by

1577
02:03:57,580 --> 02:04:01,360
benj pasek and Justin
Paul. >The power of city of stars

1578
02:04:01,410 --> 02:04:05,500
was summed up perfectly
by composer Justin hurwitz.

1579
02:04:05,550 --> 02:04:11,140
He describes it as both
hopeful and Mel lanchomelancholy.

1580
02:04:11,190 --> 02:04:12,340
>In audition, my character starts
talking about the aunt

1581
02:04:12,390 --> 02:04:13,610
who inspired her, but in
truth it saks to all those who have

1582
02:04:13,660 --> 02:04:17,310
big dreams. >To
perform these two songs,

1583
02:04:17,360 --> 02:04:18,380
please welcome from the
film, executive producer and

1584
02:04:18,430 --> 02:04:24,200
academy award winner John legend.

1585
02:04:25,570 --> 02:04:31,570
city of stars

1586
02:04:37,550 --> 02:04:43,550
are you shining just for
me city of stars, there's so

1587
02:04:45,960 --> 02:04:51,960
much that I can't see ♪

1588
02:04:54,800 --> 02:05:00,960
♪ who knows, is
this the start of something

1589
02:05:01,010 --> 02:05:07,010
wonderful and new or one more dream ♪

1590
02:05:08,050 --> 02:05:14,050
♪ that I cannot make true

1591
02:05:17,560 --> 02:05:23,560
barefoot she smiled I
left without looking

1592
02:05:25,500 --> 02:05:31,500
and tumbled into the seine
the water was freezing

1593
02:05:33,570 --> 02:05:39,570
she spent a month
sneezing but said she would

1594
02:05:41,550 --> 02:05:47,550
do it again here's
to the ones who dream

1595
02:05:51,720 --> 02:05:57,720
foolish as they may seem here's to the

1596
02:06:01,030 --> 02:06:05,520
hearts that ache here's to the mess

1597
02:06:05,570 --> 02:06:09,830
we make she told me ♪

1598
02:06:09,880 --> 02:06:15,880
♪ a bit of madness is
key to give us new colors

1599
02:06:17,280 --> 02:06:19,000
to see who knows where

1600
02:06:19,050 --> 02:06:24,970
it will lead us and that's why

1601
02:06:25,020 --> 02:06:29,510
they need us so bring on the rebels

1602
02:06:29,560 --> 02:06:31,380
the ripples from
pebbles the painters and poets

1603
02:06:31,430 --> 02:06:36,990
and plays and here's to the ones

1604
02:06:37,040 --> 02:06:41,500
who dream crazy as they

1605
02:06:41,550 --> 02:06:45,440
may seem here's to the hearts

1606
02:06:45,490 --> 02:06:50,640
that break here's to the mess

1607
02:06:50,690 --> 02:06:56,690
we make city of stars

1608
02:07:00,030 --> 02:07:06,030
are you shining just for
me oh city of stars ♪

1609
02:07:12,500 --> 02:07:18,500
♪ you never shined so brightly ♪

1610
02:07:32,970 --> 02:07:36,720
>Announcer: Coming up, the
academy awards for music and

1611
02:07:36,770 --> 02:07:39,020
writing. And 20 years after "good will

1612
02:07:39,070 --> 02:07:42,130
hunting," Matt Damon and Ben
affleck are back on the oscars

1613
02:07:42,180 --> 02:07:49,030
stage. The oscars on abc, brought to

1614
02:07:49,080 --> 02:07:52,350
you by Cadillac.

1615
02:08:03,340 --> 02:08:04,860
>We're back. I'm in the audience now.

1616
02:08:04,910 --> 02:08:09,390
This is where the people sit in
chairs and watch what's going on

1617
02:08:09,440 --> 02:08:12,360
on stage. Lin-Manuel
Miranda, it is weird

1618
02:08:12,410 --> 02:08:15,700
to see you in a theater
without having to pay $10,000.

1619
02:08:15,750 --> 02:08:17,670
>Thank you. >Are you enjoying yourself

1620
02:08:17,720 --> 02:08:19,270
tonight? >It's a dream come true.

1621
02:08:19,320 --> 02:08:23,040
>Is this your momma? >Yes.

1622
02:08:23,090 --> 02:08:26,340
You met her before? >Hello.

1623
02:08:26,390 --> 02:08:27,310
Your son is an American treasure.

1624
02:08:27,360 --> 02:08:33,320
Yeah, okay, well --
my parents right there.

1625
02:08:33,370 --> 02:08:35,950
They also think I'm an
American treasure, so -- yes.

1626
02:08:36,000 --> 02:08:38,560
I also want to take a
moment tonight to acknowledge our

1627
02:08:38,610 --> 02:08:44,610
musical director, the
great Harold Wheeler.

1628
02:08:46,580 --> 02:08:52,580
Harold is the -- anyway. Harold
is the guy who has been

1629
02:08:53,890 --> 02:08:58,140
playing you off stage all
night. For as long as he can remember,

1630
02:08:58,190 --> 02:09:01,250
it was always his dream to interrupt
people's speeches at

1631
02:09:01,300 --> 02:09:03,550
award shows, so,
this is very exciting.

1632
02:09:03,600 --> 02:09:07,320
Thank you, Harold, and thank
you to your great orchestra.

1633
02:09:07,370 --> 02:09:10,360
There are a lot of people
down under that stage holding

1634
02:09:10,410 --> 02:09:13,060
clarinets and what not. Our
next presenter has been in

1635
02:09:13,110 --> 02:09:16,530
more than 100 movies and still
manages to find time to yell at

1636
02:09:16,580 --> 02:09:19,400
us about our credit cards. They
is the hardest cursing man

1637
02:09:19,450 --> 02:09:25,450
in show business, please
welcome Samuel l. Jackson.

1638
02:09:38,870 --> 02:09:42,990
>Great movies can leave you
laughing or leave you crying,

1639
02:09:43,040 --> 02:09:49,360
but the test for me of a
great film is if it leaves you

1640
02:09:49,410 --> 02:09:53,000
humming. This year's nominees for

1641
02:09:53,050 --> 02:09:55,600
original score all pass
that test with music that

1642
02:09:55,650 --> 02:10:01,110
underscores, enhances, and,
in at least one particular case,

1643
02:10:01,160 --> 02:10:04,540
does it so skillfully that
you wonder whether the score was

1644
02:10:04,590 --> 02:10:09,510
written for the script or if
it was the other way around.

1645
02:10:09,560 --> 02:10:15,560
Here are the nominees
for best original score.

1646
02:10:18,410 --> 02:10:24,410
"Lion" by Dustin
o'Halloran and hauschka.

1647
02:10:27,060 --> 02:10:33,060
"Jackie" by mica levi. "Passengers"
by Thomas Newman.

1648
02:10:39,040 --> 02:10:45,040
"La la land" by Justin hurwitz.
"Moonlight" by Nicholas britell.

1649
02:10:55,050 --> 02:11:01,050
And the Oscar goes to -- Justin
hurwitz, "la la land."

1650
02:11:05,760 --> 02:11:09,780
>Announcer: This is the first
Oscar win and third nomination

1651
02:11:09,830 --> 02:11:15,830
this year for Justin hurwitz.

1652
02:11:25,920 --> 02:11:28,540
>Okay, wow. Thank you so much to the

1653
02:11:28,590 --> 02:11:29,970
academy. Thank you
to my very, very good

1654
02:11:30,020 --> 02:11:35,040
friend Damien. I'm so glad I met you.

1655
02:11:35,090 --> 02:11:41,090
Thank you to Marc Platt, Fred berger.

1656
02:11:42,530 --> 02:11:45,080
Everybody at lionsgate. All
the L.A. musicians that

1657
02:11:45,130 --> 02:11:48,580
played on this score. I just
put notes on the page and

1658
02:11:48,630 --> 02:11:51,650
they're the ones who made it
beautiful and sound the way it

1659
02:11:51,700 --> 02:11:53,890
does. If I start going through names,

1660
02:11:53,940 --> 02:11:58,990
I could make at most 20 to
30 people happy, but I'll make

1661
02:11:59,040 --> 02:12:02,160
about couple hundred
million people really bored, so I'll

1662
02:12:02,210 --> 02:12:06,970
leave it at, everybody whose work
is on-screen in this movie,

1663
02:12:07,020 --> 02:12:10,840
I was looking at your work
when I was scoring the picture, and

1664
02:12:10,890 --> 02:12:13,510
that's what inspired me,
so, thank you to everybody that

1665
02:12:13,560 --> 02:12:20,150
worked on this movie, thank
you. >Announcer: And now, please

1666
02:12:20,200 --> 02:12:26,200
give a warm welcome
to Scarlett Johansson.

1667
02:12:37,510 --> 02:12:39,200
>I am so pleased to be presenting
the award for best

1668
02:12:39,250 --> 02:12:45,840
original song. Like
the great movie music of

1669
02:12:45,890 --> 02:12:50,040
years past, this year's
nominees create emotional highlights that

1670
02:12:50,090 --> 02:12:54,990
reflect hope and jubilation
as well as love, heartbreak and

1671
02:12:55,040 --> 02:12:56,060
loss. You've heard all of them

1672
02:12:56,110 --> 02:13:03,000
performed tonight. Once
again, here are the

1673
02:13:03,050 --> 02:13:06,400
nominees for best original
song. "Audition (The fools who

1674
02:13:06,450 --> 02:13:09,040
dream)," from "la la
land." Music by Justin hurwitz.

1675
02:13:09,090 --> 02:13:15,010
Lyric by benj pasek and Justin Paul.

1676
02:13:15,060 --> 02:13:19,970
"Can't stop the feeling,"
from "trolls," music and lyric by

1677
02:13:20,020 --> 02:13:23,150
Justin Timberlake, Max
Martin, and Karl johan Schuster.

1678
02:13:23,200 --> 02:13:26,990
"city of stars," from "la la land."

1679
02:13:27,040 --> 02:13:33,040
Music by Justin hurwitz,
lyric by benj pasek and Justin Paul.

1680
02:13:34,540 --> 02:13:35,600
"The empty chair," from
"Jim: The James foley story."

1681
02:13:35,650 --> 02:13:39,000
Music and lyric by j. Ralph and sting.

1682
02:13:39,050 --> 02:13:42,990
"How far I'll go," from
"moana." Music and lyric by

1683
02:13:43,040 --> 02:13:49,040
lin-Manuel Miranda. And
the Oscar goes to --

1684
02:13:58,690 --> 02:14:04,690
Justin hurwitz, benj
pasek for "city of stars."

1685
02:14:09,440 --> 02:14:14,830
>Announcer: The songwriting
team of Justin hurwitz, beng

1686
02:14:14,880 --> 02:14:21,100
pasek and Justin Paul are
also nominated in this category for

1687
02:14:21,150 --> 02:14:25,040
"audition: The fools who
dream." This is Justin's second Oscar

1688
02:14:25,090 --> 02:14:26,670
tonight. >I'm going to really quickly

1689
02:14:26,720 --> 02:14:29,410
make a lot of people feel really good.

1690
02:14:29,460 --> 02:14:35,460
James Myers, Amy dunning,
Lenny wall, Julie fontaine, kristen

1691
02:14:38,710 --> 02:14:44,710
kirkland, Lisa tabaec, Glen brunman,
Nick, Jason, eldad and

1692
02:14:49,220 --> 02:14:51,140
Tony seiler. >Thank
you to Justin for your

1693
02:14:51,190 --> 02:14:54,370
beautiful and glorious
music. Thank you to Damien.

1694
02:14:54,420 --> 02:14:56,410
You inspired every single
world that we wrote.

1695
02:14:56,460 --> 02:15:00,080
For me, I want to thank my
wife, my little girl at home, my

1696
02:15:00,130 --> 02:15:04,340
family who is here. I
thank God for you guys and I

1697
02:15:04,390 --> 02:15:08,380
was educated in public
schools where arts and culture were

1698
02:15:08,430 --> 02:15:09,980
valued. And recognized and resourced.

1699
02:15:10,030 --> 02:15:14,890
And I'm so grateful to all my
teachers who taught so much and

1700
02:15:14,940 --> 02:15:18,790
gave so much to us. >Thanks
to our producers,

1701
02:15:18,840 --> 02:15:20,530
mark, Fred and Jordan. My God.

1702
02:15:20,580 --> 02:15:23,130
I'm actually freaking out right now.

1703
02:15:23,180 --> 02:15:25,260
Ah. I want to thank Richard craft

1704
02:15:25,310 --> 02:15:29,330
and Joe mahota. I want
to thank my mom, who is

1705
02:15:29,380 --> 02:15:34,210
amazing and my date tonight
and she let me quit the jcc soccer

1706
02:15:34,260 --> 02:15:35,940
league to be in a school musical.

1707
02:15:35,990 --> 02:15:38,580
So, this is dedicated to all
the kids who sing in the rain and

1708
02:15:38,630 --> 02:15:40,610
all the moms who let
them. Thank you very much.

1709
02:15:40,660 --> 02:15:46,660
I love you, mom. Thank you.

1710
02:15:49,440 --> 02:15:51,020
>Announcer: Ladies and gentlemen,
please welcome

1711
02:15:51,070 --> 02:15:57,070
Jennifer Aniston. >Tonight,
as we celebrate

1712
02:16:01,520 --> 02:16:04,640
together, we also take a
moment to mourn the many legends we

1713
02:16:04,690 --> 02:16:09,770
lost this past year. Whether
they were a musical

1714
02:16:09,820 --> 02:16:14,980
prince leading the revolution
on a concert stage or a movie

1715
02:16:15,030 --> 02:16:21,030
princess leading the
rebellion in a galaxy far, far away, a

1716
02:16:22,670 --> 02:16:26,990
force of nature in front of
the camera or a force driving it,

1717
02:16:27,040 --> 02:16:28,660
etch and every one was
a cherished member of our

1718
02:16:28,710 --> 02:16:33,630
Hollywood family. As was
beloved actor and friend

1719
02:16:33,680 --> 02:16:38,970
who left us just
yesterday, bill Paxton.

1720
02:16:39,020 --> 02:16:42,970
All were loved -- I'm sorry
and all will be missed.

1721
02:16:43,020 --> 02:16:49,020
And now, says Sara bareilles performs
in their honor, let us

1722
02:16:50,370 --> 02:16:55,740
remember their lives
and their beautiful work.

1723
02:17:02,840 --> 02:17:09,530
♪ Rows and flows of angel hair

1724
02:17:09,580 --> 02:17:15,040
and ice cream castles in the air ♪

1725
02:17:15,090 --> 02:17:19,990
♪ and feather canyons everywhere

1726
02:17:20,040 --> 02:17:26,040
I've looked at clouds that way ♪

1727
02:17:27,810 --> 02:17:33,930
♪ but now they only block the sun

1728
02:17:33,980 --> 02:17:37,100
they rain and snow on everyone ♪

1729
02:17:37,150 --> 02:17:43,150
♪ so many things I would have done

1730
02:17:48,800 --> 02:17:50,880
but clouds got in my way ♪
>we are the music makers, and

1731
02:17:50,930 --> 02:17:54,810
we are the dreamers of
dreams. ♪ I've looked aclouds

1732
02:17:54,860 --> 02:18:00,860
from both sides now from up and down

1733
02:18:03,040 --> 02:18:09,040
and still somehow
it's cloud's illusions

1734
02:18:11,580 --> 02:18:17,580
I recall, I really don't know clouds

1735
02:18:21,960 --> 02:18:27,960
at all ♪ >ensign Chekov, sir.

1736
02:18:30,000 --> 02:18:32,080
>Tell me the deaf
anything of happy, huh?

1737
02:18:32,130 --> 02:18:34,790
But first you better make sure
your kids are good and safe, and

1738
02:18:34,840 --> 02:18:40,030
then you come to me and
tell me how to be happy.

1739
02:18:40,080 --> 02:18:46,530
>I'd like to dedicate
this to my father.

1740
02:18:46,580 --> 02:18:50,970
>I wondered when I'd be seeing you.

1741
02:18:51,020 --> 02:18:56,940
♪ Tears and fears and feeling proud

1742
02:18:56,990 --> 02:19:02,990
to say I love you right out loud ♪

1743
02:19:04,700 --> 02:19:07,850
♪ dreams and schemes and circus crowds

1744
02:19:07,900 --> 02:19:13,900
I've looked at life that way ♪

1745
02:19:15,240 --> 02:19:21,240
♪ but now old
friends are acting strange

1746
02:19:23,130 --> 02:19:27,010
they shake their heads they
say I've changed ♪

1747
02:19:27,060 --> 02:19:33,890
♪ well something's
lost but something's gained

1748
02:19:33,940 --> 02:19:40,130
in living every day
I've looked at life

1749
02:19:40,180 --> 02:19:46,670
from both sides now from win and lose

1750
02:19:46,720 --> 02:19:52,720
and still somehow
it's life's illusions

1751
02:19:54,160 --> 02:20:00,160
I recall, I really
don't know life at all ♪

1752
02:20:04,900 --> 02:20:10,900
>May the force be with you. ♪
I really don't know life at

1753
02:20:58,230 --> 02:21:05,120
>the first time I
discovered "we bought a zoo" was at a

1754
02:21:05,170 --> 02:21:09,030
multiplex in Burbank. The
theater was completely empty

1755
02:21:09,080 --> 02:21:11,660
and it was magic. It was
just me and Matt and the

1756
02:21:11,710 --> 02:21:15,070
animals. >So, your question is?

1757
02:21:15,120 --> 02:21:21,120
>Why did you buy this place? >Why not?

1758
02:21:22,620 --> 02:21:27,380
>Why not. Makes two
words feel like three

1759
02:21:27,430 --> 02:21:28,780
words. >I guess I just don't

1760
02:21:28,830 --> 02:21:30,550
understand how you can
call this place home.

1761
02:21:30,600 --> 02:21:36,420
>You know what, like
this. It's our home.

1762
02:21:36,470 --> 02:21:39,390
>Just shows you how he's
able to hear words and then repeat

1763
02:21:39,440 --> 02:21:43,490
them back. >I thought you liked me.

1764
02:21:43,540 --> 02:21:45,830
I thought this was a
dream come true for us.

1765
02:21:45,880 --> 02:21:48,470
>It's your dream. >The
thing about Matt, you can

1766
02:21:48,520 --> 02:21:52,600
see how hard he's working.
It's so effort-full for him.

1767
02:21:52,650 --> 02:21:56,970
>It's a good dream. And
it's got cool animals in it

1768
02:21:57,020 --> 02:21:58,810
and some pretty great people, too.

1769
02:21:58,860 --> 02:22:02,010
>I've seen that 100
sometimes, I still have goosebumps.

1770
02:22:02,060 --> 02:22:04,910
>We bought a zoo. >We did that.

1771
02:22:04,960 --> 02:22:07,450
>We bought a zoo. And made it work.

1772
02:22:07,500 --> 02:22:13,990
That's the thing about
mat. You know, he has almost no

1773
02:22:14,040 --> 02:22:19,260
discernible talent, but he works.

1774
02:22:19,310 --> 02:22:22,670
>Announcer: And now to
present the award for best original

1775
02:22:22,720 --> 02:22:27,700
screenplay, two-time academy
award winner Ben affleck, and

1776
02:22:27,750 --> 02:22:33,750
guest.

1777
02:22:38,600 --> 02:22:40,020
>And guest. Wow, really?

1778
02:22:40,070 --> 02:22:43,750
>Yeah. You know, it's like a plus one.

1779
02:22:43,800 --> 02:22:48,790
>I know what a guest is. --
Ah -- I actually liked that

1780
02:22:48,840 --> 02:22:54,840
performance in that movie.
>The great Alfred Hitchcock

1781
02:23:05,120 --> 02:23:09,880
was once asked what are the
key elements of making a memorable

1782
02:23:09,930 --> 02:23:12,680
movie. He said to
make a great film you

1783
02:23:12,730 --> 02:23:14,850
need three things. The
script, the script and the

1784
02:23:14,900 --> 02:23:17,620
script. >This year's screenplays

1785
02:23:17,670 --> 02:23:21,320
proved him right, through
their wait, hold on.

1786
02:23:21,370 --> 02:23:23,590
Am I being played off? Seriously?

1787
02:23:23,640 --> 02:23:25,660
You can't play me --
I'm just presenting!

1788
02:23:25,710 --> 02:23:29,700
You can't play me off. Why
are they playing off a

1789
02:23:29,750 --> 02:23:35,750
presenter? >Wrap it up!

1790
02:23:37,590 --> 02:23:40,910
We want to go home! >You
know what, this is your

1791
02:23:40,960 --> 02:23:42,580
fault. >Here are the nominees for

1792
02:23:42,630 --> 02:23:48,630
best original screenplay.

1793
02:23:53,610 --> 02:23:59,560
"Hell or high water,"
written by Taylor Sheridan.

1794
02:23:59,610 --> 02:24:05,610
"La la land" written
by Damien chazelle.

1795
02:24:06,720 --> 02:24:08,710
"The lobster" written
by yorgos lanthimos and

1796
02:24:08,760 --> 02:24:14,760
efthimis filippou. "Manchester
by the sea" written

1797
02:24:17,600 --> 02:24:21,820
by Kenneth Lonergan.

1798
02:24:21,870 --> 02:24:27,870
"20th century women,"
written by Mike mills.

1799
02:24:30,980 --> 02:24:36,980
>And the Oscar goes to -- >Kenny
Lonergan, "Manchester

1800
02:24:41,890 --> 02:24:45,510
by the sea." >Announcer:
This is the first

1801
02:24:45,560 --> 02:24:52,280
Oscar and fourth nomination
for Kenneth Lonergan, who is also

1802
02:24:52,330 --> 02:24:58,330
nominated for directing
"Manchester by the sea."

1803
02:25:06,180 --> 02:25:09,100
>Thank you so much. I love
the movies, I love being

1804
02:25:09,150 --> 02:25:12,270
part of the movies. Thank
you, Matt Damon, the whole

1805
02:25:12,320 --> 02:25:16,710
thing started with you,
thank you Kimberly Stewart, Kevin

1806
02:25:16,760 --> 02:25:22,760
Walsh, Lauren Beck, Chris
Moore. Thank you, Casey affleck, kay

1807
02:25:27,470 --> 02:25:29,990
s Casey affleck, Michelle Williams

1808
02:25:30,040 --> 02:25:32,820
and all the actors in the film.
The movie is about people trying

1809
02:25:32,870 --> 02:25:35,590
to take care of each other in
the face of terrible adversity.

1810
02:25:35,640 --> 02:25:40,100
I have been taken care of my
whole life by wonderful people

1811
02:25:40,150 --> 02:25:42,370
who I love and who have loved me.

1812
02:25:42,420 --> 02:25:46,070
I wouldn't be holding
this if not for mara.

1813
02:25:46,120 --> 02:25:50,540
I wouldn't be here at all if
it wasn't for Jay Smith Cameron.

1814
02:25:50,590 --> 02:25:55,880
Nelly Lonergan, could not
love you more, but I will try.

1815
02:25:55,930 --> 02:25:58,250
And a special thanks to my step-father,
Mike Porter, who is

1816
02:25:58,300 --> 02:26:00,720
taking care of my mother for
the last five years in a way that is

1817
02:26:00,770 --> 02:26:06,390
an example to everyone who
has ever come across his path, and

1818
02:26:06,440 --> 02:26:09,560
farewell to my father, who passed
away this year, as well.

1819
02:26:09,610 --> 02:26:15,610
Thank you very, very
much. >Announcer: Please welcome

1820
02:26:18,350 --> 02:26:24,350
five-time academy
award nominee Amy Adams.

1821
02:26:30,330 --> 02:26:34,120
>This year's nominees for best
adapted screenplay have brought

1822
02:26:34,170 --> 02:26:36,950
their source material brilliantly
to life in a way

1823
02:26:37,000 --> 02:26:39,690
that ads movie magic to
these compelling tells.

1824
02:26:39,740 --> 02:26:45,740
Here are the nominees for
best adapted screenplay.

1825
02:26:47,810 --> 02:26:49,430
"Arrival," screenplay by Eric
heisserer, based on the

1826
02:26:49,480 --> 02:26:51,370
story "story of your
life," written by Ted chiang.

1827
02:26:51,420 --> 02:26:55,710
"Fences," screenplay by August
Wilson, based on his

1828
02:26:55,760 --> 02:26:59,540
play. "Hidden figures," screenplay by

1829
02:26:59,590 --> 02:27:03,710
Allison schroeder and Theodore
melfi, based on the

1830
02:27:03,760 --> 02:27:07,980
book by Margot Lee
shetterly. "Lion," screenplay by

1831
02:27:08,030 --> 02:27:11,550
Luke Davies, adapted from
the book, "a long way home" by

1832
02:27:11,600 --> 02:27:15,730
saroo brierley. "Moonlight,"
screenplay by

1833
02:27:15,780 --> 02:27:19,700
Barry Jenkins and story by tarell
Alvin mccraney, based on

1834
02:27:19,750 --> 02:27:23,570
the play "in moonlight
black boys look blue," by

1835
02:27:23,620 --> 02:27:29,620
tarell Alvin mccraney.
And the Oscar goes to --

1836
02:27:31,790 --> 02:27:37,790
Barry Jenkins and terrell
Alvin mccraney for "moonlight."

1837
02:27:39,330 --> 02:27:43,720
>Announcer: This is the first Oscar
and nomination for terrell

1838
02:27:43,770 --> 02:27:49,230
Alvin mccraney, and also
for Barry Jenkins, who is also

1839
02:27:49,280 --> 02:27:52,530
nominated this year
for directing "moonlight."

1840
02:27:52,580 --> 02:27:55,800
>Thank you to the
academy. Thank you, a-24.

1841
02:27:55,850 --> 02:27:59,940
Thank you plan b. Thank
you to our amazing cast.

1842
02:27:59,990 --> 02:28:02,670
Thank you, my mom, my
sister, everybody in Miami.

1843
02:28:02,720 --> 02:28:07,480
I want to thank my reps,
three amigos, Jay Baker at caa, Joel

1844
02:28:07,530 --> 02:28:11,080
Ross and Jamie feldman. And
two women in particular.

1845
02:28:11,130 --> 02:28:15,520
My publicist, Paula
woods and Paula Seacrest.

1846
02:28:15,570 --> 02:28:20,590
Thank you for taking care of
me. I told my students, be in love

1847
02:28:20,640 --> 02:28:22,020
with the process, not the result.

1848
02:28:22,070 --> 02:28:24,290
I really wanted this
result. All you people who feel like

1849
02:28:24,340 --> 02:28:28,030
there's no mirror for you, the
academy has your back, the aclu

1850
02:28:28,080 --> 02:28:30,730
has your back, we have
your back, and for the next four

1851
02:28:30,780 --> 02:28:33,600
years, we will not forget
you. >Amen, brother.

1852
02:28:33,650 --> 02:28:37,870
I just want to echo everything
he just said, but I want to say

1853
02:28:37,920 --> 02:28:40,540
thank God for my mother,
who proved to me through her

1854
02:28:40,590 --> 02:28:45,150
struggles and the struggles
that naomie Harris portrayed for you,

1855
02:28:45,200 --> 02:28:48,680
that we can be somebody. Two
boys from liberty city up

1856
02:28:48,730 --> 02:28:53,220
here representing 305. This
goes out to all those black

1857
02:28:53,270 --> 02:28:57,160
and brown boys and girls and
nongender conforming who don't

1858
02:28:57,210 --> 02:29:00,730
see themselves, we're trying
to show you you and us.

1859
02:29:00,780 --> 02:29:06,780
Thank you, thank you. This is for you.

1860
02:29:16,190 --> 02:29:19,150
>And remember, just because
a screenplay is adapted doesn't

1861
02:29:19,200 --> 02:29:24,690
mean we love it any less. That
was also the best tuxedo of

1862
02:29:24,740 --> 02:29:27,890
the night, no question about
it. I know it's getting late, some

1863
02:29:27,940 --> 02:29:29,690
of you are disappointed
you didn't win.

1864
02:29:29,740 --> 02:29:33,430
So, I have a surprise. Candy
is great, but if you want

1865
02:29:33,480 --> 02:29:35,100
something more substantial,
I can provide that.

1866
02:29:35,150 --> 02:29:36,800
Hungry? A little bit?

1867
02:29:36,850 --> 02:29:39,470
Okay. Would you like cookies and

1868
02:29:39,520 --> 02:29:41,470
doughnuts? Release the cookies and

1869
02:29:41,520 --> 02:29:47,520
doughnuts! Quite a
bit heavier than the

1870
02:29:51,660 --> 02:29:55,480
others. It's like a horror movie.

1871
02:29:55,530 --> 02:29:59,720
Gluten is literally
falli iing m the sky.

1872
02:29:59,770 --> 02:30:04,130
Okay. Now that you have doughnuts, do

1873
02:30:04,180 --> 02:30:05,890
release the coffee. We're
going to take a break.

1874
02:30:05,940 --> 02:30:08,260
We'll be right back with
the biggest awards of the night.

1875
02:30:08,310 --> 02:30:09,260
No more fooling around, I promise.

1876
02:30:09,310 --> 02:30:15,310
We'll be right back. >Announcer:
When bereturn,

1877
02:30:18,320 --> 02:30:25,080
Halle Berry, Leonardo
dicaprio, and the academy awards for best

1878
02:30:25,130 --> 02:30:30,250
director, actor and actress.
The oscars on abc, brought to

1879
02:30:30,300 --> 02:30:33,360
you by verizon. Not just unlimited.

1880
02:30:33,410 --> 02:30:34,410
Verizon unlimited.

1881
02:30:35,940 --> 02:30:42,100
♪ >announcer: Ladies and

1882
02:30:42,150 --> 02:30:47,870
gentlemen, please welcome
academy award winner Halle

1883
02:30:47,920 --> 02:30:53,920
Berry.

1884
02:31:01,800 --> 02:31:02,880
>What does it take to be
an academy award nominated

1885
02:31:02,930 --> 02:31:08,930
director? The heart
of a dreamer, the mind

1886
02:31:11,080 --> 02:31:13,760
of a writer, the willingness
to take risks, the resilience to

1887
02:31:13,810 --> 02:31:19,770
overcome obstacles, both
real and imagined, a love of all

1888
02:31:19,820 --> 02:31:23,040
movies, and an unwavering
vision of what their films could be.

1889
02:31:23,090 --> 02:31:25,740
Simply put, that
perfectly describes the nominees for

1890
02:31:25,790 --> 02:31:32,180
achievement in
directing. Denis villeneuve --

1891
02:31:32,230 --> 02:31:35,680
"arrival." Mel Gibson --

1892
02:31:35,730 --> 02:31:41,730
"hacksaw Ridge." Damien chazelle --

1893
02:31:43,840 --> 02:31:49,800
"la la land." Kenneth Lonergan --

1894
02:31:49,850 --> 02:31:53,430
"Manchester by the
sea." Barry Jenkins --

1895
02:31:53,480 --> 02:31:59,480
"moonlight." And the Oscar goes to --

1896
02:32:07,000 --> 02:32:13,000
Damien chazelle, "la la
land." >Announcer: Damien chazelle

1897
02:32:15,640 --> 02:32:17,490
picks up his first Oscar win tonight.

1898
02:32:17,540 --> 02:32:21,200
At 32 years old, he's the youngest
in history to ever win

1899
02:32:21,250 --> 02:32:27,250
best director.

1900
02:32:39,600 --> 02:32:41,920
>Ah, thank you so
much. This is such an honor.

1901
02:32:41,970 --> 02:32:44,120
I just want to first
thank my fellow nominees.

1902
02:32:44,170 --> 02:32:47,520
I was absolutely honored and
floored to be in your company

1903
02:32:47,570 --> 02:32:52,790
this year. So, Barry,
Kenny, Mel, denis,

1904
02:32:52,840 --> 02:32:56,260
like, my eyes are searching,
I know you are here somewhere.

1905
02:32:56,310 --> 02:33:00,070
Just thank you for what incredible
filmmakers you are

1906
02:33:00,120 --> 02:33:01,300
and inspiring me with
your work every day.

1907
02:33:01,350 --> 02:33:04,870
I want to thank the people
who helped me make this movie.

1908
02:33:04,920 --> 02:33:08,380
My crew, my team, everyone at lionsgate
for taking a chance on

1909
02:33:08,430 --> 02:33:10,480
it. Ryan and Emma for bringing it to

1910
02:33:10,530 --> 02:33:13,180
life. John for acting alongside them

1911
02:33:13,230 --> 02:33:15,680
and now doing me very
proud here on the stage.

1912
02:33:15,730 --> 02:33:20,320
Thank you, John. And I
want to thank Justin, who

1913
02:33:20,370 --> 02:33:24,830
I've known since we were
both 17, 18, I think.

1914
02:33:24,880 --> 02:33:28,230
Justin, thank you for riding
with me on this, and carrying

1915
02:33:28,280 --> 02:33:30,900
this dream forward and
for never giving up.

1916
02:33:30,950 --> 02:33:32,970
Thank you. I want to
thank my family, my

1917
02:33:33,020 --> 02:33:36,700
parents are in the crowd,
my sister, Anna, thank you for

1918
02:33:36,750 --> 02:33:40,370
always believing in me. And
finally, I want to thank

1919
02:33:40,420 --> 02:33:46,080
Olivia, my love, sitting
there. This was a movie about love and

1920
02:33:46,130 --> 02:33:49,520
I was lucky enough to fall
in love while making it and it

1921
02:33:49,570 --> 02:33:51,990
means the world to me that
you are here with me sharing it.

1922
02:33:52,040 --> 02:33:58,040
Thank you so much. >Announcer:
Coming up next,

1923
02:34:01,810 --> 02:34:07,300
Leonardo dicaprio, Warren beatty,
faye dunaway and the

1924
02:34:07,350 --> 02:34:09,490
final academy awards of the evening.

1925
02:34:19,600 --> 02:34:22,250
>This is probably going
to be the toughest part.

1926
02:34:22,300 --> 02:34:24,820
>I've been working on
this see for 25 years.

1927
02:34:24,870 --> 02:34:27,560
>It's so good. >Woo!

1928
02:34:27,610 --> 02:34:34,160
>When I was a kid, it wasn't
my reality to think I would be

1929
02:34:34,210 --> 02:34:37,600
acting in movies. >This is incredible.

1930
02:34:37,650 --> 02:34:41,500
>I'm so loaded down in good luck
charms, I could hardly make

1931
02:34:41,550 --> 02:34:45,110
it up the steps. >Which
is pretty surprising.

1932
02:34:45,160 --> 02:34:47,210
>It is a long journey to this moment.

1933
02:34:47,260 --> 02:34:50,150
>This proves there is many nuts
in the academy as anywhere

1934
02:34:50,200 --> 02:34:54,780
else. >The Oscar goes to --

1935
02:34:54,830 --> 02:34:58,020
>Colin firth. >Gene hackman.

1936
02:34:58,070 --> 02:35:00,590
>This is the highlight of my day.

1937
02:35:00,640 --> 02:35:02,860
>I'm honored and tremendously moved.

1938
02:35:02,910 --> 02:35:04,860
>This award honors not only me.

1939
02:35:04,910 --> 02:35:06,930
>We are apart of an artistic family.

1940
02:35:06,980 --> 02:35:09,630
>All these performances were

1941
02:35:09,680 --> 02:35:11,230
impeccable. >You truly
are an inspiration.

1942
02:35:11,280 --> 02:35:14,800
>This is a great gift.
>I just can't express my

1943
02:35:14,850 --> 02:35:17,810
thanks. >I do not take tonight for

1944
02:35:17,860 --> 02:35:20,410
granted. Thank you so very much.

1945
02:35:20,460 --> 02:35:21,910
>Announcer: Ladies
and gentlemen, last year's

1946
02:35:21,960 --> 02:35:24,610
academy award winner for
best actress in a leading role,

1947
02:35:24,660 --> 02:35:30,660
brie Larson.

1948
02:35:35,610 --> 02:35:39,230
>The nominees for best actor
this year gave us performances

1949
02:35:39,280 --> 02:35:41,830
that advanced the movies' never-ending
quest to show us

1950
02:35:41,880 --> 02:35:46,170
new faces of the hero and
expand the concept of the leading man.

1951
02:35:46,220 --> 02:35:47,970
Here are the brilliant nominees
for performance by an actor in a

1952
02:35:48,020 --> 02:35:54,040
leading role. Casey affleck --

1953
02:35:54,090 --> 02:36:00,090
"Manchester by the sea."
>She passed out downstairs

1954
02:36:06,110 --> 02:36:12,760
and -- and the furnace blew
and they couldn't go back in again.

1955
02:36:12,810 --> 02:36:18,810
And that's all I remember.

1956
02:36:23,390 --> 02:36:26,180
>Andrew garfield "hacksaw Ridge."

1957
02:36:26,230 --> 02:36:31,210
>It isn't right that other
men should fight and die, that I

1958
02:36:31,260 --> 02:36:34,350
would just be sitting at home safe.

1959
02:36:34,400 --> 02:36:38,020
I need to serve. I got
the energy and the passion

1960
02:36:38,070 --> 02:36:42,360
to serve as a medic. Right
in the middle with the

1961
02:36:42,410 --> 02:36:48,600
other guys, no less danger, just
while everybody else is

1962
02:36:48,650 --> 02:36:54,140
taking life, I'm
going to be saving it.

1963
02:36:54,190 --> 02:36:56,970
>Ryan gosling -- "la la land."

1964
02:36:57,020 --> 02:37:00,840
>Look at this. This
sax player, he just

1965
02:37:00,890 --> 02:37:02,880
hijacked the song. He's
on his own trip.

1966
02:37:02,930 --> 02:37:05,710
Every one of these guys is composing,
rearranging, writing

1967
02:37:05,760 --> 02:37:10,490
and they're playing the
melody. And now, the trumpet player.

1968
02:37:10,540 --> 02:37:13,790
He's got his own idea. It's
conflict and compromise and

1969
02:37:13,840 --> 02:37:15,830
it's just -- it's new, every time.

1970
02:37:15,880 --> 02:37:21,880
It's brand new every
night. It's very, very exciting.

1971
02:37:25,620 --> 02:37:29,340
>Viggo mortensen --
"captain fantastic."

1972
02:37:29,390 --> 02:37:35,390
>My face is mine. My hands are mine.

1973
02:37:36,800 --> 02:37:42,800
My mouth is mine. But I'm not.

1974
02:37:46,310 --> 02:37:52,310
I'm yours. >Denzel Washington --

1975
02:37:54,110 --> 02:37:58,900
"fences." >Now, let's
get this straight

1976
02:37:58,950 --> 02:38:01,670
right here and now before
I go along any further.

1977
02:38:01,720 --> 02:38:07,720
I ain't got to like you. He
give me his money because he

1978
02:38:09,460 --> 02:38:13,120
owe me. Now, I give you your life.

1979
02:38:13,170 --> 02:38:16,450
Me and your momma worked that
out between us and liking your

1980
02:38:16,500 --> 02:38:22,500
black ass wasn't part of the bargain.

1981
02:38:26,150 --> 02:38:32,150
And the Oscar goes to -- Casey
affleck, "Manchester by

1982
02:38:33,250 --> 02:38:39,840
the sea." >Announcer:
This is the first

1983
02:38:39,890 --> 02:38:45,890
Oscar and second nomination
for Casey affleck.

1984
02:39:06,550 --> 02:39:11,470
>It means so much to me, thank you.

1985
02:39:11,520 --> 02:39:15,380
Whew, damn it. One of
the first people who

1986
02:39:15,430 --> 02:39:19,650
taught me how to act was
Denzel Washington, and I just met him

1987
02:39:19,700 --> 02:39:24,090
tonight for the first time. Thank you.

1988
02:39:24,140 --> 02:39:27,260
And to all the other
nominees, you did great work.

1989
02:39:27,310 --> 02:39:30,430
I'm proud to be in your
company. You guys are very brave and I

1990
02:39:30,480 --> 02:39:33,930
admire what you do. I'm
only here, really, because

1991
02:39:33,980 --> 02:39:38,170
of all the talents and good
will of so many people that are

1992
02:39:38,220 --> 02:39:41,740
impossible to name. But
most of all, Kenneth

1993
02:39:41,790 --> 02:39:46,210
Lonergan, who made this part
and without this part, without his

1994
02:39:46,260 --> 02:39:51,610
writing, I wouldn't be here
for sure, and, he directed it --

1995
02:39:51,660 --> 02:39:55,180
man, I wish I had something
bigger and more meaningful to

1996
02:39:55,230 --> 02:39:57,790
say, but I'm just really
proud to be apart of this community

1997
02:39:57,840 --> 02:40:03,090
and I look out at all of you
and I have this whole year and I'm

1998
02:40:03,140 --> 02:40:06,360
just dumb founded that I'm included.

1999
02:40:06,410 --> 02:40:11,700
And it means a lot to me. Thank
you also to Matt Damon for

2000
02:40:11,750 --> 02:40:17,540
creating this opportunity. And
to Patrick and boomer and so

2001
02:40:17,590 --> 02:40:19,210
many people. Of
course, my mother and my

2002
02:40:19,260 --> 02:40:24,380
father for mostly, usually believing
in me in doing this.

2003
02:40:24,430 --> 02:40:27,920
And Ben, I love you. You ain't heavy.

2004
02:40:27,970 --> 02:40:33,970
Thank you all very
much. Appreciate it.

2005
02:40:45,880 --> 02:40:48,440
>It is impossible to
maintain one's composure in this

2006
02:40:48,490 --> 02:40:53,740
situation. >Oh, boy.

2007
02:40:53,790 --> 02:40:56,780
This is nuts. >Hello, gorgeous.

2008
02:40:56,830 --> 02:40:59,420
>I want to really say something.

2009
02:40:59,470 --> 02:41:02,690
>I very grateful accept
this. >It's such a great honor.

2010
02:41:02,740 --> 02:41:05,590
>I've been daydreaming about
this since I was 9 years old.

2011
02:41:05,640 --> 02:41:10,160
>You rocked my life. >Did
I really earn this or did

2012
02:41:10,210 --> 02:41:12,090
I just wear you all down? >Why
don't up sit, because I

2013
02:41:12,140 --> 02:41:15,830
may never be here
again. >And the Oscar goes to.

2014
02:41:15,880 --> 02:41:21,540
>Holly hunter. >Kate winslet.

2015
02:41:21,590 --> 02:41:23,170
>Sarandon. >Reese Witherspoon.

2016
02:41:23,220 --> 02:41:25,470
>I have such appreciation
and gratitude for this.

2017
02:41:25,520 --> 02:41:26,940
>I never could have done it alone.

2018
02:41:26,990 --> 02:41:33,220
>I would like to thank Jimmy Khan
and apologize pubically for

2019
02:41:33,270 --> 02:41:36,050
the ankles. >You
sacrificed so much for me

2020
02:41:36,100 --> 02:41:38,950
to make my dreams come true.
>I share this with you, and I

2021
02:41:39,000 --> 02:41:40,490
love you. >Thank you so much for being

2022
02:41:40,540 --> 02:41:47,060
my mentors and believing in me.
Thank you, thank you, thank you.

2023
02:41:47,110 --> 02:41:50,630
>Announcer: Please welcome last
year's academy award winner

2024
02:41:50,680 --> 02:41:56,680
for best actor, Leonardo dicaprio.

2025
02:42:02,160 --> 02:42:07,620
>When a great talent is
on screen, you don't see the

2026
02:42:07,670 --> 02:42:09,120
actress, only the
character she's become.

2027
02:42:09,170 --> 02:42:13,890
You see a former first lady,
a civil rights icon, a rape

2028
02:42:13,940 --> 02:42:18,290
victim, an untalented heiress
or a young woman with big dreams.

2029
02:42:18,340 --> 02:42:21,600
The artists who brought
those characters to life are our

2030
02:42:21,650 --> 02:42:27,300
nominees for performance by
an actress in a leading role.

2031
02:42:27,350 --> 02:42:33,350
Isabelle huppert -- "Elle."

2032
02:43:00,150 --> 02:43:04,340
>Ruth negga -- "loving."

2033
02:43:04,390 --> 02:43:07,840
>You nervous? >I suppose.

2034
02:43:07,890 --> 02:43:10,580
The lawyers told us
not to expect much.

2035
02:43:10,630 --> 02:43:16,630
>You think you'll lose? >Well, yes.

2036
02:43:18,140 --> 02:43:23,230
But I think it's all right.
We may lose our small battles

2037
02:43:23,280 --> 02:43:30,070
but win the big
war. >Natalie Portman --

2038
02:43:30,120 --> 02:43:34,200
"Jackie." >Not to mention the

2039
02:43:34,250 --> 02:43:36,270
security -- >am I
supposed to hide away

2040
02:43:36,320 --> 02:43:37,410
now? >Not hide.

2041
02:43:37,460 --> 02:43:39,980
>I'm sure those
people would love that.

2042
02:43:40,030 --> 02:43:43,780
What do they call
themselves the birch society?

2043
02:43:43,830 --> 02:43:47,120
No, I will not sneak
out the back door.

2044
02:43:47,170 --> 02:43:53,170
I will go out the
usual way, we all will.

2045
02:43:54,170 --> 02:43:58,030
>Emma stone -- "la la land."

2046
02:43:58,080 --> 02:44:01,830
>Maybe I'm one of those people
that has always wanted to do it,

2047
02:44:01,880 --> 02:44:06,070
but it's like a pipe
dream for me, you know?

2048
02:44:06,120 --> 02:44:08,540
And then you -- you said it,
you -- you change your dreams

2049
02:44:08,590 --> 02:44:10,710
and then you grow up. Maybe
I'm one of those people

2050
02:44:10,760 --> 02:44:13,740
and I'm not supposed to
and I can go back to school.

2051
02:44:13,790 --> 02:44:16,210
And I can find something
else that I'm supposed to do.

2052
02:44:16,260 --> 02:44:22,180
Because I left to do that and it's
been six years, and I don't

2053
02:44:22,230 --> 02:44:27,090
want to do it
anymore. >Meryl Streep --

2054
02:44:27,140 --> 02:44:33,140
"Florence foster Jenkins." ♪
melodies bring back old days ♪

2055
02:44:37,080 --> 02:44:43,410
♪ soar like a bird
faintly the old music box

2056
02:44:43,460 --> 02:44:49,460
plays ♪ >wonderful.

2057
02:44:54,570 --> 02:45:00,570
♪

2058
02:45:05,440 --> 02:45:11,440
>And the Oscar goes to -- Emma

2059
02:45:14,220 --> 02:45:18,410
stone, "la la land." >Announcer:
This is the first

2060
02:45:18,460 --> 02:45:21,110
Oscar and second
nomination for Emma stone.

2061
02:45:21,160 --> 02:45:24,250
She was previously nominated
for her supporting role in

2062
02:45:24,300 --> 02:45:30,300
"birdman."

2063
02:45:39,240 --> 02:45:43,470
>Leo. Whoa.

2064
02:45:43,520 --> 02:45:48,000
Thank you so much to the academy.

2065
02:45:48,050 --> 02:45:54,050
To the women in this category,
Natalie, Isabelle, Meryl, Ruth,

2066
02:45:56,400 --> 02:46:02,180
you were all so void
theextraor and I look up to you and I

2067
02:46:02,230 --> 02:46:05,020
admire you more than
I can put into words.

2068
02:46:05,070 --> 02:46:09,160
It has been the greatest honor
of all to stand along with you.

2069
02:46:09,210 --> 02:46:14,630
To my mom and my dad and my
brother, Spencer, and my soul

2070
02:46:14,680 --> 02:46:21,200
sister, chrissie, my whole
family, I love you so much.

2071
02:46:21,250 --> 02:46:23,910
Thank you for everything. To
Doug wald who stood by me all

2072
02:46:23,960 --> 02:46:30,150
these years, holly and Michelle
and Craig and p.J. And Greta and

2073
02:46:30,200 --> 02:46:33,420
Bob Cooper, thank you so much and
I realize that a moment like

2074
02:46:33,470 --> 02:46:38,190
this is a huge confluence of
luck and opportunity and so I

2075
02:46:38,240 --> 02:46:40,760
want to thank Damien chazelle
for the opportunity to be part

2076
02:46:40,810 --> 02:46:45,230
of a project that was so
special and once in a lifetime.

2077
02:46:45,280 --> 02:46:48,030
I'm so grateful to have been involved
in this film and thank

2078
02:46:48,080 --> 02:46:53,370
you for your faith and your
patience and such a wonderful

2079
02:46:53,420 --> 02:46:57,070
experience and Ryan gosling,
thank you for making me laugh

2080
02:46:57,120 --> 02:47:01,510
and for always raising the
bar and for being the greatest

2081
02:47:01,560 --> 02:47:07,180
partner on this crazy
adventure. To our whole crew, everyone that

2082
02:47:07,230 --> 02:47:10,450
put their heart and souls
into this film, I -- I'm going to

2083
02:47:10,500 --> 02:47:15,020
find you all individually,
and I'm going to thank you.

2084
02:47:15,070 --> 02:47:16,930
Along with my friends,
who I love so much.

2085
02:47:16,980 --> 02:47:22,160
I'm going to hug the hell out
of you when the feeling re-enters

2086
02:47:22,210 --> 02:47:25,670
my body. I still have a lot of growing

2087
02:47:25,720 --> 02:47:30,210
and learning and work to
do. And this guy is a really

2088
02:47:30,260 --> 02:47:33,910
beautiful symbol to continue on
that journey and I'm so grateful

2089
02:47:33,960 --> 02:47:35,210
for that. So, thank you so much.

2090
02:47:35,260 --> 02:47:41,850
Thank you. >Announcer: Coming up next,

2091
02:47:41,900 --> 02:47:46,150
the academy award for best picture.

2092
02:47:46,200 --> 02:47:48,270
Live from the dolby
theatre in Hollywood.

2093
02:47:53,070 --> 02:47:58,860
>All right. We've
reached the halfway point

2094
02:47:58,910 --> 02:47:59,990
of the show. And now,
this is -- my favorite

2095
02:48:00,040 --> 02:48:05,200
part of the night is here. A
chance to see Matt Damon lose

2096
02:48:05,250 --> 02:48:08,030
an academy award. Here
to present our final Oscar

2097
02:48:08,080 --> 02:48:13,540
on the 50th anniversary of the
great movie "Bonnie and Clyde,"

2098
02:48:13,590 --> 02:48:19,590
please welcome Warren
beatty and faye dunaway.

2099
02:48:31,210 --> 02:48:32,390
>Thank you very much. >Thank you.

2100
02:48:32,440 --> 02:48:38,440
>Thank you.

2101
02:48:42,250 --> 02:48:47,470
Thank you. >Thank you very much.

2102
02:48:47,520 --> 02:48:50,740
It's a privilege for us to present
the final award of the

2103
02:48:50,790 --> 02:48:54,010
evening. The films we honor tonight

2104
02:48:54,060 --> 02:48:58,750
inspired us, touched our emotions,

2105
02:48:58,800 --> 02:49:04,460
gave us hope and joy and may even
have changed our thinking.

2106
02:49:04,510 --> 02:49:10,510
>Well, I think that it
could be said that our goal in

2107
02:49:11,680 --> 02:49:14,070
politics is the same
as our goal in art.

2108
02:49:14,120 --> 02:49:19,500
And that's to get to the
truth. So, that's like in the movies

2109
02:49:19,550 --> 02:49:23,890
that we honor tonight, that
not only entertain us and move us,

2110
02:49:23,940 --> 02:49:29,430
they show us the increasing diversity
in our community and a

2111
02:49:29,480 --> 02:49:35,480
respect for diversity and
freedom all over the world.

2112
02:49:40,420 --> 02:49:43,110
So, faye, let's get to the movies.

2113
02:49:43,160 --> 02:49:44,410
>Okay. So, here are the nominees for

2114
02:49:44,460 --> 02:49:50,420
best picture. >I always
dreamed about being

2115
02:49:50,470 --> 02:49:55,920
a doctor, but --
didn't get much school.

2116
02:49:55,970 --> 02:50:00,660
There's a war, and they need money.

2117
02:50:00,710 --> 02:50:05,470
I can't touch a gun, but all
everybody else is taking life,

2118
02:50:05,520 --> 02:50:07,670
I'm going to be saving it.
That's going to be my way to

2119
02:50:07,720 --> 02:50:14,380
serve. >Hey, pop.

2120
02:50:14,430 --> 02:50:16,740
>Huh? >How come you ain't never

2121
02:50:16,790 --> 02:50:19,110
liked me? >Like you?

2122
02:50:19,160 --> 02:50:22,380
Who the hell said I got to like you?

2123
02:50:22,430 --> 02:50:25,190
A man is supposed to
take care of his family.

2124
02:50:25,240 --> 02:50:28,890
You live in my house, fill
your belly with my food, put your

2125
02:50:28,940 --> 02:50:31,190
behind on my bed,
because you're my son.

2126
02:50:31,240 --> 02:50:34,260
Not because I like you. >Everything
that boy do, he do

2127
02:50:34,310 --> 02:50:40,310
for you. >More objects have landed

2128
02:50:41,620 --> 02:50:43,040
around the world. >You're
at the top of

2129
02:50:43,090 --> 02:50:46,440
everyone's list when it
comes to translations.

2130
02:50:46,490 --> 02:50:49,510
>What do they want?
Where are they from?

2131
02:50:49,560 --> 02:50:51,750
>Our language like
our culture is messy.

2132
02:50:51,800 --> 02:50:54,850
>So, how do we clarify
their intentions?

2133
02:50:54,900 --> 02:50:57,420
>We go back. >What
the hell is she doing?

2134
02:50:57,470 --> 02:51:01,990
>They need to see me. >You
are committing an act of

2135
02:51:02,040 --> 02:51:02,920
treason. >Do you trust me?

2136
02:51:02,970 --> 02:51:06,460
>Oh, my God. >Going
to be hearing a lot of

2137
02:51:06,510 --> 02:51:09,660
things about me and your
Uncle. >Everybody on the ground!

2138
02:51:09,710 --> 02:51:12,530
>Whatever I hear, I won't believe.

2139
02:51:12,580 --> 02:51:17,600
>No, you believe it. I did all of it.

2140
02:51:17,650 --> 02:51:21,620
Love you. Don't be stupid.

2141
02:51:21,670 --> 02:51:27,670
>These boys, they aren't
done yet, I'll tell you that.

2142
02:51:30,810 --> 02:51:35,400
>I've got you. I'm not
going to let you go.

2143
02:51:35,450 --> 02:51:37,300
You're in the middle of the world.

2144
02:51:37,350 --> 02:51:40,940
>I love you. >Little man.

2145
02:51:40,990 --> 02:51:44,240
>I did not have love for
you when you needed it.

2146
02:51:44,290 --> 02:51:46,610
I know that. So, you
ain't got to love me.

2147
02:51:46,660 --> 02:51:51,080
But you're going to
know that I love you.

2148
02:51:51,130 --> 02:51:53,750
>I'm me. Ain't trying
to be nothing else.

2149
02:51:53,800 --> 02:51:59,390
>You okay? >I'm lost.

2150
02:51:59,440 --> 02:52:04,390
I have to find her. >No!

2151
02:52:04,440 --> 02:52:08,100
>Do you have any idea
what it's like knowing my real

2152
02:52:08,150 --> 02:52:10,970
brother and mother spent
every day of their lives looking for

2153
02:52:11,020 --> 02:52:13,540
me? They need to know I'm okay.

2154
02:52:13,590 --> 02:52:19,590
>I really hope she's
dead. >You know what we're doing

2155
02:52:21,690 --> 02:52:24,980
here? >Trying to put a man into

2156
02:52:25,030 --> 02:52:28,150
space. >I need mathematicians to look

2157
02:52:28,200 --> 02:52:30,190
beyond the numbers.
>My girls are ready.

2158
02:52:30,240 --> 02:52:33,590
They can do the work. >There's
no protocol for women

2159
02:52:33,640 --> 02:52:36,090
attending. >There's
no protocol for a man

2160
02:52:36,140 --> 02:52:42,140
circling the earth either, sir. >Oh.

2161
02:52:45,280 --> 02:52:48,540
>Is he dead? >Nobody
can appreciate what

2162
02:52:48,590 --> 02:52:52,440
you've been through. >As,
your brother has provided

2163
02:52:52,490 --> 02:52:54,910
for Patrick's
upkeep. >Well, I can't be his

2164
02:52:54,960 --> 02:52:55,910
guardian. I was just a backup.

2165
02:52:55,960 --> 02:52:58,650
>You don't want to be
my guardian, that's fine.

2166
02:52:58,700 --> 02:53:00,750
>It's not that. >All
my friends are here.

2167
02:53:00,800 --> 02:53:03,190
I got two girlfriends
and I'm in a bad.

2168
02:53:03,240 --> 02:53:05,850
You're a janitor in Quincy. What
the hell do you care where

2169
02:53:05,900 --> 02:53:10,760
you live? >You said it.

2170
02:53:10,810 --> 02:53:14,400
You change your dreams
and then you grow up.

2171
02:53:14,450 --> 02:53:20,450
>This is the
dream. It's very exciting.

2172
02:53:24,190 --> 02:53:27,410
>Maybe I'm not good
enough. >Yes, you are.

2173
02:53:27,460 --> 02:53:33,460
When you get this, you got
to give it everything you got.

2174
02:53:46,980 --> 02:53:52,980
>And the academy award
for best picture --

2175
02:53:57,920 --> 02:53:59,510
>you're impossible. Come on!

2176
02:53:59,560 --> 02:54:05,560
>"La la land." >Announcer:
"La la land" has

2177
02:54:10,440 --> 02:54:13,660
14 Oscar nominations this
year and is tied for the most

2178
02:54:13,710 --> 02:54:18,590
nominated movie in Oscar history,
winning seven oscars.

2179
02:54:18,640 --> 02:54:22,730
Production design, original score,
song, directing, actress

2180
02:54:22,780 --> 02:54:28,780
and best picture.

2181
02:54:39,430 --> 02:54:40,050
>Thank you. Thank you all.

2182
02:54:40,100 --> 02:54:44,150
Thank you to the academy,
thank you to lionsgate, thank you to

2183
02:54:44,200 --> 02:54:48,190
our incredible cast and
crew. We're all up here right now.

2184
02:54:48,240 --> 02:54:51,260
Thank you to Jamie
feldman, to Gary Gilbert.

2185
02:54:51,310 --> 02:54:55,160
Thank you to my parents for supporting
my choice to pursue a

2186
02:54:55,210 --> 02:54:58,630
career in the arts, even
though it was a little bit crazy.

2187
02:54:58,680 --> 02:55:01,640
Arthur horowitz, you
are my fantasy baby.

2188
02:55:01,690 --> 02:55:06,940
And to my kind, generous, talented,
beautiful blue-eyed

2189
02:55:06,990 --> 02:55:11,250
wife and creative
partner, Julia hart -- oh.

2190
02:55:11,300 --> 02:55:16,320
You have inspired me to become
the man I am right now and more

2191
02:55:16,370 --> 02:55:19,960
importantly, the man
I'm still becoming.

2192
02:55:20,010 --> 02:55:22,220
There's a lot of love in this room.

2193
02:55:22,270 --> 02:55:26,930
And let's use it to create and
champion bold and diverse work,

2194
02:55:26,980 --> 02:55:32,900
work that inspires us
towards joy, towards hope and towards

2195
02:55:32,950 --> 02:55:34,670
empathy. >Here's to the fools who made

2196
02:55:34,720 --> 02:55:40,910
me dream, my Uncle Gary Platt,
my mentor, Sam cone, my parents,

2197
02:55:40,960 --> 02:55:46,480
my wife, on whose shoulders
I stood on for 40 years, and to

2198
02:55:46,530 --> 02:55:49,590
the Hollywood community that
I'm so proud to be apart of and to

2199
02:55:49,640 --> 02:55:54,860
the hearts of minds of
people everywhere, repression is the

2200
02:55:54,910 --> 02:55:57,060
enemy of civilization. So,
keep dreaming, because the

2201
02:55:57,110 --> 02:55:59,130
dreams we dream today will provide
the love, the compassion

2202
02:55:59,180 --> 02:56:03,930
and the humanity that will narrate
the stories of our lives

2203
02:56:03,980 --> 02:56:09,980
tomorrow. >To the love of my life, I

2204
02:56:11,020 --> 02:56:17,020
love you so much, to
my family, momma, papa.

2205
02:56:20,000 --> 02:56:25,420
Damien chazelle, we're
standing on your shoulders.

2206
02:56:25,470 --> 02:56:29,930
>I'm sorry, no, there's a mistake.

2207
02:56:29,980 --> 02:56:31,730
"Moonlight." You
guys won best picture.

2208
02:56:31,780 --> 02:56:34,460
>This is not a
joke. This is not a joke.

2209
02:56:34,510 --> 02:56:37,930
I'm afraid they read the wrong thing.

2210
02:56:37,980 --> 02:56:41,440
>This is not a joke. "Moonlight"
has won best

2211
02:56:41,490 --> 02:56:45,410
picture. "Moonlight."

2212
02:56:45,460 --> 02:56:51,460
Best picture. >I think
you guys should keep

2213
02:56:52,830 --> 02:56:59,690
it anyway. Oh, it's --

2214
02:56:59,740 --> 02:57:05,530
>guys. This is -- very unfortunate,

2215
02:57:05,580 --> 02:57:07,950
what happened. Personally,
I blame Steve Harvey

2216
02:57:08,000 --> 02:57:11,160
for this. I would
like to see you get an

2217
02:57:11,210 --> 02:57:13,890
Oscar anyway, why can't we
just give out a whole bunch of them?

2218
02:57:13,940 --> 02:57:19,940
>I'm going to be really proud
to hand this to my friends from

2219
02:57:23,430 --> 02:57:27,650
"moonlight." >Hello.

2220
02:57:27,700 --> 02:57:32,620
Hello. I -- I want --

2221
02:57:32,670 --> 02:57:35,820
>Warren, what did you
do? >I want to tell you what

2222
02:57:35,870 --> 02:57:42,560
happened. I opened the envelope and it

2223
02:57:42,610 --> 02:57:47,570
said Emma stone, "la la
land." That's why I took such a long

2224
02:57:47,620 --> 02:57:53,840
look at faye and at you,
I wasn't trying to be funny.

2225
02:57:53,890 --> 02:57:57,010
>Well, you were
funny. >Thank you very much.

2226
02:57:57,060 --> 02:57:58,580
Thank you very much. >Wow--

2227
02:57:58,630 --> 02:58:00,850
>this is "moonlight,"
the best picture.

2228
02:58:00,900 --> 02:58:06,900
>Okay.

2229
02:58:25,790 --> 02:58:28,780
>Thank you. >Very
clearly, very clearly,

2230
02:58:28,830 --> 02:58:31,380
even in my dreams,
this could not be true.

2231
02:58:31,430 --> 02:58:35,380
But to hell with dreams, I'm
done with it, because this is

2232
02:58:35,430 --> 02:58:41,360
true. Oh, my goodness.

2233
02:58:41,410 --> 02:58:43,460
>Thank you. Thank you.

2234
02:58:43,510 --> 02:58:45,630
>And I have to say-- and
it is true, it's not fake.

2235
02:58:45,680 --> 02:58:48,260
We've been on the road with these
guys for so long and that

2236
02:58:48,310 --> 02:58:50,830
was so great and so generous of them.

2237
02:58:50,880 --> 02:58:53,870
My love to "la la land,"
my love to everybody.

2238
02:58:53,920 --> 02:58:59,920
Man. >Thank you to the-- I don't

2239
02:59:01,860 --> 02:59:04,080
know what to say. That
was really-- I'm not--

2240
02:59:04,130 --> 02:59:08,350
I'm still not sure this is
real, but thank you to the academy and

2241
02:59:08,400 --> 02:59:12,750
it is so humbling to be
standing up here with hopefully still

2242
02:59:12,800 --> 02:59:16,420
the-- okay, no, they're gone,
but it's very humbling to be up

2243
02:59:16,470 --> 02:59:20,200
here and I think, I hope
even more than that they it's

2244
02:59:20,250 --> 02:59:24,830
inspiring to people, little black
boys and brown girls and

2245
02:59:24,880 --> 02:59:30,880
other folks watching at home
who feel marginalized and who--

2246
02:59:32,490 --> 02:59:37,650
take some inspiration from seeing
this beautiful group of

2247
02:59:37,700 --> 02:59:41,550
artist artists held by this amazing

2248
02:59:41,600 --> 02:59:44,550
talent, Barry Jenkins,
accepting this top honor.

2249
02:59:44,600 --> 02:59:50,600
Thank you.

2250
02:59:53,280 --> 02:59:56,770
>There was a time when
I thought this movie was

2251
02:59:56,820 --> 02:59:59,570
impossible, because I couldn't--
I couldn't bring it

2252
02:59:59,620 --> 03:00:01,640
to fruition. I couldn't
bring myself to tell

2253
03:00:01,690 --> 03:00:04,370
another story. Everybody
behind me on this

2254
03:00:04,420 --> 03:00:06,440
stage said, no, that
is not acceptable.

2255
03:00:06,490 --> 03:00:09,240
I want to thank everybody
up here behind me.

2256
03:00:09,290 --> 03:00:10,450
Everybody out there in this room.

2257
03:00:10,500 --> 03:00:12,910
We didn't do this. You guys chose us.

2258
03:00:12,960 --> 03:00:16,120
Thank you for the
choice. I appreciate it.

2259
03:00:16,170 --> 03:00:18,020
Much love. >Good night.

2260
03:00:18,070 --> 03:00:24,070
Thank you so much.

2261
03:00:28,640 --> 03:00:32,260
>Well, I don't know what happened.

2262
03:00:32,310 --> 03:00:38,100
I blame myself for this. Let's
remember, it's just an

2263
03:00:38,150 --> 03:00:40,730
awards show. I mean,
we hate to see people

2264
03:00:40,780 --> 03:00:43,840
disappointed, but the good
news is, we got to see some extra

2265
03:00:43,890 --> 03:00:46,440
speeches. We have some great movies.

2266
03:00:46,490 --> 03:00:50,780
I knew I would screw this
show up, I really did.

2267
03:00:50,830 --> 03:00:53,760
Thank you for watching. I'm
back to work tomorrow night

2268
03:00:53,810 --> 03:00:59,390
on my regular show, I
promise, I'll never come back.

2269
03:00:59,440 --> 03:01:01,110
Good night.