1 00:01:35,529 --> 00:01:38,772 J" PARADISE WILL TURN TO HELL 2 00:01:40,767 --> 00:01:44,237 I' ACID RAINS AND I ENTREAT YOU 3 00:02:01,254 --> 00:02:05,794 ♪ 4 00:02:10,130 --> 00:02:12,235 LET ME OUT! 5 00:02:12,432 --> 00:02:14,639 LET ME OUTTA HERE! 6 00:02:14,835 --> 00:02:16,280 HELP! 7 00:02:20,340 --> 00:02:25,688 J" DO WE REALLY 8 00:02:25,912 --> 00:02:30,418 ♪ KISS AND KILL BECAUSE WE HAVE SO MUCH? 9 00:02:30,617 --> 00:02:33,188 RIGHT ON! RIGHT om 10 00:02:36,690 --> 00:02:41,662 J" WILDLIFE HAS DISAPPEARED 11 00:02:41,862 --> 00:02:47,141 J" THE OTHERS DIE AND ALL IS DARK 12 00:02:47,334 --> 00:02:52,340 J" IT'S A LONELY, LONELY SOUND 13 00:02:52,539 --> 00:02:56,988 ♪ EVERYONE IS LOST AND NOBODY'S FOUND 14 00:02:57,177 --> 00:03:02,991 J" DO WE REALLY 15 00:03:03,183 --> 00:03:07,563 J" NEED TO DAMAGE EVERYTHING WE TOUCH? 16 00:03:07,788 --> 00:03:13,636 J" DO WE REALLY 17 00:03:13,827 --> 00:03:18,674 ♪ KISS AND KILL BECAUSE WE HAVE SO MUCH? 18 00:03:18,865 --> 00:03:20,845 r so MUCH 19 00:05:10,277 --> 00:05:12,780 - GREAT, COME ON} - NO, DON'T WANNA DO THAT, BRO. 20 00:05:12,979 --> 00:05:14,424 ONE, AT LEAST, PLEASE. 21 00:05:14,614 --> 00:05:17,458 QUIET, PLEASE. WE'RE ABOUT TO FILM. 22 00:05:17,651 --> 00:05:20,257 -OKAY, Boss, OKAY. -QUIET. SHUT UP. 23 00:05:20,453 --> 00:05:22,023 - READY? - ALWAYS. 24 00:05:25,091 --> 00:05:27,002 - READY? - ALWAYS. 25 00:05:27,194 --> 00:05:30,698 ROLLING AND ACTION. 26 00:05:30,931 --> 00:05:32,842 HI, GUYS. MILOW THE GIRL HERE. 27 00:05:33,033 --> 00:05:35,309 As MOST OF You KNOW, I'M HERE m THE STATES 28 00:05:35,502 --> 00:05:37,106 ON MY "DAYS OF POWER" TOUR, 29 00:05:37,304 --> 00:05:38,977 AND I'M LOOKING FORWARD TO GETTING TO KNOW 30 00:05:39,172 --> 00:05:40,845 MY FANS MORE PERSONALLY, 31 00:05:41,041 --> 00:05:44,386 ALTHOUGH MY DECISION WASN'T MET BY THE MOST GLOWING REVIEWS BY EVERYONE 32 00:05:44,611 --> 00:05:45,954 LIKE THE BAND! 33 00:05:48,281 --> 00:05:49,351 SHUT UP! 34 00:05:49,549 --> 00:05:51,859 AFTER EXPERIENCING HOW IT'S LIKE 35 00:05:52,052 --> 00:05:53,395 TO PERFORM IN ARENAS 36 00:05:53,620 --> 00:05:56,897 AND TRAVELING ON ENORMOUS TOUR BUSES 37 00:05:57,123 --> 00:06:00,696 |-- I'M EXCITED TO HAVE SCALED BACK THE TOUR 38 00:06:00,894 --> 00:06:02,168 TO HOW IT WAS FROM THE BEGINNING, 39 00:06:02,362 --> 00:06:07,744 AND I KNOW THAT, FOR ME, THIS IS THE RIGHT DECISION. 40 00:06:07,968 --> 00:06:10,312 WRONG. 41 00:06:10,503 --> 00:06:12,813 WELL, THEN, WHAT DO YOU THINK, BROOKLYN? 42 00:06:15,342 --> 00:06:16,412 YOU'RE SERIOUSLY ASKING ME THAT? 43 00:06:16,643 --> 00:06:18,247 YES, TELL THE CAMERA WHAT YOU THINK. 44 00:06:20,981 --> 00:06:23,518 I THINK IT'S DANGEROUS. 45 00:06:23,717 --> 00:06:24,525 PEOPLE ARE CRAZY. 46 00:06:24,718 --> 00:06:25,924 OH, COME ON. 47 00:06:26,152 --> 00:06:28,598 YOU'RE TAKING AWAY DEFINITIVE ITINERARIES, SECURITY. 48 00:06:28,822 --> 00:06:33,396 WHAT'S WRONG WITH A LITTLE SPONTANEITY AND FREEDOM? 49 00:06:33,593 --> 00:06:35,664 | GUESS WE'LL FIGURE THAT ANSWER OUT SOON ENOUGH. 50 00:06:36,863 --> 00:06:39,343 I'M GONNA MISS THAT EPIC TOUR BUS. 51 00:06:39,532 --> 00:06:41,341 THAT TRANSITION'S GONNA BE TOUGH. 52 00:06:41,534 --> 00:06:43,571 WELL, I KNOW I'M DEFINITELY OVER THE BIG STAGES, 53 00:06:43,770 --> 00:06:46,080 -THAT'S FOR SURE. -OH, YES, WE ALL KNOW 54 00:06:46,273 --> 00:06:47,843 HOW MUCH YOU HATE THOSE LARGE MIRRORS 55 00:06:48,041 --> 00:06:50,351 -ON THE BUS AND BACK STAGE AREAS. -EXACTLY. 56 00:06:50,543 --> 00:06:51,920 JUST KEEPIN‘ IT REAL. 57 00:06:52,112 --> 00:06:53,386 - JUST KEEPlN' rr REAL. 58 00:06:53,580 --> 00:06:56,356 THIS IS GONNA BE INTERESTING. 59 00:06:56,549 --> 00:06:58,392 STILL, IT'S INSANE. 60 00:06:58,585 --> 00:07:01,293 WELL, THERE YOU HAVE IT, THE TOUR OF MADNESS 61 00:07:01,521 --> 00:07:03,194 IS HEADING TO A TOWN NEAR YOU. 62 00:07:03,390 --> 00:07:06,269 BROOKLYN. 63 00:07:11,865 --> 00:07:13,367 O KAY. 64 00:07:15,535 --> 00:07:17,037 HE'S JUST FREAKING OUT AGAIN. 65 00:07:17,237 --> 00:07:19,410 HE'LL BE FINE. 66 00:07:19,606 --> 00:07:20,914 YOU HAVEN'T SAID ANYTHING, GREG. 67 00:07:21,107 --> 00:07:22,381 I THINK WE'LL BE FINE. 68 00:07:22,575 --> 00:07:24,885 LOOK, BESIDES, WE'RE GONNA BE FACE TO FACE 69 00:07:25,078 --> 00:07:25,920 WITH YOUR FANS, RIGHT? 70 00:07:29,149 --> 00:07:30,890 HOW COULD THAT POSSIBLY BE THE WRONG DECISION? 71 00:07:31,084 --> 00:07:32,825 EXACTLY. 72 00:07:33,053 --> 00:07:33,724 THANK YOU. 73 00:07:43,596 --> 00:07:45,735 HEY, LESTER! HEY! 74 00:07:45,932 --> 00:07:48,276 THANK YOU, GIA. 75 00:07:48,468 --> 00:07:52,644 - HOW'S HE BEEN TODAY? - OH, GOD, SEEMS STRESSED. 76 00:07:56,343 --> 00:07:59,017 OH, MY GOD, MILOW, I LOVE WHAT YOU DO. 77 00:07:59,245 --> 00:08:00,690 YOU'RE GREAT. I'M REALLY A FAN. 78 00:08:00,914 --> 00:08:02,450 -I'M A FAN. -THANK YOU SO MUCH. 79 00:08:02,649 --> 00:08:05,129 -BYE. -BYE. 80 00:08:05,318 --> 00:08:07,127 SO HOW DID LESTER DO TODAY? 81 00:08:07,320 --> 00:08:09,027 HE WAS VERY PITIFUL WHEN I TOOK HIM AWAY, 82 00:08:09,255 --> 00:08:11,667 BUT THEN HE BOSSES AROUND A COUPLE OF DOGS 83 00:08:11,858 --> 00:08:13,166 AND HE WAS GREAT. 84 00:08:13,360 --> 00:08:14,703 AND HE WAS GREAT. 85 00:08:14,928 --> 00:08:17,431 -BABY. -Aww, com: ON, so TO MAMA. 86 00:08:17,630 --> 00:08:19,371 MAMACITO. 87 00:08:28,708 --> 00:08:29,948 READY? 88 00:08:39,152 --> 00:08:40,995 SO, ARE YOU HAVING FUN TONIGHT? 89 00:08:45,859 --> 00:08:47,065 DUDE, WHAT ARE YOU DOING OUT HERE? 90 00:08:47,293 --> 00:08:49,466 ma, TOO. 91 00:08:52,399 --> 00:08:53,810 WELL, HELLO THERE. 92 00:08:57,203 --> 00:08:59,183 IT APPEARS WE HAVE A SPECIAL GUEST THIS EVENING. 93 00:09:05,345 --> 00:09:08,588 GIVE A SHOUT OUT TO OUR LITTLE FRIEND, LESTER! 94 00:09:11,051 --> 00:09:13,053 ISN'T HE CUTE? 95 00:09:18,091 --> 00:09:20,935 WELL, I GUESS YOU CAN SEE WHO THE STAR IN THE FAMILY IS. 96 00:11:16,843 --> 00:11:18,720 PLEASE LET ME OUT. 97 00:11:18,945 --> 00:11:21,482 LET ME OUT. 98 00:11:21,681 --> 00:11:23,217 WHAT'S YOUR NAME? 99 00:11:23,449 --> 00:11:25,520 -HANNAH. -CAN YOU PLEASE HELP ME? 100 00:11:28,454 --> 00:11:30,195 CAN YOU PLEASE JUST LET US OUT? 101 00:11:39,999 --> 00:11:42,741 NO! NO! NO! PLEASE, DON'T GO! 102 00:11:42,969 --> 00:11:44,039 COME BACK! 103 00:11:46,372 --> 00:11:47,976 HELP! 104 00:12:14,934 --> 00:12:18,404 COME ON, ASSHOLE, THIS SHOULD HAVE BEEN DONE ALREADY. 105 00:12:18,605 --> 00:12:20,881 SHE'S ALREADY PISSED AT US. NOW WE'RE GONNA BE LATE, TOO. 106 00:12:21,074 --> 00:12:22,018 GOOD JOB. 107 00:12:22,208 --> 00:12:25,280 I TOLD YOU I WAS BUSY. 108 00:12:25,511 --> 00:12:27,047 ANYWAY, HALF OF THEM ARE DEAD. 109 00:12:27,247 --> 00:12:28,590 EXACTLY. 110 00:12:30,383 --> 00:12:32,761 WE'RE LATE. WE DON'T HAVE THE NUMBER OF MUTTS HE WANTS, 111 00:12:32,952 --> 00:12:35,865 AND WE OWE HIM MONEY. AND WE OWE HIM MONEY. 112 00:12:36,055 --> 00:12:38,592 I'LL GET 'EM THERE IN TIME. 113 00:12:43,463 --> 00:12:45,773 ASSHOLE. 114 00:13:19,232 --> 00:13:22,907 J" WHAT IF I LOST MY FAITH IN YOU 115 00:13:23,102 --> 00:13:27,346 J" WHAT IF IT'S GONE TOMORROW 116 00:13:27,573 --> 00:13:31,419 ♪ WHAT IF I KILLED A DREAM WITHOUT A SCREAM 117 00:13:31,611 --> 00:13:35,184 J" WOULD YOU HEAR ME 118 00:13:35,415 --> 00:13:39,488 J" NOTHING GOOD CAME OUT OF YOU 119 00:13:39,686 --> 00:13:43,031 J" THIS LOVE BETWEEN US 120 00:13:43,256 --> 00:13:44,997 J" I THINK THIS IS THE END 121 00:13:45,191 --> 00:13:47,535 J" I'M BETTER AGAIN 122 00:13:47,760 --> 00:13:51,207 J" WHAT WOULD YOU CARE 123 00:13:51,431 --> 00:13:55,174 J" 'CAUSE I'M LOSING MY MIND 124 00:13:55,368 --> 00:13:59,339 J" I'M TRYING TO FIND 125 00:13:59,539 --> 00:14:01,177 J" THE REASON 126 00:14:04,877 --> 00:14:07,790 ...REALLY UNPRECEDENTED SCENE AT BATTERY PARK 127 00:14:07,980 --> 00:14:11,052 UNDER 12, 13 FEET NOW OF WATER, 128 00:14:11,284 --> 00:14:12,558 A SURGE. 129 00:14:12,785 --> 00:14:14,059 ...SHORT AMOUNT OF TIME. 130 00:14:14,287 --> 00:14:15,891 ADVISED TO STAY OFF THE ROADS, IF AT ALL POSSIBLE. 131 00:14:16,122 --> 00:14:17,567 THE STORM APPEARS TO BE MOVING NORTH 132 00:14:17,790 --> 00:14:19,861 AT APPROXIMATELY 25 MILES PER HOUR 133 00:14:20,059 --> 00:14:21,299 WITH HIGH STREAMLINE WINDS, 134 00:14:21,494 --> 00:14:23,474 SMALL TO MEDIUM-SIZED HAIL AND DANGEROUS LIGHTNING. 135 00:14:33,740 --> 00:14:35,686 HELLO. 136 00:14:35,875 --> 00:14:37,149 YOU'RE GONNA HAVE TO TURN AROUND. 137 00:14:37,343 --> 00:14:39,345 - WE'RE HEADING TO LINCOLN. - NOT THIS WAY YOU'RE AREN'T. 138 00:14:39,545 --> 00:14:40,990 BUT 34'S THE STRAIGHTEST ROUTE WE HAVE. 139 00:14:41,180 --> 00:14:42,989 HEY, STOP FILMING ME. 140 00:14:43,182 --> 00:14:45,719 IF YOU GO DOWN HERE, YOU'RE GONNA HIT ABOUT FOUR FEET OF WATER. 141 00:14:45,918 --> 00:14:47,920 THIS VAN WILL NOT TAKE YOU THROUGH IT. 142 00:14:48,154 --> 00:14:49,531 WHAT OTHER ROUTES ARE THERE? 143 00:14:49,722 --> 00:14:51,861 YOU TURN AROUND, YOU GO DOWN HERE TO 63, 144 00:14:52,058 --> 00:14:53,366 YOU GO NORTH, AND THEN YOU HIT 83. 145 00:14:53,559 --> 00:14:55,664 -THAT'LL TAKE ANOTHER HALF HOUR. -I DIDN'T MAKE IT RAIN. 146 00:14:55,862 --> 00:14:57,671 TURN THIS THING AROUND. 147 00:15:09,409 --> 00:15:10,888 THAT WENT WELL. 148 00:15:11,077 --> 00:15:12,283 WE SHOULD JUST HEAD BACK. 149 00:15:12,512 --> 00:15:14,958 I MEAN, WE'RE NOT GONNA MAKE IT IN TIME ANYWAY, RIGHT? 150 00:15:20,520 --> 00:15:22,124 OH, MY GOD. THEY'RE DOING IT AGAIN. 151 00:15:22,355 --> 00:15:25,234 PROBABLY DISCUSSING CHOCOLATE. 152 00:15:37,770 --> 00:15:39,613 SEAN, WHAT ARE THE CHANCES OF US 153 00:15:39,806 --> 00:15:40,944 GETTING STUCK IN THIS WEATHER? 154 00:15:41,140 --> 00:15:42,813 ZERO. 155 00:15:43,042 --> 00:15:44,749 I ALREADY TURNED AROUND. 156 00:15:44,944 --> 00:15:46,287 SEE, ALL FINE. 157 00:16:56,148 --> 00:16:57,786 WAKE UP! WAKE UP! 158 00:16:57,984 --> 00:16:59,156 WAKE UP! WAKE UP! 159 00:16:59,352 --> 00:17:00,626 WAKE UP! 160 00:17:10,530 --> 00:17:12,168 HELLO? 161 00:17:12,365 --> 00:17:13,309 YES, HELLO. 162 00:17:13,499 --> 00:17:14,569 WHO'S THERE? 163 00:17:14,800 --> 00:17:16,802 THIS IS GIA! TRINITY? 164 00:17:17,003 --> 00:17:18,846 YES, I'M HERE, I'M HERE. 165 00:17:19,038 --> 00:17:20,847 WHERE ARE YOU? 166 00:17:21,040 --> 00:17:21,916 I DON'T KNOW. 167 00:17:22,141 --> 00:17:24,212 CAN YOU-- CAN YOU COME HELP ME? 168 00:17:24,410 --> 00:17:25,821 NO, |-- |-- 169 00:17:28,047 --> 00:17:30,550 IAM LOCKED INSIDE SOMETHING. 170 00:17:30,750 --> 00:17:32,423 ARE RILEY AND MILOW WITH YOU? 171 00:17:32,652 --> 00:17:36,099 NO, I DON'T KNOW WHERE THEY ARE. 172 00:17:36,322 --> 00:17:38,165 WHAT CAN YOU SEE? 173 00:17:45,898 --> 00:17:47,275 HOLD ON. 174 00:17:55,207 --> 00:17:57,847 JUST TELL ME WHAT YOU'RE SEEING. 175 00:18:10,022 --> 00:18:12,559 DOGS. 176 00:18:12,758 --> 00:18:14,965 THEY ARE ALL AROUND ME. 177 00:18:21,300 --> 00:18:22,278 WHAT? WHAT HAPPENED? ARE YOU OKAY? 178 00:18:22,468 --> 00:18:25,540 THEY'RE ABOVE ME! I CAN FEEL THEIR FEET. 179 00:18:34,313 --> 00:18:36,293 LEAVE ME THE FUCK ALONE! 180 00:18:37,617 --> 00:18:40,223 TRINITY, LISTEN TO ME, IT'S ONLY DOGS. 181 00:18:40,419 --> 00:18:41,227 IT'S ONLY DOGS. 182 00:19:27,099 --> 00:19:28,373 -HEY. -HEY. 183 00:19:28,601 --> 00:19:29,636 -ARE YOU GOOD? -I GOT THIS. 184 00:19:29,835 --> 00:19:32,179 OKAY. I'LL MEET YOU OVER THERE. 185 00:19:32,371 --> 00:19:34,874 WE'RE ACTUALLY GONNA SEE A REAL MOVIE IN A THEATER. 186 00:19:35,107 --> 00:19:36,017 YOU'RE A BACK UP SINGER! 187 00:19:36,208 --> 00:19:37,278 I NEED AN AUTOGRAPH FROM YOU. 188 00:19:37,476 --> 00:19:40,821 HEY. DON'T TOUCH HER. 189 00:19:41,013 --> 00:19:42,117 TRUST ME, IT'LL BE A PROBLEM. 190 00:19:42,314 --> 00:19:42,849 ALL RIGHT, ALL RIGHT. 191 00:19:43,049 --> 00:19:44,995 BROOKLYN. I'M SORRY. 192 00:19:45,184 --> 00:19:47,494 - CHILL, MAN. - HE JUST WANTS AN AUTOGRAPH. 193 00:19:47,687 --> 00:19:49,496 HEY. 194 00:19:49,689 --> 00:19:51,726 YOU KNOW l, UM, 195 00:19:51,957 --> 00:19:55,404 I HAVEN'T SIGNED ONE OF THESE IN A LONG TIME. 196 00:19:55,628 --> 00:19:56,868 WHAT DID I MISS? 197 00:19:58,831 --> 00:20:01,573 HE JUST WANTS AN AUTOGRAPH. IT'S OKAY. 198 00:20:01,801 --> 00:20:03,508 -RELAX. -OKAY, SO THAT'S ONE POINT FOR YOU. 199 00:20:03,703 --> 00:20:05,649 -WAIT, WHAT ARE WE SEEING? -I'LL GET A FEW MORE BEFORE WE'RE OUT HERE. 200 00:20:05,838 --> 00:20:07,340 DUDE. CALM DOWN, BROTHER. 201 00:20:09,542 --> 00:20:10,577 THANK YOU. 202 00:20:10,810 --> 00:20:12,221 - ZOEY! - TAKE CARE. 203 00:20:16,816 --> 00:20:17,760 MY HERO. 204 00:20:19,518 --> 00:20:21,225 IT'S MILOW. 205 00:20:25,825 --> 00:20:27,498 HELLO? 206 00:20:27,693 --> 00:20:29,104 HOW ARE YOU? 207 00:20:29,328 --> 00:20:30,773 | JUST CAN'T STOP THINKING 208 00:20:30,996 --> 00:20:32,703 ABOUT THAT RIDICULOUS SOUND CHECK LAST NIGHT. 209 00:20:32,898 --> 00:20:34,400 - IT WAS CRAZY. - OH, MY GOD. 210 00:20:34,600 --> 00:20:36,011 HE HAD NO IDEA WHAT HE WAS DOING. 211 00:20:36,202 --> 00:20:38,705 I CAN'T BELIEVE WE EVEN MADE IT THROUGH THE SOUND CHECK. 212 00:20:38,904 --> 00:20:40,406 I MEAN, WHAT DID HE SAY? I MEAN, "HIT THE MIC 213 00:20:40,606 --> 00:20:41,914 -AS HARD AS YOU CAN"? -AS HARD AS YOU CAN. 214 00:20:42,108 --> 00:20:43,746 - OH, YEAH. - WHAT? LIKE, WHAT? 215 00:20:43,943 --> 00:20:46,446 THE GUY THOUGHT THAT WAS FASTER. 216 00:20:46,679 --> 00:20:48,886 I LOVE YOU, TOO. CIAO. 217 00:20:50,583 --> 00:20:52,790 THAT GUY IN THE LOBBY WAS AN ASSHOLE. 218 00:20:53,018 --> 00:20:56,056 BROOKLYN, RELAX. HE'S GONE. 219 00:20:56,255 --> 00:20:57,791 BUT THAT SOUND GUY WAS ALMOST AS SLOW 220 00:20:58,023 --> 00:20:59,093 AS OUR GOOD FRIEND RILEY HERE. 221 00:20:59,291 --> 00:21:00,964 HERE WE GO. 222 00:21:01,193 --> 00:21:03,764 OH, NO, NOT POSSIBLE. NOT POSSIBLE. 223 00:21:03,963 --> 00:21:07,638 PLUS THAT GOOFY HAIR AND GIRLY MAKEUP YOU WEAR TAKES TOO MUCH EFFORT. 224 00:21:07,867 --> 00:21:09,437 -THAT'S IT, I'M OUT. -THE MAN HAS A POINT. 225 00:21:09,635 --> 00:21:11,080 NO, PLEASE STAY. 226 00:21:11,270 --> 00:21:13,409 - WHERE YOU GOING? - I'M OUT. 227 00:21:13,606 --> 00:21:15,552 WELL, HURRY, OR YOU'LL MISS THE PREVIEWS. 228 00:21:15,741 --> 00:21:17,277 BE COURTEOUS TO OTHERS. 229 00:21:17,476 --> 00:21:20,082 -TURN OFF ALL CELL PHONES. -I'LL HAVE TO FIND A MIRROR, NO DOUBT, 230 00:21:20,279 --> 00:21:22,225 ...DEVICES WHILE WATCHING THE FILM. 231 00:21:22,414 --> 00:21:24,291 WHAT HAPPENED EARLIER? 232 00:21:24,483 --> 00:21:27,054 IT WAS JUST A GUY WHO WANTED MY AUTOGRAPH, 233 00:21:27,253 --> 00:21:28,823 AND BROOKLYN FREAKED OUT ON HIM. 234 00:21:29,054 --> 00:21:31,261 -BUT IT WAS FINE. -OF COURSE. 235 00:21:31,457 --> 00:21:32,959 NO ONE PUTS ZOEY IN THE CORNER. 236 00:21:35,594 --> 00:21:37,073 YOU SPILLED YOUR POPCORN ALL OVER ME. 237 00:21:37,263 --> 00:21:38,640 I GOT HOT BUTTERED NIPPLES. 238 00:21:38,831 --> 00:21:40,071 YOU'RE WELCOME. 239 00:21:40,266 --> 00:21:42,143 THEY'RE GONNA MISS THE MOVIE. 240 00:21:42,334 --> 00:21:44,644 GOOD. 241 00:21:44,837 --> 00:21:45,645 ENJOY THE MOVIE. 242 00:21:45,838 --> 00:21:47,613 OKAY. 243 00:21:47,807 --> 00:21:48,945 J" GIVE IT TO ME 244 00:21:51,510 --> 00:21:53,615 J" ROCKET LOVE 245 00:21:56,015 --> 00:21:57,289 J" GIVE IT TO ME 246 00:22:00,452 --> 00:22:03,296 J" ROCKET LOVE 247 00:22:05,124 --> 00:22:09,368 J" GIVE IT TO ME, GIVE IT TO ME 248 00:22:09,595 --> 00:22:14,044 J" GIVE IT TO ME, ROCKET LOVE 249 00:22:14,266 --> 00:22:18,544 J" GIVE IT TO ME GIVE IT TO ME 250 00:22:18,771 --> 00:22:22,184 J" GIVE IT TO ME, ROCKET LOVE 251 00:23:44,723 --> 00:23:46,760 ARE YOU SURE THIS IS THE RIGHT ADDRESS? 252 00:23:46,959 --> 00:23:48,404 YEAH. 253 00:23:50,195 --> 00:23:51,731 NO SIGNAL. THAT'S IT. 254 00:23:51,931 --> 00:23:53,877 I'M SWITCHING SERVICES AS SOON AS WE GET BACK TO L.A. 255 00:23:54,066 --> 00:23:55,602 YEAH, ME, TOO. 256 00:23:57,036 --> 00:23:58,572 WELL. 257 00:24:03,609 --> 00:24:05,646 HOW DID I GET ROPED INTO VIDEOING THIS SHIT? 258 00:24:05,878 --> 00:24:08,586 RELAX. THE GUY NEEDED A PERSONAL DAY. 259 00:24:08,781 --> 00:24:10,658 -LET IT GO. -WHY ARE YOU SO BITCHY? 260 00:24:10,883 --> 00:24:12,055 I'M NOT BITCHY. 261 00:24:12,251 --> 00:24:14,322 HOW COME EVERY TIME I DECIDE TO CRITICIZE YOU, 262 00:24:14,553 --> 00:24:16,658 I'M SUDDENLY BEING BITCHY? 263 00:24:16,889 --> 00:24:18,926 OKAY, MISS NOT BITCHY, LET'S TAKE A POLL 264 00:24:19,124 --> 00:24:20,330 WHEN THIS DOCUMENTARY COMES OUT 265 00:24:20,559 --> 00:24:22,095 AND SEE HOW MANY TIMES WHEN I SAY YOU'RE BEING BITCHY, 266 00:24:22,294 --> 00:24:23,602 THE FANS THINK YOU ARE, TOO. 267 00:24:23,796 --> 00:24:25,002 LIKE YOU'RE EVEN GOING TO BE IN IT 268 00:24:25,230 --> 00:24:26,300 WHEN THEY FINISH EDITING IT. 269 00:24:26,498 --> 00:24:28,569 RIGHT, LIKE YOU'RE THE ONLY STAR AROUND HERE? 270 00:24:28,767 --> 00:24:30,678 YOU'RE SO RIDICULOUS. 271 00:24:30,903 --> 00:24:32,007 YOU LOVE IT. 272 00:24:53,592 --> 00:24:56,163 -OH, OH, HI. -HELLO'.7 273 00:24:56,362 --> 00:24:58,137 WE TALKED EARLIER TODAY, 274 00:24:58,330 --> 00:25:00,469 WE'RE THE ONES LOOKING FOR THE CHIHUAHUA. 275 00:25:00,666 --> 00:25:03,169 OH, YEAH, YEAH, come on m, 276 00:25:03,369 --> 00:25:05,940 EXCEPT YOU CAN'T BRING THAT IN HERE. 277 00:25:06,138 --> 00:25:07,446 YOU DIDN'T GET THIS CLEARED? 278 00:25:07,639 --> 00:25:12,179 YEAH, UH, SO WE ARE SHOOTING THIS DOCUMENTARY THING, 279 00:25:12,378 --> 00:25:14,722 AND WE WERE JUST TRYING TO GET SOME FOOTAGE OF THE DOGS. 280 00:25:14,947 --> 00:25:17,223 HI THERE. 281 00:25:17,449 --> 00:25:19,326 I'M SORRY, YOU CAN'T BRING THAT IN HERE. 282 00:25:19,518 --> 00:25:22,397 IT'S JUST THAT THIS IS OUR HOME 283 00:25:22,621 --> 00:25:25,158 AND YOU KNOW HOW CRAZY PEOPLE CAN BE THESE DAYS. 284 00:25:29,294 --> 00:25:30,967 IT'S OKAY. WE UNDERSTAND. 285 00:25:51,817 --> 00:25:53,694 -HELLO. -HELLO. 286 00:25:57,990 --> 00:25:58,866 SO THESE ARE ALL RESCUES? 287 00:25:59,058 --> 00:26:01,436 NO, JUST THE SHY ONE THERE. 288 00:26:01,660 --> 00:26:03,662 THE OTHERS ARE THE BABIES OF PEANUT AND CHLOE. 289 00:26:03,862 --> 00:26:06,035 THAT'S THE MOM AND DAD RIGHT THERE. 290 00:26:06,231 --> 00:26:07,403 THEY'RE ALL SO CUTE, 291 00:26:07,599 --> 00:26:09,169 BUT I ONLY WANT TO ADOPT. 292 00:26:09,368 --> 00:26:14,340 -IS SHE FIXED? -YES, SHE'S NOT ABLE TO BREED AT ALL ANYMORE. 293 00:26:18,277 --> 00:26:20,723 IS IT OKAY IF I BRING OUT MY OTHER DOG TO SEE HOW THEY MIX? 294 00:26:20,913 --> 00:26:23,917 OF COURSE. WE WANT TO MAKE SURE THEY GET ALONG. 295 00:26:24,850 --> 00:26:26,887 -THERE'S A FEE, YES? -YES. 296 00:26:27,086 --> 00:26:30,090 WE MAINTAIN WHAT WE LIKE TO CALL AN ANIMAL SANCTUARY. 297 00:26:30,289 --> 00:26:31,791 WE LIKE TO FOSTER ALL SORTS OF DOGS, 298 00:26:32,024 --> 00:26:35,028 AND THIS HELPS US MAINTAIN ALL WE NEED FOR THE ANIMALS. 299 00:26:36,628 --> 00:26:39,541 IT'S OKAY. IT'S OKAY. 300 00:26:39,731 --> 00:26:41,904 GOOD. IT'S OKAY. 301 00:26:45,037 --> 00:26:47,074 LESTER! 302 00:26:47,272 --> 00:26:49,752 - I'M SO SORRY. - IT'S FINE. IT'S FINE. 303 00:26:49,942 --> 00:26:51,285 HE MUST BE SCARED. 304 00:26:51,477 --> 00:26:52,455 HE NEVER DOES THIS. 305 00:26:52,644 --> 00:26:55,591 JUST GO GRAB THE CLEANER AND THE TOWEL. 306 00:26:58,383 --> 00:26:59,828 I'M JUST GONNA TAKE HIM OUT QUICKLY. 307 00:27:00,052 --> 00:27:01,759 JUST TAKE HIM RIGHT ON OUT THAT WAY. 308 00:27:01,954 --> 00:27:03,490 NO, NO, NO, YOU HELP THEM. 309 00:27:03,722 --> 00:27:04,632 I'LL GO. 310 00:27:04,823 --> 00:27:05,927 SMOKER. 311 00:27:41,693 --> 00:27:43,695 -WHERE THE FUCK IS IT? -I DON'T KNOW. 312 00:27:43,929 --> 00:27:45,636 YOU SAID YOU PUT IT HERE. 313 00:28:35,147 --> 00:28:37,354 HELLO, MY FRIEND. 314 00:28:37,549 --> 00:28:39,324 HEY. 315 00:28:39,518 --> 00:28:41,828 -AM | INTERRUPTING? -NO. 316 00:28:42,020 --> 00:28:44,330 -GOOD. -I JUST HAD SOME WORK I NEED TO FINISH UP. 317 00:28:44,523 --> 00:28:46,833 HOW WE DOING ON OUR ARRANGEMENT? 318 00:28:47,025 --> 00:28:48,732 -GOOD. -GOOD? 319 00:28:48,927 --> 00:28:53,034 FOOD IS GOOD. IF WE'RE DOING WELL... 320 00:28:53,232 --> 00:28:54,404 YOU HAVE SOMETHING FOR ME. 321 00:28:54,600 --> 00:28:56,443 WE JUST NEED A FEW MORE DAYS. 322 00:28:56,668 --> 00:28:59,945 THE FOLKS GOT DELAYED IN COMING DOWN TO GET THE DOGS. 323 00:29:00,172 --> 00:29:01,378 THE PAYMENT WILL BE READY SHORTLY. 324 00:29:01,573 --> 00:29:03,052 IT BETTER BE. 325 00:29:09,848 --> 00:29:11,589 LESTER! 326 00:29:14,219 --> 00:29:16,130 LESTER! 327 00:29:16,355 --> 00:29:19,302 LESTER, YOU'VE GONE FAR ENOUGH NOW. 328 00:29:35,540 --> 00:29:37,076 LESTER. 329 00:29:40,646 --> 00:29:43,092 I AM A PATIENT MAN. WOULDN'T YOU SAY I'M PATIENT? 330 00:29:45,050 --> 00:29:49,590 BUT I AM A BUSINESSMAN, AND YOU AND YOU ARE MESSING WITH MY BUSINESS, 331 00:29:49,788 --> 00:29:52,564 SO YOU SELL HOWEVER MANY BENJIS YOU NEED TO 332 00:29:52,758 --> 00:29:55,500 TO GET ME MONEY AND QUICKLY. 333 00:29:57,462 --> 00:30:00,443 YOU HAVE MY DRUGS. NOW I EXPECT MY MONEY. 334 00:30:05,404 --> 00:30:06,849 IS THAT CLEAR? 335 00:30:10,642 --> 00:30:13,521 'CAUSE I WILL NOT HAVE THIS CONVERSATION AGAIN. 336 00:30:15,981 --> 00:30:17,460 GET BACK TO WORK. 337 00:30:23,422 --> 00:30:26,266 BACK THE FUCK OFF! 338 00:30:47,112 --> 00:30:48,648 WHAT'S THAT AWFUL SMELL? 339 00:30:50,015 --> 00:30:51,460 DO YOU SMELL THAT? 340 00:30:51,650 --> 00:30:53,652 YEAH, I DO. 341 00:31:06,131 --> 00:31:07,667 HOLD STILL. 342 00:31:11,670 --> 00:31:13,172 LAY DOWN. 343 00:31:18,510 --> 00:31:20,012 COME ON, LESTER. 344 00:31:39,731 --> 00:31:40,835 WHAT THE FUCK ARE YOU DOING HERE? 345 00:31:41,032 --> 00:31:42,602 JAMES, GET HER! 346 00:31:43,835 --> 00:31:45,508 M|LOW! 347 00:31:49,408 --> 00:31:51,354 - com: OVER HERE! - STOP! STOP m 348 00:31:51,543 --> 00:31:53,523 YOU'RE NOT MEANT TO BE IN THIS PLACE! 349 00:31:58,216 --> 00:31:59,126 -SHUT THE FUCK UP! -STOP IT! 350 00:31:59,351 --> 00:32:00,955 NO! 351 00:32:02,053 --> 00:32:02,895 STOP! 352 00:32:08,927 --> 00:32:11,703 SHUT THE FUCK UP! 353 00:32:11,897 --> 00:32:14,036 I'VE GOT A PRESENT FOR YOU. 354 00:32:14,232 --> 00:32:15,734 - THIS LITTLE BABY. - NO! 355 00:32:15,934 --> 00:32:18,210 NO! 356 00:32:18,403 --> 00:32:19,746 I'M SANTA CLAUS. 357 00:32:19,938 --> 00:32:21,383 NOTHING CAN FUCK ME. 358 00:32:21,573 --> 00:32:22,551 NO! 359 00:32:22,741 --> 00:32:23,742 mum“ STOP m! 360 00:32:25,076 --> 00:32:27,283 -STOP! -NO! 361 00:32:27,479 --> 00:32:28,822 NO! 362 00:32:29,047 --> 00:32:31,755 HELP ME! SOMEBODY HELP! 363 00:33:38,116 --> 00:33:40,995 THANK YOU FROM ME AND THE BAND. 364 00:34:37,075 --> 00:34:41,046 HELLO? HELLO? CAN ANYONE HEAR ME? 365 00:34:42,380 --> 00:34:44,121 HELLO? 366 00:34:44,349 --> 00:34:45,692 YES, HELLO, CAN YOU HEAR ME? 367 00:34:45,884 --> 00:34:46,794 - TRINITY? - YES, IT'S ME, RILEY. WHERE ARE YOU? 368 00:34:47,018 --> 00:34:47,758 I'M OVER HERE. LET ME OUT. 369 00:34:47,953 --> 00:34:49,626 I'M IN A CAGE. 370 00:34:54,259 --> 00:34:55,431 ARE YOU OKAY? 371 00:35:00,198 --> 00:35:01,871 WHAT HAPPENED? 372 00:35:02,067 --> 00:35:04,274 I DON'T KNOW. 373 00:35:04,469 --> 00:35:05,277 WHERE ARE WE? 374 00:35:05,470 --> 00:35:07,575 RILEY, I DON'T KNOW. 375 00:35:07,772 --> 00:35:09,581 YOU HAD TO SEE SOMETHING! 376 00:35:09,774 --> 00:35:11,310 WHAT DO YOU REMEMBER? 377 00:35:19,451 --> 00:35:20,828 WHAT HAPPENED? ARE YOU OKAY? 378 00:35:21,052 --> 00:35:22,929 -THIS PLACE lS-- -I KNOW. 379 00:35:24,556 --> 00:35:26,126 HOW ARE WE GONNA GET OUTTA HERE? 380 00:35:26,324 --> 00:35:26,927 WE WILL. 381 00:35:27,125 --> 00:35:28,399 WE'LL GET OUT. 382 00:35:30,762 --> 00:35:31,832 FUCK! 383 00:35:33,598 --> 00:35:35,339 RILEY, ANSWER ME, ARE You OKAY? 384 00:35:35,567 --> 00:35:37,240 MY LEG. IT'S CUT. 385 00:35:37,435 --> 00:35:38,573 HOW BAD? 386 00:35:38,770 --> 00:35:41,148 PRETTY BAD. 387 00:35:41,339 --> 00:35:42,682 -WHERE'$ GIA? -I DON'T KNOW. 388 00:35:42,907 --> 00:35:43,851 I DON'T KNOW. SHE WAS HERE. 389 00:35:44,075 --> 00:35:45,019 I HAVEN'T HEARD ANYTHING FROM HER. 390 00:35:45,243 --> 00:35:46,449 WHERE'S MILOW? 391 00:35:46,645 --> 00:35:49,421 I DON'T KNOW! RILEY, YOU WERE WITH HER LAST. 392 00:35:49,614 --> 00:35:51,491 - THEY WERE KILLING THEM. - KILLING WHO? 393 00:35:51,683 --> 00:35:53,128 WE WEREN'T SUPPOSED TO SEE IT. 394 00:35:53,318 --> 00:35:54,626 WHO WERE THEY KILLING, RILEY? 395 00:35:54,819 --> 00:35:56,594 -ANSWER ME. -NOT MILOW. 396 00:36:14,272 --> 00:36:16,377 HEY, GUYS, IT'S MILOW THE GIRL HERE. 397 00:36:16,608 --> 00:36:19,145 WE JUST FINISHED OUR SHOW AND WE'RE GOING TO-- 398 00:36:19,344 --> 00:36:20,721 WHERE ARE WE GOING? 399 00:36:20,945 --> 00:36:22,447 MISSOURI. MISSOURI. 400 00:36:22,647 --> 00:36:26,686 AND I DECIDED I'M GONNA GET A BROTHER OR A SISTER FOR LESTER. 401 00:36:26,885 --> 00:36:29,331 AND WE-- WHAT DO YOU CALL THAT AGAIN? 402 00:36:29,521 --> 00:36:31,159 LINEAGE, BLOODLINE. 403 00:36:33,725 --> 00:36:35,170 YOU TELL THEM. 404 00:36:35,360 --> 00:36:37,397 NO, NO, NO, NO. 405 00:36:37,629 --> 00:36:40,838 WELL, BASICALLY, we TRACED DOWN ms PARENTS, 406 00:36:41,032 --> 00:36:43,706 AND WE FOUND THEM IN MISSOURI AT THIS PLACE, 407 00:36:43,902 --> 00:36:46,314 HOPE ESTATES, THAT WE'RE GOING TO, 408 00:36:46,504 --> 00:36:48,347 AND WE'RE GONNA GET HIM A FRIEND THERE. 409 00:36:48,540 --> 00:36:51,851 YEAH, NOT ALL OF us. 410 00:36:52,043 --> 00:36:54,250 - WHAT? - WHAT ARE YOUR PLANS, BROOKLYN? 411 00:36:54,479 --> 00:36:56,584 YOU DON'T WANNA CHECK OUT THE SMALL TOWN NIGHT LIFE? 412 00:36:56,815 --> 00:36:59,523 MAYBE. WHAT ARE YOU GONNA DO? 413 00:36:59,718 --> 00:37:01,322 I'M CHILLING AT THE HOTEL. 414 00:37:01,519 --> 00:37:04,728 - I'LL GO WITH MILOW. - THANK YOU, RILEY. 415 00:37:07,058 --> 00:37:09,038 I CAN'T. I CAN'T. I KNOW I'LL FALL IN LOVE 416 00:37:09,227 --> 00:37:11,264 WITH THE PUPPY AND HAVE TO TAKE IT HOME. 417 00:37:11,496 --> 00:37:13,567 I'M JUST GONNA STAY AT THE HOTEL WITH GREG. 418 00:37:13,765 --> 00:37:15,745 LAME. 419 00:38:30,508 --> 00:38:32,010 WHAT THE HELL ARE YOU DOING? 420 00:38:32,243 --> 00:38:35,281 WE GOT SERIOUS PROBLEMS AND YOU'RE IN HERE SCREWING AROUND! 421 00:38:35,480 --> 00:38:36,925 IT'S MY DAY OFF, RIGHT? 422 00:38:37,115 --> 00:38:39,459 I'VE GOT SIX DEAD PUPPIES THAT WERE FRIED BY THE WIRE. 423 00:38:39,651 --> 00:38:41,790 THEY'RE DROPPING LIKE FLIES, AND YOU'RE IN HERE FUCKING AROUND 424 00:38:41,986 --> 00:38:43,021 WITH DRUGS YOU CAN'T AFFORD. 425 00:38:43,254 --> 00:38:45,461 WHAT'S THAT DOG DOING IN HERE? 426 00:38:45,657 --> 00:38:46,533 GET HIM TO WORK NOW! 427 00:38:46,758 --> 00:38:48,431 BETWEEN THE DRUGS AND THOSE PEOPLE, 428 00:38:48,626 --> 00:38:50,333 YOU DON'T GET A DAY OFF. 429 00:38:52,764 --> 00:38:54,539 ENOUGH! YOU NEED TO BUCK UP, SOLDIER, 430 00:38:54,766 --> 00:38:56,336 AND WIPE THAT FUCKIN‘ SNOW FROM YOUR NOSE. 431 00:38:56,534 --> 00:38:59,481 WE GOT A JOB TO DO, AND YOU KNOW THE FUCKIN‘ RULES. 432 00:38:59,671 --> 00:39:02,447 NOW PULL YOUR SHIT TOGETHER AND GET THOSE DOGS TO WORK. 433 00:39:02,640 --> 00:39:05,348 I NEED THOSE PUPPIES, AND I NEED THEM NOW. 434 00:39:10,215 --> 00:39:12,627 I GOT YOUR FUCK|N' PUPPIES. 435 00:39:19,791 --> 00:39:21,031 FUCKIN‘ ASSHOLE. 436 00:39:33,571 --> 00:39:35,016 I GOT YA. 437 00:39:48,686 --> 00:39:50,165 I GOT YOU. 438 00:39:52,390 --> 00:39:53,869 ALL MINE. 439 00:40:15,280 --> 00:40:18,056 J" SOMETIMES WE TEND TO LOSE OUR MINDS 440 00:40:20,251 --> 00:40:23,130 ♪ LOSE THE ROAD, JUST CHASIN' SIGNS 441 00:40:25,089 --> 00:40:29,538 ♪ LOOK INTO A STRANGER'S EYES 442 00:40:29,727 --> 00:40:33,607 J" TO SEE THE REASON IT COULD BE FINE 443 00:40:33,798 --> 00:40:36,244 J" SHOULD BE FINE 444 00:40:36,434 --> 00:40:38,471 J" SHOULD BE FINE 445 00:40:38,703 --> 00:40:43,618 J" SHOULD BE FINE, SHOULD BE FINE 446 00:40:43,808 --> 00:40:46,880 J" SOMETIMES WE THINK LOVE ISN'T HERE 447 00:40:48,446 --> 00:40:51,120 J" AND WANTING WHISPERS IN OUR EAR 448 00:40:53,051 --> 00:40:57,761 J" DELUSIONS OF A CHILD 449 00:40:57,956 --> 00:41:02,302 J" CALL OUR DREAMS SAD AND WILD 450 00:41:02,493 --> 00:41:05,406 ♪ 451 00:41:12,270 --> 00:41:14,341 J" IT'S LIKE ENTERING AN EMPTY ROOM 452 00:41:14,572 --> 00:41:18,782 ♪ AND LOOKING FOR SOMETHING GOOD 453 00:41:18,977 --> 00:41:21,457 J" EMPTY ARMS 454 00:41:21,646 --> 00:41:23,922 J" IT'S LIKE ENTERING AN EMPTY ROOM 455 00:41:24,115 --> 00:41:28,325 J" AND LOOKING FOR SOMETHING GOOD 456 00:41:28,519 --> 00:41:30,692 J" EMPTY ARMS 457 00:41:35,827 --> 00:41:38,535 ♪ THIS WORLD AT TIMES CAN SEEM A BIT STRANGE 458 00:41:38,763 --> 00:41:40,765 J" WONDERING WHAT TOMORROW BRINGS 459 00:41:40,965 --> 00:41:42,603 J" SEE, I KNOW WHAT MOST BEEN TOLD 460 00:41:42,800 --> 00:41:45,371 I' BUT INSIDE US LIES THOSE POTS OF GOLD 461 00:41:45,603 --> 00:41:47,310 J" SO MY EARLY DAYS SOMETHING NEW 462 00:41:47,505 --> 00:41:48,540 J" SOMETHING FRESH SOMETHING TRUE 463 00:41:48,773 --> 00:41:49,945 J" WHAT IT DID FOR YOU 464 00:41:50,141 --> 00:41:52,143 J" I WATCH AND LEARN QUICK PUT MY HEAD IN TRICK 465 00:41:52,343 --> 00:41:54,823 ♪ PUT HANDS ON, IT'S PERFECT, THE STRUGGLE'S WORTH IT 466 00:41:55,013 --> 00:41:56,788 ♪ ONCE YOU FIND CALM AND PEACE WITHIN 467 00:41:56,981 --> 00:41:59,291 J" THE ANSWERS UNFOLD AND THIS LIFE BEGINS 468 00:41:59,484 --> 00:42:01,623 J" SEARCHING AND SEARCHING LOW AND HIGH 469 00:42:01,819 --> 00:42:04,129 J" BUT OUR PURPOSE IS CERTAIN, WE'LL SHINE IN TIME 470 00:42:04,322 --> 00:42:06,302 J" GOTTA FLY SKY HIGH, TRAVEL DIVINE 471 00:42:06,491 --> 00:42:08,528 ♪ JUST BREATHE AND SLOWLY UNWIND 472 00:42:08,726 --> 00:42:11,036 J" THE EMPTY HOLDS CLUES, IT'S ON YOU 473 00:42:11,229 --> 00:42:13,505 J" BELIEVE IN THAT MIRROR'S BRIGHT REFLECTION 474 00:42:13,698 --> 00:42:16,042 ♪ NEXT MOVE IS ALWAYS IN THE RIGHT DIRECTION 475 00:42:17,135 --> 00:42:17,875 YO YO. 476 00:42:18,069 --> 00:42:21,312 LET ME OUT! LET ME OUT! 477 00:42:24,642 --> 00:42:26,519 GET ME OUTTA HERE! 478 00:43:59,904 --> 00:44:01,406 HELLO? 479 00:44:08,446 --> 00:44:09,982 GIVE IT TO ME. 480 00:44:13,851 --> 00:44:17,264 HEY, DO I KNOW YOU? 481 00:44:19,957 --> 00:44:22,301 GIVE ME THE BAG. 482 00:44:22,493 --> 00:44:24,268 NO. 483 00:44:26,097 --> 00:44:30,477 OPEN YOUR PURSE. 484 00:44:30,668 --> 00:44:32,204 WHAT ARE YOU TALKING ABOUT? 485 00:44:34,539 --> 00:44:37,042 LOOK UP. 486 00:44:37,275 --> 00:44:40,188 SEE? I WAS REVIEWING SOME FOOTAGE. 487 00:44:40,378 --> 00:44:43,791 SAW YOU GOT A LITTLE COMPANY IN THERE. 488 00:44:43,981 --> 00:44:46,052 NOW HAND OVER THE BAG. 489 00:44:47,985 --> 00:44:50,397 GIVE ME THE BAG. 490 00:44:50,621 --> 00:44:51,827 NO. 491 00:44:53,891 --> 00:44:56,804 TAKE HIM OUT OF THE BAG. 492 00:44:56,994 --> 00:44:59,474 TAKE HIM OUT OF THE BAG! 493 00:44:59,664 --> 00:45:02,577 I KNOW HOW TO WORK A ZIPPER. 494 00:45:05,036 --> 00:45:06,709 I'D DIE FIRST. 495 00:45:08,706 --> 00:45:10,242 CAREFUL. 496 00:45:15,379 --> 00:45:20,192 I'M GONNA SAY THIS ONE LAST TIME. 497 00:45:27,158 --> 00:45:29,832 GIVE ME THE BAG. 498 00:45:30,027 --> 00:45:32,906 GIVE ME THE BAG! 499 00:45:41,172 --> 00:45:42,583 DROP n, 500 00:45:42,773 --> 00:45:47,017 OR I SWEAR YOU'LL SINCERELY REGRET IT. 501 00:46:03,094 --> 00:46:06,473 THOUGHT SO. 502 00:46:25,216 --> 00:46:26,661 GET THE FUCK OFF ME! 503 00:46:27,318 --> 00:46:28,626 GET OFF! 504 00:46:33,491 --> 00:46:36,938 SLEEP TIGHT. 505 00:46:39,096 --> 00:46:40,268 COME HERE. 506 00:46:40,464 --> 00:46:43,843 LET'S SEE WHAT CAGE WE GOT FOR YOU, LITTLE GUY. 507 00:47:02,253 --> 00:47:04,358 NO! NO, PLEASE! GIVE HIM BACK! 508 00:47:04,588 --> 00:47:05,999 PLEASE, GIVE HIM BACK! 509 00:47:06,190 --> 00:47:08,170 GIVE HIM BACK TO ME. 510 00:47:08,359 --> 00:47:09,804 PLEASE, JUST GIVE HIM-- 511 00:48:32,676 --> 00:48:34,917 GIA? GIA? 512 00:48:35,112 --> 00:48:36,523 - TRINITY? - YES, I'M OVER HERE. 513 00:48:36,714 --> 00:48:38,523 I'M OVER HERE. SO IS RILEY. 514 00:48:38,716 --> 00:48:40,923 I TALKED WITH HIM. I MUST'VE PASSED OUT. 515 00:48:41,118 --> 00:48:43,098 WE NEED TO GET OUT OF HERE NOW. 516 00:48:43,287 --> 00:48:44,698 YEAH, COME ON! 517 00:48:47,892 --> 00:48:51,430 I THINK I MIGHT HAVE A CLIP. 518 00:48:51,629 --> 00:48:53,370 I'M LOOKING! 519 00:48:57,401 --> 00:49:00,382 I HAVE NOTHING! THIS IS COMPLETELY FUCKING USELESS! 520 00:49:00,571 --> 00:49:03,142 I HAVE A CLIP. I'M TRYING TO PICK THE LOCK. 521 00:49:05,309 --> 00:49:06,413 Gnu. 522 00:49:09,113 --> 00:49:11,423 COME ON! YOU CAN DO THIS. 523 00:49:11,615 --> 00:49:12,616 I'VE SEEN YOU DO IT A MILLION TIMES. 524 00:49:12,817 --> 00:49:13,727 YOU'VE GOT THIS. 525 00:49:13,918 --> 00:49:15,659 HURRY! 526 00:49:15,886 --> 00:49:20,164 coma on, em. em, em, come ow 527 00:49:21,792 --> 00:49:23,999 -COME ON, GIAI -YOU GOT THIS, GIA. 528 00:49:24,228 --> 00:49:25,468 JUST GO, GIA. 529 00:49:25,663 --> 00:49:26,403 Gnu. 530 00:49:26,597 --> 00:49:29,305 GET THE CAMERA. 531 00:49:29,500 --> 00:49:30,979 I HAVE IT! I HAVE IT! 532 00:49:33,070 --> 00:49:34,811 GO! 533 00:49:37,842 --> 00:49:39,947 YES, THANK YOU! COME ON, COME ON. 534 00:49:40,144 --> 00:49:41,782 - GIA, I'M OVER HERE! - COME ON! 535 00:49:41,979 --> 00:49:44,983 COME AND LET ME OUT! GIA! 536 00:49:45,182 --> 00:49:46,957 YOU'RE GOOD. GO GET HER! 537 00:49:47,151 --> 00:49:48,630 GET ME THE FUCK OUTTA HERE! 538 00:49:49,587 --> 00:49:50,497 NO! 539 00:49:52,656 --> 00:49:53,634 AAH! 540 00:50:03,300 --> 00:50:05,337 GET HER AND GET THE FUCK OUTTA HERE! 541 00:50:07,338 --> 00:50:08,339 COME ON! 542 00:50:09,473 --> 00:50:10,679 JUST GET HER AND GET OUTTA HERE! 543 00:50:10,875 --> 00:50:13,321 - I'M NOT LEAVING WITHOUT YOU. - YOU GIRLS, GO! 544 00:50:17,982 --> 00:50:19,655 YOU'VE GOT TO GO! 545 00:50:19,850 --> 00:50:22,387 - TRINITY! - NO, NO, NO, NO, NO! 546 00:50:23,787 --> 00:50:25,289 -DAMN IT, TRINITY. -LET'S GO. 547 00:50:25,489 --> 00:50:28,629 -GO! GO! GO! -I CAN'T LEAVE YOU! 548 00:50:28,826 --> 00:50:31,033 -TRINITY. -eo! 549 00:50:31,228 --> 00:50:33,299 -GO! -COME ON! 550 00:51:10,568 --> 00:51:12,673 NICE TRY, MOTHERFUCKER. 551 00:51:28,886 --> 00:51:30,797 GOTCHA. 552 00:51:31,689 --> 00:51:33,293 WHERE IS THAT FUCKING THING? 553 00:51:41,899 --> 00:51:44,311 YOU THINK THAT HURT? 554 00:51:57,414 --> 00:51:58,757 RILEY? 555 00:52:01,552 --> 00:52:03,657 WHY CAN'T I HEAR YOU ANYMORE? 556 00:52:03,887 --> 00:52:05,560 PLEASE ANSWER ME! 557 00:52:09,426 --> 00:52:10,928 RILEY! 558 00:52:20,971 --> 00:52:22,177 RILEY! 559 00:52:32,249 --> 00:52:34,092 RILEY! 560 00:52:40,491 --> 00:52:43,097 I'VE GOT A SPECIAL PLACE FOR YOU. 561 00:52:48,632 --> 00:52:50,168 RILEY! 562 00:52:53,203 --> 00:52:55,479 RILEY! 563 00:53:05,883 --> 00:53:08,887 TRINITY! TRINITY! TRINITY! 564 00:53:09,119 --> 00:53:11,292 GIA! WHERE ARE YOU? 565 00:53:12,790 --> 00:53:14,895 -GIA? -IT'S FILLING UP WITH WATER AND FAST! 566 00:53:15,125 --> 00:53:16,695 WHAT? WHAT DO YOU MEAN? 567 00:53:18,796 --> 00:53:20,366 I THINK I'M IN A FUCKING HOLE! 568 00:53:20,564 --> 00:53:22,043 OKAY, WHAT DO YOU HAVE WITH YOU? 569 00:53:22,232 --> 00:53:24,178 CAN YOU CLIMB OUT OF IT? 570 00:53:24,368 --> 00:53:27,042 I AM ALL CHAINED UP. 571 00:53:27,237 --> 00:53:29,046 YOU HAVE TO STAY CALM. 572 00:53:31,241 --> 00:53:34,154 I NEED YOU TO GET OUT OF THERE, PLEASE. 573 00:53:34,344 --> 00:53:35,914 OH, MY GOD, I'M GONNA DROWN! 574 00:53:36,146 --> 00:53:37,523 GIA, YOU HAVE TO CALM DOWN. 575 00:53:37,715 --> 00:53:38,921 I'M GOING TO DIE. 576 00:53:39,149 --> 00:53:40,651 I'M GONNA DIE! I'M GONNA DROWN! 577 00:53:40,851 --> 00:53:42,660 -I'M GONNA FUCKING DROWN! -STOP SAYING THAT. 578 00:53:50,661 --> 00:53:51,605 LOOK! 579 00:54:03,107 --> 00:54:05,109 GET THE FUCK OUT! 580 00:54:12,249 --> 00:54:13,557 GIA, YOU HAVE TO CALM DOWN. 581 00:54:22,559 --> 00:54:25,369 GET OUT! GET OUT! 582 00:54:45,449 --> 00:54:47,053 I'M SORRY! 583 00:54:54,057 --> 00:54:55,730 I'M SORRY. 584 00:55:03,233 --> 00:55:05,270 J" I'M NEVER COMING BACK 585 00:55:05,469 --> 00:55:07,346 J" WHEN I GO 586 00:55:07,571 --> 00:55:10,108 NO, I'M SORRY. 587 00:55:10,307 --> 00:55:13,777 THAT'S ALL THE INFORMATION I HAVE AT THE MOMENT. 588 00:55:13,977 --> 00:55:17,288 WELL, WE HOPE THAT SHE WILL BE BACK IN TIME FOR THAT. 589 00:55:17,481 --> 00:55:21,520 WELL, LOOK-- YES, | UNDERSTAND. 590 00:55:21,752 --> 00:55:23,925 WE'LL BE IN TOUCH. 591 00:55:24,121 --> 00:55:25,259 MEGHAN! 592 00:55:26,190 --> 00:55:27,464 MEGHAN! 593 00:55:33,931 --> 00:55:37,879 IF YOU PUT ANOTHER AGENT OR VENUE 594 00:55:38,101 --> 00:55:39,307 THROUGH TO MY PHONE LINE TODAY, 595 00:55:39,503 --> 00:55:41,005 YOU'RE FIRED! 596 00:55:41,205 --> 00:55:43,014 I DON'T HAVE TIME TO DEAL WITH THAT RIGHT NOW. 597 00:55:43,207 --> 00:55:44,117 I'M SORRY. 598 00:55:44,308 --> 00:55:45,946 ED, DO YOU WANT ME TO GET THE CAMERA? 599 00:55:46,143 --> 00:55:47,315 DO YOU WANT ME TO START TO SHOOT THIS? 600 00:55:47,511 --> 00:55:49,491 YEAH, YEAH, YEAH, START TO SHOOT THIS. 601 00:56:01,325 --> 00:56:03,532 ALL RIGHT, SO HERE'S THE DEAL. 602 00:56:03,727 --> 00:56:05,832 WE ARE GOING TO BE ANSWERING NO QUESTIONS. 603 00:56:06,029 --> 00:56:08,236 WE ARE GOING TO KEEP OUR MOUTHS SHUT. 604 00:56:08,465 --> 00:56:11,241 WE CAN'T JEOPARDIZE THE CHANCE OF FINDING THEM. 605 00:56:11,468 --> 00:56:13,379 HAVE IT PUT UP ON HER WEBSITE. 606 00:56:13,570 --> 00:56:15,015 TODAY... 607 00:56:15,205 --> 00:56:17,014 THAT SHE'S ON HIATUS. 608 00:56:17,207 --> 00:56:18,914 THIS IS NOT NATIONAL HEADLINE NEWS, 609 00:56:19,142 --> 00:56:22,316 AND WE WANT TO KEEP IT THAT WAY, AS LONG AS WE CAN-- 610 00:56:22,512 --> 00:56:24,514 WHICH WON'T BE FOR LONG. 611 00:56:24,715 --> 00:56:26,854 I NEED A SCHEDULE. ANY INFORMATION THAT YOU HAVE 612 00:56:27,050 --> 00:56:27,994 ON WHERE THEY WERE GOING, 613 00:56:28,185 --> 00:56:30,324 HOTELS, ANYTHING YOU CAN THINK OF. 614 00:56:30,520 --> 00:56:32,397 THEY UPLOADED A VIDEO FROM THE LAST SHOW. 615 00:56:32,589 --> 00:56:35,433 I DON'T THINK THE DEPARTMENTS SEEN THEM YET. 616 00:56:35,659 --> 00:56:36,694 WELL, FIND OUT IF THEY HAVE. 617 00:56:36,894 --> 00:56:38,498 GO. 618 00:56:39,529 --> 00:56:40,906 GO! 619 00:56:42,432 --> 00:56:43,934 "Ow! 620 00:56:46,203 --> 00:56:47,773 THAT'S YOUR COUSIN. 621 00:57:16,033 --> 00:57:17,774 TIME TO WAKE UP. 622 00:57:20,237 --> 00:57:22,444 ARE YOU HUNGRY? HUH? 623 00:57:24,274 --> 00:57:25,947 YOU NEED THESE. 624 00:57:26,143 --> 00:57:29,124 BETTER EAT UP GOOD, CAUSE YOU'RE GONNA NEED IT. 625 00:57:33,550 --> 00:57:35,052 HERE YOU GO. 626 00:57:42,326 --> 00:57:44,272 TRAVIS, WHAT THE FUCK ls THIS? 627 00:57:44,461 --> 00:57:45,838 WHAT THE FUCK IS WHAT? 628 00:57:46,063 --> 00:57:47,906 HOW IN THE HELL DID THIS HAPPEN? 629 00:57:58,775 --> 00:58:01,585 SMELLS LIKE DEATH. 630 00:58:01,778 --> 00:58:04,850 HE'S NOT GONNA MAKE IT. 631 00:58:13,357 --> 00:58:15,530 ALL RIGHT, LET'S GET THIS OVER WITH. 632 00:58:26,203 --> 00:58:27,705 WHERE ARE YOU TAKING HIM? 633 00:58:27,938 --> 00:58:30,475 STOP IT! YOU'RE ONLY MAKING HIM WORSE! 634 00:58:33,276 --> 00:58:34,983 YOU'LL FEEL BETTER REAL SOON. 635 00:58:35,178 --> 00:58:36,521 BEST THING FOR HIM. 636 00:58:37,114 --> 00:58:38,684 NO, STOP! 637 00:58:38,882 --> 00:58:40,361 NO, PLEASE! 638 00:58:43,153 --> 00:58:44,689 PLEASE STOP IT! 639 00:58:44,888 --> 00:58:46,162 NO! 640 00:58:46,356 --> 00:58:48,063 NO! 641 00:58:59,636 --> 00:59:02,207 WE GOT OTHER PLANS FOR YOU. 642 00:59:37,674 --> 00:59:40,518 WHAT ARE YOU DOING? 643 00:59:40,710 --> 00:59:42,212 NOTHING. 644 00:59:42,412 --> 00:59:44,915 -NOTHING WHAT? -NOTHING, SIR. 645 00:59:46,950 --> 00:59:48,896 DON'T YOU LIE TO ME, YOU LITTLE BRAT. 646 00:59:51,254 --> 00:59:53,461 HAVE YOU BEEN STEALING TREATS? 647 00:59:55,525 --> 00:59:58,472 I ASKED YOU A QUESTION. 648 00:59:58,695 --> 01:00:00,732 YOU'RE GONNA ANSWER. 649 01:00:03,633 --> 01:00:06,136 HAVE YOU'VE BEEN STEALING TREATS AGAIN? 650 01:00:06,369 --> 01:00:07,939 YES, SIR. 651 01:00:13,577 --> 01:00:15,420 WHAT'S GO|N' ON IN HERE? 652 01:00:18,949 --> 01:00:21,088 SHE'S BEEN STEALING TREATS AGAIN. 653 01:00:24,654 --> 01:00:26,565 IS THIS TRUE? 654 01:00:29,392 --> 01:00:33,238 MAMA HAS TOLD YOU THAT YOU CAN'T TAKE TREATS, 655 01:00:33,430 --> 01:00:34,602 FROM THE KITCHEN. 656 01:00:34,798 --> 01:00:37,779 NOW PAPA'S GONNA HAVE TO CHASTIZE YOU. 657 01:00:37,968 --> 01:00:40,505 GET THE ROD, TOM. 658 01:00:40,737 --> 01:00:42,182 WITH PLEASURE. 659 01:00:42,405 --> 01:00:45,614 MAMA IS GONNA GO DOWNSTAIRS AND FINISH MAKING DINNER, 660 01:00:45,809 --> 01:00:49,416 AND $HE'LL NOT HEAR A PEEP OUT OF THIS ROOM. 661 01:00:49,613 --> 01:00:53,652 WE CAN'T HAVE WAILING WHILE I'M TRYING TO PREPARE A DECENT MEAL, 662 01:00:53,850 --> 01:00:56,763 WHICH YOU'LL PARTAKE NONE. 663 01:01:00,190 --> 01:01:02,500 MAKE SURE HER LESSON LEAVES REMINDERS. 664 01:01:14,271 --> 01:01:16,114 INTERNATIONAL POP STAR, |v|||_ow THE GIRL, 665 01:01:16,306 --> 01:01:17,785 HER ASSISTANT, AND TWO BANDMATES, 666 01:01:17,974 --> 01:01:19,044 HAVE GONE MISSING. 667 01:01:19,276 --> 01:01:22,189 THE GROUP, LAST SEEN IN THIS LOCAL MUSIC VENUE, 668 01:01:22,379 --> 01:01:25,121 HAVE BAFFLED AUTHORITIES WITH THEIR SUDDEN DISAPPEARANCE. 669 01:01:25,315 --> 01:01:27,989 EARLIER TODAY THE CHIEF OF POLICE HAD THIS TO SAY. 670 01:01:28,185 --> 01:01:30,222 AT "n-ns TIME, THE DISAPPEARANCE 671 01:01:30,453 --> 01:01:34,833 OF MILOW THE GIRL IS UNDER INVESTIGATION. 672 01:01:35,025 --> 01:01:40,475 -OUR DEPARTMENT WILL DO EVERYTHING IT CAN TO FIND HER. -WHAT THE HELL? 673 01:01:40,664 --> 01:01:44,373 | HAVE NO FURTHER INFORMATION FOR YOU AT THIS TIME. 674 01:01:44,568 --> 01:01:47,071 MORE TO COME AS THE STORY DEVELOPS. 675 01:01:47,304 --> 01:01:49,910 TURN IT OFF. 676 01:01:50,140 --> 01:01:52,677 THOUGHT SHE LOOKED FAMILIAR. 677 01:01:52,876 --> 01:01:54,321 YOU KNEW? 678 01:01:54,511 --> 01:01:57,890 NO, I JUST THOUGHT SHE LOOKED FAMILIAR. 679 01:01:59,649 --> 01:02:03,825 I DIDN'T KNOW. I DIDN'T KNOW SHE WAS FAMOUS. 680 01:02:04,020 --> 01:02:05,863 WHERE ARE THEY? 681 01:02:08,592 --> 01:02:10,868 WHERE ARE THEY? 682 01:02:11,061 --> 01:02:12,938 ONE OF THEM'$ DEAD. 683 01:02:16,266 --> 01:02:17,244 WE HAD TO. 684 01:02:17,434 --> 01:02:20,244 THE FAMOUS ONE IS FINE. 685 01:02:24,541 --> 01:02:26,543 IS THAT FINE? 686 01:02:28,912 --> 01:02:30,357 IS THAT FINE? 687 01:02:30,547 --> 01:02:32,254 OH, EVERYTHING'S JUST FINE. 688 01:02:34,050 --> 01:02:38,021 I AIN'T GOT A FUCKlN' CARE IN THE WORLD. 689 01:02:38,221 --> 01:02:41,202 POLICE TRACE THAT BITCH BACK TO OUR HOUSE, 690 01:02:41,391 --> 01:02:44,099 AND YOU SAY EVERYTHING'S FINE. 691 01:03:06,483 --> 01:03:11,091 THE BEST PART OF YOU DRIPPED DOWN YOUR MAMA'S LEG-. 692 01:03:11,288 --> 01:03:12,426 IF THEY SHUT US DOWN, 693 01:03:12,622 --> 01:03:16,069 HOW ARE WE GONNA PAY OFF YOUR DEBT? 694 01:03:16,259 --> 01:03:19,797 I KNEW YOU ALL WERE USELESS THE MINUTE WE STARTED THIS CHARADE. 695 01:03:21,097 --> 01:03:24,909 NOW WE STAND TO LOSE $200 THOUSAND WORTH 696 01:03:25,101 --> 01:03:26,842 OF BREEDING STOCK, 697 01:03:27,070 --> 01:03:30,847 NOT TO MENTION END UP AT THE MERCY OF YOUR DEALER FRIEND. 698 01:03:31,074 --> 01:03:34,612 SO, HOW ARE WE GONNA FIX THIS? 699 01:03:34,811 --> 01:03:36,290 HOW? 700 01:03:41,284 --> 01:03:43,321 LAST I HEARD, 701 01:03:43,520 --> 01:03:47,991 THEY HUNG GOOD OL‘ GARY UP LIKE ONE OF THEIR CATTLE. 702 01:03:48,191 --> 01:03:52,970 SLICED HIM FROM TOP TO BOTTOM. 703 01:03:53,163 --> 01:03:57,043 DRAINED HIS BLOOD AND WATCHED WHILE IT HAPPENED. 704 01:03:57,267 --> 01:04:00,874 LET ME TELL YOU SOMETHING, 705 01:04:01,104 --> 01:04:03,345 THAT AIN'T GONNA BE ME. 706 01:04:06,343 --> 01:04:09,722 WE ARE GONNA PAY OFF THAT DEBT, 707 01:04:09,946 --> 01:04:12,984 AND WE'RE GONNA USE THESE DOGS TO DO IT. 708 01:04:13,850 --> 01:04:15,158 GET OFF! 709 01:04:24,294 --> 01:04:26,171 LESTER'S GONE. 710 01:04:27,564 --> 01:04:30,135 THEY TOOK HIM FROM ME. 711 01:04:30,333 --> 01:04:33,712 DOESN'T LOOK GOOD FOR US TWO. 712 01:04:33,903 --> 01:04:40,343 BUT I GUESS YOU ALREADY KNOW THAT, HUH? 713 01:04:40,543 --> 01:04:46,186 HOW COULD I OF ALL PEOPLE NOT HAVE KNOWN ABOUT THIS? 714 01:04:46,383 --> 01:04:48,693 I FEEL LIKE SUCH AN IDIOT. 715 01:04:50,653 --> 01:04:53,497 THIS IS ALL MY FAULT. 716 01:04:53,690 --> 01:04:57,832 NONE OF US WOULD HAVE BEEN HERE IF IT WASN'T FOR ME. 717 01:05:02,165 --> 01:05:03,735 HEY. 718 01:05:09,672 --> 01:05:12,949 ANY IDEAS OF HOW WE CAN GET OUTTA HERE? 719 01:05:14,511 --> 01:05:15,421 WHAT IS IT? 720 01:05:15,612 --> 01:05:17,114 WHAT ARE YOU LOOKING AT? 721 01:05:22,051 --> 01:05:23,689 UP HERE? 722 01:05:23,887 --> 01:05:26,265 WHAT IS IT? 723 01:05:26,456 --> 01:05:27,799 I CAN'T FIT THROUGH HERE. 724 01:05:39,903 --> 01:05:41,610 YOU'RE PRETTY SMART. 725 01:06:13,436 --> 01:06:14,676 SO, IS SHE OKAY? 726 01:06:14,904 --> 01:06:16,815 YEAH, SHE'S-- 727 01:06:17,006 --> 01:06:20,613 SHE JUST FEELS BAD THAT SHE DIDN'T GET THERE ON TIME 728 01:06:20,810 --> 01:06:21,982 AND NOW HE'S GONE. 729 01:06:22,178 --> 01:06:23,623 I MEAN, THERE'S NOTHING SHE COULD HAVE DONE. 730 01:06:23,813 --> 01:06:26,350 SHE COULD HAVE CANCELLED THE SHOW. 731 01:06:26,583 --> 01:06:30,292 HEY, I MEAN, HE KNEW SHE WAS THERE IN SPIRIT. 732 01:06:30,487 --> 01:06:32,660 PROTECT YOUR ASSES. 733 01:06:32,856 --> 01:06:33,834 -OH! -SHUT THE FUCK-- 734 01:06:34,023 --> 01:06:36,196 WHERE ARE WE, NUMBER ONE? 735 01:06:36,426 --> 01:06:39,430 -WHAT? -YOUR NOSE IS SHAPED LIKE A DICK. 736 01:06:39,629 --> 01:06:41,131 IT'S THAT DAMN COLOGNE YOU'RE WEARING 737 01:06:41,331 --> 01:06:42,674 -THAT'$ ATTRACTING THE BUGS. -I DON'T KNOW WHAT WE'RE DOING. 738 01:06:42,866 --> 01:06:44,868 THIS COLOGNE ATTRACTS ANYTHING I NEED IT TO ATTRACT. 739 01:06:45,101 --> 01:06:46,136 YOU'RE WEARING FUCKING PERFUME. 740 01:06:46,336 --> 01:06:47,542 YOU GOT A CIGARETTE? 741 01:06:47,770 --> 01:06:49,943 COME ON, GIVE ME ONE. GIVE ME ONE! 742 01:06:50,139 --> 01:06:51,812 RILEY, THE RAINBOW ROOM'S THAT WAY, 743 01:06:52,008 --> 01:06:52,986 WHERE THE FUCK YOU TAKING US? 744 01:06:53,176 --> 01:06:56,157 NO, THEY WENT THIS WAY. I CAN BARELY-- 745 01:06:56,346 --> 01:06:57,484 HUH? 746 01:06:57,680 --> 01:06:59,682 WE GOTTA FIND-- WE GOTTA FIND ZOEY AND TRINITY. 747 01:07:01,050 --> 01:07:04,361 COME ON, SHE WAS SO... 748 01:07:04,554 --> 01:07:07,694 EXCITED TO GET BACK TO THE GRASS ROOTS OF EVERYTHING. 749 01:07:07,891 --> 01:07:10,064 I MEAN, SHE'S NOT WRONG. 750 01:07:10,293 --> 01:07:12,136 YOU KNOW THIS LIFESTYLE, YOU KNOW. 751 01:07:12,328 --> 01:07:17,744 YOU MISS OUT ON EVENTS AND MOMENTS IN LIFE AND YOU NEVER GET THEM BACK. 752 01:07:17,967 --> 01:07:20,880 WELL, NOW THAT WE'RE SCALING THE TOUR BACK AND EVERYTHING, 753 01:07:21,070 --> 01:07:22,481 WE'LL BE ABLE TO HAVE THOSE MOMENTS AGAIN. 754 01:07:22,672 --> 01:07:25,175 LIVE NORMAL LIVES. 755 01:07:25,375 --> 01:07:29,221 BE NORMAL PEOPLE, RIGHT? 756 01:07:34,050 --> 01:07:35,495 YOU'RE GONNA HATE IT! 757 01:07:37,820 --> 01:07:40,061 I SERIOUSLY HEARD SOME SHIT, MUCH LATER. 758 01:07:40,256 --> 01:07:41,496 -THERE WERE. -HIM WRESTLING? 759 01:07:41,691 --> 01:07:43,762 -NO, NO, MANY MEN? -AH, THERE'S NO CHANCE IN HELL. 760 01:07:43,993 --> 01:07:46,166 THERE'S NOT-- 761 01:07:46,362 --> 01:07:48,000 THERE'S NOT A CHANCE IN HELL I'M GOING. 762 01:07:48,197 --> 01:07:50,177 LOSERS. THEY TOTALLY LOVE THIS. 763 01:07:50,366 --> 01:07:51,674 WHY IS HE WEARING SUNGLASSES? 764 01:07:51,868 --> 01:07:54,542 -IT'S NOT EVEN BRIGHT OUTSIDE. -I HAVE NO IDEA. 765 01:07:54,737 --> 01:07:56,546 HE THINKS HE'S LIKE A COOL CAT. 766 01:07:56,739 --> 01:07:58,013 OH, LOOK WHO'S HERE. 767 01:07:58,207 --> 01:08:00,448 WE'VE BEEN LOOKING FOR YOU TWO. 768 01:08:00,677 --> 01:08:01,849 WE HAVE SOUND CHECK. 769 01:08:02,045 --> 01:08:04,252 AH, NO, NO SOUND CHECK TODAY. 770 01:08:04,447 --> 01:08:06,393 NO SOUND CHECK, WHY? 771 01:08:06,583 --> 01:08:09,962 BECAUSE I SAID SO, YOU WHINY BITCHES. 772 01:08:11,387 --> 01:08:14,459 -OH, I CAN'T. -NO! 773 01:08:18,027 --> 01:08:20,064 -I LITERALLY HATE YOU. -OKAY, THAT WAS PRETTY CLOSE. 774 01:08:20,263 --> 01:08:21,435 I LITERALLY HATE YOU. 775 01:08:22,732 --> 01:08:23,972 I HATE YOU. 776 01:08:26,235 --> 01:08:27,213 NATURE. 777 01:08:27,403 --> 01:08:28,609 LOOK AT THAT. THAT'S LIKE- 778 01:08:28,805 --> 01:08:30,148 -A BIRD? -I THINK IT'S A CRANE. 779 01:08:38,147 --> 01:08:41,890 - HEY, YOU OKAY? - YES, I'M COOL. 780 01:08:42,085 --> 01:08:45,430 YOU KNOW SHE WOULD HAVE CANCELLED THE SHOW IF SHE WASN'T UP FOR IT. 781 01:08:45,622 --> 01:08:49,434 -I KNOW. -ALL RIGHT. DON'T WORRY ABOUT IT TOO MUCH. 782 01:08:49,626 --> 01:08:50,798 I'M COOL. LET'S GO. 783 01:08:50,994 --> 01:08:51,904 LET'S DO THIS. 784 01:08:52,095 --> 01:08:53,904 HEY, YOU COMING? 785 01:08:54,097 --> 01:08:55,974 -YES. -LET'S GO. 786 01:08:58,267 --> 01:09:00,508 A LITTLE MORE CULTURED. 787 01:10:32,729 --> 01:10:34,436 YOU OKAY? 788 01:10:34,664 --> 01:10:35,768 I'M SORRY. 789 01:10:50,079 --> 01:10:51,217 RILEY! 790 01:10:52,248 --> 01:10:53,750 RILEY! 791 01:10:59,255 --> 01:11:01,633 RILEY! RILEY, CAN YOU HEAR ME? 792 01:11:11,100 --> 01:11:14,104 RILEY! RILEY, CAN YOU HEAR ME? 793 01:11:14,303 --> 01:11:16,874 RILEY! RILEY, ARE YOU IN HERE? 794 01:11:17,073 --> 01:11:19,053 MILOW? MILOW! 795 01:11:19,242 --> 01:11:21,620 - WHERE? - OVER HERE! 796 01:11:21,811 --> 01:11:22,983 - IT'S YOU! - I THOUGHT THEY KILLED YOU. 797 01:11:23,212 --> 01:11:24,953 ARE YOU OKAY? 798 01:11:25,148 --> 01:11:27,059 GET ME THE FUCK OUTTA HERE! 799 01:11:27,917 --> 01:11:29,897 GET ME THE FUCK OUTTA HERE! 800 01:11:30,086 --> 01:11:32,396 WHERE'S RILEY AND GIA? 801 01:11:32,588 --> 01:11:33,828 THEY'RE DEAD. 802 01:11:34,056 --> 01:11:34,898 WHAT? 803 01:11:35,091 --> 01:11:38,800 THOSE FUCKING BASTARDS KILLED THEM. 804 01:11:38,995 --> 01:11:40,804 COME ON, LET'S GET THE FUCK OUTTA HERE! 805 01:11:40,997 --> 01:11:43,273 AAH! GET ME THE FUCK OUTTA HERE! 806 01:11:46,068 --> 01:11:47,741 THE KEYS, THE KEYS TO THE CAGE, THEY'RE OVER THERE. 807 01:11:49,572 --> 01:11:51,574 - WHICH ONE IS IT? - I DON'T KNOW. 808 01:11:51,774 --> 01:11:53,082 YOU DON'T KNOW OR YOU CAN'T REMEMBER? 809 01:11:53,276 --> 01:11:54,186 - I DON'T KNOW. - TRINITY.T 810 01:11:54,410 --> 01:11:55,650 WHICH ONE IS IT? 811 01:11:55,845 --> 01:11:57,153 GOLD? SILVER? 812 01:11:57,346 --> 01:11:58,154 EVERYTHING'S SILVER! 813 01:11:58,347 --> 01:12:00,088 OH, MY GOD. 814 01:12:00,283 --> 01:12:01,819 GET ME THE FUCK OUTTA HERE! 815 01:12:05,922 --> 01:12:07,492 OH, COME ON! 816 01:12:09,592 --> 01:12:11,469 TRINITY! WHICH ONE IS IT? 817 01:12:11,661 --> 01:12:13,834 THIS ONE, I THINK. 818 01:12:14,030 --> 01:12:15,475 THAT'S IT! 819 01:12:18,301 --> 01:12:19,678 MY LEG! MY LEG! MY LEG! 820 01:12:28,778 --> 01:12:30,519 WHAT THE FUCK? 821 01:12:33,950 --> 01:12:36,794 THE BITCHES ARE LOOSE. I'LL BRING THE GUN. 822 01:12:39,522 --> 01:12:40,796 FUCK! 823 01:12:46,662 --> 01:12:48,164 MILOW! 824 01:12:48,364 --> 01:12:50,071 LESTER'S GOTTA BE HERE SOMEWHERE. 825 01:12:50,299 --> 01:12:51,175 JUST GOT TO! 826 01:12:51,367 --> 01:12:52,368 MILOW, WE HAVE TO GO. 827 01:12:52,568 --> 01:12:55,139 NOT UNTIL I FIND LESTER. 828 01:12:55,338 --> 01:12:56,578 COME ON! 829 01:13:03,813 --> 01:13:05,383 WHERE ARE THEY? 830 01:13:05,581 --> 01:13:07,857 -DO YOU SEE THEM? -I DON'T SEE A DAMN THING. 831 01:13:08,050 --> 01:13:09,427 s|.ow DOWN. 832 01:13:14,991 --> 01:13:18,063 COME OUT, COME OUT, WHEREVER YOU ARE. 833 01:13:18,261 --> 01:13:20,707 WE'RE GONNA HAVE SOME FUN. 834 01:13:20,897 --> 01:13:22,535 WE'LL HAVE A THREESOME. 835 01:13:22,732 --> 01:13:25,906 YEAH, THAT'S IT. COME TO PAPA. 836 01:13:29,205 --> 01:13:31,845 WHERE THE FUCK ARE THEY? 837 01:13:32,041 --> 01:13:33,281 I KNOW THEY'RE HERE SOMEWHERE. 838 01:13:33,509 --> 01:13:34,886 COME ON. 839 01:13:39,248 --> 01:13:40,454 THERE THEY ARE! 840 01:13:40,683 --> 01:13:41,957 GET 'EM! 841 01:14:33,002 --> 01:14:34,140 TRINITY! 842 01:14:40,643 --> 01:14:42,486 I'M COMING FOR YOU, BITCH. 843 01:15:20,383 --> 01:15:21,361 FUCKING BITCH. 844 01:15:51,013 --> 01:15:53,015 WHERE ARE YOU? 845 01:15:56,852 --> 01:15:59,162 WHERE THE FUCK ARE THEY? COME ON. 846 01:17:30,279 --> 01:17:31,656 HERE I COME. 847 01:19:06,742 --> 01:19:08,949 WHERE ARE YOU? 848 01:19:09,178 --> 01:19:11,749 HEY, ASSHOLE! 849 01:19:11,947 --> 01:19:13,051 COME HERE! 850 01:19:13,249 --> 01:19:15,354 COME AND GET ME! 851 01:19:17,086 --> 01:19:19,760 COME ON! COME GET IT! 852 01:19:19,955 --> 01:19:21,935 COME ON, I WANNA PLAY. 853 01:19:27,863 --> 01:19:29,433 WHERE ARE YOU? COME AND PLAY. 854 01:19:29,632 --> 01:19:30,906 HEY! 855 01:19:31,100 --> 01:19:32,078 FUCK FACE! 856 01:19:37,806 --> 01:19:39,649 COME ON! 857 01:19:39,875 --> 01:19:41,821 COME ON! COME ON! 858 01:19:56,925 --> 01:19:58,962 FUCK YOU! 859 01:20:15,077 --> 01:20:18,854 WELCOME TO THE DARK, BITCH. 860 01:20:35,764 --> 01:20:38,176 LESTER! LESTER! 861 01:20:38,367 --> 01:20:39,175 LESTER! 862 01:20:39,368 --> 01:20:40,870 LESTER! LESTER! 863 01:20:41,103 --> 01:20:41,979 GOTCHA! 864 01:20:42,171 --> 01:20:44,014 HE WASN'T GONNA MAKE IT ANYWAY. 865 01:20:44,206 --> 01:20:47,380 OH, WELL. NOTHIN' YOU CAN DO NOW. 866 01:20:47,609 --> 01:20:48,383 LIGHTS OUT. 867 01:20:58,554 --> 01:20:59,794 GIVE ME BACK MY DOG! 868 01:21:00,389 --> 01:21:01,697 GIVE HIM BACK! 869 01:21:03,726 --> 01:21:06,639 MILOW, STOP! MILOW, LOOK AT ME! 870 01:21:06,829 --> 01:21:08,672 HEY! MILOW! LOOK AT ME! 871 01:21:08,864 --> 01:21:11,071 PLEASE LOOK AT HERE. LOOK AT ME! 872 01:21:11,300 --> 01:21:13,337 NO, THIS IS NOT YOU. 873 01:21:13,535 --> 01:21:15,981 HEY! 874 01:21:16,171 --> 01:21:17,809 LOOK AT ms, LOOK AT ma: 875 01:21:18,006 --> 01:21:20,816 LOOK AT ME. LOOK AT ME! 876 01:21:21,009 --> 01:21:22,647 IT'S NOT WORTH IT. IT'S NOT WORTH IT. 877 01:21:22,845 --> 01:21:25,519 -IT'S OKAY, IT'S OKAY. qsoamue] 878 01:21:30,586 --> 01:21:32,395 GIVE IT TO ME. 879 01:21:38,694 --> 01:21:42,699 EVEN WITH THE UPPER HAND, THE ONLY THING YOU BITCHES ARE GOOD FOR IS BREEDING. 880 01:21:45,834 --> 01:21:47,245 BEST THING FOR YOU. 881 01:21:51,874 --> 01:21:53,251 TRINITY! TRINITY! 882 01:22:02,918 --> 01:22:05,057 FUCK YOU! 883 01:22:34,616 --> 01:22:37,119 WE'VE BEEN AT THIS FOR WHAT FEELS LIKE DAYS. 884 01:22:37,319 --> 01:22:38,263 THERE'S NOTHING. 885 01:22:38,454 --> 01:22:40,627 WE MUST BE MISSING SOMETHING. 886 01:22:42,991 --> 01:22:45,972 AT THIS POINT WE SHOULD JUST GIVE THE FOOTAGE TO THE POLICE. 887 01:22:47,729 --> 01:22:49,504 TOO LATE. 888 01:22:49,731 --> 01:22:50,675 SHIT. 889 01:22:50,899 --> 01:22:53,004 - OH, MY GOD. - IT'S ALL OVER THE INTERNET. 890 01:22:53,235 --> 01:22:55,579 YOU'VE GOT TO BE FUCKING KIDDING ME. 891 01:22:55,771 --> 01:22:57,978 THIS JEOPARDIZES EVERYTHING! 892 01:22:58,173 --> 01:22:59,447 FUCK! 893 01:22:59,641 --> 01:23:00,346 SHIT! 894 01:23:00,576 --> 01:23:04,353 J" I'M GOIN‘ BACK TO THE BAR 895 01:23:04,580 --> 01:23:06,992 J" BACK OUT IN THE WIND 896 01:23:10,786 --> 01:23:12,823 J" ...WAYS I USED TO BE 897 01:23:16,492 --> 01:23:19,769 J" BACK OUT ON THE RAILS ON A... 898 01:23:23,799 --> 01:23:24,834 I I'M BACK... 899 01:23:27,803 --> 01:23:31,774 ♪ CAUSE MY BABY WON'T COME BACK 900 01:23:36,445 --> 01:23:38,686 J" A HUNDRED MORE MILES 901 01:23:58,534 --> 01:24:00,514 -LEAVE US THE FUCK ALONE! -WE'RE NOT GONNA HURT YOU. 902 01:24:00,702 --> 01:24:02,045 I'M NOT FUCKING KIDDING. 903 01:24:02,237 --> 01:24:05,241 STAY AWAY! I'M NOT FUCKING AROUND. 904 01:24:05,474 --> 01:24:07,385 -WE'RE HERE TO HELP. -WE'RE JUST LOCAL FOLKS. 905 01:24:07,576 --> 01:24:08,714 STAY AWAY! 906 01:24:08,911 --> 01:24:10,891 OKAY, WE DON'T KNOW WHAT HAPPENED, 907 01:24:11,079 --> 01:24:13,025 BUT WE'RE GONNA GET YOU SOME HELP, OKAY? 908 01:24:13,215 --> 01:24:14,523 I'M MIRANDA. THIS HERE IS TUCKER. 909 01:24:14,716 --> 01:24:18,892 I LIVE AT 365 TASKER ROAD, MIDDLETOWN, MISSOURI. 910 01:24:19,087 --> 01:24:20,930 ALL RIGHT? HERE. 911 01:24:22,024 --> 01:24:23,560 NOW AS A GESTURE OF GOOD FAITH, 912 01:24:23,759 --> 01:24:26,035 I'M GONNA LOWER MY GUN, SO WE CAN GET YOU GIRLS 913 01:24:26,228 --> 01:24:27,400 THE HELP YOU NEED. 914 01:24:27,596 --> 01:24:28,734 WE'RE NOT GONNA HURT YOU. 915 01:24:28,931 --> 01:24:30,672 WE'RE HERE TO HELP. 916 01:24:30,866 --> 01:24:32,607 OKAY? ARE YOU OKAY WITH US DOING THAT? 917 01:24:32,834 --> 01:24:34,507 TELL US WHAT HAPPENED. 918 01:24:42,444 --> 01:24:44,048 WE WENT TO THIS-- 919 01:24:46,949 --> 01:24:49,225 WE WENT TO A RESCUE HOUSE AND THERE WAS THIS GUY 920 01:24:49,418 --> 01:24:51,364 WITH A SCAR AND HE-- 921 01:24:53,455 --> 01:24:55,025 A GUY WITH ONE EYE AND-- 922 01:24:55,223 --> 01:24:59,638 THERE WERE DOGS IN THERE-- 923 01:25:02,931 --> 01:25:04,877 THERE WERE DOGS EVERYWHERE. 924 01:25:16,278 --> 01:25:18,724 OKAY, WE'RE GONNA GET Y'ALL SOMEWHERE SAFE. 925 01:25:18,914 --> 01:25:20,052 ALL RIGHT? 926 01:25:24,252 --> 01:25:26,061 WE'VE GOT TO GET Y'ALL SOMEWHERE SAFE. 927 01:26:19,941 --> 01:26:22,148 HELLO, TUCKER. 928 01:26:22,344 --> 01:26:24,051 -YOU OUT HUNTIN‘? -IS PATTI HOME? 929 01:26:24,279 --> 01:26:27,726 WHO'S BANGlN' ON MY DOOR AT THIS TIME OF DAY? 930 01:26:27,949 --> 01:26:29,792 HELLO THERE, TUCKER. 931 01:26:29,985 --> 01:26:31,692 WHAT CAN WE DO FOR YOU? 932 01:26:31,887 --> 01:26:35,232 SEE THEM GIRLS OVER THERE IN THE TRUCK WITH MIRANDA? 933 01:26:35,457 --> 01:26:36,868 I DON'T KNOW 'EM. 934 01:26:37,059 --> 01:26:39,369 -WHO ARE THEY? -YEAH, I BELIEVE YOU DO. 935 01:26:39,561 --> 01:26:40,869 I SWEAR WE DON'T. 936 01:26:41,063 --> 01:26:44,738 TOM, DON'T SAY ANOTHER WORD. 937 01:26:44,966 --> 01:26:45,910 YUP, I AGREE. 938 01:26:46,134 --> 01:26:47,875 HUNTIN' TIME'S OVER, TOM. GET OVER THERE! 939 01:26:48,070 --> 01:26:49,481 DON'T SAY A WORD, TOM! 940 01:26:49,671 --> 01:26:51,082 DON'T SAY A WORD! 941 01:26:51,306 --> 01:26:52,148 GET DOWN, TOM. 942 01:26:52,340 --> 01:26:53,876 PATTI! 943 01:26:56,878 --> 01:26:58,653 DON'T MAKE ANOTHER MOVE, 944 01:26:58,847 --> 01:27:01,350 YOU CRAZY STUPID BITCH. 945 01:27:12,227 --> 01:27:14,002 -RACHEL, WHERE IS SHE? -THEY WERE CALLED. 946 01:27:14,196 --> 01:27:16,836 GIVE THEM A MINUTE. 947 01:27:17,032 --> 01:27:18,204 MILOW, WHERE ARE YOU? 948 01:27:18,400 --> 01:27:19,936 I'M SO NERVOUS. 949 01:27:20,168 --> 01:27:21,408 WHERE IS SHE? 950 01:27:23,038 --> 01:27:24,244 WHERE'S MILOW? 951 01:27:24,439 --> 01:27:26,180 I DON'T KNOW. WE'LL FIND HER. 952 01:27:28,844 --> 01:27:30,551 I'M TOO NERVOUS. I NEED TO DRINK. 953 01:27:30,746 --> 01:27:32,248 YEAH, ME, TOO. 954 01:27:32,447 --> 01:27:34,586 YEAH, THIS'LL CALM ME DOWN. 955 01:27:34,783 --> 01:27:36,956 THERE, THAT'S FINE. 956 01:27:37,185 --> 01:27:37,959 THE PHONES STILL NOT RINGING. 957 01:27:38,186 --> 01:27:39,631 IT WILL RING. 958 01:27:41,223 --> 01:27:44,761 THIS IS WHY I ALWAYS NEED TO BE WITH THEM 959 01:27:44,960 --> 01:27:46,633 WHEN THEY GO ON THE ROAD. 960 01:27:46,862 --> 01:27:48,466 - REALLY? - YES, REALLY. 961 01:27:48,697 --> 01:27:49,903 WE'LL FIND THEM. 962 01:27:50,098 --> 01:27:51,133 THERE ARE LITERALLY THOUSANDS OF PEOPLE 963 01:27:51,366 --> 01:27:52,140 LOOKING FOR THEM RIGHT NOW. 964 01:27:56,104 --> 01:27:58,584 HELLO? 965 01:28:00,642 --> 01:28:02,553 FANTASTIC. 966 01:28:02,744 --> 01:28:04,155 THE OTHERS? 967 01:28:06,715 --> 01:28:08,490 ED? 968 01:28:08,717 --> 01:28:09,923 WHAT IS IT? 969 01:28:10,118 --> 01:28:12,291 ED, GOD DAMN IT! TELL ME WHAT HAPPENED. 970 01:28:15,724 --> 01:28:17,328 THEY'RE GONE. 971 01:28:20,762 --> 01:28:22,605 DAMN IT! 972 01:28:45,854 --> 01:28:48,960 I STOP, IT'S HURTING 973 01:28:49,157 --> 01:28:50,830 ♪ AGAIN 974 01:28:53,995 --> 01:28:58,137 I- AND I WON'T FEEL ANYMORE -HELLO? WHAT? 975 01:28:58,333 --> 01:29:01,644 I DON'T UNDERSTAND. 976 01:29:01,837 --> 01:29:03,714 - THE PEOPLE WHO TOOK-- - I NEED TO TALK TO THEM. 977 01:29:03,939 --> 01:29:07,045 IT'S RILEY, IT'S RILEY AND GIA. 978 01:29:07,275 --> 01:29:08,185 THEY'RE GONE. 979 01:29:09,978 --> 01:29:13,551 -J" NO ONE FEARS THE PAIN 980 01:29:13,782 --> 01:29:15,625 GET THE FUCK OUTTA HERE! 981 01:29:15,817 --> 01:29:17,160 FUCK! 982 01:29:17,352 --> 01:29:20,492 SON OF A BITCH! MOTHERFUCKER! 983 01:29:20,689 --> 01:29:23,033 THE FUCKING SON OF A BITCH! 984 01:29:23,225 --> 01:29:24,329 FUCK! 985 01:29:26,361 --> 01:29:32,073 ♪ SEE MY SOUL LIKE NOTHING'$ GONE 986 01:29:32,300 --> 01:29:35,144 J" WE ARE WAITING 987 01:29:40,475 --> 01:29:43,547 J" WE ARE WAITING 988 01:29:50,986 --> 01:29:54,490 J" YOU KNOW MY NAME 989 01:29:58,593 --> 01:30:00,402 J" TAKE A STAND 990 01:30:00,595 --> 01:30:04,168 J" JUST TO MOVE FOR 991 01:30:06,668 --> 01:30:10,582 J" GETS US BY YET AGAIN 992 01:30:14,609 --> 01:30:20,958 J" IT CUTS DEEPER, FEEL NO SHAME 993 01:30:22,717 --> 01:30:26,597 r SEE MY SOUL, SHELTER ME 994 01:30:26,788 --> 01:30:30,702 J" STOP THE RAIN 995 01:30:30,892 --> 01:30:34,738 ♪ SEE MY SOUL, TAKE THE RAGE 996 01:30:34,930 --> 01:30:38,707 J" STOP THE PAIN 997 01:30:38,900 --> 01:30:42,814 r SEE MY SOUL, WE ARE CAGED 998 01:30:43,038 --> 01:30:46,747 J" WE DON'T KNOW SURELY 999 01:30:46,942 --> 01:30:51,448 ♪ SEE MY SOUL LIKE NOTHING'S WRONG 1000 01:30:53,148 --> 01:30:56,322 J" WE ARE WAITING 1001 01:30:56,551 --> 01:30:59,395 OFFICER, HERE'S YOUR PROOF. 1002 01:31:01,289 --> 01:31:02,927 J" WE ARE WAITING 1003 01:31:03,124 --> 01:31:05,798 WAIT HERE ONE SECOND, OKAY? 1004 01:31:05,994 --> 01:31:07,439 THANK YOU SO MUCH FOR HELPING ME. 1005 01:31:07,629 --> 01:31:10,235 IT MUST HAVE BEEN YOU WHO UNLOCKED THE CAGE, RIGHT? 1006 01:31:12,801 --> 01:31:14,303 COME WITH ME. 1007 01:31:17,238 --> 01:31:19,684 J" WE ARE WAITING 1008 01:31:24,145 --> 01:31:25,089 WHAT DO YOU WANNA SHOW ME? 1009 01:31:25,280 --> 01:31:27,954 J" WE ARE WAITING 1010 01:31:33,321 --> 01:31:36,131 J" WE ARE WAITING 1011 01:31:37,459 --> 01:31:38,802 LESTER! 1012 01:31:38,994 --> 01:31:41,167 OH, I CAN'T BELIEVE THIS! 1013 01:31:45,333 --> 01:31:46,937 THANK YOU. 1014 01:32:00,315 --> 01:32:01,191 CAN YOU SIGN THIS? 1015 01:32:01,383 --> 01:32:03,158 OH, MY GOD. 1016 01:33:43,251 --> 01:33:44,821 BEING THE ARTIST THAT YOU ARE, 1017 01:33:45,053 --> 01:33:48,091 HOW CAN YOU CONSIDER LEAVING THE MUSIC INDUSTRY RIGHT NOW? 1018 01:33:49,891 --> 01:33:52,428 REALLY JUST A TRAP DOOR, ISN'T IT? 1019 01:33:52,627 --> 01:33:56,769 BEFORE YOU KNOW WHAT HAPPENS, YOU'RE INSIDE WITH NO WAY OUT. 1020 01:33:56,965 --> 01:33:59,309 THERE ARE REPORTS THAT BECAUSE OF THE INCIDENT, 1021 01:33:59,501 --> 01:34:03,176 YOU WILL NO LONGER TOUR. IS THAT TRUE? 1022 01:34:03,404 --> 01:34:05,145 - WILL IT MATTER? - OF COURSE IT WILL. 1023 01:34:05,340 --> 01:34:07,650 FOR YOUR FANS. 1024 01:34:07,842 --> 01:34:11,585 YOU'RE AN ICONIC FIGURE OF POP CULTURE. 1025 01:34:11,779 --> 01:34:16,091 WHAT WOULD YOU DO, IF NOT THIS? 1026 01:34:16,284 --> 01:34:18,423 WHAT WOULD I DO, WITH NOT THIS? 1027 01:34:20,855 --> 01:34:24,132 HOW DO WE KNOW UNTIL WE DO IT? 1028 01:34:24,325 --> 01:34:25,963 YOU'RE QUOTED AS SAYING, 1029 01:34:26,161 --> 01:34:29,506 "THESE DOGS HAVE NO DIFFERENT CIRCUMSTANCES THAN MY OWN." 1030 01:34:29,697 --> 01:34:31,802 WHAT DID YOU MEAN BY THAT? 1031 01:34:32,000 --> 01:34:35,140 THE CUTE LITTLE PUPPY IN THE WINDOW OF THE PET STORE, 1032 01:34:35,336 --> 01:34:36,838 IT SEEMS PERFECT. 1033 01:34:37,038 --> 01:34:39,109 YOU DON'T SEE WHERE IT COMES FROM, 1034 01:34:39,307 --> 01:34:42,345 WHAT HAPPENS BEHIND THE SCENES THAT PUTS IT THERE. 1035 01:34:42,544 --> 01:34:46,617 YOUR LIFE LOOKS PRIVILEGED AND CHARMED TO THE WHOLE WORLD, 1036 01:34:46,814 --> 01:34:50,159 ARE YOU INSINUATING THAT YOUR FAME AND SUCCESS 1037 01:34:50,351 --> 01:34:52,490 HAS A SORDID SIDE TO IT'? 1038 01:34:52,687 --> 01:34:54,530 -I THINK YOU KNOW. -KNOW WHAT? 1039 01:34:54,722 --> 01:34:59,296 OKAY, I'M SORRY, BUT WE ARE OUT-- WE ARE OUT OF TIME. 1040 01:34:59,494 --> 01:35:03,465 -SO WHAT HAPPENS FOR YOU AND THE BAND? -COME. COME ON- 1041 01:35:03,665 --> 01:35:04,973 JUST ANSWER THE LAST QUESTION. 1042 01:35:05,166 --> 01:35:06,338 WE DON'T HAVE THE FULL STORY. 1043 01:35:06,534 --> 01:35:09,981 LOOK, MILOW, YOU PROMISED US AN EXCLUSIVE INTERVIEW. 1044 01:35:10,171 --> 01:35:13,380 WHAT DO YOU MEAN WHEN YOU COMPARE YOURSELF TO THEM? 1045 01:35:13,575 --> 01:35:18,649 YOU HAVEN'T TOLD US ANYTHING THAT WE DIDN'T ALREADY KNOW. 1046 01:35:18,846 --> 01:35:22,225 THEN YOU WEREN'T LISTENING. 1047 01:35:22,417 --> 01:35:25,660 J" MILOW 1048 01:35:25,853 --> 01:35:29,426 J" SECRETS 1049 01:35:29,657 --> 01:35:33,070 J" MILOW 1050 01:35:33,261 --> 01:35:36,572 J" REGRETS 1051 01:35:36,764 --> 01:35:40,177 J" MILOW 1052 01:35:40,368 --> 01:35:43,747 J" SECRETS 1053 01:35:43,938 --> 01:35:47,385 J" MILOW 1054 01:35:47,575 --> 01:35:51,113 J" REGRETS 1055 01:35:51,346 --> 01:35:54,384 J" MILOW 1056 01:35:54,582 --> 01:35:58,257 J" SECRETS 1057 01:35:58,453 --> 01:36:05,063 J" HAVE NO REGRETS 1058 01:36:06,194 --> 01:36:09,232 J" MILOW 1059 01:36:09,430 --> 01:36:13,242 J" SECRETS 1060 01:36:13,434 --> 01:36:18,713 J" HAVE NO REGRETS 1061 01:36:18,906 --> 01:36:24,447 J" SHE KEEPS A SECRET IN A BOX 1062 01:36:24,646 --> 01:36:28,116 ♪ AFRAID SOMEONE WILL CATCH A GLIMPSE 1063 01:36:28,316 --> 01:36:33,561 J" AND SEE WHAT SHE'S BEEN PUTTING IN 1064 01:36:33,755 --> 01:36:39,330 ♪ IT'S NOTHING THAT SHE'D LIKE TO TELL 1065 01:36:39,560 --> 01:36:42,769 J" IT'S BURNING UP INSIDE HER MIND 1066 01:36:42,964 --> 01:36:48,937 ♪ IT'S LIKE HER PRIVATE LIVING HELL 1067 01:36:49,137 --> 01:36:53,279 J" READ MY MIND 1068 01:36:56,744 --> 01:37:00,658 J" READ MY MIND 1069 01:37:05,820 --> 01:37:13,102 J" AND WHEN YOU WENT AGAINST THE FLOW 1070 01:37:13,294 --> 01:37:20,178 J" THE FEAR SHE FINDS INSIDE THE CLOSET NEVER SHOWS 1071 01:37:20,368 --> 01:37:28,150 ♪ SHE'LL ALWAYS KEEP TO HERSELF 1072 01:37:28,343 --> 01:37:33,349 I' WILL THERE BECOME A TIME SHE TRUSTS SOMEBODY ELSE 1073 01:37:33,548 --> 01:37:37,462 J" READ MY MIND 1074 01:37:41,055 --> 01:37:45,003 J" READ MY MIND 1075 01:37:48,696 --> 01:37:52,667 J" READ MY MIND 1076 01:37:57,505 --> 01:38:01,476 J" READ MY MIND 1077 01:38:08,883 --> 01:38:10,885 THEIR-- 1078 01:38:11,085 --> 01:38:13,691 - THERE YOU ARE. - THEIR REALTY... 1079 01:38:13,888 --> 01:38:15,834 DOES NOT EXIST. 1080 01:38:16,023 --> 01:38:19,266 - IT DOES NOT EXIST. - IT DOES NOT EXIST. 1081 01:38:19,494 --> 01:38:20,837 IT DOES NOT EXIST. 1082 01:38:21,028 --> 01:38:24,703 WE CREATE OUR own-- 1083 01:38:24,899 --> 01:38:25,900 OUR OWN--. 1084 01:38:26,100 --> 01:38:28,205 - HAPPINESS. - HAPPINESS. 1085 01:38:28,403 --> 01:38:31,213 YES, WE CREATE IT. 1086 01:38:31,406 --> 01:38:33,079 - STOP RUNNING. - STOP RUNNING. 1087 01:38:33,274 --> 01:38:34,753 DON'T HIDE. 1088 01:38:38,546 --> 01:38:40,184 J" TEAR YOU DOWN 1089 01:38:40,381 --> 01:38:44,193 J" DON'T LET THOSE MOMENTS DEFINE YOU 1090 01:38:44,385 --> 01:38:45,386 J" TEAR YOU DOWN 1091 01:38:45,586 --> 01:38:49,728 ♪ LIFE INTERRUPTS, FRIENDS SAY GOODBYE 1092 01:38:49,924 --> 01:38:55,033 - ♪ SETTLE DOWN - J" YOU THINK THERE'S NOTHING YOU CAN DO 1093 01:38:55,229 --> 01:39:03,229 - ♪ SETTLE DOWN - J" YOU WIN OR LOSE YOU LAUGH OR CRY 1094 01:39:06,107 --> 01:39:11,420 I OOH 1095 01:39:11,612 --> 01:39:17,153 - J" SETTLE DOWN - ♪ YOUR REALITY DOES NOT EXIST 1096 01:39:17,385 --> 01:39:22,630 - ♪ SETTLE DOWN - J" CAN YOU BURY THIS AND EVEN CARE 1097 01:39:22,824 --> 01:39:27,773 - ♪ SETTLE DOWN - J" WE CREATE OUR OWN HAPPINESS 1098 01:39:27,962 --> 01:39:34,072 - ♪ SETTLE DOWN - ♪ YOU DECIDE IF YOU'RE AWARE 1099 01:39:34,268 --> 01:39:39,149 J" YOU'VE GOT TO RISE UP AND TAKE THEM DOWN 1100 01:39:39,340 --> 01:39:44,449 J" DON'T LET THEIR WORDS MAKE A SOUND 1101 01:39:44,645 --> 01:39:49,958 ♪ SO WON'T YOU RISE UP AND STAND YOUR GROUND 1102 01:39:50,151 --> 01:39:55,692 - J" STAND YOUR GROUND - ♪ STAND YOUR GROUND 1103 01:39:55,923 --> 01:39:57,459 J" TEARING DOWN 1104 01:39:57,658 --> 01:40:01,162 J" STOP RUNNING NO NEED TO HIDE 1105 01:40:01,362 --> 01:40:02,864 J" TEAR IT DOWN 1106 01:40:03,097 --> 01:40:06,510 I' LIKE A JOCK YOU PRETEND TO CARE 1107 01:40:06,701 --> 01:40:08,510 J" TEAR IT DOWN 1108 01:40:08,703 --> 01:40:12,014 J" WHAT YOU NEED, WHAT YOU DECIDE 1109 01:40:12,206 --> 01:40:14,152 J" TEAR IT DOWN 1110 01:40:14,342 --> 01:40:17,789 J" PAIN AND PLEASURE YOU NEED TO SHARE 1111 01:40:17,979 --> 01:40:23,053 J" YOU'VE GOT TO RISE UP AND TAKE THEM DOWN 1112 01:40:23,284 --> 01:40:28,734 J" DON'T LET THEIR WORDS MAKE A SOUND 1113 01:40:28,956 --> 01:40:34,406 ♪ SO WON'T YOU RISE UP AND STAND YOUR GROUND 1114 01:40:34,629 --> 01:40:36,700 J" STAND YOUR GROUND 1115 01:40:40,034 --> 01:40:45,347 J" YOU'VE GOT TO RISE UP AND TAKE THEM DOWN 1116 01:40:45,540 --> 01:40:47,144 J" DON'T LET THEIR 1117 01:40:47,341 --> 01:40:50,845 J" WORDS MAKE A SOUND 1118 01:40:51,045 --> 01:40:56,358 ♪ SO WON'T YOU RISE UP AND STAND YOUR GROUND 1119 01:40:56,551 --> 01:40:59,157 J" STAND YOUR GROUND 1120 01:41:04,559 --> 01:41:09,599 STOP RUNNING.