(ABBAIA)
(Marcello) Good, love ...
(DOG CONTINUES TO DIMEN)
(Marcello) I'll give you a shampetto, come on.
Good.
(ABBAIA)
(Marcello) Good.
Good boy.
(SUEDE DRYER)
Very good.
The head.
Good boy.
Gira. Good love.
Turn the other way.
Gira. Gira.
Bravo, so.
On.
Good boy.
Yet. On the other side.
Gira.
Bravo, so.
Between'!
Here we go.
(BRUSIUM IN TRATTORIA)
(Marcello) Alfredo, great Alfredo. Then? I want to see!
Alfredo? Is this okay for everyone tonight?
- They too? - We're here, we're here.
- (Francesco) Those two are strong. - They are young, they run.
(Restaurateur) Is there a vegetable dish?
But I know these hands ... Whose are they?
Alida, my love, beautiful!
- Pope! - (Mum) Hello, good appetite!
Hello.
Then?
Everything good? Then you bring it to me at eight, can you do it?
- Sure. - Yup? Okay.
- Hello Mom. - Hello sweetheart.
Come here. My love. Bella, my beauty.
Go, bathe here.
Still, go quiet otherwise, afterwards, his eyes will burn.
Very good, here.
More it takes.
No, no, no.
(Marcello) This here on ... All these tips ...
This one...
(Knocking)
- Ali, continue you - Okay.
Oh, then?
No ... My hand hurts.
What have you done?
What did I do?
They told me that you have brought to two Rumanians, is it true?
To who?
You have brought to two Rumanians ... That ten guards had to stop you.
It's true?
Oh.
Do you have cocaine?
(in a low voice) I have it, though ...
- There's my daughter. - I can not hear you.
There is my daughter.
But I'll give it to you ... then you leave.
- All right? - Yup.
Here, Simo. Beautiful full.
Now you're leaving, though.
No, Simone. You said you were leaving.
Please, come on. There is my daughter.
There's my daughter, please. Come on, really.
Go somewhere else.
But where are you going?
Simone?
Simo '?
You said you were leaving.
Here, Simone. Please, please.
Come on, Simone. Simone!
There is my daughter. How do I tell you?
But can not you go somewhere else?
Open the water at least.
(Marcello) Ali.
(VOICES SUPPLIED BY THE SOCCER FIELD)
(OVERLAPID VOICES)
My stuff?
- (Woman) Good morning. - How are you?
(Woman) All right ... Finished working?
Not yet.
- (Woman) Good. - See you later. - (Woman) Hi.
Good evening! How are you?
- Hi, Marcello. - Hello.
- Simo, keep it. - How the fuck did you put it?
You have to pay for this, though.
Here, I have to go, I have an open shop.
- Falla. - That? Simone ...
- Simone ... - Falla, set up.
- YES, here.
Get it here. That command I do it.
- It's two hours ... - Aspe '...
What was it? Look at you, another time.
Another time!
Did you break it?
But you mortacci yours! This is new.
Three hundred euros I put it.
- What did you put on? - Three hundred euros.
Half an hour playing, did you put 300 euros? Ah, Simonci ...
- Give me. - But look what a mess.
- Give me 300 euros. - What am I giving you?
What the fuck are you doing?
What the fuck are you doing? Stop.
What are you doing?
I'll give them to you, stay still.
Stop. What's up today, this?
Give me pleasure, come on.
What are you doing?
Oh! What is happening?
Okay okay.
I'll give it to you.
Leave it here.
(Francesco) Here they are, 300. Go.
An incredible thing.
Sorry, give me a hand. We put it back there.
Francesco, I'll give you a hand.
Let's put it back there. What's got him?
I do not know? You know how it is done.
- Slowly. - Bravo, go.
- (Tina) Do not let these people in. - What do I have to do? This is a slaughterhouse.
It's a word, do not let it in.
One and two.
And a little bit. Let's go away.
Love.
Be good, though.
Go. Bravo.
Eat there, this is yours.
Go there, come on!
Here.
Yet?
This is mine.
(VOICES FROM TV)
What's up? Do you want pasta? Do not you like crunches?
One to you, and one to me.
No, so no.
Stop it, I'll give it to you.
One to you ... Bravo, so. And one to me.
What are you doing?
You're good, I'll give it to you. Show me the movie.
Here.
Good.
'Daddy?
Hurry up, you do not have much time.
Dad, put hairspray and then comb.
And raise the ridge.
YES ... Whole, all.
You have to comb it all.
Here.
(Host) Thanks to a perfect one use of straight scissors,
the first place goes to Dalio Frilova Tano!
(Judge) Beautiful giant bum, compliments.
(Host) Congratulations! First place on the podium. Rite photo.
We also call the judges.
of bums, three beautiful sizes.
(Simone) Marce?
Oh.
Simo '.
- What do you say? - Come with us for a moment.
- Come with us. - No, I'm going home.
It's an easy easy job.
Come on, go up.
(Marcello) What are you doing?
- Come on then... - Simo?
- Here we go. - What must you do?
Oh, come on.
(MOVE)
(Simone) Come on, Marce.
(Simone) Come, go.
So good. Go.
(Simone) Open the bag.
- This is good, this ... - Everything is good here.
- I saw, I saw. - And what did he do to you?
- (Simone) You got it. - (Lallo) Yes.
(Lallo) We did not leave anything. The money is there, here they are.
- You heard that fucking chihuahua. - Yup.
I hate them ... he had a burglar alarm in his mouth.
(Lallo) I said: "You know what's up, you broke my dick."
I took it and threw it on the ice.
To ice, but what does it mean?
To the freezer.
How, in the freezer?
Inside the freezer!
(LAUGH)
- That's why I did not hear it anymore. - Sure.
- But he dies. - (Lallo) And sti 'cocks!
I'm horned, he wanted to get us to prison.
A pair of earrings and a bracelet. See you later.
Wait, just this you give me?
Marce, you did not fuck.
(Lallo) In fact, he did not fuck.
Keep it, put gas.
Come on, hey.
Go.
Go Go go.
Brava.
Hey, flab.
Hey.
Love.
Come here.
Beautiful.
You did it, love.
Come here.
Come here, come here. Good, so.
Good this way. Go. Here you go.
Brava.
What did they do to you, love? Eh, my love?
(KISS)
My beautiful one.
Come here, beautiful.
(ALITA SUL CAGNOLINO)
You got better?
Go Go. Go, you can do it. Very good, go.
Go Go. Come on.
Go Go.
(Marcello) Do not come with me. He is here.
(Franco) Little thing.
Truly a small thing.
Little thing, how much?
150 euros.
150 euros all this stuff?
What stuff?
Pearls, diamonds ...
I do not buy pearls. It is written "Buy Gold" in the mail.
I disassemble them and throw them away. I only pay you the weight of gold.
- What am I doing with pearls? - I do not know, but I do nothing.
150 euros, Marce '. Are you okay?
Come on, I have to give my daughter a present.
I need.
150 euros, do you want them?
All right, give me these 150 euros.
You see it?
We see a place nearby or Calabria.
- Yes but... - Have you ever seen Calabria?
I have never seen the waters of Calabria.
So how do you do it? to say that they are beautiful?
No?
Boh.
- You choose all places like this ... - Because they are beautiful. - Neighbors.
At the "Hauai", or "Hauei", as they say.
- Hawaii. - We see Hawaii as it is.
- This is? - This is Maldives.
Let's see.
The Maldives are not so far.
Where are the Maldives?
- I do not know. - Me neither. And let's see.
Stay. Stay.
This. I know, I did that.
(G RIDA FROM THE EXTERNAL) Wait up.
(SHOUT FROM EXTERIOR) Cursed!
Fermo. Stay. Stay.
(INDICATED GRIDA)
This time I go and I report it. I do not give a fuck.
But what do you say, but come on.
Report it, then after two months we start all over again.
This is after two months out
and the problem has become four times as much.
(Francesco) Of course. But a solution must be found.
So you do not go on.
I have a solution.
What would it be?
From me they are sure that can help us.
I got it?
(Franco) But you realize what are you saying?
I am proposing a solution.
(Franco) But what do you solve?
sooner or later someone kills him.
I have to take it myself the responsability?
(Francesco) Wait for someone else do you solve your problem?
You must solve it.
We all have the problem. We all have this problem.
So we all have to solve it. And the solution is there.
I do not agree with what you want to do.
(Francesco) What do you want to do?
Appearance, sooner or later someone kills him, this is marked.
I'm going to talk to me, with this.
For me, let's just kill him.
He is good, he speaks softly.
France ', but how much can it cost?
We'll see, in short, I have to talk to each other.
Not me, I do not agree.
All right, you can not talk with you.
(SHOUT AND MOTOR ROMBO)
Marce '.
- What are you doing? - I'm pissing.
- Give me two beatings. - I do not have it, it's over.
- Thing? - I finished it.
Valla to take.
With what money?
- Then you give them to him. - No, those want them right away.
Do not say bullshit, I know them. Here we go.
- Wait up. - No, let's go.
Wait up. Go slow, though.
(Marcello) Plan.
- Mirko. - Oh, Marce.
- What have you done? - Nothing ... 5 grams.
- Do you want a quino? - Yup.
- You take me 5 grams, please? - I go.
- Give me the money. - I'll give them to you tomorrow.
- Tomorrow, get the stuff. - I've already placed it.
- Trust me. - I recommend, on time.
- Do not take me for the ass. - I've always been precise.
(Simone) But ', I said that I return. I'm with a friend of mine.
- And this? - He accompanied me.
- Go with him. - But please, come on.
No, you have to go with him.
- Hi, Mi. - What the fuck do you want here?
You have to give me 5,000 euros, did you come get my ass?
- You are right. - You have a face like an ass.
- Sorry. - He will not bring it to me, 'it's people.
- Simone ... - Do not get angry.
(Mirko) You have to give me the money.
- (Simone) I had a problem. - (Mirko) In the head.
Simone, come on, let's go.
What the fuck do you want to talk about? You are "huddled" with your head.
- Do you give me half an hour? - Ugly asshole!
(SHOTS)
Careful, Simone!
(HIGH VOLUME MUSIC)
(NOT HANDLED)
(Simone) What are you looking at?
This one?
Simone ...
- Let me see. - It's nothing.
- But how? Blood comes out. - It's nothing, let me get up.
(Mother) Come on, come on, open.
Look there ... Simone.
Simone, you need the doctor.
Simone, can you hear me?
- Simone. - Mom...
(Mother) You need a doctor.
(Marcello) I told him but he did not want to go.
A doctor is needed. Look how much blood.
- Marcello does it. - What's up? - That I?
(Marcello) No, I've never done it.
- He can do it. - I work with animals. - Come on!
- He does it. - I do not know how to do it.
- Come on, you can do it. - What do you need?
- (Marcello) What do you need? - What do you need?
Take a ...
A clamp ... Things to disinfect ...
Alcohol. Cotton.
You brought me to my mother ...
You did not want to go to the hospital, What do you want from me?
- But this burns. - It 'does not matter.
Take away your jacket.
Cheer up.
- (Marcello) Fermo, Simone. - Come on, Marcello.
One ... Here it is.
Go.
(Mother) Simone.
Who is this?
- It's not mine. - No?
- Then you can throw it. - No. - And why not?
- I have to keep it to a friend of mine. - Your friend, not mine.
Mom, you can not throw it away.
- (Simone) No! - Here it is.
- (Simone) But '... - You promised me.
You promised me.
"I do not take it anymore."
You have to go, do you understand? Go away, I do not want you anymore.
Go away, leave!
Go away, leave me!
(MOTHER RESPIRATES STRONG) Leave me, I told you.
Leave me!
Leave me...
You just have to go.
Stop stop...
(MOTHER SINGHIOZZA)
Stop stop...
Good evening.
(WHISTLES)
Love!
(WHISTLES)
(Marcello) Did everything go well? Hello.
(NOISE)
Oh, Simo?
Manu:
Come here. Listen.
Eh.
Do you feel it is empty?
I feel it, so what?
Let's make a hole.
And let's go there.
What do you say?
From Franco?
No, no.
Simone, leave it alone.
- Why not? - Because Franco is a friend.
Leave it.
- Friend of whom? - A friend of mine.
That's just a friend of money, what do you say?
Come on, really.
Please, please. What did you put in your head?
We take it all away.
Simone, in the neighborhood they all love me.
And I care about it.
Leave it.
With all the Gold Compro that are there, just here to do this thing?
- Yup. - But why?
Because you stay here and he is there.
Simone, I lose everything.
I have a daughter.
You know how much I've used to do all this?
No never mind.
Go somewhere else.
I do not feel like. I do not feel like it.
Can I talk now?
There is nothing to talk about.
I'll do a clean job.
I said no. Here nothing is done. And that's that.
- I care about the neighborhood. - Do you hear me once?
- No, I do not want to hear you. - Trust me.
- One time. Close. - I do not want to hear you.
- No, this time no. - One time.
Close and bring me the keys. I'll handle that.
Do not wait for me, I do not bring you anything.
Do not wait for me.
Do not wait for me, I do not come.
They do not come.
- Ahia. - You must hear me when I speak.
Oh!
I'm a friend of yours, me? Yes or no?
Yup.
- Help me and bring me the keys. - All right.
Do not let them pull!
Do not let them pull from there!
Marcello, come down!
Here, watch it. You got it!
(OVERLAPID VOICES)
- You are welcome. - I'm from the shop next door.
Wait a moment.
By chance it is lost some other bunch of keys?
No.
An idea has been made how did I get into his shop?
Give her...
From the damper.
From the damper?
Indeed this we see that it was forced,
there is the break, but the door was not forced,
it was opened with a key.
I have it.
She has it, so either it was her, or someone else.
Surely it will have been someone else.
It was someone else. Then follow me. Follow me.
Why, excuse me?
Who in the police station will explain it to me. Come with me.
- Excuse me, I ... - Come with me.
But sorry I was wrong and must I come to the police station?
If he has nothing to hide, come with me to the police station and explain it.
- Come with me. - Because?. - Because he has to come with me
- What did I do? - And Come.
- (Marcello) I did not do anything. - (Agent) You say that to the police station.
- (Marcello) I have a dog. - (Agent) We'll take care of it.
- (Marcello) I have the dog! - (Agent) Enter!
(Marcello) Jack!
(SIREN)
(Agent) I'm telling you that we know everything.
We know you used to hang out with him or do you think we're stupid?
He forced you, did not he?
We know that he breaks fuck everyone in the area.
Who knows what the fuck promised you.
But anything that promised you he does not keep it.
You know it's a piece of shit. He framed you.
He broke your store's lock
but the door locked it to you and do you know why?
To put all the swag in your pocket
and he wanted you to take off from in front of the balls.
Sign here and you go home.
I speak with the judges, I'll have your sentence suspended.
You have to cooperate, though.
If you sign here we take him to jail and everyone is more in peace.
You do not have to think, you have to sign.
It's a possibility, this.
Home, prison.
There is no choice.
Home, prison.
If the problem is you're scared you do not have to, we'll take care of you.
You have a little daughter,
you prefer to leave it without a father rather than making his name?
You prefer to do yourself the incarceration in his place?
What the fuck are you got in this brain?
You know they'll put you in jail ... a guy like you.
Asshole like you are, do you know that they make you in prison?
Are you looking at me now?
Are you scared?
Sign, give, sign the sheets.
No.
And go and do all the jail, go. Get all the trouble.
Alida, beautiful!
Come here.
Bella, how are you? How are you?
- Everything okay. - Everything okay? - Yup.
- I brought you Jack. - My love, come here.
Then? Come in.
- What do you say? - I can not stay much.
- Because? - Mom has to do some things.
- What should he do? - I do not know, shopping or anything like that.
I'm sorry, I missed you so much
(Alida) You too.
Damn ... From what I have prepared many trips.
- Okay. - Guess where we go.
In Calabria?
No, I'll take you in the Red Sea, I promise you.
Do you believe it or not? What do you say?
No. (RIDE)
Beautiful.
Listen to what mom says.
- Stables nearby. - Yup.
Now you go.
- Hi Dad. - Hello.
(NOISE)
Escape in?
Traitor, do you run away?
(UNUSABLE WORDS)
(Francesco) Let him lose.
(Franco) You have to go. I do not want you here.
- (Franco) You have to go from here! - (Francesco) Enough!
(Franco) Go away, infamous. You are an infamous.
You have to go.
Go away!
(MOTO ROMBO)
Simone!
Simo '!
Simone!
Simone! Oh!
(SCROSCIO DI PIOGGIA)
(SOUND AT THE CITOFONO)
(Marcello) Hi.
I do not want to see you anymore. Get out.
Get out.
What are you doing, are you looking at me?
Did not you understand what you did?
You were one of us, how did you do such a thing?
Are not you ashamed?
Speaks. Are you ashamed? Yes or no?
Tell her, fuck, you're ashamed. At least that.
You have to get out of here. Out! I do not want to see you anymore.
Go fuck yourself!
Come on, Gandalf.
The moment has come.
Good, down. Down. Good boy.
Stay, stay, stay.
Go, very good.
Okay. Good, Sofia. You're small but you eat more than one ...
(MOTO ROMBO)
Come here.
Here, Sofia.
Keep, keep.
Simone?
Oh.
Simo '. I've been looking for you for days.
Oh, Marce. You come back and you do not say anything?
How are you?
I'm fine.
- My money? - What money?
Which? Those you had to give me.
What money do I owe you, your part?
Ten thousand euros.
Ten thousand euros do you want?
There are not ten thousand euros, Marce '. A little excessive.
Simo '... how were we?
If you need the money now, I have these ... three "piotte", tie '.
You can keep them up.
You must give me ten thousand euros. I need.
Take these in the meantime.
I took a year in jail for you, to shut up.
See what I've changed, do you understand? I do not know what I was before.
I see you, you got the balls out.
Show, pull a little right, pull a right, come on.
Show me, tiger.
The money is there, do not get angry.
I'm not really mad.
I am calm.
You have to give me the money.
Simo, you have to give me the money.
- Marce, come on. - Or the keys to the bike.
Do not scare me, though.
So you put me in fear, Marcelli '.
We'll talk tomorrow.
Do not drink water, it's dirty. Come here.
(NINTH)
So you eat this, because he is allergic to chicken.
Then here are his games, this is his favorite one of his own.
Do not lose it because otherwise it will not sleep.
And then there's also its cover.
I recommend you put it on the ground and just say "come" ...
Do not worry.
(MARCELLO GRID OF PAIN. JACK ABBAIA)
Ouch.
What did you do here?
What have you done?
What did you do here?
It's here? Eh?
You do not do it, do not you understand?
It is not done.
(MARCELLO GRIDA OF PAIN)
What should I do? What should I do?
(MARCELLO GRIDA OF PAIN)
Do you want money?
Thank you.
Here is the mask. Here.
- (Marcello) Hello. - Hello.
- Ali? Treasure? - I go.
- Hello Mom. - Be a good girl.
So what do you say? My gnomina.
Ah, wait. (VERSES OF PAIN)
Where's your bag?
- Wait, what's up? - Nothing, what do I have?
- What did you do? - It's nothing.
- Anything. - What did you do? - An accident.
Let's go come on.
Go.
- Careful here. - You tell me what have you done?
Go Go.
Here we are. Come on let's go.
You have already uploaded everything.
I'm sorry.
All right.
- All right, dad? - Yup.
- I'm calling someone? - No.
(VOICES FROM INSIDE THE GARAGE)
What the fuck are you doing here?
Good, Simo '...
Simone ...
I wanted to apologize.
I'm sorry.
I gave you a present.
As?
Eh?
Good, eh?
Without cutting.
Purissima.
Hi, Simo.
(in a low voice) They are my friends.
Serious stuff.
Standard A.
They give us what we want.
Listen, Simone, come here a little bit.
Do you know what we do?
I have a plan. I need the money.
I'm annoyed of staying here.
Nobody loves me anymore.
I let them come to my shop.
- Eh? - I have them come to my shop.
- Who? - These here.
You hide yourself.
As soon as they arrive,
you put on the hood so they do not recognize you.
We give him a lot of blows and we take everything.
And everyone on his way. How do you see it?
Simo ', but what time do you arrive?
Move, they are coming.
Come on let's go.
Hear me well.
When they arrive, we weigh it here.
When they stand behind,
you will be put here.
All right?
- Here? - Here.
What are you saying? Did you take me for a dog?
It is the safest place there is.
You put it here.
Is not there another place?
Where is it? You tell me.
- At the bathroom. - Ah, in the bathroom.
So they see you right away, it's the first place you get caught.
Put yourself here, listen to me.
- No way. - Of course? Here, what does it take?
You put it here, like this.
Exit, and boom.
We'll get the stuff.
There is the window there and we leave.
- I'm twice as much as you, no. - But try!
- Give me a blow. - Not now, later.
After we do it.
(ABBAIA DOG)
- Come on, try. - No, I do not want to.
So I'll call them and tell them that nothing is done.
It's cocks.
(ENGINE SOUND)
Simone, come on. Go.
Move. Come on, they're coming.
Move, come on, up.
- Go, hurry up. - I do, get off.
Very good, so.
When they stand behind ... I got it? You go out.
(ABBAIA DOG) And shut up.
- You go out... - But why are you closing?
Do not worry. Be calm.
- Why did you close? - We also take this away.
I recommend you, Simo. As?
- I do not understand. What do you close? - They're coming, eh.
Do you hear them? They arrive.
Uh, look.
Look, they brought lots of stuff.
Look, wait a minute.
- Marce. - Look here.
- Listen. What a good ... 100%. - Open this thing.
Mom, what a good one it is. Look.
Exceptional, how wonderful.
- What a pleasure. - You open.
I'll kill you, open this thing.
Open here.
Open, Marce.
- Open, I'll kill you. - Mamma Mia. - You open!
Then?
How do you feel?
You feel closed, right?
You must apologize me, understand?
You must apologize.
Did you understand?
You must bring me respect, understand?
- I'll show you respect. - You have to apologize, and it ends here.
(SIMONE GRIDA, ABBAIAN DOGS)
Look at him. Look at him, Jack.
Did you see, eh?
We brought another dog.
Look.
Love, do you want a little bit?
Love?
Eh? Do you want some?
(SIMONE GRIDA)
You must finish it like that.
You must respect me.
Which is?
(REPEATED AND STRONGER SHOTS)
Simone ...
Please, Simone.
Stop it.
Now I'll kill you.
(ABBAIAN DOGS)
What should I do? Eh?
What do I have to do?
Quiet, Simo '. Quiet.
Everything passes.
It is not profound.
I'm sorry, Simone.
I did not want to hurt you.
(SIMONE TOSSISCE AND SPUTA)
What do you have?
What do you have? Simone?
(VERSES OF EFFORT)
(SHOUT AND DIFFERENT VERSES)
(ABBAIAN DOGS)
(VOICES IN THE DISTANCE)
Guys!
Oh!
(OVERLAPID VOICES)
France '!
Vittorio!
It's me, Marcello!
Oh!
Can you hear me?
I'm Marcello!
Oh!
Franco!
Come and see what I did!
Come and see!
Can you hear me?
(OVERLAPID VOICES)
Wait, I'll take care of it!
I'll handle that!
I will be right back!
Guys...