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NETFLIX PRESENTS

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A BALLET IN TWO ACTS

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ACT I

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WEDNESDAY
WEIGHT 46.7

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ARM 22.2
HIP 87.2

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WAIST 56.1
CHEST 87.3

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<i>Today's a great day...</i>

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- Irene, we're leaving.
- Can you give me a ride?

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That's impossible, honey.
I'm driving your dad. We have a trial.

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- Mwah!
- Mwah!

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- Good luck today. We'll talk later.
- Thank you.

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- Good morning.
- Good morning.

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<i>...the opening of a new play
here at the Cavern.</i>

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<i>Today, one of the greatest actresses
of Spain</i>

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<i>who has acted and danced with
the greatest directors in theater</i>

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<i>and who was born January 29th...</i>

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- Are you ever gonna rest?
- Yes, when I get my spot.

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- You're gonna go crazy, Lidi.
- Yeah, well...

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you can't be the only crazy one
in the family, sis.

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Hmm?

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<i>...fueled that love of animals...</i>

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You know Mom will catch you, right?

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- I'll open a window.
- What time is it?

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Damn it!

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Leave it, I'll do it.

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- I need the distraction.
- Thank you. I gotta go.

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- Today's the day they tell you?
- Mm.

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Today, they'll tell me
my life will stay exactly the same.

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Don't be like that. Come on.

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They might make a mistake
and decide to take a chance on you.

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- I don't think so.
<i>- ...chicken farm. And then, what's more...</i>

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You look beautiful.

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Is it tight?

34
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No, I don't think so.

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Well, you just let me know
and I'll fix it right away.

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Have everything?

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Now I do.

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And me?

39
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What about me?

40
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I can go alone, Mom.

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It's your first day
with the company, honey.

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Do you really think I would miss it?

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No.

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Let's go. I don't want you to be late.

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<i>- ♪ Two, three, four ♪
- ♪ Get quick, go fast ♪</i>

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<i>♪ Get good, don't crash ♪</i>

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<i>♪ Get get, get up ♪</i>

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<i>♪ Get good... ♪</i>

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Yes?

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- <i>Hello, Irene?</i>
- Hello.

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- <i>This is Laura.</i>
- Oh, hi. How are you?

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Yes.

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<i>Thank you.</i>

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- Thank you.
<i>- Thanks a lot.</i>

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- Okay.
<i>- See you later.</i>

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<i>- Bye.</i>
- Bye-bye.

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Mom...

58
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All right. See you later.

59
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You can tell me how it goes.

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She didn't even
take her stuff with her.

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That must be because
she wanted to come back.

62
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Then what was María doing
in New York?

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Shh, stop.

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She couldn't handle
the pressure of the company.

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It's like, hang on.

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So sad, right?

67
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What do you want?

68
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- We'll see.
- Enough already.

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See you later.

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Bye.

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- Bye.
- Bye.

72
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Why would she go to New York?

73
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Because she couldn't
take it anymore.

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Hello.

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- Hi.
- Hi.

76
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Good morning, Ruth.

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It's like when she was gone.
We need more of...

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Hello.

79
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Hello.

80
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How are you?

81
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Fine. I'm fine.

82
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Thanks for your text, by the way.
I never answered.

83
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That's all right.

84
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- Listen, I just wanted you to know...
- Yes, it's fucked up. I know.

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That's all.

86
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Hey, if you wanna
talk to someone...

87
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Oh my God. I'm fine, really. Okay?

88
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Hey, everybody
get to class on time?

89
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I never...

90
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- Are you sure it's not working?
- So, what?

91
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Do we know about her replacement?

92
00:08:10,000 --> 00:08:12,640
Well, you, Ruth.
It's pretty obvious.

93
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We welcome the newcomers.

94
00:08:38,280 --> 00:08:41,080
You all know it's an honor
to join this company.

95
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I hope it'll also be an honor
having you in it.

96
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I'm sorry.

97
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Sit down with the others.

98
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I make no exceptions.

99
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You must prove to us every day why
you chose to be a part of this company.

100
00:08:58,000 --> 00:08:59,360
Or rather, what for.

101
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Does anyone know?

102
00:09:01,360 --> 00:09:03,760
Does anyone know why they're in this room?

103
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Any of the newcomers?

104
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Maybe to dance?

105
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Dancing is for nightclubs.

106
00:09:10,400 --> 00:09:12,080
You're here for something else.

107
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To turn your years of sacrifice
into a moment of perfection.

108
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Only an instant,

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but one that lives forever
in the memory of whoever sees it.

110
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And there is nothing more important
than that, understood?

111
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Nothing.

112
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You all know this year's
main production was <i>Giselle.</i>

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It will continue to be
a tribute to María.

114
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It won't be the <i>Giselle</i>
we know from other productions.

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This time, it'll be a woman whose death
is capable of sparking a whole revolution.

116
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I guess you know
who has been chosen for that revolution.

117
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I have no idea...
I don't know...

118
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I see she hasn't rushed
to tell anyone.

119
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...do you?
Why tell me? Who told you?

120
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I won't be the one to tell you.

121
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Giselle is a brave woman.

122
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She embraces madness
and stands up for what she believes in.

123
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If the dancer who's just been
promoted to principal dancer

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is not able to say it out loud,
to stand up, to lead this company...

125
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Are you serious?

126
00:10:20,280 --> 00:10:21,640
You didn't tell anyone?

127
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I didn't have time.

128
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How could you have time if you were late?

129
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Sorry.

130
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First and last time, Irene.

131
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You can sit down.

132
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The rest of you, don't relax.

133
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In a few days, we'll be holding auditions
for the rest of the characters.

134
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Nothing's decided.

135
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Show us that you want it
more than anything,

136
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as if it were your last wish in life.

137
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Carmen...

138
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Eight and...

139
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One.

140
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Two.

141
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Big.

142
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And fifth.

143
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Now, circle with the head and stand firm.

144
00:11:01,960 --> 00:11:03,560
Raise. One...

145
00:11:04,360 --> 00:11:07,840
Eight, two, three and one...

146
00:11:08,920 --> 00:11:10,440
And fifth position.

147
00:11:12,160 --> 00:11:14,240
Good. Now let's switch groups.

148
00:11:15,080 --> 00:11:18,160
- Come with me?
- Will you... Can you stretch me out?

149
00:11:18,240 --> 00:11:20,120
Good. And put your hair up.

150
00:11:23,120 --> 00:11:24,440
Guys, guys...

151
00:11:25,800 --> 00:11:27,480
You see that?

152
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Let's begin.

153
00:11:32,280 --> 00:11:33,760
Let's go. Music.

154
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Head out...

155
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What is your name?

156
00:13:16,200 --> 00:13:18,000
- Aurora.
- Aurora?

157
00:13:18,720 --> 00:13:20,480
Good, good, very good.

158
00:13:21,240 --> 00:13:22,560
Come on, next group.

159
00:14:06,480 --> 00:14:10,640
And, one, two. And one, two.

160
00:14:11,160 --> 00:14:13,840
One, two, and...

161
00:14:14,440 --> 00:14:17,280
Again. One, two, and...

162
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Two, and one, two and <i>chaîné.</i>

163
00:14:21,000 --> 00:14:22,000
And...

164
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Good.

165
00:14:23,080 --> 00:14:24,600
One, and one...

166
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That's it. And one, two, one...

167
00:14:28,600 --> 00:14:31,360
And the last part. Two, three...

168
00:14:32,360 --> 00:14:35,360
Go on.
Two, and spot on the diagonal.

169
00:14:48,640 --> 00:14:51,080
Congratulations.

170
00:14:52,200 --> 00:14:53,200
Thank you.

171
00:14:54,040 --> 00:14:55,720
- I wanted to tell you...
- But you didn't.

172
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So, what? You thought I wouldn't find out?

173
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- Maybe she's afraid of you.
- Afraid of what, you asshole?

174
00:15:02,400 --> 00:15:04,960
I don't know,
you are the one who's hiding things.

175
00:15:10,760 --> 00:15:13,000
Hey, Giselle, are you coming
to the party tonight?

176
00:15:13,080 --> 00:15:15,640
Or are you afraid
we might put something in your drink?

177
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That's all.

178
00:15:40,320 --> 00:15:42,720
You could wear the green dress
I made you last summer.

179
00:15:43,680 --> 00:15:45,160
You look beautiful in it.

180
00:15:46,000 --> 00:15:47,000
I don't wanna go.

181
00:15:48,160 --> 00:15:49,160
I'm very tired.

182
00:15:49,680 --> 00:15:51,160
You'll rest later.

183
00:15:51,240 --> 00:15:54,000
Today's important,
and these parties are important too.

184
00:15:55,160 --> 00:15:57,000
But, Mom, I don't know anyone.

185
00:16:01,720 --> 00:16:02,720
Aurora.

186
00:16:03,440 --> 00:16:05,440
You're not a little girl.
And it's your place.

187
00:16:06,360 --> 00:16:08,960
You could've been a soloist.
You think I don't know?

188
00:16:11,400 --> 00:16:13,320
I know that dance troupe.

189
00:16:13,400 --> 00:16:16,160
You'll see.
They'll give you what you deserve.

190
00:16:16,680 --> 00:16:18,480
They'll come around, sooner than later.

191
00:16:18,560 --> 00:16:21,840
You have to go wherever they go,
so they get to know you.

192
00:16:21,920 --> 00:16:24,880
You should talk to people.
Don't hide, let them see you.

193
00:16:30,120 --> 00:16:32,280
Go on, I'll wait up for you, all right?

194
00:16:41,400 --> 00:16:43,800
What about me? No, sure.

195
00:16:46,640 --> 00:16:47,640
Come on.

196
00:16:54,080 --> 00:16:56,000
...so many drinks tonight.

197
00:16:56,080 --> 00:16:59,216
Drinks and kissin', that's what
we do. It'll be like New Year's in here.

198
00:16:59,240 --> 00:17:00,600
Hello.

199
00:17:01,360 --> 00:17:02,360
Come out to smoke?

200
00:17:03,920 --> 00:17:04,960
Yeah.

201
00:17:06,240 --> 00:17:07,240
Want one?

202
00:17:09,400 --> 00:17:10,400
Sure.

203
00:17:36,640 --> 00:17:38,280
You don't smoke, do you?

204
00:17:39,160 --> 00:17:40,160
N... no.

205
00:17:41,080 --> 00:17:42,720
You can stay here if you want.

206
00:17:43,200 --> 00:17:45,240
I don't feel like going inside at all.

207
00:17:46,240 --> 00:17:48,160
Throw it away if you don't like it.

208
00:17:49,760 --> 00:17:50,760
Thank you.

209
00:17:51,440 --> 00:17:52,840
Stop saying thanks for everything.

210
00:17:53,840 --> 00:17:56,680
You're in the company,
you have the same right as them

211
00:17:56,760 --> 00:17:59,160
to be inside, outside,
or wherever you want.

212
00:18:00,720 --> 00:18:02,000
I'm fine here.

213
00:18:02,080 --> 00:18:03,720
Ready to go?

214
00:18:03,760 --> 00:18:05,560
At least
she can have a cigarette.

215
00:18:05,640 --> 00:18:07,120
She doesn't matter, anyway.

216
00:18:07,200 --> 00:18:09,496
- She's first dancer.
- We've been here all night.

217
00:18:09,520 --> 00:18:11,520
It's like it doesn't matter to her.

218
00:18:11,600 --> 00:18:12,680
I guess...

219
00:18:12,760 --> 00:18:14,080
Ruth's not a bad girl.

220
00:18:16,240 --> 00:18:18,520
She's just upset about
what happened to María.

221
00:18:19,600 --> 00:18:20,680
Were they friends?

222
00:18:22,120 --> 00:18:23,720
They were always together.

223
00:18:24,440 --> 00:18:27,000
And what was she like?

224
00:18:28,960 --> 00:18:30,760
María was...

225
00:18:32,720 --> 00:18:34,600
Just María.

226
00:18:43,680 --> 00:18:45,240
And how do you feel?

227
00:18:45,880 --> 00:18:47,160
Me? About what?

228
00:18:47,880 --> 00:18:50,960
Well, about being the new first dancer
of the company.

229
00:18:51,880 --> 00:18:53,120
The new Giselle.

230
00:18:59,360 --> 00:19:00,360
What's the problem?

231
00:19:04,160 --> 00:19:07,000
Nothing, just...
no one's asked me about it.

232
00:19:11,800 --> 00:19:13,000
My name's Irene.

233
00:19:15,560 --> 00:19:16,720
I'm Aurora.

234
00:19:19,800 --> 00:19:21,240
Did you meet everyone?

235
00:19:22,840 --> 00:19:24,040
Yes, everyone.

236
00:19:24,880 --> 00:19:26,480
Was the whole company there?

237
00:19:27,040 --> 00:19:28,040
I think so.

238
00:19:29,720 --> 00:19:31,440
Did you talk to the substitute?

239
00:19:32,360 --> 00:19:34,360
- The substitute?
- Mm-hmm.

240
00:19:34,440 --> 00:19:36,360
I only talked to her for a little bit.

241
00:19:37,760 --> 00:19:38,760
How is she?

242
00:19:39,200 --> 00:19:40,600
Is she better than María?

243
00:19:42,840 --> 00:19:44,040
I suppose so.

244
00:19:46,400 --> 00:19:48,160
You won't tell me anything else?

245
00:19:50,480 --> 00:19:53,000
I had a lot of fun, Mom.

246
00:19:55,560 --> 00:19:57,720
I told you it was a good idea.

247
00:20:00,400 --> 00:20:01,920
I'm very proud of you.

248
00:20:06,520 --> 00:20:07,640
Get some rest.

249
00:20:25,440 --> 00:20:27,160
Good night, sweetheart.

250
00:20:49,720 --> 00:20:54,360
IRENE
THIS WAS MARÍA

251
00:21:13,840 --> 00:21:15,960
And you can tell her anything.

252
00:21:16,040 --> 00:21:18,120
- Yeah?
- Why not?

253
00:21:18,200 --> 00:21:19,960
- So good, right?
- Yeah, right?

254
00:21:20,040 --> 00:21:21,560
That's what I heard!

255
00:21:21,640 --> 00:21:23,000
- So great...
- Shh!

256
00:21:25,120 --> 00:21:26,360
Sh, sh.

257
00:21:26,440 --> 00:21:27,440
Shh.

258
00:21:28,920 --> 00:21:32,000
I was going to ask for silence,
but you all went quiet.

259
00:21:32,080 --> 00:21:35,040
Well, you all know that in this company,

260
00:21:35,120 --> 00:21:37,200
we don't have choreographers in residence

261
00:21:37,280 --> 00:21:40,080
because we're always looking for
the best creator for each production.

262
00:21:41,120 --> 00:21:44,880
There isn't anyone in the world of dance
that doesn't know the name

263
00:21:44,960 --> 00:21:47,600
or the incredible work
of Erik Christensen.

264
00:21:48,120 --> 00:21:52,120
He's choreographed the most
revolutionary productions of recent years.

265
00:21:52,200 --> 00:21:54,800
I could rave about his plans for us,

266
00:21:54,880 --> 00:21:58,040
but there's nobody
better than him to tell you.

267
00:21:58,120 --> 00:22:00,480
Erik, they're all yours.

268
00:22:02,760 --> 00:22:03,840
Good morning, everyone.

269
00:22:04,440 --> 00:22:09,160
First of all, to start,
I'd like to ask you to focus on this.

270
00:22:09,240 --> 00:22:12,320
On this instant. Our present moment.

271
00:22:13,080 --> 00:22:16,040
A present that has to be <i>Giselle.</i>

272
00:22:16,960 --> 00:22:18,520
Just <i>Giselle.</i>

273
00:22:19,360 --> 00:22:21,840
Who can tell me something
about this story?

274
00:22:25,960 --> 00:22:27,480
Not even Giselle herself?

275
00:22:27,560 --> 00:22:29,440
Uh, yeah.

276
00:22:30,200 --> 00:22:33,080
Mm... <i>Giselle </i>is a story about a peasant

277
00:22:33,160 --> 00:22:36,640
and about the man Albrecht,
who breaks her heart

278
00:22:37,240 --> 00:22:40,040
and makes her spiral
into madness and death.

279
00:22:40,520 --> 00:22:43,000
Okay. But is that it?

280
00:22:43,520 --> 00:22:45,320
I'm sure you can tell us a little more.

281
00:22:45,400 --> 00:22:47,000
There's also the Wilis. Right?

282
00:22:47,080 --> 00:22:49,640
But what are the Wilis?
What do you think they represent?

283
00:22:49,720 --> 00:22:53,640
The Wilis are the spirits of the woods
that welcome Giselle when she dies.

284
00:22:53,720 --> 00:22:58,000
Their queen's name is Myrtha.
And they're the women that died unmarried.

285
00:22:58,080 --> 00:22:59,160
So, today...

286
00:22:59,760 --> 00:23:02,240
no one dies for that, right?

287
00:23:02,320 --> 00:23:07,560
Our Wilis are going to be dark creatures,
beautiful, but cold.

288
00:23:07,640 --> 00:23:11,160
A mix between a nymph, a vampire...

289
00:23:11,760 --> 00:23:14,640
But don't get me wrong,
because what Irene said is true.

290
00:23:14,720 --> 00:23:16,400
And you are right, too.

291
00:23:16,480 --> 00:23:19,920
But that's all superficial.
<i>Giselle </i>is so much more.

292
00:23:20,000 --> 00:23:24,520
It's also a story about betrayal,
and forgiveness, and death.

293
00:23:24,600 --> 00:23:26,880
That's why I'd like to ask you

294
00:23:26,960 --> 00:23:29,680
to think about what we love.

295
00:23:30,400 --> 00:23:32,040
We love our family.

296
00:23:32,880 --> 00:23:35,120
We love our mothers.

297
00:23:36,720 --> 00:23:37,720
Our partners.

298
00:23:38,480 --> 00:23:40,560
We love dancing.

299
00:23:41,840 --> 00:23:43,200
We're going to start now.

300
00:23:43,280 --> 00:23:46,000
Because I can't wait to see
what you have inside,

301
00:23:46,520 --> 00:23:49,360
and why you should be
a part of this new <i>Giselle.</i>

302
00:23:49,440 --> 00:23:50,440
Shall we?

303
00:24:36,000 --> 00:24:38,640
I actually really like her
for the role of Myrtha.

304
00:24:55,400 --> 00:24:56,520
Stop, stop.

305
00:25:00,040 --> 00:25:01,480
What's up?

306
00:25:03,360 --> 00:25:04,360
Irene?

307
00:25:05,080 --> 00:25:06,080
Yeah?

308
00:25:07,640 --> 00:25:10,080
She hasn't looked at you even once.

309
00:25:10,800 --> 00:25:13,720
Albrecht has to be a powerful force

310
00:25:13,800 --> 00:25:17,000
that destroys everything in his path
unintentionally.

311
00:25:17,080 --> 00:25:18,600
And this Giselle

312
00:25:18,680 --> 00:25:21,320
hasn't looked at you once
while you danced.

313
00:25:22,680 --> 00:25:23,840
Again.

314
00:25:23,920 --> 00:25:25,080
From the <i>entrée.</i>

315
00:25:27,080 --> 00:25:29,400
I want to see a dancer doing his job, now.

316
00:25:29,480 --> 00:25:32,520
Listen. A <i>danseur,</i> not a ballerina.

317
00:25:32,600 --> 00:25:34,400
Those, we already have.

318
00:25:41,600 --> 00:25:43,840
She has the soul
of a Wilis, doesn't she?

319
00:26:49,520 --> 00:26:50,600
Excuse me.

320
00:26:53,680 --> 00:26:54,760
He called again.

321
00:26:55,600 --> 00:26:57,280
- He did?
- Yes.

322
00:26:57,360 --> 00:26:58,680
And he threatened to come here.

323
00:26:58,760 --> 00:27:01,200
I didn't know what to say, Norma.
He was beside himself.

324
00:27:01,280 --> 00:27:02,840
He wouldn't dare.

325
00:27:02,920 --> 00:27:05,680
Don't take any of his calls anymore,
is that understood?

326
00:27:07,040 --> 00:27:08,040
Yes.

327
00:27:14,840 --> 00:27:16,720
Thank you.

328
00:27:20,280 --> 00:27:21,920
You're a perfect Wilis.

329
00:27:31,800 --> 00:27:32,800
What's the matter?

330
00:27:34,320 --> 00:27:36,000
I don't like watching myself.

331
00:27:37,440 --> 00:27:39,320
You make it look so easy.

332
00:27:45,440 --> 00:27:48,080
I have a trick. I've used it for years.

333
00:27:52,200 --> 00:27:53,240
A trick?

334
00:27:54,920 --> 00:27:58,080
Yes, but you have to promise me
that you'll never tell anybody.

335
00:27:59,080 --> 00:28:00,240
I promise you.

336
00:28:00,840 --> 00:28:01,960
Honesty?

337
00:28:02,040 --> 00:28:03,400
Of course.

338
00:28:04,400 --> 00:28:05,400
What's wrong?

339
00:28:09,520 --> 00:28:11,120
I don't want you to make fun of me.

340
00:28:12,680 --> 00:28:14,320
I'd never make fun of you.

341
00:28:16,320 --> 00:28:18,040
Come on, go ahead.

342
00:28:21,800 --> 00:28:23,880
It's just...

343
00:28:24,520 --> 00:28:27,320
when I close my eyes,
it's like I stop thinking.

344
00:28:27,960 --> 00:28:30,800
And I go to a place I've imagined before
and only I know.

345
00:28:32,400 --> 00:28:34,400
Sometimes, I don't wanna come back.

346
00:28:35,760 --> 00:28:39,120
You know that feeling of being in a place
where no one can hurt you?

347
00:28:40,480 --> 00:28:42,040
That doesn't exist.

348
00:28:43,080 --> 00:28:44,080
And why not?

349
00:28:45,080 --> 00:28:47,440
That's my place,
where nothing bad can happen.

350
00:28:49,240 --> 00:28:50,720
Or to you, if you want.

351
00:28:54,040 --> 00:28:55,720
Why would something bad happen?

352
00:28:57,960 --> 00:29:00,480
Irene, because everybody wants
to be Giselle.

353
00:29:00,560 --> 00:29:01,880
But you're the one who is.

354
00:29:11,720 --> 00:29:13,800
- Yeah...
- The shower's free.

355
00:29:15,360 --> 00:29:16,360
Yeah.

356
00:29:17,640 --> 00:29:18,640
It's fine.

357
00:29:22,080 --> 00:29:25,040
Yeah, I don't know. I don't know
where they're going to be.

358
00:29:41,680 --> 00:29:43,320
Mm! How nice.

359
00:29:43,400 --> 00:29:44,400
Hmm.

360
00:29:44,880 --> 00:29:47,240
Hands off. Call your sister, please.

361
00:29:47,320 --> 00:29:49,040
Irene, dinner!

362
00:29:50,280 --> 00:29:53,160
- Did you make salmon?
- Yes, look, here you go.

363
00:29:53,240 --> 00:29:54,280
Mm!

364
00:29:57,680 --> 00:29:58,680
Mm.

365
00:30:00,800 --> 00:30:02,240
- Are you okay?
- Yes.

366
00:30:02,320 --> 00:30:04,480
I'm just tired from rehearsal, that's all.

367
00:30:06,840 --> 00:30:08,400
No, Dad, you know wine doesn't suit me.

368
00:30:09,000 --> 00:30:10,840
Just a little for a toast.

369
00:30:10,920 --> 00:30:13,720
What doesn't suit you
is not learning to enjoy things.

370
00:30:14,320 --> 00:30:15,320
Whatever.

371
00:30:16,440 --> 00:30:18,920
Yeah. And that's what this wine is for.

372
00:30:21,200 --> 00:30:23,240
The other day,
we couldn't celebrate with you.

373
00:30:23,320 --> 00:30:26,920
Yes, well, your father's client, honey,
he insisted on inviting us to dinner.

374
00:30:27,000 --> 00:30:27,880
He was very annoying.

375
00:30:27,960 --> 00:30:31,360
Rosa, it was a difficult trial.
It's normal to be excited.

376
00:30:31,440 --> 00:30:34,600
Just as should you be.
You won, right? That's that.

377
00:30:34,680 --> 00:30:36,120
Well, let's make a toast.

378
00:30:36,200 --> 00:30:37,640
- Yes.
- To Giselle.

379
00:30:37,720 --> 00:30:39,360
- To Giselle.
- To Giselle.

380
00:30:42,680 --> 00:30:45,280
- Mm. It's delicious.
- Mm-hmm.

381
00:30:45,360 --> 00:30:46,800
I have a question.

382
00:30:46,880 --> 00:30:49,440
How long can you dance this <i>Giselle?</i>

383
00:30:50,280 --> 00:30:51,960
As long as Norma lets me, Dad.

384
00:30:52,040 --> 00:30:55,920
But isn't it this character
a teenager or a child?

385
00:30:56,000 --> 00:30:58,960
- Yes. But that doesn't matter in ballet.
- Aah.

386
00:30:59,040 --> 00:31:01,920
Are there any adult characters
in the story, though?

387
00:31:02,000 --> 00:31:04,360
- My mom, but she doesn't dance.
- Ah, I see.

388
00:31:04,440 --> 00:31:06,400
Enjoy everything
that's happening to you.

389
00:31:06,440 --> 00:31:09,200
Because it'll be over in no time,
and then you're gonna miss it.

390
00:31:11,520 --> 00:31:15,240
Hey, Dad? They just chose me and you're
asking me when they'll kick me out?

391
00:31:15,320 --> 00:31:17,400
- Nobody said that.
- Of course not.

392
00:31:17,480 --> 00:31:19,840
But at some point,
you'll have to work on something

393
00:31:19,920 --> 00:31:23,080
that doesn't come to an end
when you turn 30 or something.

394
00:31:23,160 --> 00:31:26,680
Mm. If you want to be a civil servant,
I can give you my notes.

395
00:31:26,760 --> 00:31:28,200
It's a joke.

396
00:31:29,120 --> 00:31:30,320
But Dad has a point.

397
00:31:30,400 --> 00:31:33,160
I don't know what a dancer does
when she retires either.

398
00:31:35,360 --> 00:31:36,680
Seriously, I don't know.

399
00:31:36,760 --> 00:31:39,360
- I thought about being a choreographer.
- Beautiful.

400
00:31:39,440 --> 00:31:40,800
Oh, that's cool.

401
00:31:40,880 --> 00:31:41,880
Choreographer?

402
00:31:42,600 --> 00:31:45,280
- Yes, choreographer. What's wrong?
- Nothing.

403
00:31:46,320 --> 00:31:48,920
How many dancers are in your company?

404
00:31:50,040 --> 00:31:51,600
I don't know, around 50?

405
00:31:52,120 --> 00:31:53,120
Fifty.

406
00:31:54,400 --> 00:31:55,760
And choreographers?

407
00:31:57,800 --> 00:31:58,800
One.

408
00:32:00,640 --> 00:32:02,680
No further questions, your Honor.

409
00:32:02,760 --> 00:32:04,960
Have some wine, come on.

410
00:32:05,040 --> 00:32:06,216
- Psst.
- Here...

411
00:32:06,240 --> 00:32:07,960
Choreographer? Fucking awesome.

412
00:32:08,040 --> 00:32:09,880
- It's spectacular.
- Yeah.

413
00:32:09,960 --> 00:32:12,080
He has vineyards, right?

414
00:32:12,160 --> 00:32:13,480
Well, his family does.

415
00:32:13,560 --> 00:32:15,840
- Mm.
- This wine is delicious.

416
00:32:16,760 --> 00:32:19,480
- Yes, it's... it's very good.
- Mm.

417
00:32:19,560 --> 00:32:21,840
One more, and that's all. I'm still ill.

418
00:32:23,560 --> 00:32:25,760
Agree, it's good. Mm.

419
00:32:25,840 --> 00:32:28,760
- Are you enjoying the wine?
- Mm. Yeah, it's good.

420
00:32:29,960 --> 00:32:31,200
<i>He's your father.</i>

421
00:32:31,720 --> 00:32:34,600
You can't blame him for wanting
the best for his daughter.

422
00:32:35,320 --> 00:32:37,520
He's just a bit worried. It's normal.

423
00:32:39,280 --> 00:32:40,520
What if he's right?

424
00:32:42,120 --> 00:32:43,120
About what?

425
00:32:45,880 --> 00:32:47,920
I don't know. About it ending too soon.

426
00:32:48,720 --> 00:32:50,920
Well, if it's over, it's over.

427
00:32:51,600 --> 00:32:52,920
You do something else.

428
00:33:00,320 --> 00:33:02,280
- Can I be honest with you, honey?
- Mm.

429
00:33:04,200 --> 00:33:07,040
Do you know the only thing
I don't like about the story?

430
00:33:07,560 --> 00:33:08,560
What's that?

431
00:33:09,320 --> 00:33:12,840
That Giselle is a woman
that goes crazy over a man's love.

432
00:33:14,080 --> 00:33:15,080
I don't know.

433
00:33:15,160 --> 00:33:17,760
I know these classic ballets
are like that, but...

434
00:33:18,480 --> 00:33:20,360
in the end, we always seem stupid.

435
00:33:28,280 --> 00:33:29,280
Well.

436
00:33:30,760 --> 00:33:32,200
I'm gonna get some sleep.

437
00:33:33,480 --> 00:33:35,160
Don't be hard on your father.

438
00:33:35,680 --> 00:33:39,480
Sometimes, he might be clumsy with you,
but he loves you so much.

439
00:33:41,560 --> 00:33:42,600
And me as well.

440
00:33:47,320 --> 00:33:48,400
Congratulations.

441
00:34:21,880 --> 00:34:24,720
- They're beautiful.
- Thank you.

442
00:34:24,800 --> 00:34:26,720
These are from my first performances.

443
00:34:26,800 --> 00:34:28,800
Ah! Actually, I made this dress.

444
00:34:28,880 --> 00:34:31,200
- Really?
- Mm-hmm. Yes, it's true.

445
00:34:31,280 --> 00:34:33,520
My mother was a dressmaker and taught me.

446
00:34:34,120 --> 00:34:35,280
And this house was hers.

447
00:34:35,360 --> 00:34:36,360
- Is it?
- I inherited it.

448
00:34:38,000 --> 00:34:39,040
Ah!

449
00:34:39,120 --> 00:34:42,120
We kept everything,
even the laces from the shoes.

450
00:34:43,920 --> 00:34:45,560
This one's very beautiful.

451
00:34:47,440 --> 00:34:49,200
Those were good times.

452
00:34:51,360 --> 00:34:54,680
I was looking forward to meeting you.
Aurora talks about you.

453
00:34:54,760 --> 00:34:55,880
All the time.

454
00:35:00,400 --> 00:35:01,480
Mm.

455
00:35:02,080 --> 00:35:03,080
Majorca.

456
00:35:03,760 --> 00:35:05,560
We were doing <i>The Firebird.</i>

457
00:35:05,640 --> 00:35:07,840
It was a very small production,
very simple,

458
00:35:07,920 --> 00:35:10,240
a very small house,
not like what you guys do.

459
00:35:11,120 --> 00:35:12,600
That school couldn't do more.

460
00:35:13,200 --> 00:35:14,600
You all seem happy here.

461
00:35:15,160 --> 00:35:17,160
We hated each other's guts.

462
00:35:17,240 --> 00:35:19,160
- Oh, really?
- Mm-hmm.

463
00:35:19,920 --> 00:35:21,640
Look. You see this girl on the right?

464
00:35:21,720 --> 00:35:25,840
She got broken glass in her shoes
when she was chosen to be Anna Karenina.

465
00:35:27,080 --> 00:35:28,200
And this is Laura.

466
00:35:28,280 --> 00:35:31,480
They broke her costume
right before she went on stage.

467
00:35:31,560 --> 00:35:33,880
I've even seen mice
put in people's lockers.

468
00:35:33,960 --> 00:35:34,960
I mean, dead ones.

469
00:35:38,000 --> 00:35:39,320
And that's why you left?

470
00:35:42,160 --> 00:35:43,360
I had a bad fall.

471
00:35:44,960 --> 00:35:47,320
I put too much trust in the wrong person.

472
00:35:48,000 --> 00:35:49,160
Did you want to?

473
00:35:53,960 --> 00:35:55,320
Those were good times.

474
00:35:56,960 --> 00:35:57,960
Let's eat.

475
00:36:08,640 --> 00:36:09,960
Up high.

476
00:36:16,200 --> 00:36:17,360
Don't rush.

477
00:36:17,840 --> 00:36:19,000
Hop, accent.

478
00:36:19,720 --> 00:36:20,800
Careful.

479
00:36:25,640 --> 00:36:27,280
Okay, stop. Stop.

480
00:36:27,360 --> 00:36:29,760
Irene, you're rushing
through the preparations.

481
00:36:29,840 --> 00:36:31,320
You need to slow down.

482
00:36:31,920 --> 00:36:33,840
- I'm trying.
- Stop trying and do it.

483
00:36:34,480 --> 00:36:38,400
I'm not changing the choreography for you.
I know perfectly well you can do it.

484
00:36:38,480 --> 00:36:39,480
Okay.

485
00:36:48,960 --> 00:36:50,760
Let's go from the top.

486
00:37:28,040 --> 00:37:29,680
Stop, stop.

487
00:37:29,760 --> 00:37:31,440
Irene, it's still not right.

488
00:37:31,520 --> 00:37:35,360
If you don't watch your preparation,
Israel won't be able to help you.

489
00:37:35,440 --> 00:37:36,480
Okay.

490
00:37:37,640 --> 00:37:39,240
Do I have to find another Giselle?

491
00:37:39,320 --> 00:37:41,640
No, it's not that.
We just need more rehearsal.

492
00:37:41,720 --> 00:37:43,000
No. There's no time.

493
00:37:43,800 --> 00:37:46,240
Either I solve this now
or I have to look for someone else.

494
00:37:48,840 --> 00:37:49,840
Let's go again.

495
00:38:54,000 --> 00:38:55,680
That's it. It was perfect this time.

496
00:38:55,760 --> 00:38:58,520
You went with the music,
and you were in character.

497
00:38:59,120 --> 00:39:00,680
You see? You can do it.

498
00:39:01,800 --> 00:39:03,120
Yes, you got it.

499
00:39:04,200 --> 00:39:07,400
You have to consider the production
as a matter of life or death.

500
00:39:08,440 --> 00:39:09,440
Yes?

501
00:39:10,040 --> 00:39:12,440
It's either that or back
to the ballet <i>corps.</i>

502
00:39:13,600 --> 00:39:14,760
Understood?

503
00:39:23,360 --> 00:39:25,360
Come on. Let's go one last time.

504
00:39:36,440 --> 00:39:38,120
<i>But I don't understand.</i>

505
00:39:38,200 --> 00:39:40,560
There's nothing to understand.
You did it, that's it.

506
00:39:40,640 --> 00:39:44,240
No, but it happened when I saw you.
As if I wasn't afraid anymore.

507
00:39:44,760 --> 00:39:45,800
Afraid of what?

508
00:39:47,400 --> 00:39:48,720
Of disappointing them.

509
00:39:49,400 --> 00:39:52,520
- Of not being able to do what they want.
- Yeah, you see?

510
00:39:53,040 --> 00:39:56,240
Nothing bad can happen to us there.
And now, it both of ours.

511
00:39:58,320 --> 00:39:59,360
You think so?

512
00:39:59,440 --> 00:40:01,560
Yeah, I'm sure.

513
00:40:01,640 --> 00:40:02,840
I am also sure.

514
00:40:04,400 --> 00:40:06,120
No, not sure. Positive.

515
00:40:06,200 --> 00:40:07,200
What are you sure about?

516
00:40:07,800 --> 00:40:08,960
That you're gonna love it.

517
00:40:10,120 --> 00:40:12,240
- What is this?
- Brutal montage.

518
00:40:12,320 --> 00:40:14,360
You have to see it. It's tonight.

519
00:40:14,440 --> 00:40:15,800
You're gonna freak out.

520
00:40:15,880 --> 00:40:18,880
- How are you so sure?
- Because everyone else freaks out.

521
00:40:18,960 --> 00:40:20,256
Yeah, I'm sorry.

522
00:40:20,280 --> 00:40:22,016
But we're not like everyone else.

523
00:40:22,040 --> 00:40:24,160
Okay, special girls,
not like everyone else,

524
00:40:24,240 --> 00:40:26,720
then, I guess, you ladies
have earned a discount.

525
00:40:26,800 --> 00:40:27,640
Oh, yeah?

526
00:40:27,720 --> 00:40:30,320
If you're here, it's because
you're part of the company, right?

527
00:40:30,400 --> 00:40:31,280
- Mm-hmm.
- Yes.

528
00:40:31,360 --> 00:40:33,760
Well, that's it. We have an excuse.

529
00:40:34,680 --> 00:40:37,400
Thank you, but we're really busy
with rehearsals.

530
00:40:37,480 --> 00:40:39,080
Ah, rehearsal at night?

531
00:40:39,160 --> 00:40:41,000
Well, no, but...

532
00:40:41,080 --> 00:40:43,920
- What's the discount?
- Nice. Some initiative.

533
00:40:44,000 --> 00:40:46,080
Well, it's a classic. Two for one.

534
00:40:46,160 --> 00:40:47,160
What's your name?

535
00:40:47,960 --> 00:40:49,360
- Aurora.
- Aurora.

536
00:40:50,120 --> 00:40:51,400
Like the Sleeping Beauty.

537
00:40:51,480 --> 00:40:52,480
I'm Irene.

538
00:40:53,000 --> 00:40:55,840
Hi, Irene. Well, I'm Jon.

539
00:40:56,560 --> 00:41:00,200
Okay, I'll put Sleeping Beauty
on the list. And get ready.

540
00:41:00,720 --> 00:41:02,360
It's a really crazy company.

541
00:41:02,440 --> 00:41:05,720
I warn you, it's not classical. Like
nothing you've ever seen in your life.

542
00:41:05,800 --> 00:41:07,720
How do you know what we've seen, Jon?

543
00:41:07,800 --> 00:41:10,200
No, not this. I'm sure you haven't.

544
00:41:11,480 --> 00:41:14,560
Well, then... at 8:00?

545
00:41:15,840 --> 00:41:17,320
Okay, yeah. At 8:00.

546
00:41:18,360 --> 00:41:19,360
Don't be late, now.

547
00:41:21,160 --> 00:41:22,240
I'll be there.

548
00:41:22,320 --> 00:41:23,520
Bye, Jon.

549
00:41:23,600 --> 00:41:24,520
Bye.

550
00:41:24,600 --> 00:41:25,680
- Hi, there.
- Hi.

551
00:41:25,760 --> 00:41:27,160
Check this out. It's amazing.

552
00:41:27,200 --> 00:41:28,896
- Tonight at Garaje Lumière...
- Really?

553
00:41:28,920 --> 00:41:31,120
NEW GARAJE LUMIÈRE

554
00:41:38,360 --> 00:41:39,656
- Hi, there.
- Hello.

555
00:41:39,680 --> 00:41:41,720
- Names?
- She's on the list. I'll pay.

556
00:41:42,800 --> 00:41:43,960
Aurora Ruiz.

557
00:41:47,520 --> 00:41:49,480
I'm sorry, but my list
doesn't show your name.

558
00:41:54,440 --> 00:41:58,080
And how about Sleeping Beauty?

559
00:41:59,680 --> 00:42:01,720
That one is. Welcome.

560
00:42:01,800 --> 00:42:03,560
Thank you.

561
00:45:24,800 --> 00:45:25,960
<i>♪ Life ♪</i>

562
00:45:27,320 --> 00:45:29,840
<i>♪ Mysterious life ♪</i>

563
00:45:31,520 --> 00:45:36,720
<i>♪ We're movin' around
Dancin' the rhythm of life ♪</i>

564
00:45:38,920 --> 00:45:40,200
<i>♪ Time ♪</i>

565
00:45:41,560 --> 00:45:43,680
<i>♪ Mysterious time ♪</i>

566
00:45:46,000 --> 00:45:51,000
<i>♪ We're counting the hours and days
To the end of all time ♪</i>

567
00:45:53,160 --> 00:45:56,640
<i>♪ And we're feelin' a change
And we don't know why ♪</i>

568
00:45:56,720 --> 00:46:00,480
<i>♪ Choose one direction
Just one for a time ♪</i>

569
00:46:00,560 --> 00:46:05,680
<i>♪ Don't say I'm thinking too much
If you see what's behind ♪</i>

570
00:46:05,760 --> 00:46:09,400
<i>♪ And these are mysterious times ♪</i>

571
00:46:13,720 --> 00:46:16,440
<i>♪ Mysterious times ♪</i>

572
00:46:20,640 --> 00:46:23,920
<i>♪ No trick of the mind ♪</i>

573
00:46:25,480 --> 00:46:30,640
<i>♪ For this moment I feel like
We live in mysterious times ♪</i>

574
00:46:32,240 --> 00:46:38,720
<i>♪ If you see what's behind
These are mysterious times ♪</i>

575
00:46:40,680 --> 00:46:43,920
- And you never met him?
- No, but I don't care.

576
00:46:44,000 --> 00:46:46,640
He disappeared when my mom
told him she was pregnant.

577
00:46:49,000 --> 00:46:50,600
I don't know my father either.

578
00:46:51,120 --> 00:46:52,200
No?

579
00:46:52,280 --> 00:46:54,400
And my mother
never wants to talk about it.

580
00:46:56,880 --> 00:47:00,200
Well, you're in luck,
because I have a method to get over it.

581
00:47:01,040 --> 00:47:03,480
Yeah, I'm sure you do.

582
00:47:03,560 --> 00:47:05,960
- Wanna know what it's called?
- All right.

583
00:47:06,920 --> 00:47:07,960
Hold this.

584
00:47:08,040 --> 00:47:09,720
No, but what are you gonna do?

585
00:47:09,800 --> 00:47:12,400
The method is called...

586
00:47:18,800 --> 00:47:20,000
..."I Say, Fuck It!"

587
00:47:20,600 --> 00:47:22,480
- It's good.
- You like it?

588
00:47:22,560 --> 00:47:24,760
- Yeah!
- It works for so many things.

589
00:47:24,840 --> 00:47:27,640
For example, if your father's
never been to your birthday...

590
00:47:27,720 --> 00:47:30,520
- I say, "Fuck it"?
- You say, "Fuck it." You say, "Fuck it."

591
00:47:30,600 --> 00:47:32,880
If my father never gave me
a single thing in my life...

592
00:47:32,960 --> 00:47:34,680
- You say, "Fuck it."
- I say, "Fuck it."

593
00:47:34,760 --> 00:47:36,880
- You say, "Fuck it."
- I say, "Fuck it!"

594
00:47:36,960 --> 00:47:39,720
- Okay, you try now.
- Okay. Here.

595
00:47:39,800 --> 00:47:41,920
My father's never seen me
dancing up on stage.

596
00:47:42,000 --> 00:47:43,880
- So I say, "Fuck it."
- You say, "Fuck it."

597
00:47:43,960 --> 00:47:46,680
- I say, "Fuck it!"
- Hell, yeah! Do you like it?

598
00:47:46,760 --> 00:47:48,920
- I love it.
- Are you listening, people?

599
00:47:49,560 --> 00:47:50,560
Hey!

600
00:47:51,600 --> 00:47:52,960
She loves it!

601
00:47:53,040 --> 00:47:55,040
She loves it!

602
00:48:07,560 --> 00:48:09,000
Careful with that <i>cambré.</i>

603
00:48:11,680 --> 00:48:13,760
Better. The accent with the head.

604
00:48:14,320 --> 00:48:15,320
Up.

605
00:48:17,840 --> 00:48:19,600
More tension in the hands, Wilis.

606
00:48:24,480 --> 00:48:26,000
And up on your tiptoes.

607
00:48:26,080 --> 00:48:27,640
Mark all those accents well.

608
00:48:27,720 --> 00:48:29,320
Bop, bop, bop.

609
00:48:30,560 --> 00:48:32,480
And on a string.

610
00:48:32,560 --> 00:48:33,960
Strong. Out.

611
00:48:34,040 --> 00:48:35,040
Bop.

612
00:48:37,560 --> 00:48:38,760
And faster.

613
00:48:38,840 --> 00:48:40,080
<i>Bourrée</i> in place.

614
00:48:42,240 --> 00:48:43,240
No rush.

615
00:48:47,360 --> 00:48:48,360
I'm sorry.

616
00:48:48,840 --> 00:48:49,880
Are you okay?

617
00:48:51,880 --> 00:48:54,920
Ruth, you have to be very careful here.

618
00:48:55,520 --> 00:48:59,000
Right now, Myrtha's only walking
around the Wilis while they dance.

619
00:48:59,080 --> 00:49:01,880
- Yeah.
- It's important you don't go in the group.

620
00:49:01,960 --> 00:49:04,440
- I'm sorry, but she was in the middle.
- Ruth.

621
00:49:04,520 --> 00:49:07,080
Ruth, you need to focus
on what we're doing,

622
00:49:07,160 --> 00:49:09,120
otherwise we won't be ready
for the premiere.

623
00:49:09,200 --> 00:49:11,840
- I am focused, Norma.
- No. No, you're not.

624
00:49:12,480 --> 00:49:14,680
You're very angry
and it's distracting you.

625
00:49:15,600 --> 00:49:19,360
So take all that spoiled brat rage,
and pour it into the character.

626
00:49:19,440 --> 00:49:20,920
Myrtha needs it more than you do.

627
00:49:21,000 --> 00:49:23,600
You think you can do that? Or can't you?

628
00:49:26,920 --> 00:49:28,320
Come on, girls.

629
00:49:30,280 --> 00:49:31,760
Let's take it from the top.

630
00:49:33,360 --> 00:49:36,640
I have to see Norma,
for fuck's sake.

631
00:49:36,720 --> 00:49:39,296
- No way. You can't go in there.
- No, I'm going in.

632
00:49:39,320 --> 00:49:40,776
- Sir...
- I'm going in!

633
00:49:40,800 --> 00:49:41,960
I'm going in!

634
00:49:43,160 --> 00:49:44,240
Whoa!

635
00:49:45,880 --> 00:49:48,200
Óscar, why are you here?
You have no right to be here.

636
00:49:48,280 --> 00:49:51,200
Yes, I do. I do have the right.
Of course I have the right.

637
00:49:51,280 --> 00:49:52,880
For three months, I've been calling you.

638
00:49:52,960 --> 00:49:55,480
Three months, trying to get in
to get my daughter's things back.

639
00:49:55,520 --> 00:49:58,281
Are you drunk? You know I'm not about
to let you make a scene in here.

640
00:49:58,360 --> 00:50:01,320
No, me neither, I'm not gonna let you
steal her things away.

641
00:50:01,400 --> 00:50:03,640
She was my...

642
00:50:04,360 --> 00:50:05,480
My daughter.

643
00:50:06,040 --> 00:50:07,440
Not yours.

644
00:50:07,520 --> 00:50:09,440
Give me her things
or I'll call the police.

645
00:50:09,520 --> 00:50:11,160
- Sir, please...
- Don't touch me!

646
00:50:11,240 --> 00:50:13,440
- Don't touch me!
- Okay.

647
00:50:13,520 --> 00:50:17,520
I don't know who the fuck you are, but
this has nothing to do with you.

648
00:50:17,600 --> 00:50:21,120
Are you gonna bully me
like you bullied her?

649
00:50:21,200 --> 00:50:22,680
You know nothing about her.

650
00:50:22,760 --> 00:50:24,960
You are such a bitch.

651
00:50:28,640 --> 00:50:30,680
This woman will ruin your lives.

652
00:50:31,840 --> 00:50:34,240
All of you.

653
00:50:34,320 --> 00:50:35,520
You know it's true.

654
00:50:43,040 --> 00:50:44,040
Continue.

655
00:50:47,360 --> 00:50:48,360
Let's go.

656
00:50:51,920 --> 00:50:55,400
- What just happened?
- What the hell was that?

657
00:50:55,480 --> 00:50:58,640
- Do you know who that was?
- Okay, let's go again from the top.

658
00:51:18,040 --> 00:51:19,080
Excuse me.

659
00:51:20,440 --> 00:51:21,440
Yes?

660
00:51:23,040 --> 00:51:25,680
I just wanted to say
I really admired María.

661
00:51:31,440 --> 00:51:32,440
Thank you.

662
00:51:35,880 --> 00:51:36,880
Excuse me.

663
00:51:38,520 --> 00:51:40,120
You remind me of her a lot.

664
00:51:41,160 --> 00:51:42,160
You really do.

665
00:52:03,800 --> 00:52:05,960
Wait! Wait!

666
00:52:11,120 --> 00:52:13,440
NOTEBOOK FOR GISELLE
MARÍA POZA

667
00:52:19,640 --> 00:52:23,320
LISBON

668
00:52:27,800 --> 00:52:30,600
<i>I don't get how María
could have feelings for this bitch.</i>

669
00:52:31,600 --> 00:52:33,160
She wasn't always like this.

670
00:52:34,080 --> 00:52:35,640
Irene, stop defending her.

671
00:52:35,720 --> 00:52:38,160
Or do you really think
she pushed me on accident?

672
00:52:45,600 --> 00:52:47,920
LISBON

673
00:52:48,000 --> 00:52:49,800
ACT II

674
00:52:49,880 --> 00:52:53,040
This isn't ours.
We should return it to María's father.

675
00:52:53,120 --> 00:52:56,480
If this is Giselle's notebook, it's yours.
Who's Giselle now?

676
00:52:58,400 --> 00:52:59,400
Don't say that.

677
00:53:00,320 --> 00:53:01,320
It's not mine.

678
00:53:01,800 --> 00:53:02,800
It is now.

679
00:53:03,560 --> 00:53:07,080
I'm sure that María left it for you
as some kind of instruction manual.

680
00:53:18,760 --> 00:53:21,760
SANTA MARÍA RESERVOIR

681
00:53:23,160 --> 00:53:24,680
THE FOREST OF THE WILIS

682
00:53:24,760 --> 00:53:27,280
- Wow. Wilis' woods.
- Look at that. Wilis' woods.

683
00:53:45,960 --> 00:53:48,960
Now I understand
why María loved this place so much.

684
00:53:50,280 --> 00:53:51,760
It's really pretty.

685
00:54:02,880 --> 00:54:05,120
- Is this her mother?
- Yeah.

686
00:54:05,200 --> 00:54:06,240
She was American.

687
00:54:06,800 --> 00:54:09,880
She went back to the States
after divorcing María's father.

688
00:54:10,560 --> 00:54:11,640
She adored her.

689
00:54:13,320 --> 00:54:14,480
And did you know her?

690
00:54:15,880 --> 00:54:16,880
A little.

691
00:54:17,400 --> 00:54:19,560
When we went to New York on tour,

692
00:54:19,640 --> 00:54:21,840
she would always come to the shows.

693
00:54:27,520 --> 00:54:28,680
Uh, hey.

694
00:54:28,760 --> 00:54:30,240
Do you like your parents?

695
00:54:34,520 --> 00:54:37,760
I mean, it's just... you can't choose it.

696
00:54:39,040 --> 00:54:40,680
Yeah, but do you like them?

697
00:54:44,400 --> 00:54:45,880
My mom, yes, but...

698
00:54:47,920 --> 00:54:50,960
It's just my dad and I don't
really have a lot to talk about.

699
00:54:53,720 --> 00:54:54,640
And you?

700
00:54:54,720 --> 00:54:56,160
Do you like your mother?

701
00:54:56,880 --> 00:54:57,880
Sometimes.

702
00:54:58,520 --> 00:55:00,720
But I don't know if she likes me,
you know?

703
00:55:00,800 --> 00:55:02,120
She loves you.

704
00:55:03,800 --> 00:55:07,480
My mom loves how I dance.
And that I made the company.

705
00:55:15,000 --> 00:55:16,720
Well, you know what I say?

706
00:55:21,240 --> 00:55:22,080
You say, "Fuck it."

707
00:55:22,160 --> 00:55:24,120
I say, "Fuck it."

708
00:55:24,920 --> 00:55:27,680
I say, "Fuck it!"

709
00:55:36,960 --> 00:55:37,960
You know what?

710
00:55:39,200 --> 00:55:41,240
We could just stay here forever.

711
00:55:41,880 --> 00:55:43,360
It will be our refuge.

712
00:55:50,960 --> 00:55:52,920
We can be whatever we want here.

713
00:56:07,640 --> 00:56:09,600
<i>No one can hurt us here.</i>

714
00:56:11,000 --> 00:56:12,240
<i>I like it here.</i>

715
00:56:14,440 --> 00:56:15,440
<i>This is...</i>

716
00:56:16,520 --> 00:56:17,520
<i>...ours.</i>

717
00:56:18,400 --> 00:56:19,400
<i>And unique.</i>

718
00:56:22,240 --> 00:56:23,480
<i>Forever.</i>

719
00:58:42,720 --> 00:58:44,080
Come on!

720
00:58:44,760 --> 00:58:45,920
Hurry up!

721
00:58:51,400 --> 00:58:52,600
Hurry up, please.

722
00:58:52,680 --> 00:58:54,680
Nothing's gonna happen, relax.
Hold on, okay?

723
00:58:54,760 --> 00:58:57,560
- Irene, hurry up, I beg you.
- Nothing will happen.

724
00:58:57,640 --> 00:58:58,480
Oh my God.

725
00:58:58,560 --> 00:58:59,720
- Now?
- Yes.

726
00:58:59,800 --> 00:59:01,480
- You sure?
- Yes. Done.

727
00:59:16,800 --> 00:59:18,000
How does it feel?

728
00:59:18,600 --> 00:59:19,720
How does it feel when?

729
00:59:20,280 --> 00:59:21,280
Right now?

730
00:59:23,960 --> 00:59:25,400
No, when you're...

731
00:59:26,280 --> 00:59:27,280
Fucking?

732
00:59:28,440 --> 00:59:30,040
Yeah, that.

733
00:59:32,000 --> 00:59:32,880
Fucking.

734
00:59:34,880 --> 00:59:35,720
I don't know.

735
00:59:35,800 --> 00:59:38,160
For me, it's like dancing
at the nightclub,

736
00:59:38,240 --> 00:59:40,160
and I prefer doing it on a stage.

737
00:59:42,920 --> 00:59:43,920
I've never...

738
00:59:44,800 --> 00:59:47,760
- You've never danced at a nightclub?
- Yes, I have. With you.

739
00:59:47,840 --> 00:59:51,240
Maybe you should do it with someone else,
Sleeping Beauty.

740
00:59:59,960 --> 01:00:01,680
Did you give him your number?

741
01:00:02,840 --> 01:00:03,840
Yes.

742
01:00:04,400 --> 01:00:05,800
But he hasn't called.

743
01:00:05,880 --> 01:00:07,200
Did you call him?

744
01:00:10,760 --> 01:00:12,200
Isn't it a bit cold?

745
01:00:19,680 --> 01:00:22,360
- When's the last time you saw him?
- It was that night.

746
01:00:23,560 --> 01:00:25,040
Today's Saturday, right?

747
01:00:26,640 --> 01:00:27,840
Yes, but why?

748
01:00:34,000 --> 01:00:35,960
NEW GARAJE LUMIÈRE

749
01:00:36,040 --> 01:00:38,120
Are you sure this is a good idea?

750
01:00:38,200 --> 01:00:39,400
I'm sure.

751
01:00:40,400 --> 01:00:42,400
What if he says no?

752
01:00:42,480 --> 01:00:44,960
Get out of the car, slowpoke.

753
01:00:54,680 --> 01:00:56,600
Aurora. Aurora!

754
01:00:57,440 --> 01:00:58,440
Your backpack.

755
01:00:59,120 --> 01:01:00,960
You won't be going home tonight.

756
01:01:06,240 --> 01:01:07,480
See you tomorrow.

757
01:01:16,240 --> 01:01:17,800
I'm sorry, we're closing.

758
01:01:19,320 --> 01:01:20,440
Is Jon here?

759
01:01:21,560 --> 01:01:24,360
He'll be right out.
Just wait here, if you don't mind.

760
01:02:51,880 --> 01:02:53,200
Someone help!

761
01:02:53,720 --> 01:02:55,680
Are you okay? Are you okay?

762
01:02:57,160 --> 01:02:58,240
We need help!

763
01:02:59,600 --> 01:03:01,280
Someone call an ambulance!

764
01:03:01,360 --> 01:03:03,040
Help!

765
01:03:03,120 --> 01:03:06,480
ACT II

766
01:03:53,480 --> 01:03:55,080
I'll show you.

767
01:03:55,160 --> 01:03:57,160
Oh my God, stop. No!

768
01:04:11,760 --> 01:04:13,720
Hello, I'm Pedro Ángel Sánchez
from <i>El País.</i>

769
01:04:13,800 --> 01:04:14,800
Hello.

770
01:04:20,200 --> 01:04:23,120
Uh, ready to go? Uh, can you
say something for a soundcheck?

771
01:04:23,200 --> 01:04:24,200
Sure.

772
01:04:25,040 --> 01:04:29,520
Uh, hi, I'm Irene Solís
and this is the National Classical Ballet.

773
01:04:30,600 --> 01:04:31,680
And I am...

774
01:04:31,760 --> 01:04:32,760
Aurora.

775
01:04:34,080 --> 01:04:35,080
Aurora.

776
01:04:36,360 --> 01:04:37,600
How are you feeling?

777
01:04:39,080 --> 01:04:40,840
- Fine.
- Yeah?

778
01:04:41,360 --> 01:04:42,840
How did you spend the last week?

779
01:04:42,920 --> 01:04:45,360
I've been rehearsing a lot.
That is what dancing is.

780
01:04:45,880 --> 01:04:47,240
What do you mean?

781
01:04:47,320 --> 01:04:48,320
Demanding.

782
01:04:48,880 --> 01:04:50,880
Is it demanding, or too hard?

783
01:04:52,480 --> 01:04:56,000
Nothing is ever too hard for you
when you're living your dream.

784
01:04:56,080 --> 01:04:57,080
A dream?

785
01:04:57,880 --> 01:04:58,880
And what was it?

786
01:04:59,480 --> 01:05:01,000
Everyone was made of glass.

787
01:05:03,640 --> 01:05:04,800
But I feel just fine.

788
01:05:05,760 --> 01:05:06,640
Why's that?

789
01:05:09,080 --> 01:05:10,920
Because no one's making fun of me.

790
01:05:12,080 --> 01:05:13,240
Were you alone?

791
01:05:15,880 --> 01:05:16,880
No.

792
01:05:19,000 --> 01:05:20,080
With Irene.

793
01:05:20,160 --> 01:05:22,560
So tell me, who really is Irene?

794
01:05:23,200 --> 01:05:26,640
Irene is a girl who's... normal,

795
01:05:26,720 --> 01:05:29,840
with a family that's... normal,

796
01:05:29,920 --> 01:05:31,640
and a job that's not so normal.

797
01:05:32,480 --> 01:05:33,480
And nothing else.

798
01:05:34,000 --> 01:05:35,160
And Giselle?

799
01:05:36,280 --> 01:05:38,880
Giselle is a woman who...

800
01:05:39,400 --> 01:05:42,640
spirals into madness and death
because of a man's betrayal.

801
01:05:43,160 --> 01:05:45,320
You feel like he betrayed you?

802
01:05:46,240 --> 01:05:48,280
But you barely knew each other, right?

803
01:05:49,400 --> 01:05:50,600
Yeah.

804
01:05:50,680 --> 01:05:53,000
Aurora, you need to understand

805
01:05:53,080 --> 01:05:56,000
that the messages
you've been sending him since then,

806
01:05:56,080 --> 01:05:58,600
aren't okay, that they aren't, uh,

807
01:05:59,840 --> 01:06:00,840
fair.

808
01:06:01,840 --> 01:06:04,960
And that this hurts you even more.

809
01:06:05,560 --> 01:06:07,640
Well, pain is part of the job,

810
01:06:07,720 --> 01:06:11,360
like any emotion
that we have to communicate from up here.

811
01:06:12,360 --> 01:06:15,520
And when you dance,
do you think of anyone in particular

812
01:06:15,600 --> 01:06:17,040
when you feel that pain?

813
01:06:18,560 --> 01:06:19,560
I think...

814
01:06:20,360 --> 01:06:23,200
about how hard it can be to miss someone.

815
01:06:33,400 --> 01:06:34,400
Look.

816
01:06:34,760 --> 01:06:38,120
The problem is that
I can't continue treating your daughter.

817
01:06:38,800 --> 01:06:40,280
Or, at least, I shouldn't.

818
01:06:40,800 --> 01:06:41,920
And why is that?

819
01:06:42,000 --> 01:06:44,360
Well, I've only been treating her
for a month,

820
01:06:44,440 --> 01:06:48,320
but I would venture to say
I think Aurora should see a psychiatrist.

821
01:06:49,120 --> 01:06:52,360
- When did she see Irene for the last time?
- The day of the accident.

822
01:06:52,440 --> 01:06:53,720
Perfect. Keep it that way.

823
01:06:53,800 --> 01:06:56,600
The sooner she breaks the bond,
the sooner she'll be back to normal.

824
01:06:59,480 --> 01:07:02,520
<i>The number you are trying to reach
is not available at this time.</i>

825
01:07:02,600 --> 01:07:04,080
<i>Please leave a message.</i>

826
01:07:04,680 --> 01:07:08,160
Aurora, when you turn your phone on,
call me, okay?

827
01:07:09,040 --> 01:07:11,520
I miss you,
and I need to know you're okay.

828
01:07:12,840 --> 01:07:15,160
I only know what the company told us.

829
01:07:34,800 --> 01:07:36,880
You never forget your first time.

830
01:07:40,080 --> 01:07:41,280
How are you feeling?

831
01:07:44,080 --> 01:07:45,640
I would like to feel better,

832
01:07:46,360 --> 01:07:47,960
but it's like I have vertigo.

833
01:07:49,640 --> 01:07:50,640
Or fear.

834
01:07:51,320 --> 01:07:53,080
- It's not the same?
- No.

835
01:07:53,800 --> 01:07:54,800
No, it isn't.

836
01:07:56,480 --> 01:07:57,880
Come to my house.

837
01:07:57,960 --> 01:07:59,360
Let's have a drink.

838
01:07:59,920 --> 01:08:01,800
I shouldn't. I have class tomorrow.

839
01:08:01,880 --> 01:08:04,160
No. You have class right now.

840
01:08:15,640 --> 01:08:17,080
You were very good today.

841
01:09:32,000 --> 01:09:34,040
The Paris Opera theater.

842
01:09:36,040 --> 01:09:38,040
Went out for 12 curtain calls.

843
01:09:39,120 --> 01:09:41,120
I've never seen anything like it.

844
01:09:44,960 --> 01:09:45,960
Thank you.

845
01:10:03,920 --> 01:10:05,280
Can I ask you a question?

846
01:10:06,280 --> 01:10:07,400
Do you want to?

847
01:10:10,200 --> 01:10:11,640
Why did you choose me?

848
01:10:11,720 --> 01:10:13,440
Because you are the best.

849
01:10:13,520 --> 01:10:14,520
No, I'm not.

850
01:10:14,960 --> 01:10:18,000
- Ruth is the best.
- Ruth is the perfect Myrtha.

851
01:10:18,080 --> 01:10:22,400
In contrast, you,
you're a solitary warrior, like Giselle.

852
01:10:22,480 --> 01:10:23,480
Like me.

853
01:10:25,520 --> 01:10:26,800
How is your mother?

854
01:10:28,320 --> 01:10:30,360
It's been a while
since she came by the company.

855
01:10:30,960 --> 01:10:32,920
Fine. Normal. She works a lot.

856
01:10:33,000 --> 01:10:35,840
My parents didn't
take me seriously either.

857
01:10:36,360 --> 01:10:37,360
They never did.

858
01:10:38,240 --> 01:10:39,680
Even though I ended up directing

859
01:10:39,760 --> 01:10:42,480
the most important
dance company in the country.

860
01:10:43,240 --> 01:10:45,160
But that's why you have to be strong.

861
01:10:45,840 --> 01:10:46,840
Norma,

862
01:10:47,560 --> 01:10:49,240
I don't know if I'm that strong.

863
01:10:50,280 --> 01:10:52,840
Come. I want to show you something. Come.

864
01:11:01,880 --> 01:11:02,880
What do you see?

865
01:11:04,160 --> 01:11:05,600
I don't know. Myself.

866
01:11:05,680 --> 01:11:06,800
And what else?

867
01:11:09,920 --> 01:11:10,960
I don't know.

868
01:11:11,680 --> 01:11:14,160
Stop keeping all of your feelings
inside of you.

869
01:11:15,400 --> 01:11:18,760
You can tell me anything.
This is your place.

870
01:11:18,840 --> 01:11:21,680
María struggled too,
but in the end, she did it.

871
01:11:23,280 --> 01:11:24,840
I don't know if I'm capable.

872
01:11:24,920 --> 01:11:27,480
If you weren't,
I never would have chosen you.

873
01:11:28,480 --> 01:11:30,280
You're the only one that thinks so.

874
01:11:30,920 --> 01:11:33,360
The most important thing
is that <i>we </i>think that.

875
01:11:34,400 --> 01:11:35,920
And that you trust me.

876
01:11:36,800 --> 01:11:39,520
I'll take care of you,
no matter what happens.

877
01:11:46,080 --> 01:11:47,360
I didn't choose you.

878
01:11:56,880 --> 01:11:58,200
María chose you.

879
01:12:04,600 --> 01:12:06,400
The night before she left for New York,

880
01:12:06,480 --> 01:12:09,360
she confessed to me
that you'd be a perfect Giselle.

881
01:12:11,440 --> 01:12:12,960
And she was right.

882
01:12:13,840 --> 01:12:16,400
María was perfect. And I am not.

883
01:12:16,480 --> 01:12:18,880
She would be alive if she were perfect.

884
01:12:20,680 --> 01:12:22,640
María could have been immortal.

885
01:12:22,720 --> 01:12:23,760
She had everything.

886
01:12:24,920 --> 01:12:26,120
Your friend, too.

887
01:12:27,040 --> 01:12:28,200
But no...

888
01:12:28,280 --> 01:12:30,200
They both threw everything away.

889
01:12:30,720 --> 01:12:32,120
It wasn't Aurora's fault.

890
01:12:33,920 --> 01:12:35,160
It's weird, but...

891
01:12:36,680 --> 01:12:40,040
when we were together,
it's as if nothing bad could happen to us.

892
01:12:40,120 --> 01:12:43,280
Stop taking responsibility
for other people's lives.

893
01:12:43,360 --> 01:12:45,520
You are this company's first dancer.

894
01:12:45,600 --> 01:12:49,280
And that means you must learn
to be alone and not depend on anyone.

895
01:12:49,880 --> 01:12:52,680
There's no <i>prima ballerina</i>
who can maintain friendships

896
01:12:52,760 --> 01:12:54,440
in this scenario, Irene.

897
01:12:54,520 --> 01:12:56,880
I'm not glad about what happened to her,

898
01:12:58,200 --> 01:13:00,960
but I am relieved
that you two had to part ways,

899
01:13:01,040 --> 01:13:02,760
because she wasn't
a good influence on you.

900
01:13:03,520 --> 01:13:06,160
Sometimes, things happen for a reason.

901
01:13:26,800 --> 01:13:27,800
Take it.

902
01:13:29,240 --> 01:13:30,280
This is for you.

903
01:13:32,080 --> 01:13:35,320
I want you to write down
all of Giselle's thoughts in there.

904
01:13:37,040 --> 01:13:38,120
How she is.

905
01:13:38,920 --> 01:13:40,160
What she likes.

906
01:13:41,000 --> 01:13:43,960
What she's afraid of,
what helps her get out of bed every day,

907
01:13:44,040 --> 01:13:45,320
what keeps her up at night.

908
01:13:45,400 --> 01:13:49,920
All of that will help you
forget about Irene and turn into Giselle.

909
01:13:51,200 --> 01:13:53,760
Until you're in her head,
you won't be her.

910
01:13:54,480 --> 01:13:56,000
That's your only job.

911
01:13:59,360 --> 01:14:01,640
- Norma...
- Class is dismissed.

912
01:14:23,360 --> 01:14:24,480
Does it hurt?

913
01:14:25,000 --> 01:14:27,440
No. It stings a little.

914
01:14:27,960 --> 01:14:30,160
See? That's because it's healing.

915
01:14:35,280 --> 01:14:37,120
Doctors get it wrong sometimes.

916
01:14:37,640 --> 01:14:39,280
And you're very young, Aurora.

917
01:14:39,360 --> 01:14:42,600
You'll see. In a couple of months,
everything will be back to normal.

918
01:14:43,640 --> 01:14:45,520
And I'll be able to call Irene?

919
01:14:47,120 --> 01:14:48,120
Of course.

920
01:15:02,120 --> 01:15:05,280
But I already told you
that the phone will only cause problems.

921
01:15:05,800 --> 01:15:07,840
So for now, I'll hold onto it for you.

922
01:15:14,560 --> 01:15:18,520
The therapist asked what would happen
if I could never dance again.

923
01:15:19,040 --> 01:15:22,920
That man is useless,
and we're not going back, you hear me?

924
01:15:23,000 --> 01:15:26,520
Why would you see a psychiatrist?
Your tibia's broken, not your head.

925
01:15:27,640 --> 01:15:29,080
What if it's true?

926
01:15:29,160 --> 01:15:31,560
What if he's right
and I can never dance again?

927
01:15:32,080 --> 01:15:34,640
That's not what happened to my daughter.

928
01:15:34,720 --> 01:15:36,280
- You hear?
- Mom!

929
01:15:36,360 --> 01:15:37,360
What?

930
01:15:38,280 --> 01:15:39,480
Now it hurts a bit.

931
01:15:42,120 --> 01:15:43,680
Sorry.

932
01:16:19,120 --> 01:16:20,360
Oh shit, I'm sorry.

933
01:16:20,440 --> 01:16:22,600
What the hell are you doing?
Can't you knock?

934
01:16:23,680 --> 01:16:27,000
- I'm sorry, I thought I could go in.
- Well, you can't, all right?

935
01:16:27,520 --> 01:16:29,280
Okay, all right. I'm sorry.

936
01:16:29,360 --> 01:16:32,040
I'm sorry. I just wanted to know
how you were doing.

937
01:16:33,600 --> 01:16:35,720
Great. I'm marvelous.

938
01:16:37,360 --> 01:16:38,520
I'm glad.

939
01:16:43,320 --> 01:16:44,400
I'm super happy.

940
01:16:46,520 --> 01:16:47,560
About what?

941
01:16:52,040 --> 01:16:53,400
The exam, Irene.

942
01:16:57,000 --> 01:16:58,000
When is it?

943
01:17:02,640 --> 01:17:03,640
Yesterday.

944
01:17:23,160 --> 01:17:24,480
The waist.

945
01:17:26,080 --> 01:17:28,640
- All right, arms down.
- How is it?

946
01:17:29,400 --> 01:17:30,560
You're the same.

947
01:17:31,320 --> 01:17:33,080
Can you finish that later?

948
01:17:33,160 --> 01:17:35,800
Of course. Go on, we'll finish later.

949
01:17:38,160 --> 01:17:39,160
Yes?

950
01:17:39,800 --> 01:17:41,800
Can you please give me Giselle's costume?

951
01:17:41,880 --> 01:17:43,600
- Which act?
- The second.

952
01:17:43,680 --> 01:17:44,680
Okay.

953
01:17:46,000 --> 01:17:47,800
Give me a moment.

954
01:17:52,000 --> 01:17:54,440
- Has she tried it on yet?
- No.

955
01:17:55,400 --> 01:17:58,440
But it's her turn in 20 minutes.

956
01:18:09,320 --> 01:18:10,800
Bring it down a size.

957
01:18:11,640 --> 01:18:13,960
She still doesn't realize what's at stake.

958
01:19:23,120 --> 01:19:24,280
Oh, God.

959
01:19:37,760 --> 01:19:39,280
You gotta be strong.

960
01:19:39,360 --> 01:19:42,040
Be strong, be strong,
be strong, be strong, be strong.

961
01:19:42,120 --> 01:19:43,440
Be strong, be...

962
01:19:54,360 --> 01:19:56,080
Yeah. It'll freak you out.

963
01:19:56,160 --> 01:19:58,120
- It's awesome.
- Is there any food?

964
01:19:58,200 --> 01:19:59,800
No, no.
But there is a cool bar.

965
01:19:59,880 --> 01:20:01,456
- 1 Yeah? Oh, really?
- Yeah.

966
01:20:01,480 --> 01:20:03,600
All right.
Well, maybe see you there.

967
01:20:03,680 --> 01:20:05,920
- Okay, great, see you there.
- All right.

968
01:20:06,000 --> 01:20:07,536
- Okay. Thanks.
- Okay.

969
01:20:07,560 --> 01:20:09,280
- You're welcome. Bye.
- Bye.

970
01:20:11,480 --> 01:20:13,800
Look. An exhibition at Garaje Lumière...

971
01:20:20,120 --> 01:20:21,480
What are you doing?

972
01:20:21,560 --> 01:20:22,400
I'm working.

973
01:20:22,480 --> 01:20:25,560
- Do you have to come here?
- I don't pick the areas.

974
01:20:29,600 --> 01:20:31,320
I can't. I'm very busy, thanks.

975
01:20:35,440 --> 01:20:37,360
Impressive,
seeing yourself like that, huh?

976
01:20:41,480 --> 01:20:43,080
I saw her name was missing.

977
01:20:44,080 --> 01:20:45,320
How is she?

978
01:20:45,400 --> 01:20:48,560
- How do you think?
- I don't know. I asked you.

979
01:20:49,320 --> 01:20:50,320
Is she better?

980
01:20:53,000 --> 01:20:54,000
Irene,

981
01:20:55,120 --> 01:20:57,360
I'm sorry for what happened,
but it wasn't my fault.

982
01:20:57,440 --> 01:20:59,680
I think Aurora's great,
but it was just one night.

983
01:20:59,760 --> 01:21:01,280
One night and two kisses.

984
01:21:01,880 --> 01:21:02,880
Yeah.

985
01:21:03,520 --> 01:21:05,800
You say, "Fuck it." Right?

986
01:21:06,920 --> 01:21:08,440
Irene, I'm not a bad guy,

987
01:21:08,960 --> 01:21:11,920
but it's not fair that after something
that only happened in Aurora's head,

988
01:21:11,960 --> 01:21:13,520
she sent me those messages.

989
01:21:14,800 --> 01:21:15,800
What messages?

990
01:21:16,520 --> 01:21:18,640
You're her friend, she must have told you.

991
01:21:20,440 --> 01:21:22,000
She didn't say anything?

992
01:21:22,640 --> 01:21:25,400
- When was the last time you talked?
- And why do you care, man?

993
01:21:25,480 --> 01:21:28,000
I really don't care, actually.
But I bet she does.

994
01:21:30,840 --> 01:21:33,560
I really have to go. This area's huge.

995
01:21:37,280 --> 01:21:38,160
Oh, and,

996
01:21:38,240 --> 01:21:39,440
have a good show.

997
01:22:03,160 --> 01:22:04,160
<i>Yes?</i>

998
01:22:05,240 --> 01:22:06,800
Pilar, it's Irene.

999
01:22:09,000 --> 01:22:10,560
<i>One moment. I'm coming down.</i>

1000
01:22:18,120 --> 01:22:19,200
Hello, Pilar.

1001
01:22:20,800 --> 01:22:22,080
Aurora's resting now.

1002
01:22:23,920 --> 01:22:24,920
Can I see her?

1003
01:22:25,640 --> 01:22:26,640
No.

1004
01:22:27,160 --> 01:22:28,360
That's not a good idea.

1005
01:22:29,680 --> 01:22:30,520
But why?

1006
01:22:30,600 --> 01:22:33,080
You know what happened
the last time you were together.

1007
01:22:33,160 --> 01:22:34,560
I just wanted to apologize to her.

1008
01:22:35,960 --> 01:22:36,960
I beg you.

1009
01:22:38,760 --> 01:22:39,760
Well.

1010
01:22:40,840 --> 01:22:41,880
Irene?

1011
01:22:42,400 --> 01:22:43,960
Aurora, go back inside!

1012
01:22:44,800 --> 01:22:45,800
You came.

1013
01:22:47,200 --> 01:22:48,200
Aurora.

1014
01:22:49,640 --> 01:22:51,000
Mom, let her in.

1015
01:22:51,840 --> 01:22:53,600
- No.
- Please.

1016
01:22:54,480 --> 01:22:56,200
Don't you want me
to go back to the company?

1017
01:22:56,800 --> 01:22:58,200
Irene can help me with that.

1018
01:22:59,400 --> 01:23:00,680
That's why she's here.

1019
01:23:01,480 --> 01:23:02,560
Isn't that right?

1020
01:23:03,960 --> 01:23:05,080
Yeah.

1021
01:23:08,160 --> 01:23:09,360
Mom, please.

1022
01:23:11,800 --> 01:23:12,800
Mom.

1023
01:23:18,520 --> 01:23:22,200
It doesn't hurt so much anymore.
It's actually a lot better.

1024
01:23:22,280 --> 01:23:23,640
And what is this?

1025
01:23:24,680 --> 01:23:26,520
It's just for protection.

1026
01:23:26,600 --> 01:23:28,320
It's not comfortable to walk with,

1027
01:23:28,400 --> 01:23:31,720
but my mother said that if I wear it,
I'll be able to dance again soon.

1028
01:23:43,400 --> 01:23:44,680
I missed you a lot.

1029
01:23:47,320 --> 01:23:48,400
Me too.

1030
01:23:49,600 --> 01:23:52,800
- Why didn't you come sooner?
- I didn't have the time, and...

1031
01:23:53,360 --> 01:23:56,240
Norma doesn't want me
distracted by anything.

1032
01:23:56,320 --> 01:23:57,680
Or anybody, right?

1033
01:24:03,440 --> 01:24:04,760
Irene, it wasn't your fault.

1034
01:24:05,720 --> 01:24:08,200
I left you alone. And look what happened.

1035
01:24:09,960 --> 01:24:12,120
That's why we can never be apart again.

1036
01:24:18,400 --> 01:24:20,120
Norma gave me the same one.

1037
01:24:26,280 --> 01:24:28,200
No notebook is like this one.

1038
01:24:33,560 --> 01:24:35,280
What does Giselle want?

1039
01:24:36,240 --> 01:24:37,680
What does Giselle want?

1040
01:24:37,760 --> 01:24:40,440
- What does Giselle want?
- Giselle just wants to dance.

1041
01:24:49,880 --> 01:24:51,320
But...

1042
01:24:52,800 --> 01:24:53,880
Careful.

1043
01:24:56,000 --> 01:24:57,000
Okay.

1044
01:24:59,320 --> 01:25:00,160
Ready?

1045
01:25:00,240 --> 01:25:01,440
- Yes.
- Yeah?

1046
01:25:03,560 --> 01:25:06,080
<i>You have to be with me
on opening night.</i>

1047
01:25:07,560 --> 01:25:09,040
<i>I can't do it without you.</i>

1048
01:25:10,360 --> 01:25:11,760
<i>They all want me to fail.</i>

1049
01:25:13,520 --> 01:25:14,720
<i>I'll be there.</i>

1050
01:25:15,920 --> 01:25:17,160
<i>Swear it.</i>

1051
01:25:18,360 --> 01:25:19,360
<i>I swear.</i>

1052
01:25:21,240 --> 01:25:22,720
<i>I miss our place.</i>

1053
01:25:23,960 --> 01:25:25,000
<i>Me too.</i>

1054
01:26:33,960 --> 01:26:35,440
<i>But be careful.</i>

1055
01:26:35,520 --> 01:26:36,880
<i>They're after you.</i>

1056
01:26:37,400 --> 01:26:39,480
Her mom's a judge
and her dad's a lawyer.

1057
01:26:39,560 --> 01:26:42,160
- They won't do anything.
- But they must know.

1058
01:26:42,240 --> 01:26:44,120
- I mean, she must've told them.
- No.

1059
01:26:45,240 --> 01:26:46,360
Hello.

1060
01:26:53,040 --> 01:26:55,336
- She's an asshole.
- She heard everything.

1061
01:26:55,360 --> 01:26:57,936
- She totally caught us.
- I don't give a shit if she did,

1062
01:26:57,960 --> 01:26:59,360
Did you see her face?

1063
01:27:08,440 --> 01:27:09,920
No, no, stop. Stop.

1064
01:27:10,000 --> 01:27:11,400
Stop. Stop!

1065
01:27:12,200 --> 01:27:13,920
I don't like it. Do it again.

1066
01:27:20,920 --> 01:27:22,480
Let's start from the imbalance now.

1067
01:28:03,520 --> 01:28:05,640
Stop. Stop. Stop!

1068
01:28:06,520 --> 01:28:09,560
You don't need to prance.
I need to see you soar.

1069
01:28:09,640 --> 01:28:11,400
I need to feel like
you're going to take off.

1070
01:28:11,440 --> 01:28:13,360
Like you're going to disappear. Yes?

1071
01:28:13,440 --> 01:28:14,920
You dance with your soul.

1072
01:28:15,000 --> 01:28:16,760
Don't just follow steps.

1073
01:28:16,840 --> 01:28:17,840
Do it again!

1074
01:28:33,320 --> 01:28:34,800
Stop. No. Nothing.

1075
01:28:34,880 --> 01:28:36,600
it's not working.

1076
01:28:36,680 --> 01:28:37,960
No.

1077
01:28:38,040 --> 01:28:40,400
Enough. It isn't working.

1078
01:28:40,480 --> 01:28:42,520
Why don't we take five minutes, Norma?

1079
01:28:42,600 --> 01:28:45,920
No, I don't have five minutes, because
I'm meeting our press manager in ten,

1080
01:28:46,000 --> 01:28:48,680
and I don't wanna tell her
we have to postpone the premiere.

1081
01:28:49,600 --> 01:28:51,360
This depends on you.

1082
01:28:51,440 --> 01:28:53,960
And the work of your peers depends on you.

1083
01:28:54,480 --> 01:28:56,080
As does the whole company.

1084
01:28:56,720 --> 01:28:57,920
Do it again!

1085
01:28:58,440 --> 01:28:59,880
And I don't want any looks.

1086
01:29:02,200 --> 01:29:05,200
Can we start at the <i>arabesque,</i>
if you please?

1087
01:29:22,880 --> 01:29:24,120
Oh my God.

1088
01:29:24,200 --> 01:29:25,440
Shit.

1089
01:29:26,880 --> 01:29:29,400
- Are you all right?
- Yes, I think so.

1090
01:29:29,920 --> 01:29:32,320
Can you move? Come on, stand up.

1091
01:29:32,960 --> 01:29:34,480
Mm?

1092
01:29:34,560 --> 01:29:36,200
- Mm.
- And your foot?

1093
01:29:36,280 --> 01:29:38,040
- Yeah.
- Yeah?

1094
01:29:38,120 --> 01:29:39,280
Irene?

1095
01:29:39,360 --> 01:29:41,120
Irene, I'm sorry, I slipped.

1096
01:29:41,640 --> 01:29:44,600
- Don't fucking touch me!
- It was unintentional.

1097
01:29:44,680 --> 01:29:47,240
- Unintentional?
- I'm sorry. Yeah, unintentional.

1098
01:29:50,720 --> 01:29:52,736
- This is what you wanted, right?
- What do you mean?

1099
01:29:52,760 --> 01:29:53,960
Tell me you didn't plan this.

1100
01:29:54,040 --> 01:29:56,640
Or weren't talking about this
in the fucking locker room.

1101
01:29:56,720 --> 01:30:00,000
- You don't know what you're saying.
- Ruth. One second.

1102
01:30:03,080 --> 01:30:05,080
Irene, please.

1103
01:30:05,880 --> 01:30:07,120
These things happen.

1104
01:30:07,200 --> 01:30:09,160
Luckily, it was nothing
and we can continue.

1105
01:30:09,240 --> 01:30:11,800
Continue?
You want to continue after this?

1106
01:30:11,880 --> 01:30:14,560
Irene, I'm really sorry,
but we have to move on.

1107
01:30:14,640 --> 01:30:16,680
You know we have very little time.

1108
01:30:16,760 --> 01:30:18,440
The public rehearsal is on Tuesday.

1109
01:30:18,520 --> 01:30:20,160
- But don't you see it?
- See what?

1110
01:30:20,200 --> 01:30:22,120
Irene, there's nothing to see.

1111
01:30:22,200 --> 01:30:26,400
- I told you it was a fucking accident!
- It wasn't a fucking accident, asshole!

1112
01:30:26,480 --> 01:30:29,480
You're losing your mind. Don't ever
talk to me like that again, crazy bitch!

1113
01:30:29,520 --> 01:30:31,000
What did you say, you son of a bitch?

1114
01:30:31,080 --> 01:30:32,760
Irene.

1115
01:30:34,040 --> 01:30:36,680
- Norma, tell me you saw it.
- Irene, stop it.

1116
01:30:38,360 --> 01:30:40,840
She's after me. And you all know it.

1117
01:30:40,920 --> 01:30:43,400
My God, you are as crazy
as your friend.

1118
01:30:44,120 --> 01:30:45,800
Irene.

1119
01:30:45,880 --> 01:30:48,120
- Did she slap him?
- Did you see that?

1120
01:30:48,840 --> 01:30:50,000
Goddammit!

1121
01:30:51,760 --> 01:30:53,280
Get off the stage.

1122
01:30:54,480 --> 01:30:56,840
- But Norma, tell them why.
- Enough.

1123
01:30:56,920 --> 01:30:59,240
Norma, tell them
why you chose me as Giselle!

1124
01:30:59,320 --> 01:31:01,096
- I want them to know!
- You say one more word

1125
01:31:01,120 --> 01:31:02,960
and you are out of the company.

1126
01:31:22,680 --> 01:31:24,120
Your rehearsal is over.

1127
01:31:24,840 --> 01:31:25,840
Leave.

1128
01:31:50,720 --> 01:31:51,800
You were right.

1129
01:31:53,160 --> 01:31:56,640
We were talking about you earlier,
but it's not what you think.

1130
01:31:58,280 --> 01:32:00,720
I'm asking Norma
to take Israel out of the A cast.

1131
01:32:00,800 --> 01:32:02,320
Israel didn't do anything.

1132
01:32:02,840 --> 01:32:05,040
He'd never let you fall,
he's a professional.

1133
01:32:05,120 --> 01:32:06,600
You were there. You saw it.

1134
01:32:06,680 --> 01:32:09,360
What I saw is a dancer
that doesn't trust her peers.

1135
01:32:09,440 --> 01:32:12,280
Who should I trust? You?
Who leaves broken glass in my shower?

1136
01:32:12,360 --> 01:32:13,680
I didn't do it.

1137
01:32:13,760 --> 01:32:17,040
I told the person who did it
that it wasn't funny, it was stupid.

1138
01:32:18,080 --> 01:32:20,840
- I don't believe you.
- Because you don't believe anyone.

1139
01:32:21,480 --> 01:32:22,880
You don't even believe in yourself.

1140
01:32:22,920 --> 01:32:26,160
You never accepted Norma chose me
to replace María, am I right?

1141
01:32:26,240 --> 01:32:28,120
I think you're the one who never did.

1142
01:32:28,880 --> 01:32:31,000
If you go on like this,
you'll end up like María.

1143
01:32:31,080 --> 01:32:33,440
Like how? Like dead?

1144
01:32:40,320 --> 01:32:41,400
I'm sorry.

1145
01:32:43,480 --> 01:32:46,200
Do you wanna know
what we were saying before?

1146
01:32:47,240 --> 01:32:49,840
That we don't like all the pressure
you're getting from Norma,

1147
01:32:49,920 --> 01:32:51,440
and you should do something about it.

1148
01:32:51,520 --> 01:32:54,360
You're pissed off 'cause
she didn't pick you for Giselle.

1149
01:32:54,440 --> 01:32:55,880
Is that your revenge?

1150
01:32:55,960 --> 01:32:58,280
Get rid of the directors
until you find one that picks you?

1151
01:32:58,360 --> 01:33:00,320
Look, Irene,
no, I don't like you.

1152
01:33:01,000 --> 01:33:02,200
And you don't like me.

1153
01:33:02,280 --> 01:33:04,160
And it's clear that we'll never get along.

1154
01:33:04,240 --> 01:33:06,800
But I also don't like to see you suffer
like you're suffering.

1155
01:33:06,880 --> 01:33:09,200
But who says that I'm suffering?

1156
01:33:09,280 --> 01:33:12,400
- Why would I suffer?
- For the same reason María suffered.

1157
01:33:13,840 --> 01:33:16,760
Norma uses methods that aren't healthy.

1158
01:33:16,840 --> 01:33:19,240
She doesn't care about anyone,
only the fucking stage.

1159
01:33:20,040 --> 01:33:23,000
But when we get off the stage,
we have to go back to the world.

1160
01:33:23,720 --> 01:33:25,720
Did she tell you
you're better off alone?

1161
01:33:27,880 --> 01:33:29,720
María bought it, and isolated herself.

1162
01:33:30,320 --> 01:33:32,680
Don't let Norma do to you
what she did to her.

1163
01:33:34,400 --> 01:33:36,160
Why are you telling me this?

1164
01:33:37,520 --> 01:33:39,160
Because I never told María.

1165
01:33:42,240 --> 01:33:44,560
And if I had,
she might still be with me now.

1166
01:34:00,560 --> 01:34:01,640
<i>She's not coming.</i>

1167
01:34:01,720 --> 01:34:03,640
Oh, I'm sure she is.

1168
01:34:04,480 --> 01:34:06,200
Let's just have a little patience.

1169
01:34:06,280 --> 01:34:09,160
Mom, we've been waiting
for half an hour. She isn't coming.

1170
01:34:09,680 --> 01:34:12,800
Your sister isn't like this.
Something's up.

1171
01:34:12,880 --> 01:34:16,600
What's up is that she isn't interested
in what happens in this family.

1172
01:34:16,680 --> 01:34:17,680
Did you call her?

1173
01:34:18,800 --> 01:34:20,480
She's not answering, it's switched off.

1174
01:34:20,560 --> 01:34:23,800
All right, well, let's order, then, okay?
I don't have all day.

1175
01:34:23,880 --> 01:34:25,600
I would wait a little more.

1176
01:34:26,200 --> 01:34:27,320
Five minutes?

1177
01:34:32,400 --> 01:34:33,480
All right.

1178
01:34:33,560 --> 01:34:35,600
Rosa, we've waited enough.

1179
01:34:35,680 --> 01:34:38,480
We're celebrating that Lidia got her spot,
with or without Irene.

1180
01:34:38,560 --> 01:34:40,360
She wasn't gonna eat anyway.

1181
01:34:40,440 --> 01:34:42,600
And if she did,
she'd just throw it up like always.

1182
01:34:43,520 --> 01:34:45,440
What's that nonsense, Lidia?

1183
01:34:48,960 --> 01:34:51,080
Yeah, it's just nonsense, Mom. Sorry.

1184
01:34:52,200 --> 01:34:53,200
Forget it.

1185
01:34:54,120 --> 01:34:56,400
Uh, can we order?
I already know what I want.

1186
01:35:05,680 --> 01:35:07,440
You came to the right place.

1187
01:35:08,120 --> 01:35:10,600
Not everyone understands this profession.

1188
01:35:10,680 --> 01:35:14,120
The hours you put into it,
how tough the stage is...

1189
01:35:22,000 --> 01:35:23,000
What's wrong?

1190
01:35:28,440 --> 01:35:29,440
Nothing.

1191
01:35:30,360 --> 01:35:32,200
I guess I just miss it.

1192
01:35:34,040 --> 01:35:35,040
All done.

1193
01:35:35,920 --> 01:35:37,160
Thank you so much.

1194
01:35:37,680 --> 01:35:39,120
- Better?
- Yes.

1195
01:36:07,800 --> 01:36:09,840
You could come live with us here.

1196
01:36:11,440 --> 01:36:13,440
Then we could
sleep together every night.

1197
01:36:17,240 --> 01:36:18,760
And what will your mother say?

1198
01:36:20,440 --> 01:36:21,680
She'll say yes.

1199
01:36:24,160 --> 01:36:25,760
It'll be like nothing happened to me.

1200
01:36:29,400 --> 01:36:30,400
Hmm.

1201
01:36:50,080 --> 01:36:51,120
Fuck, Mom.

1202
01:36:55,560 --> 01:36:57,120
Where were you yesterday?

1203
01:36:58,520 --> 01:37:00,920
Go now and apologize
to your sister, please.

1204
01:37:01,000 --> 01:37:03,600
I will, but you knew I was rehearsing.

1205
01:37:03,680 --> 01:37:05,080
I don't like you barging in.

1206
01:37:05,160 --> 01:37:07,760
And I don't like not knowing
where you are for so many days.

1207
01:37:08,400 --> 01:37:09,400
What do you wanna know?

1208
01:37:10,640 --> 01:37:13,040
I don't know, honey.
Well, how are you doing?

1209
01:37:13,120 --> 01:37:14,920
I'm busy, Mom, can't you see?

1210
01:37:15,000 --> 01:37:16,920
No, I can't see,
because you're never around.

1211
01:37:17,000 --> 01:37:19,760
It's really easy, Mom.
I'm rehearsing today, rehearsing tomorrow,

1212
01:37:19,840 --> 01:37:21,720
the next day,
and every day until opening night.

1213
01:37:21,760 --> 01:37:22,600
Yeah. Happy now?

1214
01:37:22,680 --> 01:37:25,280
Can you stop that, please,
and just look at me for just a second?

1215
01:37:27,240 --> 01:37:28,240
Irene.

1216
01:37:32,360 --> 01:37:33,440
What do you want?

1217
01:37:34,920 --> 01:37:36,720
What's going on at the company?

1218
01:37:37,720 --> 01:37:38,720
Are you all right?

1219
01:37:39,280 --> 01:37:42,680
- Yes. Normal. Why?
- I don't know.

1220
01:37:44,280 --> 01:37:45,760
You never tell me anything.

1221
01:37:46,520 --> 01:37:47,920
Do we have to talk now?

1222
01:37:48,840 --> 01:37:51,720
I can't be late. Norma told me once.
I don't want to be told twice.

1223
01:37:52,880 --> 01:37:53,880
But why?

1224
01:37:55,280 --> 01:37:57,240
Is she being too hard on you?

1225
01:37:57,320 --> 01:37:58,320
Like always.

1226
01:37:59,120 --> 01:38:01,080
Why are you asking me all this, Mom?

1227
01:38:01,160 --> 01:38:03,760
Because I just got a call
from one of the ballerinas.

1228
01:38:04,280 --> 01:38:05,280
Your friend Ruth.

1229
01:38:06,280 --> 01:38:07,400
What?

1230
01:38:07,480 --> 01:38:09,360
How are you treated by Norma, Irene?

1231
01:38:09,440 --> 01:38:13,200
- Don't lie to me.
- Don't believe anything that bitch says.

1232
01:38:13,280 --> 01:38:16,200
- That girl just wants to help you, Irene.
- Help me, Mom?

1233
01:38:16,280 --> 01:38:18,936
- You really believe she wants to help me?
- But what would she want?

1234
01:38:18,960 --> 01:38:21,840
To fuck with me.
It's what they've always been doing

1235
01:38:21,920 --> 01:38:23,360
ever since Norma made me <i>prima.</i>

1236
01:38:23,440 --> 01:38:26,320
- Is there anything else?
- No, they don't want to fuck with you.

1237
01:38:26,400 --> 01:38:27,800
They just want to help you, honey.

1238
01:38:27,880 --> 01:38:29,200
Help me how, Mom?

1239
01:38:29,280 --> 01:38:31,320
- Tell me!
- They want to report Norma.

1240
01:38:32,960 --> 01:38:35,680
- But report her for what?
- For how she treats you.

1241
01:38:36,200 --> 01:38:39,040
Irene, how has Norma been treating you?

1242
01:38:40,840 --> 01:38:41,840
Please, honey.

1243
01:38:48,480 --> 01:38:51,880
What do you want?
Tell me what you want me to do,

1244
01:38:51,960 --> 01:38:53,720
so you will leave me in peace.

1245
01:38:53,800 --> 01:38:55,320
You only have to tell the truth.

1246
01:38:55,400 --> 01:38:57,640
And what's the truth, Mom? What is?

1247
01:38:57,720 --> 01:38:59,920
Because it seems to me that the truth here

1248
01:39:00,000 --> 01:39:02,160
is what everyone else says
and not your own daughter!

1249
01:39:02,240 --> 01:39:05,240
- Now excuse me, I have to go.
- Honey, please listen to me.

1250
01:39:05,320 --> 01:39:07,560
Your father is very worried.
I'm very worried.

1251
01:39:07,640 --> 01:39:09,440
Do you know what I'm worried about, Mom?

1252
01:39:10,160 --> 01:39:11,160
Opening night.

1253
01:39:11,640 --> 01:39:14,440
And no one in this family

1254
01:39:14,960 --> 01:39:17,440
has asked me how I feel about that.

1255
01:39:17,520 --> 01:39:18,520
No one!

1256
01:40:29,440 --> 01:40:32,520
I don't have much time,
but they said that it was urgent.

1257
01:40:33,320 --> 01:40:34,640
Do you know what this is?

1258
01:40:36,760 --> 01:40:40,360
A notebook with the measurements
of my daughter's belly and hips.

1259
01:40:40,880 --> 01:40:42,680
Measurements she takes daily,

1260
01:40:43,280 --> 01:40:45,280
as if her life depended on it.

1261
01:40:46,760 --> 01:40:48,720
Because her life does depend on it.

1262
01:40:49,600 --> 01:40:52,200
So, it's true what they say, then.

1263
01:40:53,200 --> 01:40:54,200
What's that?

1264
01:40:56,520 --> 01:40:58,480
That you are never satisfied.

1265
01:41:00,520 --> 01:41:03,520
Your daughter knew exactly
what I was like since the first day.

1266
01:41:04,040 --> 01:41:06,040
Your daughter, and also the whole company.

1267
01:41:06,960 --> 01:41:09,120
That's why they give their all
to be part of it.

1268
01:41:09,200 --> 01:41:11,560
Because they know
that we are making them better here.

1269
01:41:11,640 --> 01:41:13,200
Regardless of the consequences.

1270
01:41:13,280 --> 01:41:14,720
What consequences?

1271
01:41:15,480 --> 01:41:16,880
Art must be an obsession,

1272
01:41:16,960 --> 01:41:19,240
otherwise it's not art,
it's entertainment.

1273
01:41:19,320 --> 01:41:21,160
And we're not here to entertain anyone.

1274
01:41:21,240 --> 01:41:23,360
That's what monkeys in the zoo are for.

1275
01:41:23,440 --> 01:41:25,240
And now, if you'll excuse me...

1276
01:41:28,200 --> 01:41:29,200
Norma.

1277
01:41:29,760 --> 01:41:30,920
I'm here to talk.

1278
01:41:31,000 --> 01:41:32,000
Right now.

1279
01:41:33,120 --> 01:41:37,680
But if you refuse, I will take whatever
steps necessary to get you banned.

1280
01:41:37,760 --> 01:41:38,840
And I can do it.

1281
01:41:38,920 --> 01:41:39,840
You know that.

1282
01:41:39,920 --> 01:41:42,640
And why would you ban me, Rosa?
For a notebook?

1283
01:41:43,440 --> 01:41:44,720
No.

1284
01:41:44,800 --> 01:41:46,360
For the death of María.

1285
01:41:46,960 --> 01:41:48,680
And to prevent it from happening again.

1286
01:41:48,760 --> 01:41:51,160
I'd appreciate it if you would go away
and leave me in peace.

1287
01:41:51,200 --> 01:41:53,560
You know I have a hand
in every court in Madrid.

1288
01:41:53,640 --> 01:41:55,000
I can force you to testify.

1289
01:41:55,080 --> 01:41:58,680
That is none of your business,
and much less a court of law.

1290
01:41:58,760 --> 01:41:59,840
As you wish.

1291
01:41:59,920 --> 01:42:04,520
But may I remind you that a court can
sentence you to an eight-year suspension.

1292
01:42:05,320 --> 01:42:08,400
Eight years without ever contacting
any dance company,

1293
01:42:09,160 --> 01:42:10,240
or any dancer.

1294
01:42:11,080 --> 01:42:12,120
Eight years.

1295
01:42:13,160 --> 01:42:14,800
That's a long time, Norma.

1296
01:42:18,120 --> 01:42:19,240
It's up to you.

1297
01:42:22,600 --> 01:42:23,600
Very well.

1298
01:42:25,320 --> 01:42:26,640
As you wish.

1299
01:42:28,320 --> 01:42:30,120
Rosa. Rosa!

1300
01:42:37,800 --> 01:42:40,240
I have two minutes.

1301
01:42:41,640 --> 01:42:42,920
Sit down, please.

1302
01:42:46,920 --> 01:42:48,320
I'll be quick.

1303
01:42:48,400 --> 01:42:50,120
What happened to María Poza?

1304
01:42:50,200 --> 01:42:51,640
Why did she do it?

1305
01:42:52,560 --> 01:42:54,480
You don't waste any time, do you?

1306
01:42:54,560 --> 01:42:56,480
No. I don't have any.

1307
01:42:59,440 --> 01:43:01,240
María put pressure on herself.

1308
01:43:02,720 --> 01:43:04,040
But she didn't suffer.

1309
01:43:04,760 --> 01:43:06,560
She didn't know any other way.

1310
01:43:08,320 --> 01:43:10,720
She was pure instinct, pure passion.

1311
01:43:11,360 --> 01:43:12,800
Her passion was dancing.

1312
01:43:14,000 --> 01:43:16,920
There wasn't room
in her life for anything else,

1313
01:43:17,000 --> 01:43:19,800
including friends, or partners,

1314
01:43:20,800 --> 01:43:23,520
or a mother that was dying of cancer.

1315
01:43:25,560 --> 01:43:26,560
I didn't know.

1316
01:43:27,080 --> 01:43:28,440
Not you or anyone.

1317
01:43:29,800 --> 01:43:32,800
The very last thing María wanted
was our pity.

1318
01:43:38,160 --> 01:43:40,720
<i>She only told me because
she needed my permission</i>

1319
01:43:40,800 --> 01:43:42,600
<i>and my word that I'd wait for her.</i>

1320
01:43:42,680 --> 01:43:45,480
<i>So she could go to New York
and take care of the woman</i>

1321
01:43:45,560 --> 01:43:50,160
<i>who had, according to her doctors,
only days left to live.</i>

1322
01:43:52,800 --> 01:43:54,640
<i>She was there for four months.</i>

1323
01:43:56,280 --> 01:43:57,680
<i>And never came back.</i>

1324
01:44:01,040 --> 01:44:02,640
Maybe she didn't want to.

1325
01:44:03,160 --> 01:44:04,920
Of course she wanted to come back.

1326
01:44:06,640 --> 01:44:09,640
The only thing María wanted
was to come back and dance.

1327
01:44:10,160 --> 01:44:12,080
She wanted it more than anything else.

1328
01:44:13,840 --> 01:44:16,440
Have you ever had
a feeling like that, Rosa?

1329
01:44:17,160 --> 01:44:19,680
Loving your job over anything else?

1330
01:44:19,760 --> 01:44:21,280
Loving it until it hurts?

1331
01:44:21,360 --> 01:44:25,600
Until the wounds on your feet are bleeding
and your skin is falling off,

1332
01:44:25,680 --> 01:44:27,720
and still, then, you love it even more?

1333
01:44:28,320 --> 01:44:31,240
Have you ever felt that way
for any of your trials, Rosa?

1334
01:44:31,760 --> 01:44:32,760
No.

1335
01:44:33,640 --> 01:44:35,040
Not for a trial., no.

1336
01:44:35,960 --> 01:44:37,200
For Irene, yes.

1337
01:44:38,560 --> 01:44:41,000
But you don't know that,
because you don't have children.

1338
01:44:41,080 --> 01:44:42,760
My children are my dancers.

1339
01:44:43,280 --> 01:44:45,880
I hope you're not going
to judge me for that also.

1340
01:44:45,960 --> 01:44:47,640
No, I won't do that.

1341
01:44:47,720 --> 01:44:52,200
But I couldn't go on if any
of my kids ever jumped off a roof.

1342
01:44:52,280 --> 01:44:54,720
Is this how you win your trials?
Manipulation?

1343
01:44:54,800 --> 01:44:56,800
Is this how you run this company?

1344
01:44:57,400 --> 01:45:00,720
Is this how you directed my daughter?
Is this how you directed María?

1345
01:45:00,800 --> 01:45:03,440
Yes, well, yes, of course it is.
Of course I manipulate them.

1346
01:45:03,520 --> 01:45:04,760
That is my job!

1347
01:45:04,840 --> 01:45:08,360
How do you think you turn María
into a star? Or Irene into a star?

1348
01:45:08,440 --> 01:45:10,920
How do you make a common dancer
an unforgettable one?

1349
01:45:11,000 --> 01:45:14,400
- How do you think that happens?
- I'm taking you to court, Norma.

1350
01:45:14,480 --> 01:45:17,200
Take me wherever you want,
but I didn't kill anyone.

1351
01:45:17,280 --> 01:45:19,160
María jumped because of what she did.

1352
01:45:21,600 --> 01:45:22,680
What she did?

1353
01:45:24,720 --> 01:45:26,280
What did María do?

1354
01:45:27,160 --> 01:45:29,080
Norma, what did she do?

1355
01:45:29,160 --> 01:45:31,280
This profession isn't kind
to anyone, Rosa.

1356
01:45:31,880 --> 01:45:36,120
It takes years to build a career,
and to forget it, only a second.

1357
01:45:36,200 --> 01:45:38,240
And four months is a long time.

1358
01:45:43,000 --> 01:45:44,320
I set a date.

1359
01:45:45,160 --> 01:45:48,800
If María didn't come back,
another Giselle would take her part.

1360
01:45:55,520 --> 01:45:56,520
<i>Stop it.</i>

1361
01:45:59,760 --> 01:46:01,160
<i>And she got scared.</i>

1362
01:46:02,920 --> 01:46:04,040
Mom?

1363
01:46:04,960 --> 01:46:05,800
Mom?

1364
01:46:09,800 --> 01:46:10,800
Mom.

1365
01:46:12,160 --> 01:46:13,080
<i>She was afraid.</i>

1366
01:46:16,520 --> 01:46:19,200
<i>She feared the company
would move on without her.</i>

1367
01:46:21,320 --> 01:46:23,280
<i>Afraid that she would lose her career.</i>

1368
01:46:24,320 --> 01:46:27,280
<i>Of all those years
of hard work turning into nothing.</i>

1369
01:46:27,360 --> 01:46:28,200
I can't.

1370
01:46:46,080 --> 01:46:48,000
<i>Her mother was only suffering.</i>

1371
01:46:49,240 --> 01:46:51,120
<i>She just had to let her go.</i>

1372
01:46:51,840 --> 01:46:54,640
So she killed herself
because she felt responsible?

1373
01:46:54,720 --> 01:46:55,800
No.

1374
01:46:56,520 --> 01:46:58,720
Because she felt like a monster.

1375
01:46:59,240 --> 01:47:00,160
No.

1376
01:47:00,240 --> 01:47:01,720
You are the monster.

1377
01:47:02,840 --> 01:47:04,040
You pressured her.

1378
01:47:04,880 --> 01:47:06,560
You imposed the deadline.

1379
01:47:06,640 --> 01:47:10,520
Rosa, there are many families
who depend on this company.

1380
01:47:11,040 --> 01:47:12,240
Many.

1381
01:47:12,320 --> 01:47:15,520
A company like this can't stop.
This isn't a game, Rosa.

1382
01:47:15,600 --> 01:47:17,000
How do you know all that?

1383
01:47:17,080 --> 01:47:19,280
Why should I believe it?
Because you say so?

1384
01:47:20,200 --> 01:47:21,880
You don't have to believe me.

1385
01:47:24,240 --> 01:47:25,440
Believe María.

1386
01:47:40,520 --> 01:47:43,240
Norma,
I hope you get this message,

1387
01:47:43,320 --> 01:47:45,720
because I did something horrible.

1388
01:47:46,560 --> 01:47:49,080
I just stared at her.

1389
01:47:49,160 --> 01:47:50,600
And her eyes were...

1390
01:47:51,960 --> 01:47:55,000
<i>So I... She needed my help
and I just stood there.</i>

1391
01:47:55,080 --> 01:47:58,040
<i>I... I don't know what's wrong with me.</i>

1392
01:47:58,120 --> 01:48:00,280
<i>But... I need help. I...</i>

1393
01:48:00,880 --> 01:48:02,160
<i>I feel so...</i>

1394
01:48:16,240 --> 01:48:18,560
You love Irene
because she's your daughter.

1395
01:48:20,880 --> 01:48:23,160
I loved María as if she were my daughter.

1396
01:48:24,960 --> 01:48:26,960
I wanted to take care of her.

1397
01:48:28,120 --> 01:48:30,520
I want her
to be remembered for her talent,

1398
01:48:31,040 --> 01:48:32,880
just like all of my dancers.

1399
01:48:34,840 --> 01:48:38,600
Do you want to blame me
for the sacrifice it takes to be a dancer?

1400
01:48:40,320 --> 01:48:41,320
Perfect.

1401
01:48:42,440 --> 01:48:44,200
Let them say I'm a tyrant.

1402
01:48:46,400 --> 01:48:50,120
I'd rather they think María jumped
because of me than for what she did.

1403
01:48:55,600 --> 01:48:57,840
Don't take this company away from me.

1404
01:48:59,800 --> 01:49:01,680
It's the only thing I have.

1405
01:49:03,280 --> 01:49:05,520
It's the only thing your daughter has.

1406
01:49:10,200 --> 01:49:12,280
I'm just so worried about Irene.

1407
01:49:13,160 --> 01:49:14,280
That's normal.

1408
01:49:14,920 --> 01:49:16,840
Your job is to take care of her.

1409
01:49:17,600 --> 01:49:19,680
And mine is to take care of the company.

1410
01:49:20,200 --> 01:49:21,920
And I have to keep doing so.

1411
01:49:24,080 --> 01:49:26,120
Allow your daughter one night.

1412
01:49:27,400 --> 01:49:28,960
Tomorrow's the premiere.

1413
01:49:58,520 --> 01:50:02,040
Tonight, forget about everything
that happened up to this moment.

1414
01:50:02,640 --> 01:50:05,600
Now all that matters
is the audience and your Giselle.

1415
01:50:07,040 --> 01:50:08,200
And relax.

1416
01:50:09,840 --> 01:50:11,000
You'll be great.

1417
01:50:19,640 --> 01:50:20,760
Welcome, sir.

1418
01:50:20,840 --> 01:50:22,960
- Thank you very much.
- Here you are. Hello.

1419
01:50:23,040 --> 01:50:24,280
Thank you.

1420
01:50:33,320 --> 01:50:35,360
- Going to the bathroom.
- By yourself?

1421
01:50:35,440 --> 01:50:37,240
- Yes, don't worry about me.
- Okay.

1422
01:50:50,640 --> 01:50:52,640
I'm sorry, you can't go in.

1423
01:50:52,720 --> 01:50:55,840
- I'm with the company.
- I'm sorry, but no one is allowed.

1424
01:50:57,880 --> 01:50:58,880
Erik!

1425
01:51:00,120 --> 01:51:01,360
Aurora!

1426
01:51:01,440 --> 01:51:03,640
- How are you?
- Fine. I'm fine.

1427
01:51:05,880 --> 01:51:08,240
- Your leg is better?
- Let me go in.

1428
01:51:09,160 --> 01:51:10,960
Aurora, I don't think that's a good idea.

1429
01:51:11,040 --> 01:51:14,520
Erik, I'd like to see Irene,
so I can wish her good luck.

1430
01:51:14,600 --> 01:51:17,440
It won't do you any good to go in there.
Trust me on this.

1431
01:51:17,520 --> 01:51:18,960
Come on, let me in.

1432
01:51:20,600 --> 01:51:21,920
It's your call.

1433
01:51:25,920 --> 01:51:27,560
Through the door in the back.

1434
01:51:29,960 --> 01:51:31,560
- Go on, go in.
- Thank you.

1435
01:51:48,360 --> 01:51:50,120
I thought you weren't coming.

1436
01:51:50,200 --> 01:51:52,000
I swore I'd be here with you, right?

1437
01:52:03,960 --> 01:52:05,440
Stay right here, please.

1438
01:52:10,040 --> 01:52:11,480
There's a lot of people.

1439
01:52:13,800 --> 01:52:16,760
Relax. She's worked so hard,
I'm sure she'll be great.

1440
01:52:19,960 --> 01:52:23,360
<i>Ladies and gentlemen,
the performance is about to begin.</i>

1441
02:00:10,520 --> 02:00:14,280
Hey. You bitch, why don't you
dance like that in rehearsals?

1442
02:00:44,480 --> 02:00:46,120
- Norma, let go of me.
- Come here.

1443
02:00:46,200 --> 02:00:48,120
- Norma, please.
- Sh, sh, sh.

1444
02:00:48,640 --> 02:00:50,320
- Norma, I can be here.
- Let's go.

1445
02:00:50,840 --> 02:00:54,080
- Norma, you're hurting me. Norma, let go!
- Shh! Calm down!

1446
02:00:56,320 --> 02:00:58,800
- What are you doing here?
- Erik let me in.

1447
02:00:59,640 --> 02:01:02,000
This area is for only
members of the company.

1448
02:01:02,080 --> 02:01:03,120
I am in the company.

1449
02:01:03,200 --> 02:01:08,240
Aurora, I have already spoken
with your mother about your new situation.

1450
02:01:09,560 --> 02:01:11,680
- What situation?
- We'll discuss it later.

1451
02:01:11,760 --> 02:01:14,600
Now, why don't you go back to your seat?
I'm sure she's waiting for you.

1452
02:01:14,640 --> 02:01:16,640
No. What did you tell my mother?

1453
02:01:16,720 --> 02:01:18,640
That's not important right now.

1454
02:01:18,720 --> 02:01:22,320
What's important is for you
to go back to your seat and relax.

1455
02:01:22,960 --> 02:01:24,680
You don't get it, do you?

1456
02:01:25,200 --> 02:01:26,920
Irene and I are connected.

1457
02:01:27,000 --> 02:01:29,760
When she dances, it's like I'm dancing.
She needs me by her side.

1458
02:01:29,840 --> 02:01:32,160
Irene needs to be able to focus.

1459
02:01:32,240 --> 02:01:35,720
And you need help,
or this will end up hurting all of us.

1460
02:01:35,800 --> 02:01:38,360
- For the last time, go back to your seat.
- Norma!

1461
02:01:39,360 --> 02:01:41,856
What are you doing here?
You have to change for your next scene.

1462
02:01:41,880 --> 02:01:45,640
- Norma, let her stay, please.
- You leave her now and go change.

1463
02:01:45,720 --> 02:01:48,040
Do you want to ruin your friend's night?

1464
02:01:48,120 --> 02:01:50,840
Do you want to ruin
the premiere with your fantasies?

1465
02:01:50,920 --> 02:01:52,480
We need to be together.

1466
02:01:52,560 --> 02:01:56,640
- This way, when I come back to dance...
- You are never going to dance again.

1467
02:02:05,760 --> 02:02:06,760
That's a lie.

1468
02:02:08,960 --> 02:02:10,320
Why are you lying?

1469
02:02:10,400 --> 02:02:12,000
You are never going to dance again.

1470
02:02:12,080 --> 02:02:15,760
If your mother hasn't told you yet,
it's because she refuses to accept it.

1471
02:02:15,840 --> 02:02:17,680
They told us the day of the accident.

1472
02:02:17,760 --> 02:02:20,120
- Norma, stop it now. Please.
- Go.

1473
02:02:20,200 --> 02:02:22,320
Get changed.
You have to change for your next scene.

1474
02:02:22,400 --> 02:02:24,000
You're lying!

1475
02:02:30,720 --> 02:02:31,840
Aurora?

1476
02:02:32,680 --> 02:02:34,240
I'm sorry, Irene.

1477
02:02:36,680 --> 02:02:37,880
Get out, you monster!

1478
02:02:37,960 --> 02:02:40,680
- Let go of me!
- Get out of my theater!

1479
02:02:40,760 --> 02:02:42,320
- Get out!
- Come on. Let's go.

1480
02:02:42,400 --> 02:02:44,560
- Let's go. Aah!
- Go and get changed!

1481
02:02:45,240 --> 02:02:47,440
You leave her alone!

1482
02:02:48,480 --> 02:02:49,680
Oh no!

1483
02:03:08,120 --> 02:03:09,920
Norma. Norma?

1484
02:03:10,520 --> 02:03:12,240
Norma!

1485
02:03:37,880 --> 02:03:40,120
Irene, you have to go, right now.

1486
02:03:42,160 --> 02:03:44,400
You were in the dressing room. Run.

1487
02:03:46,920 --> 02:03:48,840
Aurora?

1488
02:03:50,280 --> 02:03:52,640
<i>No one will ever
separate us. Ever.</i>

1489
02:06:08,040 --> 02:06:10,120
- The audience is loving this.
- Have you seen Norma?

1490
02:06:10,160 --> 02:06:12,080
No, not for a while now.

1491
02:06:12,800 --> 02:06:15,440
I saw her by the trailers.
She was with that girl.

1492
02:08:35,000 --> 02:08:36,640
Excuse me.

1493
02:11:27,760 --> 02:11:29,600
IF I COULD TELL YOU WHAT IT MEANT,

1494
02:11:29,680 --> 02:11:32,360
THERE WOULD BE NO POINT IN DANCING IT.
- ISADORA DUNCAN