♪ >hey!
Hey! ♪ I got this feeling
inside my bones it goes electric, wavey ♪
♪ when I turn it on all through my city
all through my home we're flying up
no ceiling when we're in our zone ♪
♪ I got that sunshine in my pocket
got that good soul in my feet ♪
♪ I feel that hot blood in my body
when it drops, oh I can't take my
eyes up off it moving so phenomenally
the room on lock ♪ ♪ the way we rock it
so don't stop and under the lights
when everything goes nowhere to hide
when I'm getting you close when we move
well, you already know so just imagine
just imagine, just imagine nothing I can see but you ♪
♪ when you dance dance, dance, girl
feeling good good creeping up on you ♪
So just dance, dance, dance come on
all those things I shouldn't do ♪
♪ but you dance dance dance
and ain't nobody leaving soon ♪
♪ so keep dancing I can't stop the feeling
so just dance dance dance ♪
♪ I can't stop the feeling
so just dance dance dance ♪
♪ come on oh it's something magical
it's in the air it's in my blood ♪
♪ it's rushing on when I get that ♪
♪ I might lose control I fly so high no ceiling ♪
♪ when I'm in my zone because I got that
sunshine in my pocket got that good soul
in my feet I feel that hot blood
in my body when it drops oh
I can't take my eyes up off it ♪
♪ moving so phenomenally the room on lock
the way we rock it so don't stop ♪
♪ and under the lights when everything goes
nowhere to hide when I'm getting you close ♪
♪ when we move well you already know
so just imagine ♪ from the bottom to the top, let
me hear you Hollywood!
♪ I can't stop the I can't stop the feeling
nothing I can see but you when you dance
dance dance girl feeling good good
creeping up on you so just dance
dance dance come on ♪
♪ all those things I shouldn't do
but you dance dance dance ♪
♪ and ain't nobody leaving soon
so keep dancing I can't stop
the feeling got this feeling
in my body I can't stop
the feeling got this feeling
in my body I can't stop the feeling ♪
♪ wanna see you move your body I can't stop the feeling ♪
♪ got this feeling in my body ♪
♪ I can't stop the feeling ♪
Break it down. Hollywood, you look so lovely
tonight, but do you feel lovely tonight?
♪ When I wake up in the morning ♪
♪ when the sunlight hurts my eyeye
s and something that I wanted
love breaks heavy on my mind ♪
♪ but then I look at you and the world's all right with
me just one look at you ♪
♪ and I know it's gonna be it's gonna be ♪
♪ a lovely day lovely day ♪
♪ lovely day lovely day ♪
♪ lovely day ♪ ♪ got this feeling
in my body got this feeling
in my body come on
wanna see you move your body ♪
♪ got this feeling in my body
come on ♪
>Thank you! Live from the doldolby theatre
at Hollywood and highland, it's the oscars.
Ladies and gentlemen, please welcome your host --
Jimmy kimmel. ♪
>Oh, good, I got a sitting ovation, awesome.
Oh -- well, I've ruined the oscars already.
I don't know who to say. Welcome, everybody.
Justin Timberlake! Justin he was terrific.
I want to say, on your behalf, I really hope the other guys from
nsync were watching that performance, because if they
were, I think there's a reall good chance they're going to let
you back in the mind. Thank you very much, Justin.
Thank you. Hi, everybody.
Welcome. And most importantly,
congratulations. Congratulations, everyone, who
is nominated tonight. Thank you for letting me be
apart of this. I'm excited.
I've never been to the oscars before.
This is my first time here and the way you people go through
hosts is probably my last time here, so -- I'm going to enjoy
this while I'm here. This broadcast is being watched
live by millions of Americans and around the world in more
than 225 countries that now hate us.
And I think that is an amazing thing.
As you know, I don't have to tell anybody, the country is
divided right now. I've been getting a lot of
advice, people telling me, you need to say something to unite
us, and -- let's just get something straight off the top.
I'm not -- I can't do that. That's not -- there's only one
Braveheart in this room, and he's not going to unite us,
either, okay? Mel, you look great.
I think the scientology is working.
I really do. I'm not the man to unite this
country, but it can be done. You know, if every person
watching this show -- I don't want to get too serious.
There are millions of people watching right now and if every
one of you took a minute to reach out to one person you
disagree with, someone you like and have a positive, considerate
conversation, not as liberals or conservatives, but as Americans,
if we would all do that, we would make America great again.
We really could. It starts with us.
And tonight, in spirit of healing and bringing people
together, I would like to bury the hatchet with someone I've
had issues with. I would.
Matt Damon. Now, Matt I've known Matt for
a long time now. I've known Matt so long, when I
first met Matt, I was the fat one, okay?
It's true. And we've had problems.
He's a selfish person. Those of you who have worked
with him know this. But Matt did something very
unselfish and I want to commend him for it.
For real. Matt, as you probably know,
could have starred in "Manchester by the sea."
It's nominated for six oscars, including lead actor, and he
could have taken that lead actor part for himself.
But he didn't. He gave that role to Casey
affleck, his childhood friend. He handed an Oscar caliber role
over to his friend and made a Chinese pony tail movie instead.
And -- and that movie went on to
lose $80 million. Smooth move, dumb ass.
See? It's so easy to reach out and
heal. Maybe this is not a popular
thing to say, but I want to say thank you to president trump.
Remember last year when it seemed like the oscars were
racist? That's gone.
Thanks to him. What -- it has been an amazing
year for movies. Black people saved NASA and
white people saved jazz. That's what you call progress.
A little movie musical named "la la land" ties the all-time Oscar
record, it was directed by damida
Damien chazelle, 14 nominations, which is -- 14 nominations, one
for every year Damien has been alive.
Tonight is very important for Damien.
If he wins he'll be able to go to any college he wants, so --
we wish you the best. The movie business is changing.
First time ever Amazon is represented at the academy
awards. Amazon is the first streaming
service nominated for best picture.
Jeff bezos is the founder and ceo, and I want to say
congratulations to Jeff. And I want you to know, Jeff, if
you win tonight, you can expect your Oscar to arrive in two to
five business days, possibly stolen by a grub hub delivery
man. Amazon produced "Manchester by
the sea." That was a fun movie, wasn't it?
You know, if you search for "Manchester by the sea" on
Amazon, it says customers who bought this item also purchased
Zoloft. I don't know what's going on,
but there are a lot of sad movies this year.
The only happy ends of all the nominees was in the one in the
middle of "moonlight." You didn't watch it, did you?
Oh, we love it so much. The incredible Denzel Washington
is nominated for "fences." A movie he also directed.
I don't know, you probably heard the story, but of how it came
together, apparently Denzel always wanted to work with
Denzel and just so happened that their schedules worked out and
the rest is Oscar history. Congratulations to you, my
friend. We have friends and colleagues
visiting from all around the world tonight.
The great actress from France, Isabelle huppert is with us.
Isabelle, as you know, is nominated for her performance in
the movie "Elle." I would like to say, we didn't
see the movie, but I'm glad homeland security let you in
tonight. We are very welcoming to
outsiders here in Hollywood. We don't discriminate on people
based on what countries they come from.
We discriminate them based on their age and weight.
Andrew garfield lost 40 pounds where is Andrew?
You can barely even see him, he got so thin.
He got lost 40 pounds for his role in the movie "silence."
It was an astonish iing feat. Viggo mortensen is nominated for
best actor for his performance in the movie "captain
fantastic." Too often, the academy only
recognizes movies that people have seen, and I just think it's
wonderful. We are here tonight to honor
great actors but we're also here to honor the actors who seem
great but actually really aren't.
And of all the great actors here in Hollywood, one in familiar
has stood the test of time for her many uninspiring and
overrated performances.
See? That's what he means.
May I say, from her mediocre early work in "the deer hunter"
and out of Africa to her underwhelming performance in
"Sophie's choice," Meryl Streep has phoned it in for more than
50 films over the course of her lackluster career.
This is Meryl's 20th Oscar nomination.
Even more, made even more amazing, considering the fact
that she wasn't even in a movie this year.
We just wrote her name down out of habit.
Meryl, stand up, if you would. Everybody, please join me in
giving her a totally undeserved round of applause, will you?
The highly overrated Meryl Streep, everyone.
We're going to have fun tonight. I hope we're going to have fun
tonight. Nice dress, by the way.
Is that an ivanka? This is exciting.
I think it's important that we all -- I know we've all seen it
all, but it's important that we take a second to appreciate what
is happening here. We're at the oscars.
The academy awards. You're nominated.
You got to come. Your families are nominated.
Your friends. Some of you will get to come up
here on this stage tonight and give a speech that the president
of the United States will tweet about in all caps during his
5:00 A.M. bowel movement tomorrow.
And I think that's pretty darn excellent, if you ask me, so,
let's get going. It's time for our first category
of the night. Supporting actors.
It's what most actors parents are still doing, supporting
actors. Five men are nominated tonight,
but only one will have the opportunity to be included in a
spectacular clip montage like this.
>When I first emerged from my mother's womb, I was already
rehearsing my academy thank you speech.
>Thank God I get tose this. >It's handwritten, it's short.
>Ladies and gentlemen -- >what a night, what a moment,
what everything. >I'm very happy.
>Don't let anybody tell you this isn't a terrific thrill.
>I have dreamed of a moment like this my whole life.
>To all you members of the academy --
>thank you so much for this incredible honor.
>All you other four guys -- this is ours.
>You've all made it possible. >And the Oscar goes to --
>Christopher walken. >To my fellow nominees.
>So proud to share this most joyful, wonderful experience.
>This is pretty amazing. >I've always just adored
stories. >And I'm grateful every day.
>For the opportunity to work. >In the entertainment
industry. >So happy to be here tonight.
>But most of all -- and this is from the heart --
>there's no way I can ever thank you enough.
>Announcer: Ladies and gentlemen, please welcome last
year's winner for best actress in a supporting role,
Alicia vikander.
>This year's nominees for best supporting actor are
distinguished as a group by the broad and diverse range of the
characters they played, each of them as memorable as any of the
classic performances we just saw.
I am thrilled to tell you their names.
Here are the nominees for performance by aactor in a
supporting role. Mahershala Ali.
"Moonlight." >I hate her.
>Hmm. Yeah, I belt you do.
I hated my mom, too.
>Jeff bridges. "Hell or high water."
>Help me understand why four people died?
Steal money that you don't spend, that you don't need.
>You got a family? >Y partner had a family, big
one. They don't got no pump Jacks in
their front yard. >I didn't tell your friend.
>Yes, you did, by setting this thing in motion.
>Lucas hedges. "Manchester by the sea."
>You actually have sex with these girls?
>We don't just play computer games.
>With both of them? >Well, with Sandy's mom here,
it's sort of strictly just, like, basement business.
>What does that mean? >Means I'm working on it.
>Dev patel. "Lion."
>Do you have any idea what it's like knowing my real
brother and mother spent every day of their lives looking for
me? Huh?
How every day my real brother screams my name?
Can you imagine the pain they must be in not knowing where I
am, huh? 25 years.
25.
>Michael Shannon. "Nocturnal animals."
>Just showed up at my camp. I'm going to let that little
idiot get nice and liquored up, then I'm going to grab his ass
and take him to my camp, and I want you to come with me.
We're going to keep him for a little while, get a little
rough, make him suffer. And then we'll see what he does.
Would you like that?
>And the Oscar goes to -- mahershala Ali, "moonlight."
>Announcer: This is the first Oscar and nomination for
mahershala Ali.
>My grandma would want me to button up.
Wow. I want to thank my teachers, my
professors, my -- so many wonderful teachers and one thing
that they consistently told me, Ron van Lou, Ken Washington,
said it wasn't about you. It's not about you.
It's about these characters. You are a servant.
You're in service to these stories and these characters and
I'm so blessed to have had an opportunity.
It was about Juan, it was about Paula.
Cast and crew, such a wonderful experience.
Thank you Barry Jenkins, thank you Adele romanski, who
Barry to cast me. No, but -- it's just such a
wonderful experience and I have so many people to thank who have
gotten me here, my manager, who have been with for ten years.
Just thank you so much, and the rest of the cast who did
wonderful work, any one of them could be up here right now
holding this trophy. Such a gift, getting to work
with you and be inspired by you and the performances that you
all offered up. So, thank you, the academy,
really appreciate this, and lastly, I just want to thank my
wife, who is in her third trimester during award season.
We just had our daughter three days ago, so -- I just -- I just
want to thank her for being such a soldier through this process
and help and really carrying me through it all, so, thank you,
really appreciate it. Peace and blessings.
>Announcer: Coming up, Kate McKinnon, Jason Bateman and
Dwayne Johnson. Then later, a performance by
lin-Manuel Miranda.
>Announcer: The oscars on abc, brought to you by --
Samsung.
♪ >hi, everybody.
Welcome back. Wasn't that nice to see
mahershala accepting an Oscar for a big movie that came out of
nowhere? Congratulations.
I mean, not for the people who lost, but.
When your name is mahershala, what do you name the kid?
You can't go with Amy. Real simple?
Mark? Oh, mari.
Jeff bridges is here. Did you bring your vappen?
All right. All right.
All right. Hey, we have many wonderful
stars and moments to share tonight and we will, but before
we go any further, if there's anyone here from CNN or "the
L.A." or "the New York times," if you work for anything with
the word times in it, I would like you to leave the building
right now, okay? We have no tolerance for fake
news. Fake tans we love, but fake
news? This is the fun part of the
show. This is the part of the show
when ifeveryone still has hope, before people start losing and
you realize you taped your dress to your boobs for nothing.
Our next presenters are very funny people.
She spent most of last year dressed up like Hillary Clinton,
and weirdly, so did he. Here to hand out the award for
costume, makeup and hairstyling, Kate McKinnon and Jason Bateman.
>Wow. It's the oscars.
>It's the oscars. >It is the oscars.
How you doing? Nervous?
>Little bit nervous. Yeah.
A lot of people. Doing a double segment, too.
We're going to be up here a bit. And we're doing makeup and we're
dos costumes. I'm a little tight.
>Yeah. Don't worry.
I got you. I'm going to set you up.
You're going to spike it. >You promise?
>I got it. >Please do.
>Makeup is the art of ending an argument.
>Uh-oh. When you are about to get a
divorce -- >Kate.
>And then you don't. >That's t it.
>That is the power of makeup. >That's not it.
>I got this. Here are this year's nominees
for achievement in makeup and hairstyling.
"A man called ove." Eva Von bahr and love Larson.
"Star trek beyond." Joel harlow and Richard Alonzo.
"Suicide squad." Alessandro bertolazzi,
giorgio gregorini and Christopher Nelson.
>And the Oscar goes to for "suicide squad."
Alessandro bertolazzi, giorgio
gregorini and Christopher Nelson.
>Announcer: This is the first Oscar for
Alessandro bertolazzi, giorgio gregorini and
Christopher Nelson.
>You want to talk? >Yes.
Thank you so -- yeah, I want to talk.
I waited for 50 years to talk. Probably a little bit more.
So, by the way, thank you academy for making this all
possible. Acade
academy's support is not just oscars, it's everything.
Support the movie, support beautiful people.
Thank you very much to my lovely wife, supported me for all my
life. And my son.
What can I say? Thank you very much.
It's not the -- the last thing, this is for -- I'm an immigrant,
I come from Italy. I work around the world.
And this is for all the immigrants.
For the immigrants. Please.
>Thank you, everybody. Thank you, David, Greg, k and b,
everybody, please. Thank you so much.
>Thank you so much to all of you, I'm so happy for this one
and I want to dedicate this to my wife, she passed away, she
cannot be with me now, but thank you so much to everybody.
Thank you.
>Okay. Yeah.
I -- I see what went wrong the last time and I'm not going to
let you down. >Please don't.
>Okay. >Costumes are the cost of
humes. >That's not it.
>Take it. >These are the nominees for
achievement in costume design. "Allied."
Costume design by joanna johnston.
"Fantastic beasts and where to find them."
Costume design by Colleen atwood.
"Florence foster Jenkins." Costume design by
consolata boyle. "Jackie."
Costume design by Madeline fontaine.
"La la land." Costume design by Mary zophres.
Okay. The Oscar goes to -- Colleen
atwood, "fantastic beasts and where to find them."
>Announcer: This is the fourth Oscar and 12th nomination for
Colleen atwood, who previously took home oscars in this
category for "Chicago," "memoirs of a geisha" and "Alice in
wonderland."
>Thank you. Truly floored.
Sting told me I was going to win tonight, I didn't believe him at
all. I was like, what?
Obviously, I didn't prepare anything.
Thank you to Warner brothers for their tremendous, really
supportive team, my amazing director.
Lovely David yates. Just a special treat to work
with him. And my amazing team and the rest
of the people who I've forgotten tonight.
Thank you all very much, my kids who are here with me.
Thanks so much. >Announcer: Coming up, the
stars of "hidden figures," "moana's" Dwayne Johnson and the
award for best supporting actress.
We're coming to you live from the dolby theatre in Hollywood.
The oscars on abc, brought to you by --
Cadillac.
>Welcome back. I want to take a moment tonight
to honor some of the real heroes who are here tonight.
The super heroes. There are so many of them in our
audience. And it has been an amazing year
for comic book movies. "Doctor strange" was dominated
for outstanding visual effects and named secretary of housing
and urban development. One of this year's nominees for
best picture is "hidden figures."
This is a movie about real heroes.
It is an inspiring and illuminating true story that
taught us not only about gender and racial discrimination in the
early '60s, but also about the amazing things women can
accomplish when they have to pee.
And here to present the Oscar for best documentary feature,
please welcome algebra's angels, janelle monae, tarajip. Henson
and Octavia Spencer.
>Movies about the lives of men and women in the history books
have long been a staple of storytellers.
Sometimes the names and deeds of the heroes in those films are
known to all. >And then there are those
films that shine the spotlight on those whose names were known
to only a very few, but whose stories deserve to be told.
>We were honored to be in an inspiring film about three such
women. Dorothy Vaughan, Mary Jackson
and Katherine Johnson, whose brilliance made our -- yes.
Whose brilliance made our nation's achievements in space
possible. And now, please welcome a true
NASA and American hero, Katherine Johnson.
>Thank you. Thanks very much.
>While "hidden figures" featured actors portraying
Katherine, Mary and Dorothy >documentary filmmakers use a
camera to show real people sharing their real stories.
In doing so, they illuminate the human condition in a way that is
brilliantly insightful, often astonishing, but above all,
truthful. >Here are the nominees for
best documentary feature. "Fire at sea."
Gianfranco rosi and donatella palermo.
"I am not your negro." Raoul peck, Rémi grellety and
hébert peck. >I'm terrified of the moral
apathy, the death of the heart that's happening in my country.
>"Life, animated." Roger Ross Williams and
Julie Goldman. >I see a proud autistic man,
ready to meet a future that is bright and full of wonder.
"O.J.: Made in America." Ezra edelman and
Caroline waterlow. >911 emergency.
>Can you get someone over here now?
>Okay, what does he look like? >He's o.J. Simpson.
>"13th." Ava duvernay, Spencer averick,
and Howard barish. >Relies historically on the
inheritances of slavery. >And the Oscar goes to --
>"o.J.: Made in America." Ezra edelman and Caroline
waterlow. >Announcer: This is the first
Oscar nomination for Ezra edelman and Caroline waterlow.
>30, huh? Okay.
First of all, this is incredible, I -- I want to thank
Caroline for going on this journey with me.
I -- yes, give it up. I want to thank the academy for
acknowledging this untraditional film.
I want to thank ESPN for allowing us the canvas and the
time to tell this story. This is the only way it could be
told. But I want to acknowledge that I
wouldn't be standing here tonight if not for two people
who aren't here with us. Ron Goldman, Nicole brown.
This is for them and their families.
It is also for others, the victims of police violence,
police brutality, racially motivated violence and criminal
injustice. This is their story, as well as
Ron and Nicole's. I am honored to accept this
award on all of their behalfs. Thank you.
>Oh, now I'm not supposed to make an o.J. Joke?
Oh, stop it. I didn't know we'd be doing this
in 2017, either, but we are. That's the simple fact of the
matter. O.J., you get an extra slice of
billi bologna on your sandwich
tonight. Almost midway through the
broadcast, the crowd turned on kimmel.
With an absolutely tasteless joke about our beloved o.J.
All right. Our next presenter is a former
wrestler who is now the highest paid actor in the world, which
really kind of puts this whole thing in perspective, doesn't
it? He is the man with the golden
guns, please welcome the artist formerly known as the rock,
Dwayne Johnson.
>I've been told that in these very politically charged times,
there's literally only one thing that can bring the entire planet
together. Dwayne Johnson singing his song
from the Oscar-nominated "moana," live in front of a
billion people. So when the oscars called, I
picked up the phone and said, ♪ what can I say
except you're welcome ♪ the producers took a moment and
said, "nah, we're good." Don't want me to sing.
Great. So, luckily for you, and the
world, here to perform one of our other iconic songs, "how far
I'll go," from our movie "moana," is the very talented
actress who plays moana, 16-year-old auli'i cravalho,
with an original prologue performed by one of the creative
forces behind the film's music and lyrics, my twin, lin-Manuel
Miranda.
♪ >before she sings her solo
shall I set the scene? Picture a young warrior not even
is 17. She dreams of open seas.
She's full of hope and sees a future where she sets her sail
and rope against the open breeze.
She doesn't know that she's a joyaging descendant, impatient.
Independent heart of nature in that pendant the ocean's at her
feet she opens her eyes to find her mind is on her island but
her eyes on the horizon line. ♪ I've been staring
at the edge of the water long as I can remember
never really knowing why I wish
I could be the perfect daughter ♪
♪ but I come back to the water
no matter how hard I try ♪
♪ every turn I take every trail I track
every path I make every road leads back ♪
♪ to the place I know where I cannot go
where I long to be see the line
where the sky meets the sea
it calls me and no one knows
how far it goes if the wind
in my sail on the sea
stays behind me one day I'll know
♪ if I go there's just no telling
how far I'll go I know
everybody on this island seems so happy
on this island everything is by design ♪
♪ I know everybody on this island
has a role on this island so maybe I can
roll with mine I can lead with pride
I can make us strong I'll be satisfied
if I play along but the voice inside
sings a different song what is wrong with me ♪
♪ see the light as it shines
on the sea it's blinding ♪
♪ but no one knows how deep it goes
and it seems like it's calling ♪
♪ out to me so come find me
and let me know what's beyond that line ♪
♪ will I cross that line see the line
where the sky meets the sea ♪
♪ it calls me ♪ ♪ and no one knows
how far it goes if the wind
in my sail on the sea
stays behind me one day I'll know
how far I'll go ♪
>Announcer: Coming up, Chris Evans, charlize theron,
Vince Vaughn and a performance by sting.
Plus, we'll see who brings home the award for best supporting
actress. The oscars on abc,
brought to you by -- Walmart.
And now, enjoy the first of three short films, based on the
same Walmart receipt.
♪ >hi, everyone.
Welcome back. By the way, I want to mention
the young men and women you see handing out trophies tonight are
not models. They're not Stallone girls.
They're actually all winners of the student academy awards.
They're academy award winners. This is their first time being
apart of something like this, and in keeping with the
time-honored tradition for entry level jobs here in Hollywood for
their work tonight, we will not be paying them.
Now, it's time for something that is very rare nowadays, a
president who believes in both arts and sciences.
Ladies and gentlemen, please welcome the President of the
academy of those things, Cheryl Boone Isaacs.
>On behalf of the academy, congratulations to all the
nominees and Oscar winners. You are part of a community that
spans a century. Not just a Hollywood community,
or an American community, but a global one, filled with
storytellers, domestic and international, one that is
becoming more inclusive and diverse with each passing day.
I am proud to be part of the evolution of this artform and to
see all the new faces among this year's nominees.
Tonight is proof that art has no borders.
Art has no single language, and art does not belong to a single
faith. For the power of art is that it
transcends all these things and as a result, all creative
artists around the world are connected by an unbreakable bond
that is powerful and permanent. Each of you -- just as each of
you being honored tonight is linked together by a bond, the
movies we love, the ones that truly matter, regardless of
country of origin, all speak to the human condition and the
values, sorrows, joys and passions that we all share.
That is the magic of the movies and that is what we celebrate
tonight.
>Thank you, Cheryl. That was poignant and moving.
I got your message and I want you to know that I, too, am
pumped for "fast and furious 8." Are you hungry?
Is there anything anyone needs? You know, this is a show about
the movies and you really can't have movies without candy, it's
un-American, right? I mean -- yeah, popcorn, too,
but we don't have that. If you close your eyes and wish
very hard, go ahead, close your eyes and wish, it's Hollywood.
Little bags of red vines and junior mints will appear from
the sky, raining down on you. For your delight.
Don't hurt each other. Dig in and enjoy.
Time to find out how well those spanx really work.
Next year, we should give out the awards this way.
All right. Now, here to present the academy
awards for sound editing and mixing, put your sticky hands
together for Sofia boutella and Chris Evans.
>Sofia and I are here to present the academy awards for
the fine arts of sound editing and sound mixing.
>Though you may not always notice their work, masters of
both crafts can startle, excite, and move audiences that is a way
that is both enormously powerful and subtle.
>Here are the nominees for achievement in sound editing.
"Arrival" sylvain bellemare
"deepwater horizon" wylie stateman and
née tondelli "hacksaw Ridge"
Robert MacKenzie and Andy Wright "la la land"
ai-ling Lee and Mildred iatrou Morgan
"Sully" Alan Robert Murray and bub asman
>and the Oscar goes to -- "arrival."
Sylvain bellemare. >Announcer: This is the first
Oscar and nomination for sylvain bellemare.
>So, they say, take a deep breath, so -- 33 seconds, 32
seconds. So -- this award, by far, is a
collective award. Made by people from many
countries around the world, lead by the quebec team.
And I want to say thanks to all the cast and the crew from
"arrival." Amy Adams, you are a wonderful
person and a profound actress. Thanks a lot.
I love you so much, you bring love to us, all we need is love.
Good night.
>And now, let's take a look and a listen to this year's
nominees for achievement in sound mixing.
>Okay, slow down. >"Arrival."
Bernard gariépy strobl and Claude la haye
"hacksaw Ridge" Kevin O'Connell, Andy Wright,
Robert MacKenzie and Peter grace "la la land"
Andy Nelson, ai-ling Lee and Steve a. Morrow
"rogue one: A star wars story" David Parker,
Christopher scarabosio and Stuart Wilson
"13 hours: The secret soldiers of benghazi"
Gary summers, Jeffrey j. Haboush and Mac Ruth.
>And the Oscar goes to -- "hacksaw Ridge."
Kevin o'nnell, Andy Wright, Robert MacKenzie and Peter
grace. >Announcer: This is the first
Oscar and nomination for Peter grace.
The first win and 21st nomination for Kevin 0 connell.
This is the second Oscar nomination and first win for
Robert MacKenzie and Andy Wright.
>Oh, my gosh. Guys thank you so much.
I can't even tell you what this means to me.
It means so much to me. My boys, Cooper and Casey are up
in the audience tonight, my wife Heather is over there.
This means so much to me, I can't even tell you.
Mel Gibson, thank you so much for taking us on this journey
with you. Bill, thank you for making this
possible. Rob, Andy and Peter, you guys
are amazing. Thank you so much.
I would like to thank Tom McCarthy and Dan sharp and all
the fine folks at Sony pictures in culver city.
And a special thank you tonight to my mother, skippy O'Connell,
who, 39 years ago, got me a job in sound and when I asked her,
mom, how can I thank you, she looked at me and said, you know,
I'll tell you how you can thank me, you can work hard, really
hard, and some day, win yourself on Oscar, get on the stage and
thank me in front of the whole world.
Mom. I know you're looking down on me
tonight. So, thank you.
Thank you all so much. I really appreciate this.
>Announcer: Coming up next, the academy award for best
supporting actress. Plus, Hailee steinfeld,
Dakota Johnson and felicity Jones.
Then, later, sting takes the stage for a special performance.
See an exclusive look at him backstage right now on the
academy's Instagram account. The oscars on abc, brought to
you by -- verizon.
Not just unlimited. Verizon unlimited.
>How's it going? Are you guys enjoying your
junior mints? By the way, for an extra $2, you
can add avocado to any of the candies we dropped tonight.
Our next presenter is one of the stars of "hacksaw Ridge" which
is nominated for best picture. It is the story of a
conscientious objector that decides to work with Mel Gibson
anyway. He is so money, and after all
these years, he still doesn't
know it. Please welcome Vince Vaughn.
>I wish someone would have warned me that a young unshaven
was hosting tonight.
He's slender and sounds tremendous.
James kimmel, wonderful. Yes.
This past November, the academy held its eighth annual
governors awards where four honorary oscars were presented.
This special event honors select members of our community for
lifetime achievement and exceptional contributions to
movies. This year, the awards were
presented to some true legends of our industry --
film editor Anne v. Coates, casting director
Lynn stalmaster, documentarian Frederick wiseman and the
amazing Jackie chan. When I say amaziamazing, I don't
mean as an entertaining. Jackie does all of his own
stunts, but Jackie will now be doing all of his own
distributi distribution.
It's come to my attention that he's acquired all eight hours of
the footage from the governors awards and he will be releasing
it in both Hong Kong and China day and date.
It will be entitled Jackie goes to the governors ball and wins.
Starring Jackie chan and three other people.
Let's take a moment to look at that night's celebration and all
four exceptional honoree ze. >Casting is one of the most
important elements in making a great movie, and Lynn stalmaster
is the master caster, man. >Never in my wildest dreams
could I imagine that I would be standing here.
>Anne v. Coates is a trail blazer for all of us.
>Incredible honor for me to give this to Anne coates, the
greatest of the great film editors.
>I feel so lucky doing the job I love.
>When I look at the work of Frederick wiseman, I am
immediately struck by the power of his documentaries.
>I usually know nothing about the subject before I start.
And I know there are those that feel I know nothing about it
when it's finished. >As movie goers around the
world know, Jackie chan has always been full of surprises.
>It is especially gratifying to be able to acknowledge
Jackie's enormous creativity. >Ladies and gentlemen, give it
up for Jackie chan. >I broke so many bones.
Finally, this is mine. >Announcer: Frederick wiseman
could not be here tonight, but please join us in saluting Anne
v. Coates, Lynn stalmaster and Jackie chan.
>This is one of the happiest moments of my life.
And I want to thank each one of you who had a part in selecting
me. >Ever since I was a little
kid, I wanted this. >Has anybody ever fainted
here? >Oh, wow.
>Thank you to the academy for this incredible recognition.
>I can't tell you how encouraging a thing like this
is. >My hormones are just too way
out of control to be dealing with this.
>I'm so amazed. >And the Oscar goes to --
>Rachel Weisz. >Patty Duke.
>Maggie Smith. >Shelley winters.
>So many, many people responsible for my being here
tonight. >I'm so privileged to be in
the company of these gifted women.
>We've had a lot of ups and downs together.
>I feel real lucky to have Dustin Hoffman as my leading
lady. >I leave you with this.
>This is such a surprise and honor.
>The proudest moment of my career.
>Thank you, academy, for putting me with the hottest guy
in the room. >I'm very moved by it.
>Announcer: And now, here is last year's winner for best
actor in a supporting role, mark rylance.
>It would be curious if this category was for best
performance by an actress in an opposing role.
And yet, the brilliant work of these five superb actresses
reminded me that with a child or an adult, sometimes the most
supportive thing is to oppose. 0 positions great in films and
stories, it's wonderful in sports, who wants a weak
opponent in a sports match? It's really good in society.
The thing these films made me remember and think about was the
difficulty, something that women seem to be better at than men,
of opposing without hatred.
So, here are the nominees for performance by an actress in a
supporting role. Viola Davis
"fences" >walk through the house, he
was just so big. He filled it up.
That was my first mistake. Not to make him leave some room
for me. But I wanted a house I could
sing in.
>Naomie Harris "moonlight"
>I need some money. >For what?
>That's my business. Don't you ask me no -- like
that. >I don't have no money.
>Don't lie to me, boy. I'm your momma.
That over there ain't no I'm your blood, remember?
I ain't feeling good. I need something to help me out.
Come on, baby. Come on, baby.
>Nicole Kidman "lion"
>I could have had kids. >What?
>We chose not to have kids. We wanted the two of you.
That's what we wanted. We wanted the two of you in our
lives, that's what we chose.
>Octavia Spencer "hidden figures"
>I haven't been late one day in ten years.
Haven't been out sick. Haven't complained.
My work's on time. It's done right.
It's done well. >It's not fair, that's a fact.
>What's not fair is having the responsibility of the supervisor
but not the title of the pay. Watching you two move on.
Don't get me wrong. Any upward movement is movement
for us all. Just isn't movement for me.
>Michelle Williams "Manchester by the sea"
>my heart was broken. Because it's always going to be
broken. But I know yours is broken, too.
That I don't have to carry. I said things that I should -- I
should burn in hell for what I said to you.
>No, no, Randy, no. >I'm just sorry.
>I can't -- I can't. >I love you.
>And the Oscar goes to -- viola Davis.
>Announcer: This is the first Oscar and third nomination for
viola Davis. She was previously nominated in
this category for "doubt" and for her leading role in "the
help."
>Thank you to the academy. You know, there's one place that
all the people with the greatest potential are gathered.
One place and that's the graveyard.
People ask me all the time, what kind of stories do you want to
tell, viola? And I say, exhume those bodies.
Exhume those stories. The stories of the people who
dreamed big and never saw those dreams to fruition.
People who fell in love and lost.
I became an artist and thank God I did because we are the only
profession that celebrates what it means to live a life.
So, here's to August Wilson, who exhumed and exalted the ordinary
people.
And to bron pictures, Paramount,
macro, Todd black, Molly Allen for being the cheerleaders for a
movie that is about people. And words.
And life and forgiveness and grace.
And to Michael t. Williamson, Stephen mckin ley Henderson, fo
being the most wonderful artists I've ever worked with, and oh
captain, my captain, Denzel Washington.
Thank you for putting two entities in the driving seat.
August and God. And they served you well.
And to Dan and may Ellis Davis, who were and are the center of
my universe, the people who taught me good or bad how to
fail, how to love, how to hold, how to lose.
My parents -- I'm so thankful that God chose you to bring me
into this world, to my sisters, my sister Dolores, we were rich
white women in the tea party game
games. Thank you for the imagination
and to my husband and my daughter.
My heart, you and genesis. You teach me every day how to
live, how to love, I'm so glad that you are the foundation of
my life. Thank you to the academy.
Thank you. >Announcer: Coming up, sh cha
leer theron, Hailee steinfeld and a performance by sting.
Then later, Scarlett Johansson and Leonardo dicaprio.
The oscars on abc, brought to you by --
ge. A company that wants to change
the world should reflect the world.
Samsung. And Walmart.
And now, enjoy the second of three short films, based on the
same Walmart receipt.
♪ >I don't know if anybody's
going to be able to give a speech after that.
I mean, that was unbelievable. That was -- people were crying.
Viola Davis, she just got nominated for an Emmy for that
speech at the oscars. You know, most every tourist who
comes to Hollywood thinks they're going to see famous
people when they get here. They go on these tours of the
stars homes on the buses and, you know, unless Gary busey
wanders out on the lawn in his underpants, they don't see
anybody. But tonight, they are going to
see quite a few people. What you're seeing here is a
Hollywood starline tour bus. There it is, down in Hollywood.
People riding the bus think they're going on a regular tour.
We told them they were coming into a special exhibit of Oscar
gowns. They will see dresses and gowns,
but they will be on people. So they don't know, but the
moment they open the door, they're going to be on live TV
and we're going to surprise them.
Okay? Need all of your help with this.
Does anyone know cpr? Denzel, you were on
"St. elsewhere," we'll go to you.
That will be fun. First, our theme for the show
this year is inspiration. Yes, we have a theme.
Every person in this room has someone who inspired them.
For me, it was David letterman. If it wasn't for David
letterman, I wouldn't be here tonight.
Someone who inspired me. If it wasn't for David letter
letterman, I probably would have finished college.
So, tonight, some of our most beloved actors will pay tribute
to their most beloved actors and we begin that spreading of love
with a word from charlize theron.
>Isdy covered this film in Germany on my 17th birthday.
I was celebrating alone, eating German pickles, lying on my bed
and just absolutely falling in love with Shirley MacLaine.
>Watch your step. Watch your hands, Mr. kirkby.
One of these days I'm going to shut these doors on you and --
>something about her in this film just realliless nated with
me. This vulnerability and strength
that she had at the same time. She embodied a girl that I
really related to. >And you sit there by yourself
and you think it all begins to look so ugly.
>I see a woman who is obviously going through this
crisis. >Why do people have to love
people anyway? >It's raw.
And it's real and it's funny and it's life.
>Did you hear what I said? I absolutely adore you.
>Shut up and deal. >She makes this black and
white film feel like it's color. >Announcer: Please welcome
academy award-winning actresses charlize theron and
Shirley MacLaine.
>Thank you. That's the nicest reception I've
had in 250,000 years. Thank you.
>Well, you and everyone here, we know that it's all meant from
the heart. >I have to tell you, it's so
wonderful to look up to a wonderful and talented and
independent woman, who also has wonderful taste in deciding what
inspires her. >Yes.
I know. You're welcome.
>So, we're here to do the best foreign film.
This year, over 80 different nations submitted films to be
considered for the Oscar in this category.
>Here are the five that rose to the top, the nominees for
best foreign language film. From Denmark, "land of mine"
directed by Martin zandvliet from Sweden, "a man called ove"
directed by hannes holm
from Australia, "tanna" directed by Bentley Dean and
Martin butle from Germany, "Toni erdmann"
directed by maren Ade from Iran, "the salesman"
directed by asghar farhadi >and the Oscar goes to --
"the salesman." Asghar farhadi.
>Announcer: Anousha will be accepting the award tonight for
asghar farhadi. >I will be reading a statement
from Mr. farhadi. It's a great honor to be
receiving this valuable award for the second time.
I would like to thank the members of the academy, my crew
in Iran, my producer, Amazon and my fl lellow nominees.
I'm sorry I'm not with you tonight.
My absence is out of respect for the people of my countrynd
those of other six nations whom have been disrespected by the
inhuman law that bans entry of immigrants to the U.S.
Dividing the world -- thank you. Dividing the world into the us
and our enemies categories creates fear.
A deceitful justification for aggression and war.
These wars prevent democracy and human rights in countries which
have themselves been victims of aggression.
Filmmakers can turn their cameras to capture shared human
qualities and break stereotypes of various nationalities and
religions. They create empathy between us
and others. An empathy which we need today
more than ever. Thank you on behalf of Mr.
Farhadi. Thank you.
>Announcer: Please welcome an academy award nominee tonight,
Dev patel.
>As filmmakers, we aspire to tell stories that matter.
Telling a story that matters is what James foley did.
It's what he lived for. While working as a correspondent
in the early days of the Syrian civil war, he was captured and
killed by isis. He lost his life exposing the
truth about the suffering of the Syrian people.
In a time when journalists around the globe are under
attack, Brian oakes' documentary that tells Jim's story had a
powerful emotional impact on j. Ralph and sting.
Together, they have created a song for the film that speaks to
all who feel the loss of a loved one.
To perform "the empty chair," tonight's third nominee for best
original song, here is sting.
♪ If I should close my eyes that my soul can see
and there's a place at the table ♪
♪ that you saved for me so many thousand miles
over land and sea I hope to dare ♪
♪ that you hear my prayer and somehow I'll be there
some days I'm strong some days I'm weak
and days I'm so broken I can barely speak
there's a place in my head where my thoughts still roam
where somehow I've come home
and when the winter comes and the trees lie bare
and you just stare out the window
in the darkness there well I was always late for
every meal you'll swear but keep my place
and the empty chair and somehow I'll be there ♪
>Announcer: The oscars on abc, brought to you by Cadillac.
♪ >hi.
Hi, everybody. Welcome back to the show.
Everybody okay? All right.
Let's check in with the, our tour bus, which is up on the
screen there. They are unloading.
We hired that guy in the red hat.
This is for real. We spent many weeks and
thousands of dollars trying to figure out how to get this done.
In a few minutes, those people are going to walk through these
doors right here. And if everyone stays perfectly
still, maybe we can make them think they're at the wax museum.
Okay, so, why they're coming let's -- hold them there, we'll
bring out the next presenters. Here to hand over the oscars for
animation, please welcome halile steinfeld and gael Garcia
bernal.
>The longest film to win a foreign language academy award
had a running time of over seven hours.
>While the longest film to win best picture had a running time
of almost four hours. >Yet the films in this
category range between 6 and 35 minutes long.
Here are the nominees for best animated short film.
"Blind vaysha." Theodore ushev.
"Borrowed time." Andrew coats and
Lou hamou-lhadj. "Pear cider and cigarettes."
Robert valley and Cara speller. "Pearl."
Patrick Osborne. "Piper."
Alan barillaro and Marc sondheimer.
>And the Oscar goes to --
"Piper." Alan barillaro and Marc
sondheimer. >Announcer: This is the first
Oscar and nomination for Alan barillaro and Marc sondheimer.
>Wow. Honestly, we're only here
because of the kind support and mentorship of many.
I have to thank Lindsay Collins, Jim Morris and Ed katmal, my
family, my parents, my wife, Nancy.
My three little pipers at home who inspired this story.
Theo, Cora, marcelo. I love you.
And may you always have the courage to face your fears.
>We share this award with everyone who worked on "Piper."
Thank you so much. Especially in light of the great
work of our fellow nominees, we are so deeply honored to take
this award tonight, accept this award tonight.
To my family and friends, I love you.
To all of you who enjoyed "Piper" out there and wished us
well throughout, thank you so much.
>Their stories are as entertaining and powerful as any
found in films that feature flesh and blood actors.
>And their characters just as funny, complex and inspiring.
>And flesh and blood actors are migrant workers.
We travel all over the world, we build families, we construct
stories, we build life that cannot be divided.
As a Mexican, as a Latin-American, as a migrant
worker, as a human being, I'm against any form of wall that
wants to separate us.
Thank you. And these are the nominees for
best animated feature film. "Kubo and the two strings",
Travis knight and arianne sutner.
"Moana", John musker, Ron clements and osnat shurer.
"My life as a zucchini", Claude barras and Max karli.
"The red turtle", Michael dudok de wit and
toshio suzuki.
"Zootopia", Byron Howard, rich Moore, and Clark Spencer.
>And the Oscar goes to -- "zootopia."
Byron Howard, rich Moore and Clark Spencer.
>Announcer: This is the first Oscar for Byron Howard, rich
Moore and Clark Spencer. Byron Howard was previously
nominated for the animated feature film "bolt" and rich
Moore was previously nominated for "wreck it Ralph."
>Wow. Thank you guys so much.
Thank you academy. This is an incredible,
incredible honor. Five years ago, almost six now,
oh, my God, we got this crazy idea to talk about humanity with
talking animals in the hopes that when the film came out, it
would make the world just a slightly better place.
>And we are so grateful to the audiences all over the world who
embraced this film with this story of tolerance being more
powerful than fear of the other. >We want to thank Bob Iger,
Andrew millstein for creating an amazing studio.
And every artist, technician at Disney that poured your heart
and soul into this film. This belongs to you.
>And a quick thank you, s Shepard, my husband.
>My kids. >Announcer: Ladies and
gentlemen, please welcome Dakota Johnson and Jamie dornan.
>You look fwlamiliar. >I'm sure I do.
>Jamie and I are here to present this year's Oscar for
production design. >Of all the specialized arts
that go into great filmmaking, designers are confronted with
the broadest range of possibility as they imagine and
create whole new worlds. >Our nominees this year
include period pieces and pure flights of fancy.
>Here are the nominees for achievement in production
design. "Arrival."
Production design by patrice vermette and set
decoration by Paul hotte. "Fantastic beasts and where to
find them." Production design by
Stuart Craig and set decoration by Anna pinnock.
"Hail, Caesar!" Production design by
Jess gonchor and set decoration by Nancy haigh.
"La la land." Production design by David wasco
and set decoration by Sandy Reynolds-wasco.
"Passengers." Production design by
guy hendrix dyas and set decoration by gene serdena.
>And the Oscar goes to -- "la la land."
David wasco and Sandy Reynolds-wasco.
>Announcer: This is the first Oscar and nomination for David
wasco and Sandy Reynolds-wasco.
>Oh, boy. >You can do it.
>I share this completely with Sandy, my wife, and set
decorator, whose constant support and talent have elevated
my work over the years. And added special brightness to
"la la land." And Damien, we wouldn't be out
here without you. Thank you so much.
From our very first meetings together with lina, when you
went through each page of the script with us, right up to the
planning of the scenery for the finale and epilogue, with
Justin's music and Mandy Moore's choreography, you shared your
vision with such joy, energy and precision that we couldn't help
but have captured it. Thank you for your enthusiasm
you shared with us. Thank you.
>That was nice. What is production design, by
the way? Okay, all right, now we have the
tour bus riders outside the door.
I guess they can't hear us, they think they're about to walk into
an exhibit, do we have them on the screen?
Let's put them up on the screen. Okay, there they are.
All right. Everyone be quiet.
Let's turn out the lights. Also.
So we can really surprise them. On the count of three.
We'll turn the lights on and everybody yell mahersala, okay?
Okay? All right.
Three, two, one -- mahershala!
Hold on a second. Hello there.
Hi. Welcome to the dolby theatre.
This is the home of the academy awards.
Which are, in fact, happening right now.
You are -- what -- I see, Gary is your name?
>My name is Gary, I'm from Chicago.
You're from Chicago. >Yes, sir, yes, sir.
>Yeah. You know we're on TV, so, you
don't need to do that. >I know, but I want to.
I want to. >Let me give you a little
tour. This is Nicole Kidman.
>Hi, Nicole. >Fun fact.
She was discovered in redondo beach.
This is Ryan gosling. He's very handsome.
Don't look into his eyes. Oh, that's nice, Ryan.
Yes, yes, yes. We have Emma stone and her
brother, Spencer. Emma brought her brother.
I feel like you are ignoring the white celebrities.
Gary, is this your wife over here?
What is your name? >Vicky.
>Hi, Vicky. Are you here with Gary?
>That's my fiance. >Oh, really?
When are you getting married? >July 18th.
>Who is your favorite actor? >That man right there.
>Denzel? >Denzel.
>Denzel. Would you be the best man at
their wedding? Come on.
Yeah, that's a good idea. >I know pronounce you husband
and wife. Kiss the bride.
>He's Denzel, so it's legal. There's Jennifer Aniston and
Justin Thoreau. Jen, do you have a wedding gift
for them? Maybe you can give them
something from your purse. Justin, you give them something,
too, will you? How about the sunglasses, Jen?
You don't need those, it's dark, all right.
There we go. Isn't that nice?
Isn't she the sweetest? There you go.
Okay. Great.
Well, let me -- there's Meryl Streep.
Overrated. Oh, you may be -- Gary, you may
be surprised -- you may be surprised to learn that this
bearded gentleman is not a say gant, he is, in fact, an academy
award-nominated actor. His name is Casey affleck.
Ignore the jerk behind him. >Okay.
Oh, so many stars here. Hey, do you want to touch a real
life Oscar? >I do.
>Come over here. Mahershala, can they touch the
Oscar? Everybody just go ahead and rub
the Oscar, give it a little touch as you go through.
That's Jeff bridges. >Oh, hi!
>Isn't that nice? Hi, guys.
What is your favorite Jeff bridges movie?
>I like all of them. I can't think of one right now.
>I know, this is surprising. Touch the Oscar.
Guillermo will take you through, hi, guillermo.
Hi, go ahead right through, touch the Oscar.
Don't worry. Yes, it's new, it's fresh.
Hi there, hi, everybody. Welcome, welcome.
What happened to the other ones? Hey, we got a traffic jam back
there, come on! Next stop is Jason batemman's
house, okay? Jason, is the code still 1987?
Okay. That's the year "teen wolf 2"
came out, so, he's very -- come on, guys.
All right, there we go. Yes, just this way.
Jason won't be home for at least 4 1/2 hours, so, go ahead into
his home and relax. Hi, how are you?
What is your name? >My name is youlry.
>Wow, that's some name.
What's your name? >My name is Patrick.
>That's some name. I hope this is a good part of
your tour. It's your honeymoon?
>We just got married two weeks ago.
>I know some people that got married by Denzel Washington.
>Oh, he wasn't available. >Yeah, yeah, okay, well, maybe
one of the celebrities on the end will marry you.
Thank you so much. Thank you, yes, go ahead.
Hi, Evan, Shelly, how are you doing?
How are you, Pete? Thank you very much.
All right, well, there you go. So -- that concludes our tour.
We have to show a commercial for shampoo or something now, but
when we come back, the most famous car in movie history is
here. Do you know what it is?
I don't, but we'll find out together.
We'll be right back. >Announcer: Then later, "la la
land's" Emma stone and Ryan gosling, and John legend
performs. Plus, a very special oscars
edition of "mean tweets." The oscars on abc, brought to
you by -- Samsung.
>Mrs. Robinson, you're trying to seduce me.
>That's Frankenstein. >Don't give it to me.
>Rose bud.
The
♪ >from "rogue one: A star wars
story", here are acad mu award nominee felicity
Jones and riz Ahmed.
>Good evening, everyone. >This following award has been
called so many different things over the years.
Best engineering effect. >Special photograph every
tick effect.
>However we choose to describe it, this is the place where
cutting edge film making is happening.
Here are the nominees for achievement in visual effects.
"Deepwater horizon." Craig hammack, Jason snell,
Jason billington and Burt Dalton.
"Doctor strange." Stephane ceretti, Richard bluff,
Vincent cirelli and paulorbould.
"The jungle book." Robert legato, Adam valdez,
Andrew r. Jones and Dan lemmon. "Kubo and the two strings."
Steve emerson, Oliver Jones, Brian mclean and Brad schiff.
"Rogue one: A star wars story." John knoll, mohen Leo,
hal hickel and Neil corbould. >And the Oscar goes to --
"the jungle book." Robert legato, Adam valdez,
Andrew r. Jones and Dan lemmon. >Announcer: This is the first
Oscar win for three-time nominee Dan lemmon.
First-time nominee Adam valdez. The third win for four-time
nominee Robert legato, and second win for three-time
nominee Andrew r. Jones. >Oh,
thank you. This never gets old, by the way.
All great experiences start at the very top and I have to say
that's Alan horn, who gave a fantastic job to our
collaborative director. He was fantastic.
Unprecedented support from all of the Disney brass, including
Sean Bailey, Dave tataro, Sam dickerson, Pete Toby, and our
producer, brigham Taylor. And these three gentlemen,
geniuses behind me, who commandeered 1,000 superb
artists and contributed so greatly and made so many winning
decisions that, you know, quite frankly, actually got tired of
winning. Like that's a thing.
So, I think I'm up, I'm done. Thank you to the artists.
The next round of applause is for you.
You deserve it as much as we do. Thank you so much.
>When I think back at my childhood, this is the movie
that I was watching the most. >You telling me you built a
time machine out of a delorean? >I thought Marty mcfully was
cool. It inspired a generation of
children to try to hold onto the back of cars.
What if you went to high school with your parents?
>What? >You're George mcfly.
>Michael j. Fox is acting shocked the entire movie.
And he's outrageously funny. He was just really cool.
They really, like, capture future clothing pretty well.
Because if you saw, like, tilda swinton wearing that exact
outfit, you would not think it was weird.
To me, this is the baseline of, like, kind of classic cinema.
It's back to t"back to the futu" >announcer: Ladies and
gentlemen, here are Seth rogen and Michael j. Fox.
>I'm going to pretend half that applause is for me, even
though I know, deep down, it is not.
>All right, some of it was for you.
>You like 30% of it was for me?
>Some of it. >Great.
Either way, I'm at the oscars with Michael j. Fox, a delorean
while wearing future shoes. All I have to do is sing the
schooler sisters song from "Hamilton" and I will have
completed my entire bucket list. ♪ look around ♪
♪ look around at how lucky we are to be
alive right now angelica ♪
♪ eliza and Peggy ♪
♪ look around look around ♪
>Okay, okay, do the whole thing.
>Okay, fine. >I don't want to be in the
room when it happens. >Okay.
>Let's keep going. We're here to present the award
for achievement in film editing. Since we're talking about
influences and influencers, I do want to mention how much we all
owe to Ed doors. There is not a nominee here
tonight that doesn't depend on an editor to show off their best
work. >Here are the nominees for
achievement in film editing. "Arrival."
Joe Walker. "Hacksaw Ridge."
John Gilbert.
"Hell or high water." Jake Roberts.
"La la land." Tom cross.
"Moonlight." Nat Sanders and joi mcmillon.
>And the Oscar goes to -- >"hacksaw Ridge."
John Gilbert. >Announcer: This is the first
Oscar and second nomination for John girl berlbert.
He received his first nomination in this category for "the lord
of the rings: The fellowship of the ring."
>Wow. Unbelievable.
I needed good material, and the story of Desmond and his courage
and selflessness was as good as you get.
So that was a great start for me.
I want to thank my team in Australia, Callie Turner, I hope
you're watching. Bill mccannic for supporting me
and introducing me to Mel. Mel, I had a fabulous time
working on this film with you, and you're a great director, and
I hope there's plenty more where this came from.
My wife, Karen, over there, I couldn't do this without you, my
love. Up there is my, Max and Lily,
where yare you? Yeah.
And Lucia and Emilia back in new Zealand, I hope you're watching.
Thank you very much. I approaeciate this so much.
>When he started pointing to the sky, I thought his family
had passed away. I just realized they have
terrible seats. Did you see "hacksaw Ridge."
>Yes. >The editing is unbelievable.
This is sunny pawar, he's in the movie "lion."
You did a great job in the movie.
>Thank you. >Was that fun for you?
>Yes. >Have you been eating any of
the candy that we dropped down from the sky?
>Yes. >And?
Which one do you like better? The red vines or the other one?
>Any one. >Any one.
Would you like some more? >Yes.
>Have you seen "the lion king?"
>Yes, I see it. >You did.
Did you like it? >Yes.
>Do you want to do the thing where the lion king lifts the
kid up in the air? >Yes.
>I be the kid. You left ift me up in the air.
>Yes. >All right, you hold that.
And maybe we can have the music. Do you have "the lion king"
music? ♪
>Lemonheads and Mike and ikes. >Thank you.
>Well done. I'm taking you hope.
We'll be back with the most anticipated award of the night,
best live action short film.
>Announcer: The oscars on abc, brought to you by Walmart.
And now, enjoy the third and final short film, based on the
same Walmart receipt.
♪ >announcer: Ladies and
gentlemen, please welcome academy award nominee
salma Hayek and David oyelowo.
>Good evening. David and I are very pleased to
be presenting the oscars for both documentary short subject
and live action short film. >The nominees in these
categories have made wonderful, unique movies under the add
constraint of a shorter running time.
We hope that many of you will be curious enough to seek out these
big films in small packages. >Our nominees for documentary
short subject all capture decisive moments when lives are
changed. Those who make these films are
heroic, and the stories they tell are powerful.
>Here are the nominees for best documentary short subject.
"Extremis." Dan krauss.
"4.1 miles." Daphne matziaraki.
"Joe's violin." Kahane cooperman and
raphaela neihausen. "Watani: My homeland."
Marcel mettelsiefen and Stephen Ellis.
"The white helmets." Orlando Von einsiedel and
joanna natasegara. >And the Oscar goes to --
"the white helmets." >Announcer: This is
Oscar and second nomination for Orlando Von einsiedel and joanna
natasegara.
>Wow. Okay, well, thank you to the
academy for this huge honor. To all of our teams, of course,
our work family for supporting us, but most of all, thank you
to the white helmets. >Sadly, the head of the white
helmets was not able to join us tonight.
We have a very short statement from him we'd like to share with
you. We're so grateful that this film
has highlighted our work to the world.
Our organization is to save one life is to save all of humanity.
We have saved more than 82,000 civilian lives.
I invite anyone here to hears me to work on the side of life, to
stop the bloodshed in Syria. And around the world.
It's very easy for these guys to feel forgotten, this war has
been going on for six years. If everyone could just stand up
and remind them that we all care, that this war ends as
quickly as possible.
Thank you.
>Although this year's nominees for live action short film come
from five different countries, they address universal and
highly recognizable dilemmas. >These films are about deeply
relevant and contemporary topics like assimilation and
dislocation, when to challenge authority, and the difficulty of
making meaningful connections in the modern world.
Let's take a look at the nominees for best live action
short film. "Ennemis intérieurs."
Sélim azzazi. "La femme et le tgv."
Timo Von gunten and giacun caduff.
"Silent nights." Aske bang and Kim magnusson.
"Sing." Kristof deák and Anna udvardy.
"Timecode." Juanjo giménez.
>And the Oscar goes to -- "sing."
>Announcer: This is the first Oscar and nomination for
kristof deák and Anna udvardy.
>Oh. Thank you, thank you so much to
the academy for this incredible award.
I have to be quick, and there are a lot of people to thank.
Firstly, my family and my teachers who raised me and
taught me how to be a good person.
And my wife, as well, and on behalf of Anna, as well, my
wonderful cast and crew. This is dedicated to the only
people who can basically make the world a better place for
us -- kids. So, let's try and raise them in
a good way, try and raise them in a way we can be proud of
them. Thank you.
>Oh, I'm sorry. I -- you know, we're more than
two hours into the show and Donald trump hasn't tweeted at
us once. And I'm starting to get worried
about him. Hold on a second.
Can you put my phone up on the screen?
Okay. Hold on.
We got -- hey -- did it work?
Hold on. I'm sorry.
I'm not that good with this stuff.
. is that okay to say?
Okay. Okay.
Good. All right.
We don't see what's up there -- okay, all right.
We'll figure it out. It's now it's time for the
nerds to shine. Here with a look at this year's
winners for science and technology, please welcome John
Cho and Leslie mann.
>On February 11th, we were honored to host the academy's
sci-tech awards. >I'm sure that a lot of you
are thinking, what are the sci-tech awards, please explain
it to me in great detail and take your time.
>Well, we're still not exactly sure what they are, but from
what we understand, we gave awards to film scientists and
film technologists. >They are the geniuses that
invent the new technologies which make your dreams come to
live. >For example, when you watch
"star trek," it looks like they're in space, but in
actuality, they did not shoot the movie in space.
That's film scientists at work. >Yeah.
>I was in "star trek." When we made it, we were in a
studio, in front of a green wall, but when I saw it, I was
like, wait a second, did we go to space?
I had to remind myself that we did not go to space.
That is the magic of film scientists.
>The sci-tech awards ceremony is so special that none of you
were invited. Or wanted to go.
>In fact, for the privacy of our film scientists, the press
were barred from this event. After showing very little
interest. And also being a little rude.
Here's some video of our super secret night.
>Let's get started with John and I explaining technical
information we don't understand to you, the only people in the
world who don't need to have it explained to them.
This year's 18 awards went to >an animatronics horse puppet.
>A drawing program for turning sketches into 3d animation.
>Two wireless microphone systems.
>And a computer control network that combines real-world
and virtual motion on set. >Tonight is about you and your
robots. There was rig-based solving,
which allows artists to transform facial motion capture
into cg performances. >There were also awards for
open shading language and three-ray trace renderers that
bring visual effects to life. >Lastly, the academy honored
five digital cameras that were pioneers in ushering in the
digital age. I'd like to thank the academy
for this award and recognition. >Follow that, oscars.
>Announcer: Coming up -- Meryl Streep, Ryan gosling,
Emma stone and a performance by John legend.
Then, later, Sara barrelless takes the stage.
For an exclusive look at Sara earlier in the night, go to the
academy's Instagram account now. The oscars on abc, brought to
you by AT&T.
♪ >the first time I saw
"bridges of Madison county" it was 1995.
I was in Madrid. There was this silence after the
movie finished and then the silence broke loose with a lot
of tears including mine. It was one of those experiences
where you see that there is somebody doing something
extraordinary. >You know, after you leave
here, I'm going to just be sitting here for the rest of my
life and wonder what happened to me, if anything happened at all.
>Meryl Streep is a goddess. I think her work in this movie
is mesmerizing. >You --
>what's wrong? >To me, the four miracles in
acting are the sense of truth, the character, the relationship
with objects, how she owns that house.
And the body language. It's a beautiful role that she
plays in a beautiful story about passion against common sense.
>I can't make my entire life disappear to start a new one.
>It's an emotional journey that takes you to some place
else and that's what art should be.
>Announcer: And now, here are academy award winners javier
bardem and Meryl Streep.
>Thank you, javier. >Thank you.
>I was feeling sort of unrecognized, unrewarded, and
you redeemed the night for me. Now I have to go lie down.
We make movies in the pursuit of a deeper truth about life and
love. Truth is hard to reveal.
But when it happens, on that big movie screen, audiences, no
matter where they are from, feel their hearts soar with
excitement. >Cinematographers reveal truth
by using the power of light. Whether it's capturing the magic
hour of sunset or recreating a world unknown, they bring to
life moving images that are sometimes exciting, sometimes
heartbreaking, but always beautiful.
Here are the nominees for here are the nominees for
achievement in cinematography. "Arrival," Bradford young.
"La la land," Linus sandgren. "Lion," greig Fraser.
"Moonlight," James laxton. "Silence," rodrigo prieto.
>And the Oscar goes to --
Linus sandgren, "la la land." >Announcer: This is the first
Oscar and nomination for Linus sandgren.
>Wow. Wow.
Thank you so much to the academy.
This is such an amazing honor. This film was made with so much
love and passion and struggles and it was all thanks to you,
Damien. You're a poetic genius.
And I'm so happy I met you and I
really love you, man. Emma, Ryan, I think you're
incredible. Thanks for all the
collaboration. Lionsgate, producers and the
entire crew, I'm really proud, especially of George, Tony,
Brad, bogdan, this camera crew, light crew, rig crew that made
this work, so -- and then, Cecilia, Betty and Lucy.
And to my mom, thank you. And to my father, I know you're
watching over us. Thank you so much.
>And Linus, on behalf of all of us, we want to say, we're so
sorry about what happened in Sweden last week.
Hope your friends are okay. Tonight is a celebration of the
movies and those who lift us up, but we must also acknowledge
those who push us down. The Internet trolls who use
their words to keep us grounded day after day.
Night after night. Tonight, we shine a spotlight on
them with a special oscars edition of "mean tweets."
>I feel like if you went to lunch with Natalie Portman, she
would only order a hot tea with lemon and maybe some toast.
Definitely not an entree, though.
>You're wrong. >Oh, look at me, I'm Ryan
gosli gosling, I have perfect bone
structure and kind eyes. Go [ Bleep ] yourself, Ryan
gosling. >Samuel l. Jackson has resting
fart face. Yes, I do.
>I'm going to white balance my TV on Jessica chastain's chest.
I don't even know what that means.
Are we all just ignoring the fact that Eddie redmayne and
felicity Jones have the same face?
>Dear Eddie redmayne, I hate your stinking guts.
You make me vomit. >Tanner raised his arms and my
dad looks at his armpit hair and says, you look like you have
whoopi goldberg in a head lock. Really?
That's it? Lin-Manuel Miranda looks like
he's getting a 1996 nbc sitcom with his hair cut.
>Casey affleck is the real life version of Billy Bob
Thornton's character in "sling blade."
>Emma stone looks like a crack whore in every role she plays.
Great. >Miles teller has the face of
a guy who would request gangnam style at a wedding where he
doesn't know either the bride or groom.
Fair enough. >Now's probably a good time to
remind everyone about this dog that looks like tilda swinton.
>I think Jeff bridges wears pants a lot less than we all
think he does. Oh, that's actually true.
>Robert de niro is too old to be making gangster movies still.
Due needs to start playing grandfather roles or something.
Yeah, I am playing grandfather roles.
And pretty soon I'll be playing great-grandfather roles.
[ Bleep ] You. >Well done.
Who knew Robert de niro had such a potty mouth.
That is shocking to me. Our next presenters are stars of
the movie musical that is loved and begrudged by almost every
person in this room. Each of them is a triple threat,
which is why we made them go through security three separate
times tonight. From "la la land," please
welcome Ryan gosling and Emma stone.
>The final two nominated songs are from "la la land," with
music and a new arrangement by Justin hurwitz and lyrics by
benj pasek and Justin Paul. >The power of city of stars
was summed up perfectly by composer Justin hurwitz.
He describes it as both hopeful and Mel lanchomelancholy.
>In audition, my character starts talking about the aunt
who inspired her, but in truth it saks to all those who have
big dreams. >To perform these two songs,
please welcome from the film, executive producer and
academy award winner John legend.
city of stars
are you shining just for me city of stars, there's so
much that I can't see ♪
♪ who knows, is this the start of something
wonderful and new or one more dream ♪
♪ that I cannot make true
barefoot she smiled I left without looking
and tumbled into the seine the water was freezing
she spent a month sneezing but said she would
do it again here's to the ones who dream
foolish as they may seem here's to the
hearts that ache here's to the mess
we make she told me ♪
♪ a bit of madness is key to give us new colors
to see who knows where
it will lead us and that's why
they need us so bring on the rebels
the ripples from pebbles the painters and poets
and plays and here's to the ones
who dream crazy as they
may seem here's to the hearts
that break here's to the mess
we make city of stars
are you shining just for me oh city of stars ♪
♪ you never shined so brightly ♪
>Announcer: Coming up, the academy awards for music and
writing. And 20 years after "good will
hunting," Matt Damon and Ben affleck are back on the oscars
stage. The oscars on abc, brought to
you by Cadillac.
>We're back. I'm in the audience now.
This is where the people sit in chairs and watch what's going on
on stage. Lin-Manuel Miranda, it is weird
to see you in a theater without having to pay $10,000.
>Thank you. >Are you enjoying yourself
tonight? >It's a dream come true.
>Is this your momma? >Yes.
You met her before? >Hello.
Your son is an American treasure.
Yeah, okay, well -- my parents right there.
They also think I'm an American treasure, so -- yes.
I also want to take a moment tonight to acknowledge our
musical director, the great Harold Wheeler.
Harold is the -- anyway. Harold is the guy who has been
playing you off stage all night. For as long as he can remember,
it was always his dream to interrupt people's speeches at
award shows, so, this is very exciting.
Thank you, Harold, and thank you to your great orchestra.
There are a lot of people down under that stage holding
clarinets and what not. Our next presenter has been in
more than 100 movies and still manages to find time to yell at
us about our credit cards. They is the hardest cursing man
in show business, please welcome Samuel l. Jackson.
>Great movies can leave you laughing or leave you crying,
but the test for me of a great film is if it leaves you
humming. This year's nominees for
original score all pass that test with music that
underscores, enhances, and, in at least one particular case,
does it so skillfully that you wonder whether the score was
written for the script or if it was the other way around.
Here are the nominees for best original score.
"Lion" by Dustin o'Halloran and hauschka.
"Jackie" by mica levi. "Passengers" by Thomas Newman.
"La la land" by Justin hurwitz. "Moonlight" by Nicholas britell.
And the Oscar goes to -- Justin hurwitz, "la la land."
>Announcer: This is the first Oscar win and third nomination
this year for Justin hurwitz.
>Okay, wow. Thank you so much to the
academy. Thank you to my very, very good
friend Damien. I'm so glad I met you.
Thank you to Marc Platt, Fred berger.
Everybody at lionsgate. All the L.A. musicians that
played on this score. I just put notes on the page and
they're the ones who made it beautiful and sound the way it
does. If I start going through names,
I could make at most 20 to 30 people happy, but I'll make
about couple hundred million people really bored, so I'll
leave it at, everybody whose work is on-screen in this movie,
I was looking at your work when I was scoring the picture, and
that's what inspired me, so, thank you to everybody that
worked on this movie, thank you. >Announcer: And now, please
give a warm welcome to Scarlett Johansson.
>I am so pleased to be presenting the award for best
original song. Like the great movie music of
years past, this year's nominees create emotional highlights that
reflect hope and jubilation as well as love, heartbreak and
loss. You've heard all of them
performed tonight. Once again, here are the
nominees for best original song. "Audition (The fools who
dream)," from "la la land." Music by Justin hurwitz.
Lyric by benj pasek and Justin Paul.
"Can't stop the feeling," from "trolls," music and lyric by
Justin Timberlake, Max Martin, and Karl johan Schuster.
"city of stars," from "la la land."
Music by Justin hurwitz, lyric by benj pasek and Justin Paul.
"The empty chair," from "Jim: The James foley story."
Music and lyric by j. Ralph and sting.
"How far I'll go," from "moana." Music and lyric by
lin-Manuel Miranda. And the Oscar goes to --
Justin hurwitz, benj pasek for "city of stars."
>Announcer: The songwriting team of Justin hurwitz, beng
pasek and Justin Paul are also nominated in this category for
"audition: The fools who dream." This is Justin's second Oscar
tonight. >I'm going to really quickly
make a lot of people feel really good.
James Myers, Amy dunning, Lenny wall, Julie fontaine, kristen
kirkland, Lisa tabaec, Glen brunman, Nick, Jason, eldad and
Tony seiler. >Thank you to Justin for your
beautiful and glorious music. Thank you to Damien.
You inspired every single world that we wrote.
For me, I want to thank my wife, my little girl at home, my
family who is here. I thank God for you guys and I
was educated in public schools where arts and culture were
valued. And recognized and resourced.
And I'm so grateful to all my teachers who taught so much and
gave so much to us. >Thanks to our producers,
mark, Fred and Jordan. My God.
I'm actually freaking out right now.
Ah. I want to thank Richard craft
and Joe mahota. I want to thank my mom, who is
amazing and my date tonight and she let me quit the jcc soccer
league to be in a school musical.
So, this is dedicated to all the kids who sing in the rain and
all the moms who let them. Thank you very much.
I love you, mom. Thank you.
>Announcer: Ladies and gentlemen, please welcome
Jennifer Aniston. >Tonight, as we celebrate
together, we also take a moment to mourn the many legends we
lost this past year. Whether they were a musical
prince leading the revolution on a concert stage or a movie
princess leading the rebellion in a galaxy far, far away, a
force of nature in front of the camera or a force driving it,
etch and every one was a cherished member of our
Hollywood family. As was beloved actor and friend
who left us just yesterday, bill Paxton.
All were loved -- I'm sorry and all will be missed.
And now, says Sara bareilles performs in their honor, let us
remember their lives and their beautiful work.
♪ Rows and flows of angel hair
and ice cream castles in the air ♪
♪ and feather canyons everywhere
I've looked at clouds that way ♪
♪ but now they only block the sun
they rain and snow on everyone ♪
♪ so many things I would have done
but clouds got in my way ♪ >we are the music makers, and
we are the dreamers of dreams. ♪ I've looked aclouds
from both sides now from up and down
and still somehow it's cloud's illusions
I recall, I really don't know clouds
at all ♪ >ensign Chekov, sir.
>Tell me the deaf anything of happy, huh?
But first you better make sure your kids are good and safe, and
then you come to me and tell me how to be happy.
>I'd like to dedicate this to my father.
>I wondered when I'd be seeing you.
♪ Tears and fears and feeling proud
to say I love you right out loud ♪
♪ dreams and schemes and circus crowds
I've looked at life that way ♪
♪ but now old friends are acting strange
they shake their heads they say I've changed ♪
♪ well something's lost but something's gained
in living every day I've looked at life
from both sides now from win and lose
and still somehow it's life's illusions
I recall, I really don't know life at all ♪
>May the force be with you. ♪ I really don't know life at
>the first time I discovered "we bought a zoo" was at a
multiplex in Burbank. The theater was completely empty
and it was magic. It was just me and Matt and the
animals. >So, your question is?
>Why did you buy this place? >Why not?
>Why not. Makes two words feel like three
words. >I guess I just don't
understand how you can call this place home.
>You know what, like this. It's our home.
>Just shows you how he's able to hear words and then repeat
them back. >I thought you liked me.
I thought this was a dream come true for us.
>It's your dream. >The thing about Matt, you can
see how hard he's working. It's so effort-full for him.
>It's a good dream. And it's got cool animals in it
and some pretty great people, too.
>I've seen that 100 sometimes, I still have goosebumps.
>We bought a zoo. >We did that.
>We bought a zoo. And made it work.
That's the thing about mat. You know, he has almost no
discernible talent, but he works.
>Announcer: And now to present the award for best original
screenplay, two-time academy award winner Ben affleck, and
guest.
>And guest. Wow, really?
>Yeah. You know, it's like a plus one.
>I know what a guest is. -- Ah -- I actually liked that
performance in that movie. >The great Alfred Hitchcock
was once asked what are the key elements of making a memorable
movie. He said to make a great film you
need three things. The script, the script and the
script. >This year's screenplays
proved him right, through their wait, hold on.
Am I being played off? Seriously?
You can't play me -- I'm just presenting!
You can't play me off. Why are they playing off a
presenter? >Wrap it up!
We want to go home! >You know what, this is your
fault. >Here are the nominees for
best original screenplay.
"Hell or high water," written by Taylor Sheridan.
"La la land" written by Damien chazelle.
"The lobster" written by yorgos lanthimos and
efthimis filippou. "Manchester by the sea" written
by Kenneth Lonergan.
"20th century women," written by Mike mills.
>And the Oscar goes to -- >Kenny Lonergan, "Manchester
by the sea." >Announcer: This is the first
Oscar and fourth nomination for Kenneth Lonergan, who is also
nominated for directing "Manchester by the sea."
>Thank you so much. I love the movies, I love being
part of the movies. Thank you, Matt Damon, the whole
thing started with you, thank you Kimberly Stewart, Kevin
Walsh, Lauren Beck, Chris Moore. Thank you, Casey affleck, kay
s Casey affleck, Michelle Williams
and all the actors in the film. The movie is about people trying
to take care of each other in the face of terrible adversity.
I have been taken care of my whole life by wonderful people
who I love and who have loved me.
I wouldn't be holding this if not for mara.
I wouldn't be here at all if it wasn't for Jay Smith Cameron.
Nelly Lonergan, could not love you more, but I will try.
And a special thanks to my step-father, Mike Porter, who is
taking care of my mother for the last five years in a way that is
an example to everyone who has ever come across his path, and
farewell to my father, who passed away this year, as well.
Thank you very, very much. >Announcer: Please welcome
five-time academy award nominee Amy Adams.
>This year's nominees for best adapted screenplay have brought
their source material brilliantly to life in a way
that ads movie magic to these compelling tells.
Here are the nominees for best adapted screenplay.
"Arrival," screenplay by Eric heisserer, based on the
story "story of your life," written by Ted chiang.
"Fences," screenplay by August Wilson, based on his
play. "Hidden figures," screenplay by
Allison schroeder and Theodore melfi, based on the
book by Margot Lee shetterly. "Lion," screenplay by
Luke Davies, adapted from the book, "a long way home" by
saroo brierley. "Moonlight," screenplay by
Barry Jenkins and story by tarell Alvin mccraney, based on
the play "in moonlight black boys look blue," by
tarell Alvin mccraney. And the Oscar goes to --
Barry Jenkins and terrell Alvin mccraney for "moonlight."
>Announcer: This is the first Oscar and nomination for terrell
Alvin mccraney, and also for Barry Jenkins, who is also
nominated this year for directing "moonlight."
>Thank you to the academy. Thank you, a-24.
Thank you plan b. Thank you to our amazing cast.
Thank you, my mom, my sister, everybody in Miami.
I want to thank my reps, three amigos, Jay Baker at caa, Joel
Ross and Jamie feldman. And two women in particular.
My publicist, Paula woods and Paula Seacrest.
Thank you for taking care of me. I told my students, be in love
with the process, not the result.
I really wanted this result. All you people who feel like
there's no mirror for you, the academy has your back, the aclu
has your back, we have your back, and for the next four
years, we will not forget you. >Amen, brother.
I just want to echo everything he just said, but I want to say
thank God for my mother, who proved to me through her
struggles and the struggles that naomie Harris portrayed for you,
that we can be somebody. Two boys from liberty city up
here representing 305. This goes out to all those black
and brown boys and girls and nongender conforming who don't
see themselves, we're trying to show you you and us.
Thank you, thank you. This is for you.
>And remember, just because a screenplay is adapted doesn't
mean we love it any less. That was also the best tuxedo of
the night, no question about it. I know it's getting late, some
of you are disappointed you didn't win.
So, I have a surprise. Candy is great, but if you want
something more substantial, I can provide that.
Hungry? A little bit?
Okay. Would you like cookies and
doughnuts? Release the cookies and
doughnuts! Quite a bit heavier than the
others. It's like a horror movie.
Gluten is literally falli iing m the sky.
Okay. Now that you have doughnuts, do
release the coffee. We're going to take a break.
We'll be right back with the biggest awards of the night.
No more fooling around, I promise.
We'll be right back. >Announcer: When bereturn,
Halle Berry, Leonardo dicaprio, and the academy awards for best
director, actor and actress. The oscars on abc, brought to
you by verizon. Not just unlimited.
Verizon unlimited.
♪ >announcer: Ladies and
gentlemen, please welcome academy award winner Halle
Berry.
>What does it take to be an academy award nominated
director? The heart of a dreamer, the mind
of a writer, the willingness to take risks, the resilience to
overcome obstacles, both real and imagined, a love of all
movies, and an unwavering vision of what their films could be.
Simply put, that perfectly describes the nominees for
achievement in directing. Denis villeneuve --
"arrival." Mel Gibson --
"hacksaw Ridge." Damien chazelle --
"la la land." Kenneth Lonergan --
"Manchester by the sea." Barry Jenkins --
"moonlight." And the Oscar goes to --
Damien chazelle, "la la land." >Announcer: Damien chazelle
picks up his first Oscar win tonight.
At 32 years old, he's the youngest in history to ever win
best director.
>Ah, thank you so much. This is such an honor.
I just want to first thank my fellow nominees.
I was absolutely honored and floored to be in your company
this year. So, Barry, Kenny, Mel, denis,
like, my eyes are searching, I know you are here somewhere.
Just thank you for what incredible filmmakers you are
and inspiring me with your work every day.
I want to thank the people who helped me make this movie.
My crew, my team, everyone at lionsgate for taking a chance on
it. Ryan and Emma for bringing it to
life. John for acting alongside them
and now doing me very proud here on the stage.
Thank you, John. And I want to thank Justin, who
I've known since we were both 17, 18, I think.
Justin, thank you for riding with me on this, and carrying
this dream forward and for never giving up.
Thank you. I want to thank my family, my
parents are in the crowd, my sister, Anna, thank you for
always believing in me. And finally, I want to thank
Olivia, my love, sitting there. This was a movie about love and
I was lucky enough to fall in love while making it and it
means the world to me that you are here with me sharing it.
Thank you so much. >Announcer: Coming up next,
Leonardo dicaprio, Warren beatty, faye dunaway and the
final academy awards of the evening.
>This is probably going to be the toughest part.
>I've been working on this see for 25 years.
>It's so good. >Woo!
>When I was a kid, it wasn't my reality to think I would be
acting in movies. >This is incredible.
>I'm so loaded down in good luck charms, I could hardly make
it up the steps. >Which is pretty surprising.
>It is a long journey to this moment.
>This proves there is many nuts in the academy as anywhere
else. >The Oscar goes to --
>Colin firth. >Gene hackman.
>This is the highlight of my day.
>I'm honored and tremendously moved.
>This award honors not only me.
>We are apart of an artistic family.
>All these performances were
impeccable. >You truly are an inspiration.
>This is a great gift. >I just can't express my
thanks. >I do not take tonight for
granted. Thank you so very much.
>Announcer: Ladies and gentlemen, last year's
academy award winner for best actress in a leading role,
brie Larson.
>The nominees for best actor this year gave us performances
that advanced the movies' never-ending quest to show us
new faces of the hero and expand the concept of the leading man.
Here are the brilliant nominees for performance by an actor in a
leading role. Casey affleck --
"Manchester by the sea." >She passed out downstairs
and -- and the furnace blew and they couldn't go back in again.
And that's all I remember.
>Andrew garfield "hacksaw Ridge."
>It isn't right that other men should fight and die, that I
would just be sitting at home safe.
I need to serve. I got the energy and the passion
to serve as a medic. Right in the middle with the
other guys, no less danger, just while everybody else is
taking life, I'm going to be saving it.
>Ryan gosling -- "la la land."
>Look at this. This sax player, he just
hijacked the song. He's on his own trip.
Every one of these guys is composing, rearranging, writing
and they're playing the melody. And now, the trumpet player.
He's got his own idea. It's conflict and compromise and
it's just -- it's new, every time.
It's brand new every night. It's very, very exciting.
>Viggo mortensen -- "captain fantastic."
>My face is mine. My hands are mine.
My mouth is mine. But I'm not.
I'm yours. >Denzel Washington --
"fences." >Now, let's get this straight
right here and now before I go along any further.
I ain't got to like you. He give me his money because he
owe me. Now, I give you your life.
Me and your momma worked that out between us and liking your
black ass wasn't part of the bargain.
And the Oscar goes to -- Casey affleck, "Manchester by
the sea." >Announcer: This is the first
Oscar and second nomination for Casey affleck.
>It means so much to me, thank you.
Whew, damn it. One of the first people who
taught me how to act was Denzel Washington, and I just met him
tonight for the first time. Thank you.
And to all the other nominees, you did great work.
I'm proud to be in your company. You guys are very brave and I
admire what you do. I'm only here, really, because
of all the talents and good will of so many people that are
impossible to name. But most of all, Kenneth
Lonergan, who made this part and without this part, without his
writing, I wouldn't be here for sure, and, he directed it --
man, I wish I had something bigger and more meaningful to
say, but I'm just really proud to be apart of this community
and I look out at all of you and I have this whole year and I'm
just dumb founded that I'm included.
And it means a lot to me. Thank you also to Matt Damon for
creating this opportunity. And to Patrick and boomer and so
many people. Of course, my mother and my
father for mostly, usually believing in me in doing this.
And Ben, I love you. You ain't heavy.
Thank you all very much. Appreciate it.
>It is impossible to maintain one's composure in this
situation. >Oh, boy.
This is nuts. >Hello, gorgeous.
>I want to really say something.
>I very grateful accept this. >It's such a great honor.
>I've been daydreaming about this since I was 9 years old.
>You rocked my life. >Did I really earn this or did
I just wear you all down? >Why don't up sit, because I
may never be here again. >And the Oscar goes to.
>Holly hunter. >Kate winslet.
>Sarandon. >Reese Witherspoon.
>I have such appreciation and gratitude for this.
>I never could have done it alone.
>I would like to thank Jimmy Khan and apologize pubically for
the ankles. >You sacrificed so much for me
to make my dreams come true. >I share this with you, and I
love you. >Thank you so much for being
my mentors and believing in me. Thank you, thank you, thank you.
>Announcer: Please welcome last year's academy award winner
for best actor, Leonardo dicaprio.
>When a great talent is on screen, you don't see the
actress, only the character she's become.
You see a former first lady, a civil rights icon, a rape
victim, an untalented heiress or a young woman with big dreams.
The artists who brought those characters to life are our
nominees for performance by an actress in a leading role.
Isabelle huppert -- "Elle."
>Ruth negga -- "loving."
>You nervous? >I suppose.
The lawyers told us not to expect much.
>You think you'll lose? >Well, yes.
But I think it's all right. We may lose our small battles
but win the big war. >Natalie Portman --
"Jackie." >Not to mention the
security -- >am I supposed to hide away
now? >Not hide.
>I'm sure those people would love that.
What do they call themselves the birch society?
No, I will not sneak out the back door.
I will go out the usual way, we all will.
>Emma stone -- "la la land."
>Maybe I'm one of those people that has always wanted to do it,
but it's like a pipe dream for me, you know?
And then you -- you said it, you -- you change your dreams
and then you grow up. Maybe I'm one of those people
and I'm not supposed to and I can go back to school.
And I can find something else that I'm supposed to do.
Because I left to do that and it's been six years, and I don't
want to do it anymore. >Meryl Streep --
"Florence foster Jenkins." ♪ melodies bring back old days ♪
♪ soar like a bird faintly the old music box
plays ♪ >wonderful.
♪
>And the Oscar goes to -- Emma
stone, "la la land." >Announcer: This is the first
Oscar and second nomination for Emma stone.
She was previously nominated for her supporting role in
"birdman."
>Leo. Whoa.
Thank you so much to the academy.
To the women in this category, Natalie, Isabelle, Meryl, Ruth,
you were all so void theextraor and I look up to you and I
admire you more than I can put into words.
It has been the greatest honor of all to stand along with you.
To my mom and my dad and my brother, Spencer, and my soul
sister, chrissie, my whole family, I love you so much.
Thank you for everything. To Doug wald who stood by me all
these years, holly and Michelle and Craig and p.J. And Greta and
Bob Cooper, thank you so much and I realize that a moment like
this is a huge confluence of luck and opportunity and so I
want to thank Damien chazelle for the opportunity to be part
of a project that was so special and once in a lifetime.
I'm so grateful to have been involved in this film and thank
you for your faith and your patience and such a wonderful
experience and Ryan gosling, thank you for making me laugh
and for always raising the bar and for being the greatest
partner on this crazy adventure. To our whole crew, everyone that
put their heart and souls into this film, I -- I'm going to
find you all individually, and I'm going to thank you.
Along with my friends, who I love so much.
I'm going to hug the hell out of you when the feeling re-enters
my body. I still have a lot of growing
and learning and work to do. And this guy is a really
beautiful symbol to continue on that journey and I'm so grateful
for that. So, thank you so much.
Thank you. >Announcer: Coming up next,
the academy award for best picture.
Live from the dolby theatre in Hollywood.
>All right. We've reached the halfway point
of the show. And now, this is -- my favorite
part of the night is here. A chance to see Matt Damon lose
an academy award. Here to present our final Oscar
on the 50th anniversary of the great movie "Bonnie and Clyde,"
please welcome Warren beatty and faye dunaway.
>Thank you very much. >Thank you.
>Thank you.
Thank you. >Thank you very much.
It's a privilege for us to present the final award of the
evening. The films we honor tonight
inspired us, touched our emotions,
gave us hope and joy and may even have changed our thinking.
>Well, I think that it could be said that our goal in
politics is the same as our goal in art.
And that's to get to the truth. So, that's like in the movies
that we honor tonight, that not only entertain us and move us,
they show us the increasing diversity in our community and a
respect for diversity and freedom all over the world.
So, faye, let's get to the movies.
>Okay. So, here are the nominees for
best picture. >I always dreamed about being
a doctor, but -- didn't get much school.
There's a war, and they need money.
I can't touch a gun, but all everybody else is taking life,
I'm going to be saving it. That's going to be my way to
serve. >Hey, pop.
>Huh? >How come you ain't never
liked me? >Like you?
Who the hell said I got to like you?
A man is supposed to take care of his family.
You live in my house, fill your belly with my food, put your
behind on my bed, because you're my son.
Not because I like you. >Everything that boy do, he do
for you. >More objects have landed
around the world. >You're at the top of
everyone's list when it comes to translations.
>What do they want? Where are they from?
>Our language like our culture is messy.
>So, how do we clarify their intentions?
>We go back. >What the hell is she doing?
>They need to see me. >You are committing an act of
treason. >Do you trust me?
>Oh, my God. >Going to be hearing a lot of
things about me and your Uncle. >Everybody on the ground!
>Whatever I hear, I won't believe.
>No, you believe it. I did all of it.
Love you. Don't be stupid.
>These boys, they aren't done yet, I'll tell you that.
>I've got you. I'm not going to let you go.
You're in the middle of the world.
>I love you. >Little man.
>I did not have love for you when you needed it.
I know that. So, you ain't got to love me.
But you're going to know that I love you.
>I'm me. Ain't trying to be nothing else.
>You okay? >I'm lost.
I have to find her. >No!
>Do you have any idea what it's like knowing my real
brother and mother spent every day of their lives looking for
me? They need to know I'm okay.
>I really hope she's dead. >You know what we're doing
here? >Trying to put a man into
space. >I need mathematicians to look
beyond the numbers. >My girls are ready.
They can do the work. >There's no protocol for women
attending. >There's no protocol for a man
circling the earth either, sir. >Oh.
>Is he dead? >Nobody can appreciate what
you've been through. >As, your brother has provided
for Patrick's upkeep. >Well, I can't be his
guardian. I was just a backup.
>You don't want to be my guardian, that's fine.
>It's not that. >All my friends are here.
I got two girlfriends and I'm in a bad.
You're a janitor in Quincy. What the hell do you care where
you live? >You said it.
You change your dreams and then you grow up.
>This is the dream. It's very exciting.
>Maybe I'm not good enough. >Yes, you are.
When you get this, you got to give it everything you got.
>And the academy award for best picture --
>you're impossible. Come on!
>"La la land." >Announcer: "La la land" has
14 Oscar nominations this year and is tied for the most
nominated movie in Oscar history, winning seven oscars.
Production design, original score, song, directing, actress
and best picture.
>Thank you. Thank you all.
Thank you to the academy, thank you to lionsgate, thank you to
our incredible cast and crew. We're all up here right now.
Thank you to Jamie feldman, to Gary Gilbert.
Thank you to my parents for supporting my choice to pursue a
career in the arts, even though it was a little bit crazy.
Arthur horowitz, you are my fantasy baby.
And to my kind, generous, talented, beautiful blue-eyed
wife and creative partner, Julia hart -- oh.
You have inspired me to become the man I am right now and more
importantly, the man I'm still becoming.
There's a lot of love in this room.
And let's use it to create and champion bold and diverse work,
work that inspires us towards joy, towards hope and towards
empathy. >Here's to the fools who made
me dream, my Uncle Gary Platt, my mentor, Sam cone, my parents,
my wife, on whose shoulders I stood on for 40 years, and to
the Hollywood community that I'm so proud to be apart of and to
the hearts of minds of people everywhere, repression is the
enemy of civilization. So, keep dreaming, because the
dreams we dream today will provide the love, the compassion
and the humanity that will narrate the stories of our lives
tomorrow. >To the love of my life, I
love you so much, to my family, momma, papa.
Damien chazelle, we're standing on your shoulders.
>I'm sorry, no, there's a mistake.
"Moonlight." You guys won best picture.
>This is not a joke. This is not a joke.
I'm afraid they read the wrong thing.
>This is not a joke. "Moonlight" has won best
picture. "Moonlight."
Best picture. >I think you guys should keep
it anyway. Oh, it's --
>guys. This is -- very unfortunate,
what happened. Personally, I blame Steve Harvey
for this. I would like to see you get an
Oscar anyway, why can't we just give out a whole bunch of them?
>I'm going to be really proud to hand this to my friends from
"moonlight." >Hello.
Hello. I -- I want --
>Warren, what did you do? >I want to tell you what
happened. I opened the envelope and it
said Emma stone, "la la land." That's why I took such a long
look at faye and at you, I wasn't trying to be funny.
>Well, you were funny. >Thank you very much.
Thank you very much. >Wow--
>this is "moonlight," the best picture.
>Okay.
>Thank you. >Very clearly, very clearly,
even in my dreams, this could not be true.
But to hell with dreams, I'm done with it, because this is
true. Oh, my goodness.
>Thank you. Thank you.
>And I have to say-- and it is true, it's not fake.
We've been on the road with these guys for so long and that
was so great and so generous of them.
My love to "la la land," my love to everybody.
Man. >Thank you to the-- I don't
know what to say. That was really-- I'm not--
I'm still not sure this is real, but thank you to the academy and
it is so humbling to be standing up here with hopefully still
the-- okay, no, they're gone, but it's very humbling to be up
here and I think, I hope even more than that they it's
inspiring to people, little black boys and brown girls and
other folks watching at home who feel marginalized and who--
take some inspiration from seeing this beautiful group of
artist artists held by this amazing
talent, Barry Jenkins, accepting this top honor.
Thank you.
>There was a time when I thought this movie was
impossible, because I couldn't-- I couldn't bring it
to fruition. I couldn't bring myself to tell
another story. Everybody behind me on this
stage said, no, that is not acceptable.
I want to thank everybody up here behind me.
Everybody out there in this room.
We didn't do this. You guys chose us.
Thank you for the choice. I appreciate it.
Much love. >Good night.
Thank you so much.
>Well, I don't know what happened.
I blame myself for this. Let's remember, it's just an
awards show. I mean, we hate to see people
disappointed, but the good news is, we got to see some extra
speeches. We have some great movies.
I knew I would screw this show up, I really did.
Thank you for watching. I'm back to work tomorrow night
on my regular show, I promise, I'll never come back.
Good night.